From nowhere with love, on the teenth of martober.
Dear madam, my darling, my sweet- but of no
Importance that is. For your features no longer,
To tell the truth, can be remembered. Not yours,
Yet no one's best friend. I salute you from one of
Five continents, which rests on the cowboys. Then
I loved you more than angles, and even "Omni...",
Hence, farther I am from you than- both of them.
Far away, late at night, at the bottom of valley,
In the town, where snow reaches the doorknob. I ,
Upon the sheet wringling, at least not as may be
Described somewhere in the further line,
I fluff up the pillow with "you" in a murmur,
Over the mountains, which have no bounds or end,
In the darkness, with the entire body, all your
Features, as would a crazy mirrow, I recreate.

I’m not a son or a grandson. I’ll say
Politely: I have not memories’ ton!
Only my soul is sad night and day
That our beloved poet is gone!

In New York he left at the dawn of years—
In January it was snowing hard.
I read his books of poetry and prose
From cover to cover for the mind.

I know even his number of phone
And his home address for writing.
But I’m afraid very much of bad form,
There’ll be no one letters reading.

His memory’ll be memorized, I believe,
So that the text in bronze runs
On home: “Never be sad, people, time treats grief,
Joseph Brodsky lived here, this memorize!”
{2020}

К 80-ЛЕТИЮ ИОСИФА БРОДСКОГО

Я не сын, не внук. Скажу учтиво:
У меня воспоминаний нет!
Только где-то на душе тоскливо,
Что ушёл любимый наш поэт!
На рассвете лет ушёл в Нью-Йорке -
Снег тогда январский сильно мёл.
Книги все его от корки к корке
Я стихов и прозы перечёл.
Знаю даже номер телефона,
Адрес дома – чтобы написать.
Но боюсь я очень моветона –
Будет письма некому читать.
Память – верю я – увековечат.
В бронзе текст на доме чтоб гласил:
«Не грустите, люди! Время лечит!
Здесь Иосиф Бродский раньше жил!»
{14.05.2020}

Translator - I. Toporov

As you pour yourself a scotch
Crush a roach or check your watch
As your hands adjust your tie people die
In the towns with funny names
Hit by bullets, caught in flames
By and large not knowing why people die.


*Joseph Brodsky

I said fate plays a game without a score,
and who needs fish if you've got caviar?
The triumph of the Gothic style would come to pass
and turn you on--no need for coke, or grass.
I sit by the window. Outside, an aspen.
When I loved, I loved deeply. It wasn't often.

I said the forest's only part of a tree.
Who needs the whole girl if you've got her knee?
Sick of the dust raised by the modern era,
the Russian eye would rest on an Estonian spire.
I sit by the window. The dishes are done.
I was happy here. But I won't be again.

I wrote: The bulb looks at the flower in fear,
and love, as an act, lacks a verb; the zer-
o Euclid thought the vanishing point became
wasn't math--it was the nothingness of Time.
I sit by the window. And while I sit
my youth comes back. Sometimes I'd smile. Or spit.

I said that the leaf may destory the bud;
what's fertile falls in fallow soil--a dud;
that on the flat field, the unshadowed plain
nature spills the seeds of trees in vain.
I sit by the window. Hands lock my knees.
My heavy shadow's my squat company.

My song was out of tune, my voice was cracked,
but at least no chorus can ever sing it back.
That talk like this reaps no reward bewilders
no one--no one's legs rest on my sholders.
I sit by the window in the dark. Like an express,
the waves behind the wavelike curtain crash.

A loyal subject of these second-rate years,
I proudly admit that my finest ideas
are second-rate, and may the future take them
as trophies of my struggle against suffocation.
I sit in the dark. And it would be hard to figure out
which is worse; the dark inside, or the darkness out.


Anonymous Submission

Joseph Brodsky

Citizen, enemy, mama's boy, sucker, utter
garbage, panhandler, swine, refujew, verrucht;
a scalp so often scalded with boiling water
that the puny brain feels completely cooked.
Yes, we have dwelt here: in this concrete, brick, wooden
rubble which you now arrive to sift.
All our wires were crossed, barbed, tangled, or interwoven.
Also: we didn't love our women, but they conceived.
Sharp is the sound of pickax that hurts dead iron;
still, it's gentler than what we've been told or have said ourselves.
Stranger! move carefully through our carrion:
what seems carrion to you is freedom to our cells.
Leave our names alone. Don't reconstruct those vowels,
consonants, and so forth: they won't resemble larks
but a demented bloodhound whose maw devours
its own traces, feces, and barks, and barks.

*Joseph Brodsky

I wish you were here, dear, I wish you were here.
I wish you sat on the sofa
and I sat near.
the handkerchief could be yours,
the tear could be mine, chin-bound.
Though it could be, of course,
the other way around.

