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"addressee" poems
Three days, is what the HR rep said, somewhat sheepishly, As if she was fully aware that boxing up one’s grief In a span of a few dozen hours Is a matter of wishful thinking And certainly she sympathizes (Indeed, as she speaks, She spreads her hands in such a way As you half expect doves to come forth in full flight) Empathy being their stock in trade, But the law and the handbook say three days, And then you need to have your head ******* back on and looking forward. Eventually, the mail brings fewer envelopes Marked with embossed flowers And subdued and tasteful stamps, The usual flow of solicitous inquiries, Pre-stamped and pre-sorted, Inquiring as to your credit needs, The condition of your windows and siding, Resumes apace, and more than once, In fits of inappropriate black humor and frustration, You scribble, in bold thick strokes of a marker, The addressee no longer resides at this location. You return to nine-to-five, Though your ghosts keep their own hours, Stopping by to visit on their own schedule alone, Prompted by the tiniest of things: The dog scampering to its feet in a hurry, As if someone was at the door, The discovery of a long-unused pitching wedge Standing expectantly in the back of the closet, A song from long ago which was beloved When you lived in the pairing mandated by Noah Before you entered the shadow world of ones and nones. Sometimes you give into the giddy madness, And rise to waltz around the room, Careening about unsteadily, clumsily As you have yet to completely master The difference in weight shift and distribution That is required of a solo act. The timing of these visitations Often disrupts your schedule and sleep patterns, And you think that perhaps tomorrow you’ll call in.
0
Nov 28, 2017
Nov 28, 2017 at 10:38 AM UTC
sick day
Three days, is what the HR rep said, somewhat sheepishly, As if she was fully aware that boxing up one’s grief In a span of a few dozen hours Is a matter of wishful thinking And certainly she sympathizes (Indeed, as she speaks, She spreads her hands in such a way As you half expect doves to come forth in full flight) Empathy being their stock in trade, But the law and the handbook say three days, And then you need to have your head ******* back on and looking forward. Eventually, the mail brings fewer envelopes Marked with embossed flowers And subdued and tasteful stamps, The usual flow of solicitous inquiries, Pre-stamped and pre-sorted, Inquiring as to your credit needs, The condition of your windows and siding, Resumes apace, and more than once, In fits of inappropriate black humor and frustration, You scribble, in bold thick strokes of a marker, The addressee no longer resides at this location. You return to nine-to-five, Though your ghosts keep their own hours, Stopping by to visit on their own schedule alone, Prompted by the tiniest of things: The dog scampering to its feet in a hurry, As if someone was at the door, The discovery of a long-unused pitching wedge Standing expectantly in the back of the closet, A song from long ago which was beloved When you lived in the pairing mandated by Noah Before you entered the shadow world of ones and nones. Sometimes you give into the giddy madness, And rise to waltz around the room, Careening about unsteadily, clumsily As you have yet to completely master The difference in weight shift and distribution That is required of a solo act. The timing of these visitations Often disrupts your schedule and sleep patterns, And you think that perhaps tomorrow you’ll call in.
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43
Your Excellency I salute thee Oh! King King of Gbomulero Oh! King I salute your mighty sword Oh! King Kabiyesi o! Kabiyesi o! I lift up my mouth To praise your mighty-ness Oh! King Kabiyesi o! Your Lordship That no dares to question No one dares To look into your eyes Oh! King Kabiyesi o! The fighter of the spirits The king of the witches The night crawler That wrestled the spirits in the dark The only addressee of the jury The judge and the jury The Alápatà of Gbomulero Oh! King Kabiyesi o! The end and eternity Of Gbomulero's existence The mantle of Orunmila The Royal Highness Of the gods Oh! King Kabiyesi o! Ki ade pelori Ki bata na tu pele
0
Mar 18, 2020
Mar 18, 2020 at 12:14 PM UTC
Kabiyesi O!
