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jacky Sep 2014
(a short description)

i am not that type of person
who listens at all
just a few voices my mind attunes
it's yours, most of the time

i am not that type of person
who listen even at you
the way you tell me
to go there, I won't be there

but

i am that type of person
who will only listen
if and only if, you tell me
**you'll be there, and I will
I was born with this talent of having to question my trust, even to myself.
vircapio gale Mar 2014
1.

dear feminism,
do i think of women
when i write to you?

why do i personify?

angry at an unjust world,
angry at injustice in ourselves,
have i been taught to fear you?
ignore inequity of fears?

or hide  
in the shadows of your salty curves
speaking soft with sycophantic tilt?

was this what mother meant,
portending talk of therapy
two decades in advance?

a bouy on three waves,
i crash against protuberances too:
limp didactics on avoidance for the victims,
waking in continuums of shrugging crime.

sameness differs in utopias --
every latent gut avers the right to spill.
despite the lissome quell forgetfulness contains,
my proper sphere will leave me
deafened in a wrack-dry
tidal echo--
'Fairness' stains clear beauty dark
as my imagined egos drown at last
from down our oceanic well of shame.

sacrifices fade,
i cannot write...
i write, and fail,
defined by sediment cliche,
reading women authors out of obligation ..odd desire,
and so in dim medieval-fashion
miss
the trail of monoliths erected
for a craven ease

2.

dear civil rights,
why were you taught
through prisms of boredom?
my voiceless reading left you to your rage,
while i communed with glossy nature,
private leaves.

how dare i clap your back
"congratulations"
at your tidy givens  granted
scars were open past my seeing,
and bleed still

while right here, empathy dies, now

dreams are bombed,
grafted to infected faculties
to wallow tended in a garden of injustice
erudite and dead,
i **** a bit i tell myself then stuff my face with food,
cover breath with smoke
and sleep in sour ignorance
no courage left to care.
blind grins bouquet the status quo
of rotted stems, discarded roots

i bury you with homeland fear
the killing silence filled with just intentions
for tomorrow

3.

dear feminism,
you speak for me, too--
my genderless ear attunes

cathartic sweep of ills
scaled beyond your other selves,
sexing into common chosen songs

no fearful tremble
at a mainstream backdrop reprimand--
to be a good gender,
--this gender not that gender--
gestate bigotry of symbol wombs,
cut ripe to cater to unquestioned whim;
no violent selfhood requisitioning
to closet inner innocence in pain

contractions shock in further waves
i midwife simple hope i hope
true fairness you have nursed in seeing death


4.

dear punk **** feminism,
marginal i ask as i perform
unstructured sutras on my heart
exemplar of a meta-freedom
burning in the core of threaded ages strung--
how then life without your voice,
vast silence unobserved,
the hidden anti-*** persisting
in our gender-theory--theorizing sterile norms--
sweet pulsing concupiscence
in our every waking breath
a pollinating zephyr tease toward
celebrating every feotal bathtub bliss --
unbridled ideologies unleashed
unmade into opining din

5.

dear temperance,
i vote you cherished
whirlwind
singing endless through the ageist ridicule
apparent failure in the civil warrior's eye
dogma blinks
denial of the rights you suffered for
but underneath compassion all along
i rally in your family's younger gaze
staring down,
questioning the steady rhythm of a whiskied fist

6.

dear feminism,
have i been taught to celebrate you?
have i been taught to fear for you?
have i been taught to treat you as a woman?
why do i personify you?
like some Sophia cybered up atop the forums of our age

blind and failing
i would be dust as well
like any rightful fading into dust
be swept along with all coercive screenings,
fear-born silences
immune to reason and the reasons of the heart--
rather than to live forgetting
letting go the questions giving rise to equals in a discourse
revising what it means to ask the meaning of