I wish you were here, dear,
I wish you were here.
I wish we were in my car,
and you'd shift the gear.
we'd find ourselves elsewhere,
on an unknown shore.
Or else we'd repair
To where we've been before.

I wish you were here, dear,
I wish you were here.
I wish I knew no astronomy
when stars appear,
when the moon skims the water
that sighs and shifts in its slumber.
I wish it were still a quarter
to dial your number.

I wish you were here, dear,
in this hemisphere,
as I sit on the porch
sipping a beer.
It's evening, the sun is setting;
boys shout and gulls are crying.
What's the point of forgetting
If it's followed by dying?


Joseph Brodsky

About a year has passed. I've returned to the place of the battle,
to its birds that have learned their unfolding of wings
from a subtle
lift of a surprised eyebrow, or perhaps from a razor blade
- wings, now the shade of early twilight, now of state
bad blood.

Now the place is abuzz with trading
in your ankles's remnants, bronzes
of sunburnt breastplates, dying laughter, bruises,
rumors of fresh reserves, memories of high treason,
laundered banners with imprints of the many
who since have risen.

All's overgrown with people. A ruin's a rather stubborn
architectural style. And the hearts's distinction
from a pitch-black cavern
isn't that great; not great enough to fear
that we may collide again like blind eggs somewhere.

At sunrise, when nobody stares at one's face, I often,
set out on foot to a monument cast in molten
lengthy bad dreams. And it says on the plinth "commander
in chief." But it reads "in grief," or "in brief,"
or "in going under."



Joseph Brodsky

The stone-built villages of England.
A cathedral bottled in a pub window.
Cows dispersed across fields.
Monuments to kings.

A man in a moth-eaten suit
sees a train off, heading, like everything here, for the sea,
smiles at his daughter, leaving for the East.
A whistle blows.

And the endless sky over the tiles
grows bluer as swelling birdsong fills.
And the clearer the song is heard,
the smaller the bird.


*Joseph Brodsky

The first Holy Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Lennart Lundh, Barbara Marie Minney, and Gabriella Ercolani

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“This is the original Church of the world's scraps.
The body of the body of the body.
Burning in the sun.
‘Me and my son were born in the sun,’ They say.
He is willing to do it.”
The Man says, in a soothing voice.

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

Background chatter already fills the room with low whispers before the performance-service,
“I am happy to hear that you are safe”.
“I am not sure that you are”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Mama Evil steps forward to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, disputed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason.’”
“As the recovering Catholic Kevin Smith wrote, ‘It’s not important which faith you are, just that you have faith.’”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”
“Do you see the animal’s asking questions? Wondering who they are. They simply know that they are.
There are no fish in Purgatory. Only us.
The Garden of Eden is colonized by serpents
There was no place for the demons to go, but further in.”

A Hindu Yoga instructor rights himself from walking on his hands and decides to take the first initiative, “Puff the Magic Dragon says, ‘Jesus loves me, but I need to talk to a human.’”
A furry cosplayer responds, "I need to talk to a human."

A Wiccan Princess retorts, "Nature is not as inventive as she thinks she is; Neither is God"

The Man answers,
“We are a beautiful blasphemy to God’s word (because we question).”

“Heavy is the crown that wears the head,” says the child prince.

The Drag King quotes, “Psalms (chap.):13
You will tread on the lion and the cobra.
You will trample on the great lion and the serpent.”

"...And God teaches the cricket how to play his music," says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.

A gym rat, wearing a holey muscle shirt, extends arm to point as he says,
“Humans begin as *******.”

“Humans are also stardust.
Which means we are golden,” replies the scientist

“I will show you fear in a handful of dust,” says the derelict businessman hobo hero,
“God made mud in his own image and we are the leftover **** that rose out of it.
And if all life is really God’s sacred mud, then every **** storm is God’s Wrath.”

The Man quotes T.S. Eliot,
“What are the roots that clutch. What branches grow out of this stony *******. Son of man, you cannot say or guess, for you know only a heap of broken images.”

"The grapes of wrath transmuted into the harvest of imagination,” illustrates the painter

The automaton states, “**** the earth, to make a certain sense of it all.”

The Man attempts to regain control,
“Some future digger after truth,
alien or human, kneeling with
trowel and brush at this grave,
will note in clear, careful script
the wonder that a people would
be so deliberate with the smallest
of their gods' creatures,
and so careless of themselves.”

A soccer Mom asks,
“They say I shouldn’t be so tired.
They say I should get a job.
They say I should get off this couch.
They say I shouldn’t be a blob.”

“It takes but one step to enter the grave,” says The Man.
“So much can be lost in crossing that threshold. How did your grandparents, born in separate countries, meet? Did your mother kiss your father first, or vice versa? These are questions we don't think to pose, but without the asking or other evidence, Death will redact the list of begettings. Are you prepared for that void in memory? Or have you made notes for your children to leave theirs?”