Waiting for that paper, a light A cursor that keeps blinking for the next word Even when the screen arranges to sleep in daylight Fingers begin to itch and start being febrile. An email, such a pity, is more accessible than a post box. All the handwriting fonts that I did try, couldn’t, Just possibly couldn’t mirror the impeccable tries To struggle to be parallel to the top Or bottom of a page. The improbability of what the next thought would be The prediction  of where the addressee would smile Or frown, or pick up eyes to stare at the wall for a while, To embrace what had just been conveyed. Letters are like light, they reach us later From when they were born, but the spaces they illuminate or burn on their arrival! I wonder if our pupils shrink. They more than just tag along, they tap in, They’re the result of cleaning the ink from the nib, a thousand times, over thousands of sentences, or maybe just a few, but they do. And don’t dare ask the pen for proof! It’ll track down wrinkled pages Who had their thirst quenched by The swipes of fountain pens’ fountainheads, And pictures of the fingers Bathed in red, and black, and blue, And occasionally of table clothes Spilled over by the consequence of imperfect handles. Imagine if light came as soon as it was made, It would be difficult for our eyes to handle such bait Sometimes, a pause is necessary, Imagine a world without commas! I’d like to peek into the writer’s letters, Not to read, but to sense the shapes of emotions And stretches of As and Ns, or the reach of commas On the next line, and then, close my eyes And shove my nose in it, to sniff hard The paper and the blue smells, And die doing so if it was eventual.
0
Jul 5, 2016
Jul 5, 2016 at 3:13 PM UTC
Cursor
Waiting for that paper, a light A cursor that keeps blinking for the next word Even when the screen arranges to sleep in daylight Fingers begin to itch and start being febrile. An email, such a pity, is more accessible than a post box. All the handwriting fonts that I did try, couldn’t, Just possibly couldn’t mirror the impeccable tries To struggle to be parallel to the top Or bottom of a page. The improbability of what the next thought would be The prediction  of where the addressee would smile Or frown, or pick up eyes to stare at the wall for a while, To embrace what had just been conveyed. Letters are like light, they reach us later From when they were born, but the spaces they illuminate or burn on their arrival! I wonder if our pupils shrink. They more than just tag along, they tap in, They’re the result of cleaning the ink from the nib, a thousand times, over thousands of sentences, or maybe just a few, but they do. And don’t dare ask the pen for proof! It’ll track down wrinkled pages Who had their thirst quenched by The swipes of fountain pens’ fountainheads, And pictures of the fingers Bathed in red, and black, and blue, And occasionally of table clothes Spilled over by the consequence of imperfect handles. Imagine if light came as soon as it was made, It would be difficult for our eyes to handle such bait Sometimes, a pause is necessary, Imagine a world without commas! I’d like to peek into the writer’s letters, Not to read, but to sense the shapes of emotions And stretches of As and Ns, or the reach of commas On the next line, and then, close my eyes And shove my nose in it, to sniff hard The paper and the blue smells, And die doing so if it was eventual.
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42
Swarming: bees above a skylight. Breath forming: a child asleep in fading light. Innuendo: eyes when a kiss ends. Before crescendo: the audience as the curtain descends. Age: a handwritten journal from a wandering liar. Exhausted rage: Slauson Avenue after the Rodney King fire. Utility: a brown wooden desk with empty drawers. Apostrophe: an oration delivered near crashing shores. A life destroyed: an Olympia typewriter covered since 1975. The void: a poem read aloud, addressee not alive.