#
dear feminism,

when you are gone..
i for one will sing you
hope

to protest bigotry
a raging tranquil step
of care-filled voicing

dare an upward sloping arc
a dream becoming shared
to overcome
attain
inspired by once unfamiliar names

i will still be here,
the angry feminist
burning in my flagging underwear

brightest outrage at injustice
your deeper loves, fairness
selfhood honored
as if written in the stars
or ancient shorelines
-- you will not be gone
"She says, he wrote it--he says, she wrote it." -Lucretia Mott, speaking to the collaborative efforts of J S Mill and Harriet Taylor
While others chant of gay Elysian scenes,
Of balmy zephyrs, and of flow’ry plains,
My song more happy speaks a greater name,
Feels higher motives and a nobler flame.
For thee, O R—, the muse attunes her strings,
And mounts sublime above inferior things.
  I sing not now of green embow’ring woods,
I sing not now the daughters of the floods,
I sing not of the storms o’er ocean driv’n,
And how they howl’d along the waste of heav’n.
But I to R——- would paint the British shore,
And vast Atlantic, not untry’d before:
Thy life impair’d commands thee to arise,
Leave these bleak regions and inclement skies,
Where chilling winds return the winter past,
And nature shudders at the furious blast.
  O thou stupendous, earth-enclosing main
Exert thy wonders to the world again!
If ere thy pow’r prolong’d the fleeting breath,
Turn’d back the shafts, and mock’d the gates of death,
If ere thine air dispens’d an healing pow’r,
Or ******’d the victim from the fatal hour,
This equal case demands thine equal care,
And equal wonders may this patient share.
But unavailing, frantic is the dream
To hope thine aid without the aid of him
Who gave thee birth and taught thee where to flow,
And in thy waves his various blessings show.
  May R—return to view his native shore
Replete with vigour not his own before,
Then shall we see with pleasure and surprise,
And own thy work, great Ruler of the skies!
Taylor Peters Oct 2010
i love it so much when you see a looker and walker in the sun and wind
looking straight ahead or slightly down
with eyes sliding up sometimes to see again for the first time the tops of buildings always entered at the lowest runoff point
sliding down sometimes to interrogate turnless stones

this eye wandering distracts and more sharply attunes the looker and walker to the smile
the smile that is trying to kickbox its way onto the proscenium of the eyes, mouth, and probably the hands and the whole body
and to the spark that started all this kickboxing in the first place
Isoindoline Dec 2012
rhythm presses against my skin
grips my hips along with your hands
our eyes lock and we dip
with music's command

as bass binds our bodies
attunes my curves and your long lines
steps mesh and we twist with
the riff of a Gibson

that licks the sweat right off our skin
scales our spines and pins our lips
together in one electric rush
voltage high and just enough

as we fling this dance
into unbound lust
and spark cadenzas
in our bodies' crush
A cadenza is an elaborate musical flourish or series of showy notes, usually played at high speed, and sometimes improvised, that is often somewhat outside the time signature of the piece.  They frequently come towards the end of pieces (or movements within pieces) but they can just as easily be in the middle as well.
Sally A Bayan May 2014
A bright full moon invites,

midnight blue firmament is rich with starlight

while a gentle sea breeze blows on this starry night,

making stargazing such a delight...


Twas a house in a quaint village, with a dimly lit gazebo,

two shadows, two lovers' hearts are aglow .......

to Schubert's Serenade, they dance, embrace, like Romeo and Juliet

their bodies, clinging so close, now turn to moving silhouettes...


the night's romantic mood attunes with the weather...

in the garden's hidden corners,

further down, near the sea waters

nameless couples coo at each other...
,
hoping for that promise of union

waiting for its consummation...


On
    this
          fascinating
             ­            lovers'
                                 night

a captivating
                     full
                          moon
                             ­     invites...

alas.....

            my  
                  co­ld
                            empty
                                      arms...

                 ­     
..............it
          ......  does
                        ... not
                                 ... excite...


:::::::::::::::::::::::::::::::::::::::::::::
~~~~~~~­~~~~~~~~~~~~~~~~~~~

Sally

Copyright 2014
Rosalia Rosario A. Bayan
Star BG Jun 2018
Breath taken.
Feet ground.
Voice attunes.

Now I’m aligned
to live
authentically

Cells expand.
Guides speak.
Memory returns.

Now I’m ready
to part veil
and live free.

Care to join me?
Just passing time in car
Star BG Feb 2018
With writer guide and heart
I scribe upon a blank screen.
My penned vision taking shape
as word after word becomes
steps for a readers eyes.

Breath attunes my connection
as focus and intention
is all I need for the prose to flow
like mighty river.

Sometimes a song or sound
will inspire me as I dive into a verse
trying to swim with pen as oar.

Other-times a person
will whisper a word or phase
and I am off like a graceful Appalachia
galloping across pasture white.

With writer guide and heart
I scribe divinely with gratitude
weaving the written word as a gift.

One to be unwrapped by a readers eyes
who is ready to receive my gift.
Inspired by a chat with
C Andrew Guzaldo
Thanks

— The End —