"My Dad keeps their honeymoon receipts in the family Bible,” says the Unknown.
“After Mom moved on, he would take the Bible off the shelf every evening after supper.  He would first stare at it for what seemed forever while pouring himself a huge tumbler of bourbon and lighting a huge cigar that smelled like month old underwear.  Eventually, he would open the gold clasp and raise the deeply cracked leather cover of the Bible and first look at the family history written inside the front cover in the delicate and intricate handwriting of Mom, before pulling out the well worn honeymoon receipts, which he would shuffle through like a deck of cards before spreading them out on the worn and scratched kitchen table like a kind of dead man’s hand.  Sometimes, he would weep quietly.  Other times, he would pound his fists violently on the table shaking the cans of beans and potatoes on the shelves above.  That is when I knew it was time to make myself scarce.  He never ever opened the Bible any further than the front cover, which made me wonder about the nature of the book itself.  I always pondered the same questions over and over.”  
“Is Bible a filthy word? Is it the animal? The Man, The Woman? Should we burn the book?”
“Is the Word filthy?”, asks The Man, “What are the filthy words? What are the power of Words mired in ****? Who do these words define? Who are you?”

Mama Evil commands a presence,
“****? ****? ****? *****? Broad? *****? Are these the words you use to define me? When that which defines me is the holy chalice, life's catalyst, mia figa, my ****: stand us all on our heads and we all look the same. Regardless of our skin color, or the shape of the bones in our face or the skin around our eyes or the texture of our hair, those folds of flesh, that tunnel to the precipice of the universe, that little happy happy joy joy button, these are what we all have in common and what the whole world simultaneously wants and reviles. It has that much power. A lexical reclamation is taking place. One that will lift up the collective feminine spirit instead of dragging it down to the depths of all pejoratives. ****! The taking back of all pejoratives is an essential part of the reclamation of the collective self-esteem of woman kind! She is a Hindu Goddess! She is the Roman Goddess who is the protector or newborn infants. She is cunctipotent. She is all powerful and creates and destroys the world with her blood sugar **** magic. She is the princess and savior of the Mahabharata, renowned for her hospitality, who willingly receives any traveler who requests food and lodging. She is that benevolent. Durvasas bestows upon her a powerful mantra as payment for that hospitality and with it, Princess Kunti has the power to call on any God in heaven to lie with her and she will bear a son then by the next day. When her husband is rendered sterile as punishment for shooting the Stag King as he mated with his queen, Princess Kunti bears three heirs for the kingdom. She saves the kingdom. She saves the day. She is **** magic at its finest hour and she dwells in all of us who have ever been slandered. So go on, you ignorant *******. Call me a ****. Only you in your infinite small stupidity are skint the knowledge that you have just called me a princess and a savior.”

A comic nerd asks, “What of Power? What is power?”

Mama Evil holds up a single flame, spewing from a cheap blue lighter in her hand. She asks, “What is the power of The Word.” Is it in the book? Or in the air.”

She answers, “The power to choose. Do I set the world on fire, or put out
the flames?”

The room goes dark as she abruptly steals The Man’s usual send off,
“The Word has evolved, my friends.”

M.B.


I threw my arms about those shoulders, glancing
at what emerged behind that back,
and saw a chair pusher slightly forward,
merging now with the lighted wall.
The lamp glared too bright to show
the shabby furniture to some advantage,
and that is why sofa of brown leather
shone a sort of yellow in a corner.
The table looked bare, the parquet glossy,
the stove quite dark, and in a dusty frame
a landscape did not stir. Only the sideboart
seemed to me to have some animation.
But a moth flitted round the room,
causing my arrested glance to shift;
and if at any time a ghost had lived here,
he now was gone, abandoning this house.

Joseph Brodsky

Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Dr. Benjamin Anthony, and Ayla Atash

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“Come in and be amongst our broken people (pieces).
Mingle with our shards.
See which cut is the deepest”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out.
The people in the room greet one another, then swarm around one woman,
“You are a good worker.”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The woman swarm, Mama Evil, pushes her way to the front to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The (holy) Word is debated, discussed, dissected, compromised, altered, changed, shredded, reused, updated, recreated. It is burnt to cinders, then rises as a phoenix, built out of the broken pieces of all that was said before; what used to be true, but is now casually agreed to be fallacy. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man.”
“Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”
The Man explains,
“We are a beautiful blasphemy to God’s word because we question.”

Let me start with a parable,
“Once upon a time…
There lived a shy little boy and a chatty little girl. Though the two lived really close they never knew each other. That was until one day, the girl entered high school. They met for the first time on the school bus. The boy eavesdropped on her and for the first time spoke to her. Although she was especially irritated, the boy responded. It was with those words that a lifelong love blossomed…
‘You love me, you just don’t know it yet.’