0
Apr 29, 2016
Apr 29, 2016 at 12:12 PM UTC
Some Varieties of Silence
translation from russian by rolanda                                                    E.К I write you from ex-colonia grounded twenty centuries ago by romans-sounds like a symphony for hyperborean ear, hundred time increased distance till addressee. Looks like Agrippa knew what she did the sister, worth by her madness of her brother. Further cinematograph-nude body bent and etc..accordingly screenplay maid lapping in marble bathtube horns leads triumphal aria with a long sound. On the backstage usual complaining on the fate, tangent glance to the east, muscle of cease  walk the female wolf her concrete ****** snapping, moving back to the building of arsenale lost fatten twins. I recollect what you didnt finish to say me closing second door on the bolt, on same spot there is a snow, cover up Prachechnij bridge panorama of river, filled up by ice, something with tear through two thousand miles or old age with saged belly. In our age, verticals are soaring unreachable, slipping to result of life, just right to dress on sandals but hardly happens to slip into toga. Invariable law of falling drops down, no matter- fontain, rain, ****** Harbour of postscript...rats storm the ship. Funeral office offers moire from spring collection for upholstery of coffins, grief on the faces of personals, just in time served coffee with cream soften disaster of final account. I write you, for what? - after victory of foreign football team from the closeness of prosperous summer, connected Alps and Andes by wave of psychose from tv, inflicted by joy of superiority above..(not clear what of), and their poses of victors is sign of ugliness from point of view of observer- old neurasthenic and misantrope. Contemplating fly of pterodactyl by eye of stamped cyclop, gilded **** on short spike of chirch scream by voice of Luter: "Be blessed folks cars!", and  morning flow down by sunrise on wood by Dmitrij Poparev
0
Jan 15, 2014
Jan 15, 2014 at 10:27 AM UTC
Letter from town K.
translation from russian by rolanda                                                    E.К I write you from ex-colonia grounded twenty centuries ago by romans-sounds like a symphony for hyperborean ear, hundred time increased distance till addressee. Looks like Agrippa knew what she did the sister, worth by her madness of her brother. Further cinematograph-nude body bent and etc..accordingly screenplay maid lapping in marble bathtube horns leads triumphal aria with a long sound. On the backstage usual complaining on the fate, tangent glance to the east, muscle of cease  walk the female wolf her concrete ****** snapping, moving back to the building of arsenale lost fatten twins. I recollect what you didnt finish to say me closing second door on the bolt, on same spot there is a snow, cover up Prachechnij bridge panorama of river, filled up by ice, something with tear through two thousand miles or old age with saged belly. In our age, verticals are soaring unreachable, slipping to result of life, just right to dress on sandals but hardly happens to slip into toga. Invariable law of falling drops down, no matter- fontain, rain, ****** Harbour of postscript...rats storm the ship. Funeral office offers moire from spring collection for upholstery of coffins, grief on the faces of personals, just in time served coffee with cream soften disaster of final account. I write you, for what? - after victory of foreign football team from the closeness of prosperous summer, connected Alps and Andes by wave of psychose from tv, inflicted by joy of superiority above..(not clear what of), and their poses of victors is sign of ugliness from point of view of observer- old neurasthenic and misantrope. Contemplating fly of pterodactyl by eye of stamped cyclop, gilded **** on short spike of chirch scream by voice of Luter: "Be blessed folks cars!", and  morning flow down by sunrise on wood by Dmitrij Poparev
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55
Addressee:             Department Head of Creativity,             HP School Of Rhymes and Poetry Dear Mr Cole,                               I write an ernest plea To crave forgiveness for my little Tryst For as you know the homework set by thee Is overdue, the deadline has been missed He’d done the work, the best I’ve ever seen! You’d be so proud of all his clever puns But then we had a visit from the Queen She’d taken ill and suffered with the runs! We let her in to use the lavatory But then we heard her banging on the door She’d run right out of toilet paper, see? And ordered us to quickly fetch her more We did the only thing that could be done I hope you understand Sir Signed, My Mom
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Sep 29, 2014
Sep 29, 2014 at 7:37 AM UTC
A Tardy Note