Through the many trials and errors of high school life they grew together. And so, They lived happily ever after.”
“…Except, she didn’t. In this reality, she ran off with a rich older man while taking care of his dying wife, 5 years after those high school sweethearts were married.”
Years later, he would lament,
“It started with a broken heart. Through the crack seeped liquid fire. It engulfed me, burning away all that I was. The flames shall purify me. Boil me down to my base components, and then rebuild me. From the ashes will rise a new entity.
Who am I?”

“What can we learn from this,” asks the Man.

The first interrupter states matter-of-factly, “You are fire. You are love.”
A tie-dyed burnout rants, “Love is fire, Man. It burns. But it also warms and protects… Praise Allah.”
“Amen.”
“Bless you my son.”
“Hail Satan.”

“The last time I hear my heart…” says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.
Now with ignition to her words, she quotes, “The last time I hear my heart was like a galactic ******. The ****** that made you and touches everything you made. Faith is attempting to live as though we are loved.”

A Drag King high fives her and says, “I liked the galactic ******.”

A torn up, steel-studded, leather clad punk continues, “Promise me you will live…
For nothing…
But the next moment.
No forgiveness, no damnation, only the match I strike on the heel of my boot.”

And then the automaton asks, “What of the devil: the original corruptor, the source of all evil?”

A gym rat, wearing a holey muscle shirt, extends an arm to point as he half sings, “The devil is a wicked man and wears a suit and tie. The devil checked in at noon and asked us, ‘What is the sleep of reason?’ You woke the devil I thought you left behind.”

“The Devil is due; the Devils do,” coos his boyfriend, the semanticist-*******.

The Man answers, “Is not the source of evil the same as the source of creation. Is it not evil to be so selfish as to create, with no concern for how creation will change everything.”

The Wiccan Princess retorts,
“Creation can be bought and sold.
Motherhood is a commodity.
Venus is for sale.
The nativity is shrouded in black.

We've streamlined your desire.
She was only offering an apple anyways.
And filled in that hole in her heart.

Here, we give her to you totally domesticated.
This one is costly, but so worth it.

You never will be worth it.
Earn enough
Be enough

Taste the salt of her tears on your tongue;
the salt of the earth.
She refuses to wear this crown of thorns.

In the eyes of your maker.
You should be ashamed.
To look your Maker in the eyes.”

Mama Evil attempts to chill her blaze, “Dear, the Anger is caged. It is the custom to call children who go to war, men…children of war die like men.”

Their daughter, the littlest girl in the world, coughed. A runny nose explained it, she had the sniffles. Nothing to worry about normally, but here, now? Right now the end of the world was in front of her. Flying saucers were floating down to slaughter the entire world with burning laser jelly. She coughed and picked up a remote with a wheel shaped dial.
“i drank too much pop and i gotta ***.” She said to no one in particular.
She turned the wheel shaped dial and a chorus of voices sounded. The chorus formed itself into an immense wall of sound made of bureaucrats, lawyers and politicians from another dimension. The littlest girl in the world kept turning the dial and saw the bureaucrats wash over the saucers, sending them back into space. The earth was safe, the littlest girl in the world smiled in relief.
And coughed.  

“It seems where demons fail and monsters falter, angels may prevail,” her mothers laughed.

Still incinerated, a goddess queen shouts, “We are the granddaughters of the witches you failed to burn.”

The crowd jostles and pulses like a living being. They are moved by the words they have heard. A chatter rises from them, much like the midnight sounds of the forest. "Who does she think she is?" "She said it. She sure said it." "I'm going to tell Moira all about it." An old woman near the back takes a swig from a bottle of wine she carries under her coat before passing it to a young woman in front of her.
"From fire, new life is born, too," she smiles, a crooked twist of the lips.

Rendered speechless and impotent, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”

Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, John A. Kinney Jr., and Psalms (chap.):13
Added original content by Ryan P. Kinney, Eli Williams, and Kadie Good

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

"God not only loves a sinner, he prefers them.”
“Come to my parish. Sinners only”
“The lostness of the found, the blindness of the seeing, the spirituality of the atheist, the silence of the spoken.”
“The Covenant of the Sacred Heart.”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. Some newbie looks nervously into the stairwell.
From the rear, a maternal voice coos,
“You will be used to the treatments.
Don't worry about it.”
They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The maternal voice steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, discussed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”

The first interrupter asks, “How do you say No to God.”

The Man answers,
“You don’t like The Question. You are The Question.
We are relearning how to get lost, hoping to return to the birth of The Word.
Worship yourself and serve only humanity.
No one made you.
You created yourself.
It’s all the same story. The Story of I.”

“We are a beautiful blasphemy to God’s word (because we question).”

“How do you say No?
You don’t.
By understanding there is no such thing as,
No, I can’t. Only I won’t.
It was.
It is.”

A torn up, steel-studded, leather clad punk responds,
“we see others as they are
we see ourselves at every age
and all at once”

And the Man once again responds,
“All that we can think. All that we can imagine. All that we can write, paint, create, feel. All of this is real; somewhere. Depends on which universal perspective you are tuned to. Don’t like the current program playing. Change the channel.”

The professor sitting on the floor, shoeless, begins to riff,
“Yes, this is like that piece about imagination being the genesis of other worlds. About how imagination, all thought, is really tapping multiple frequencies from other universes. Our imaginative creations spawn, tap into, and play back all alternate universes in a non-linear time sense. Cause and effect are not in sequence. All that we think, all that we can come up with creates new worlds, but also accesses those already in effect and plays them. We create worlds that already existed by the time we come up with them in our imagination. They were already there and human minds are organic quantum analog receiving-broadcasting devices. We randomly switch channels with nonlinear frequency, simultaneously, and with varying signal strengths of each universe. We receive, but also feedback into a greater signal. So, we unknowingly create these universes, while also being fed from our own creations. Never, in order. We are the Father and the Son. Our own creators and creations. Our words are the genesis of all the other worlds, but also speak the gospel of the programs already in progress. All that we can imagine is as real as we can conjure.”

A black goddess queen asks, “Then, what do you call God?”

The Man retorts,
“You don't need his name, because you remember the man.
The idea of a memory of a man.
Perhaps the idea is better, stronger, more important than the man.
The idea of a man.
Sometimes, people are the absence of themselves.
And the absence of man is God.”

The semanticist-******* unzips its mask and chimes in, “When you name something you separate it and take ownership of it. We never name ourselves. So I ask you, what is your name? What do you own?”

A tie-dyed burnout rallies a battle cry protest chant,
“Who's the Boss?”
“You.”
“Who's God?”
“You.”
“Who are you?”
“I am (me).”

Another voice screams from the crowd, "I'm a monster, I admit it."

Like a rolling wave, the chatter once soft, “I’m a monster” becomes a chant. Faster and faster the adrenaline rises up, the voices rise up, thunderous shouting fills the room, threatening to burst through the walls and escape into the sky. No longer fearing what others might think they raise their fists and beat their chests, unleashing the monster they tried so hard to hide. Shrieks and guttural instinctual roars, animalistic crawling and seething anger, move through the crowd like a pack of wolves ripping apart a coyote.
The screaming voices spill out,
“God has left long ago and has taken no pity on the lonely wanderer.”
“We are not Abraham or Jesus. We are forgotten.”
“We are the forgotten demons pushed out of Heaven.”
“Or maybe we never belonged there in the first place.”

The maternal voice returns, feeling the scorch of the unrequited emotion, seeks to soothe, “Thus mollified she goes, harsh words forgiven, down highways in the dark by demons driven.”

The Man, the original instigator, adds more fuel to the fire,
“And what drive does she possess that we do not?  To seek out, to be blind to the trapping of the darkness within this corridor? We must look and see how we too can move past the shame and blame of others.  To move past the trappings of our own guilt.  To take within ourselves, our demons, true, but take and guide and build the new.  A new life that we can’t ignore, and when we fall, we feel the scorn.  We feel the bad faith and lies that keep us entangled in the want-to-be-with, the fear to be-without. But we also have a fear to be, to exist in the place of a true “self” and live out our dreams. Though time keeps happening, we remain stagnant, we remain in the place of an inauthentic being, a being-for, not a being-with.  We must seek to be-with.  To be-with our demons, our past, and our temptations toward the dark, toward the place in which the I becomes.  To be. To exist. In this.  That is the place where the divine can breathe.  Though we must remember to always embrace change, for everything is temporary, including our own pain.”

Having spent all his feeling and words carelessly and frivolously, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”

when even mark hamill takes a stab at the industry...