An Eternal Shrugging of the Shoulders I am writing this poem in the dark this is why I apologise to all who will read it some words might overlap others some letters might remain flat I know my message risks to arrive truncated to its addressee for that matter I feel how some lines are liquefying as if my eye itself flows in them presumably in the day when light will come back this page will be a heap of signs a hill lodged by ants or even by more evolved beings capable of praying however, the drama I have lived will remain without a voice the secret I wanted to hand down to you with this poem will be an eternal shrugging of the shoulders Matei Visniec translated by Manuela Chira
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May 20, 2015
May 20, 2015 at 6:12 AM UTC
"At Marx's Table"
I got my stamp with me Sending a postage without an addressee Who is it for? I could hear them whispering After I'm done Licking this stamp subtlety Then I remember the addressee was me. For now please do excuse me, As I  need to go for a short trip. ©2013 Maman Screams
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Dec 28, 2013
Dec 28, 2013 at 5:08 PM UTC
More Than Just A Letter
The most dumbest Are the smartest And a point/s worth fighting for Are the world's great successor. The expanding perception of a writer And a description of that matter Pronounced by every letter From the poem of the maker. The heart of the lover is the muscle of the body And your values will be tested starting with loyalty You need to sacrifice for your addressee Who caught your ability to see. If they isolate you from the truth that rest in your palm They may put you in a realm Where the king rules here And protecting himself with fear. The Power of Pen and Paper Rests in the writer Anyone can be Others can use their own gifts to inform and to free. Every smile whom your lover made It will be your strength and your fear will fade Your Courage, and Confidence will be tested For if you are truly mold to your lover you will not let yourself fed.
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Dec 4, 2014
Dec 4, 2014 at 8:31 AM UTC
The Scope
The best time For the fight With oneself Is when one is left Alone waiting For a weighty Task to do But you pursue A little segment Of the time free And you never know What to do Then you woo Yourself in an accent To reinvent And to be(e) The addresser And the addressee By taking A selfie! (And by talking Through a selfie!)
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May 20, 2015
May 20, 2015 at 8:30 AM UTC
Self-Portrait
अब ख़त के ज़वाब नहीँ आते, पता नहीं क्या बदला है? पता या लोग? Now letters are not responded, Don't know what changed? Address or addressee?
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May 31, 2017
May 31, 2017 at 9:14 AM UTC
address पता in hindi
I weep for words that will not dance, That will not float on wings of thought, But only thud on solid ground I weep for songs I cannot sing The phrases buzz like happy bees That sting me and then fly away I weep for souls I cannot touch With tenderness and hope Because I reach with crippled hands I weep for gifts I cannot share The addressee is marked “unknown” And it comes back all soiled and torn I weep because it’s all I know When nothing blooms from what I plant And barren soil is all I have to til ljm
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Mar 21, 2019
Mar 21, 2019 at 11:03 AM UTC
WEEPING
They arrive by the sackload from the main office on the Via del Pontiere, Pouring from the bags as if a torrential weeping, Envelopes a collage of shapes, a multiplicity of pastel hues, Some addressed with all the formality of a judicial summons, Others bearing no more than the name of the distaff half Of the city’s most famous equation. They tread upon paths long since worn flat By any number of their predecessors: Tales of love unrequited, passion misspent, Promises untruthful and unmet. These epistles and their authors Seek solace of varying degree and efficacy: Some seek kernels of actual guidance or blessing, As if some ancient and inscrutable advice columnist Had taken up residence in the Basilica di San Zeno, Others looking to self-heal through the catharsis of the act of writing, Most content to quietly assert to the universe itself I am here, I am here, I am here. Where, then, is the corresponding mountain of missives For the son of the House of Montague? Surely, his shade would be as kindred a soul To those which affairs of the heart have left so disheartened, (Indeed, more so, he most assuredly The schemer and dreamer of the dramatis personae in question.) For him, though, no rambling, rumbling truck Emblazoned with the lemon-cheerful Posteitaliane markings Arrives at an office chock-a-block with secretaries Whose mission is to answer and archive its all-but-holy contents; More likely, there is some humble cart, (The wheel bearings frozen up, the canvas mildewed and frayed) Containing a handful of birthday cards Intended for some Renzo or Romano Miswritten by some absentminded grandmother or great-aunt, The odd solicitation or final-notice Which shall go no further for all of eternity. Despite the hectoring tone of the envelope Stating that the material is critically time-sensitive And intended for the eyes of the addressee only.