the last movie i ever saw,
or for that will ever see
in a cinema -
             was the last jedi...
given that i didn't
watch the force awakens
prior:
            hell, the title itself...
the only good thing
about the movie was the actual
cinema,  
         a cameo -
   in my home town of
    Ostrowiec Świętokrzyski...
plus it was affordable -
given the exchange rate
hovered above £1 : 5zł...
     i remember times
when the exchange ratio
stood at
       £1 : 8zł or there about...
but now?
   hmm... just shy of
        £1 : 3.99zł...
and thank god the Poles
are leaving these accursed isles...
me?
    ****... been living here
since i was 8 years old...
   i can't, in the words of
Kevin Spacey: just... *******!
it's a life's worth of investment...
perhaps not the people,
but... the language, *the language.
i'm no polymath,
but i have to keep up teasing
english psychiatrists
about one, curiosity...
well... two...
   the employment of regression
(implanting false memories
by insinuation) -
and... why is a bilingual person,
suddenly, a schizophrenic?
  medically... metaphorically?
of course!
              so i took it up to her...
(dr. moncrieff -
oh she's real,
  she did a BBC interview
for a program about R. D. Laing)...
    i said to hear:
but i also hear "voices" in
Polish?
             a bogus statement,
i had to toy with her...
   by the way...
why was John Allen Muhammad
the only genius killer
among blacks?
       a killing spree for a white
serial killer is simply dumb,
hood violence...
  petty emotional construct...
but John Allen Muhammad?
most definitely stands out...
the only black serial killer i ever
came across in the news...
the rest? whites.
           ****... digressing again...
see... drinking and listening
to political commentary videos
is one thing, sober,
on the crapper -
    but drinking and listening
to these sober concerns?
     that's not the point of drinking,
and not listening to music.
you lose the rhythm...
   you lose your orientation
in the face of the blank canvas,
awaiting your mosaic composition.
yeah...
   i don't think that cinema was
killed by television, per se...
  two factors, perhaps three killed it...
televised series have
  better music strategists...
   more music, basically,
and better researched...
come on - thor: Ragnarok?
led zeppelin's immigrant song?
that's it?
      sure... some of the classical
music theme are great...
Schindler's List's whining Jewish
violin tearjerker
  (gets me sometimes...
   i cry at beauty -
because beauty is worth crying
over... after sitting with my family
at the wake of my great-grandmother
having passed,
i sat alone in the kitchen,
put a red rose just near but also
just far away from the candle flame...
and managed to transform cardinal red
of the petals, into bishop's purple...
and then i grit and grinding my
teeth together, enlarging the ferocity
of my bite to feel a chip of
a tooth come off one of the bottom
incisors)...
compare that to sharp objects's
opening song from episode 2...
    jeffrey brodsky's
glance backwards...
           come on...
   the genius of a horror movie,
or the genius of a thriller?
  it's always been the music -
   nothing invigorates the horror genre
like the music,
  the visual props are secondary,
and always will be!
        but that's not 2nd reason for
the downfall of cinema...
merely the 3rd...
    an attache, whimsical observation...
the time allowance...
that stretches... far far beyond
   the *** break between such behemoth
movies like ben hur
    or gone with the wind...
    plus in t.v. you can play with
more juxtapositions...
vague interpolating time reference,
very much akin to sharp objects...
which... is, quality wise?
on par with the quality of Versailles...
in my humble opinion...
              plus?
   the once old gigantic necessity of
crafting extras?
  ****! gone!
                     big but nonetheless
cut budgets of CGI?
       not as much fun...
you can still spot the cut off points...
where the canvas of extras
meets Shogun: Total War CGI...
           and this is reason no. 2...
but reason numero uno?
  you can't binge on cinema...
  but sure as **** you can binge
on engrossing television drama...
             unlike some soap opera
omnibus on a Sunday?
   you have to wait...
say... 10 weeks...
                    before letting the beast out...
and then you sit up all night...
and watch the whole ******* season
back to back...
   no one has ever made a 10 hour movie,
and never will...
               binging on television
killed cinema,
  notably the kind of television
that allows you the freedom to record,
and watch back...
                   people always loved
binging on something,
now they've been plated an alternative
to food...
    pure optics...
                       and given the extortion
of cinema ticket prices?
    by the way...
            i couldn't be bothered
to go and watch the last jedi with
the subscripts...
         i'm pretty sure the version i watched
in dubbing could have saved my
initial impressions...
  nice cinema though...
              3. ****** soundtracks
    2. hmm... what was point no. 2?
  1. people love to binge,
   and cinema?
   no matter what movie franchise,
star wars...
     rocky... whatever...
          eh... not with the new star wars...
the only franchise that allowed
itself to mesh together,
like a t.v. show?
back to the future...
   you can't exactly watch one...
and not subsequently watch the other 2...
sorry... i tried...
ended up spending the night
watching the trilogy.

The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, Cat Russell, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Mitch James, Ellie St. Cyr, and Evan Spooner

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“But when your empty heart is weighed”
"What are you really worth?
These people call this Faith,
bring them to my table
the next bit of gospel
I wrote on a napkin”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out.
The people in the room greet one another, then swarm around one woman,
“You will be used to the treatments.”
“I am not sure that you are.”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Princess Mommy steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The (holy) Word is debated, discussed, dissected, compromised, altered, changed, shredded, reused, updated, recreated. It is burnt to cinders, then rises as a phoenix, built out of the broken pieces of all that was said before; what used to be true, but is now casually agreed to be fallacy. This Faith makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man.”
“As the recovering Catholic Kevin Smith wrote, It’s not important which faith you are, just that you have faith.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

“I am the mask wearing the man of eternity. In me, you see the face of history. A history we make up as we go.
The God of fallen leaves, leaves us... waiting for eternity to begin.
The Prophet Vonnegut says, ‘The question echoes back through time and disappears.
History. Read it and weep.
Tonight is a verb.”

From the crowd come the First voice, reading from his screenplay, "I was the table of contents, a footnote... running away from the beginning of the book. Perhaps no one knew we were living happily ever after until the book was over."