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Dec 2, 2016
Dec 2, 2016 at 9:49 AM UTC
The Romeo Letters
They arrive by the sackload from the main office on the Via del Pontiere, Pouring from the bags as if a torrential weeping, Envelopes a collage of shapes, a multiplicity of pastel hues, Some addressed with all the formality of a judicial summons, Others bearing no more than the name of the distaff half Of the city’s most famous equation. They tread upon paths long since worn flat By any number of their predecessors: Tales of love unrequited, passion misspent, Promises untruthful and unmet. These epistles and their authors Seek solace of varying degree and efficacy: Some seek kernels of actual guidance or blessing, As if some ancient and inscrutable advice columnist Had taken up residence in the Basilica di San Zeno, Others looking to self-heal through the catharsis of the act of writing, Most content to quietly assert to the universe itself I am here, I am here, I am here. Where, then, is the corresponding mountain of missives For the son of the House of Montague? Surely, his shade would be as kindred a soul To those which affairs of the heart have left so disheartened, (Indeed, more so, he most assuredly The schemer and dreamer of the dramatis personae in question.) For him, though, no rambling, rumbling truck Emblazoned with the lemon-cheerful Posteitaliane markings Arrives at an office chock-a-block with secretaries Whose mission is to answer and archive its all-but-holy contents; More likely, there is some humble cart, (The wheel bearings frozen up, the canvas mildewed and frayed) Containing a handful of birthday cards Intended for some Renzo or Romano Miswritten by some absentminded grandmother or great-aunt, The odd solicitation or final-notice Which shall go no further for all of eternity. Despite the hectoring tone of the envelope Stating that the material is critically time-sensitive And intended for the eyes of the addressee only.
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38
ख़त के ज़वाब नहीँ आते, पता नहीं अब क्या बदल गया है? उनका पता या वो लोग? letters are not being responded, I Don't know what is changed now? Their Address or addressee themselves?
0
May 31, 2017
May 31, 2017 at 9:14 AM UTC
address पता haiku in hindi
' Do you understand me?' A most awkward question to pose It weakens you and the addressee Senses your insecurity-- with a sneering nose Would come the reply: 'What do you take me for--a fool?' Think before you speak You command respect when you are sure and cool.
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Mar 15, 2016
Mar 15, 2016 at 6:56 AM UTC
A MOST AWKARD QUESTION
I m an older shade now, curse me!! this blunt hint on my face an addressee, I remember the yore, you sang the sad, Scratching knees crept on floor, i was mad Holding me swaying me pressing my hand, Scrabbling from legs i cried sand sang sand The smoothest touch ever, the cool breeze, This water met my feet, oh its a seize. I drenched,felt the float, left you behind, Why you cried,the boat find find find. I m alive in water, and i m older and huge, Curse me, forget me, im mixed and refuged
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Aug 31, 2014
Aug 31, 2014 at 12:24 PM UTC
Call for me, from me
Caramel melting in my mouth, this poem wasn’t even meant to be about you, I don’t know your name, but the kiss was so good I can’t forget you, baby, you moved away, like a tide or a wave, I forgot you existed, sweetness sickness, I still have that bellyache, my swiftness was your fuel, jewel to your paper crown, and you just tasted like, the caramel latte that I bought on my way from work, the chasers left the town, and Venice was my home, I never thought of you a single time on my way from work, my tastebuds didn’t work, Cinnamon all night long, but you have a blank page in my lovers textbook, I saved colorful pens if I will ever find you, blue sky, red fire, and cotton candy clouds, everything seems normal without you, some days I think how all this time I was living happy without you, the love songs, with no addressee, keep being sang back at me, but I have stuff to care about more than I do currently, caramel flowing from candy, you are not mine and never were, I **** at storytelling, hurt and free to go.
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Oct 29, 2019
Oct 29, 2019 at 2:16 AM UTC
Caramel