The Mallrat replies,
“Of all the words of Mice and Men the saddest words are ‘It Might’ve been.’
No need to despair
It was
It has
Somewhere else
Your soul is saved
All that Might’ve has already happened. ‘

“We are charming little liars,” retorts The Man, “We are a beautiful blasphemy to God’s word.”

The comic nerd slowly whispers, “All is truth, but every man is a liar. Sell me another artificially-derived slow suicide.”

A scientist cleans his glasses as he recites, “A world full of smoke and mirror nonsense -
It’s a religion of smoke and mirror nonsense
Only The Word is true and we make it up as we go.
In Nonsense is strength”

“So it is spoken, so it is true,” The Man energetically agrees.

An alien voice asks choppily, “Touch me
if you want to
believe in me
and the nothing I know”

“Sing the praises of the Holy Unknowing,” croons The Man, “We know nothing, therefore, we know all.”

And then, he drops into a haiku,


A bi-gender beauty asks no one (for permission), “Let me sling a little freestyle verse,

I'm steeple chased because some animal church wants to make me foxtrot in tempo with the braying boy
Pinnochio wants to make me hog its slops like Pigpen McSomething grateful and dead.
A fountain of youthful talent chemically imbalanced.
...with a grey skull full of He-man."

"Look at him!" they say.
"Give him a gun!" says another.
"A bomb!" a third spurts.
"Shows us your trigger finger!" they yell.

"My little boy," Princess Mommy whispers below the rush of gruff voices, her words staccato.

They answer her, "So I CAN taste the infernal darkness,” as the crowd falls silent

Princess Mommy chides them, “We know there is a sweetness in that which we cannot see. We know there is danger in that which we cannot hear.
Our bodies shake, our minds quake in anticipation of his words. It is almost time.”

The Man speaks again.
"Surely it is known, my brethren, that we are the Third Coming, the Breaking of the Seventh Seal that will signal the end of our oppressors. When we emerge victorious from the fires of battle, there will be no value left in the binary. No twos, only two or more. The Old Ways shall perish. We will shake off the chains, pull out the nails from our hands and feet, and the world which rejected us will rise anew under our leadership. Surely, it is known. Surely, it has been spoken. Jesus themself is at our back, and therefore we shall not fail."

“What a wealthy country, but no one’s coming to pay my bail,” sings the rainbow man, “They’re bragging they own my soul.”

"I don't want to bother anyone with my prayers,” prays the bi-gender person, secretly proud of leading the riot.

Sensing it is time to take to the streets, The Man closes the meeting with the same send off,
“The Word has evolved, my friends.”

Assembled by Ryan P. Kinney
From quotes taken from works at poetry readings by Ray Lesser, Rosemarie Iwasa, Tom Hyland, Terry Provost, Ray Gihani, Tanya Pilumeli, Micheal Billings, Adam Brodsky, Ray McNiece

The children graduate in spring with slightly soiled diplomas
They think democracy is the ability to change the channel on your TV
The long line for the short attention span
We do not know how to differentiate between self and not self
Or are they afraid themselves or their kids will set themselves free
if you were not already dead you could live to 300, but only if you were born yesterday
If you want to lie with death, I'll sell you her coffin
no ashes, just bloated hypocrisy
The only way to heal is poverty
Ashes and **** cloth work
This generation will not pass unscathed

Assembled by Ryan P. Kinney
From quotes taken from works at poetry readings by Bronte Billings, Josh Romig, Micheal Billings, Jack McGuane, Elise Panehal, Rosemarie Iwasa, Adam Brodsky
Additional original content by Ryan P. Kinney

Being broken makes the girl do something good
She loves the challenge of impossible tasks
Detachment comes easier to a drunk
The lostness of the found, the blindness of the seeing, the spirituality of the atheist, the silence of the spoken
She doesn't matter
Nothing she creates matters
Nothing matters
The nothing is electric…
You are caterpillar now
One day you will be a beautiful butterfly
Her stark lines are completely naked now
Humans are also stardust
Which means we are golden

Lawrence Hall, HSG
Mhall46184@aol.com

      “Anglo-Saxon Students Would Not Like to Be Taught by a Jew”

                                                      cited in
                   -Stanley Kunitz Lyrics, Songs, and Albums | Genius

To the Privileged Youth of Columbia University:

As a child of situational poverty
I am so grateful for all my Jewish teachers

Including

Moses
Joshua
Jeremiah
Samuel
David
Solomon
J­esus, Mary, and Joseph
Saint Peter and the others in The Twelve
Saint Paul
Elie Weisel

Chaim Potok
Herman Wouk
Leon Uris
Franz Kafka
Leonard Cohen
Anne Frank
Bernard Malamud
Isaac Bashevis Singer
Philip Roth
Osip Mandelstam

Saul Bellow
Isaac Asimov
Woody Allen
Mel Brooks
Edna Ferber
Yip Harburg
George Cukor
Mel Brooks
Oscar Hammerstein
Alan Lerner

Carl Reiner
Rod Serling
Franz Werfel
Alan Arkin
Claire Bloom
Leonard Nimoy
Chaim Topol
Ed Asner
Mel Brooks
Peter Falk
Werner Klemperer

Jack Klugman
Walter Matthau
Tony Randall
Mel Torme
John Banner
Kirk Douglas
Lorne Greene
Eli Wallach
Sam Wanamaker
Morey Amsterdam

Leo Genn
Otto Preminger
Jack Benny
Leslie Howard
Ernst Lubitsch
Cecil B. DeMille
Mortimer Adler
Allen Bloom
Harold Bloom
Irving Berlin

Boris Pasternak
Emil Ludwig
Eric Wolfgang Korngold
Elmer Bernstein
Max Steiner
George Gershwin
Dimitri Tiomkin
Samuel Fuller
Alexander Korda
Zoltan Korda

Emeric Pressburger
Erich von Stroheim
Billy Wilder
William Wyler
Fred Zinnemann
J. J. Abrams
Peter Bogdanovich
Michael Curtiz
Stanley Donen
Stanley Kramer

Howard Caine
Leon Askin
Robert Clary
Dinah Shore
Stephen Sondheim
Volodymyr Zelinsky
Simon Schama
Louise Gluck
Siegfried Sassoon
Isaac Rosenberg

Joseph Brodsky
Rob Morrow
Vasily Grossman
Stanley Kubrick
Viktor Frankl

And more, so many more, a cloud of witnesses
Whose names are written in gold on a scroll in Heaven

But somehow, in this world of beauty and truth
And humanity’s aspirations to the good
All you have found are bullhorns, trash fires, chants
Clinched fists, obscenities, lies, and shrieking hate

I’m from...
I’m from the Volga, serene and majestic
from the hands of the clocks that were moving too slow,
from the grip of the woman that was holding my hand,
from the innocent glance, from the dirt on the asphalt.
From Lenin, Karl Marx, Nietzsche,
from Pushkin, Okudzhava, Brodsky and Mayakovsky,
from the dust on the bookshelves turned gold in the light,
and the country that nursed me that dissolved in my sight.
From the triples threat stance: pass, shoot and attack
from the bully that tested my patience
from the sounds that blasted from the radio station
from the college where I searched for my place
from the choices I’ve made and felt no regret
from cigarette smoke that dissolved in the night
to discipline to write my thoughts
from the house I loved and the rural towns I left,
from the image I saw when I looked at myself,
from Emma to Lazarus, from our sunset gates shall stand
to the moment where everything froze in suspense.
And so, gentle reader, enjoy
And welcome to my original.

Hens scampering in the village of Parma
Appeasing the rooster's pride

An acre of corn nestling
The soft serving Earth

Some light years away
The explosion of a star
Extends the reign of darkness

Kristina in her T-shirt
Looking at her **** in the mirror
Wondering how much firmer they get
She is nineteen years old
And wants to become an artist
But her mother has other ideas

The clock chimes the midnight hour
And Tom is sitting in the dark
Debating whether to do it or not
Whether to dispel the itch or wallow in it
He is idyllic and knows nothing
Of politics, nothing of religion
And nothing of death

In the street corner
Harlots talk about tricks
Talk about positional preference
And talk about cunning
One day they are the masters
Of their worlds and the next
Objects of subjugation

A ****** of crows circle overhead
The pitch of their cawing growing

The clergyman wearing a purple robe
Pays tribute to ****** Mary
He is positive that his moralizing sermon
Would enlarge his drove of disciples
His submission to the Cross
Is double-edged: one about God's work
And the other about mammon

An osprey swoops down
And catches a trout

Silver and gold are bought and sold
In the marketplace
Asteroids surge through
The incalculable Space
Time effects and erases
Prospects of understanding

Mason is an obscured poet
He admires Rilke's philosophy of writing
Even though he is well educated
In aesthetics of language
His own poetry verges on insanity
He says: either mad or dead

The General brushes his mustache
He is about to give a farewell speech
To his subordinates
He is not going to ignite them
With bravery or his achievements
Instead, he is going to stab their spirits
What do they know
These fancy pants of generalship

The lioness fails to make a ****
Oh, but there is another prey

The Heart aches for peace
For eternal release from the binds of
Temporal tricks
The Mind, whether a master or slave
Miscalculates the essential needs
And the Body, sanctuary of soul,
Craves for food, ***, rest and breeding

Czeslaw Milosz would have been
The President of the World
Joseph Brodsky:
His Secretary of Independence
Robert Frost:
His Secretary of Freedom
William Butler Yeats:
His Secretary of Peace
Pablo Neruda:
His Secretary of Pleasure
Only if Fate had been kind enough.