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Terry Collett Nov 2013
The bell from the cloister rang. Echoed around and settled upon nun in bed cosy in blanket against morning’s cold and frost. Stirred. Head raised. Eyes peered into the dawn’s light, sighed, shivered, moved arms against body’s length. Closed eyes. Wished for more sleep. None to have. Bell rang. Time, ladies, please. Time and tide. Stirred again. Lifted head. Sighed. Gazed at bedside table. Clock tick tock, tick tock. Moved to edge of the bed. Feet dangled. Toes wiggled. Hands joined for prayer. Breath stilled. Silence of the room. Bell stopped. Sighed. Breathed air, cold air. Wake up, rise, and shine. Funny words. Tired still. Wished to sleep, but no time. Dangled feet rose and fell. Toes wriggled. Rose from bed and knelt on wooden floor. Hard floor. Cold floor. Polished to a shine floor. Knees slid on smooth surface. Back stiff from straw-stuffed bedding. Sighed. Sister Teresa joined hands. Let fingers touch. Let flesh touch flesh. Sin on sin once maybe. Long ago. Sighed. Opened eyes. Gazed at crucifix on wall above bed. Old Christ, battered by time and grime. Eyes closed image held in mind’s eye. Prayer began. Words searched for amongst the wordless zones. Reaching through darkness for an inch of light. Light upon light. Darkness upon darkness. Who felt this she does not know. None speak except Sister John. Word upon word built. Holy upon holy. Sit here, she’d say. Rest a while. Rest in cloister. Rest on bench by cloister wall. You and she. Her hands old and wrinkled by time and age. Her eyes glassy. Her voice thin and worn, yet warm. Want to be close to warm. Especially in dark cold mornings like this, Teresa mused, lifting head and opening eyes to dawn’s light and cold’s chill in bone and skin. She stood and dressed. Disrobed from nightgown and into habit. Black as death with white wimple of innocence. Laughed softly. Such times. Such times. Harsh serge against soft flesh. Stiff whiteness on skin’s paleness. Sighed. Coughed. Made sign of cross from head to breast to breast. Never to touch, mama said, never let be touched. Words, long ago. Mama is dead. Rest in peace. No mirror. No image of seventeen-year old face or features now. Vanity of vanities. Sighed. Papa said, some men would deceive. Deceived by what? She often asked but none would tell. Ding **** bell. Silence now. Go now. Moved to door and down the cloister to the church and the dawn’s welcome cold and still. Teresa closed door and walked at pace soft and motionless seeming. None shall speak. Sing and chant and raise eyes and maybe a smile briefly, but none shall speak. Nor touch. For none may touch. Not as much as a sleeve felt or breath sensed. Each one an island. Water upon water none shall cross. Teresa sighed. Walked down the steps one by one, not to rush but not to lag sloth-like, lazily or drag wearily. Mother Abbess would know.Knows all. Sensed all. Next to God most feared. Most loved maybe if truth were known. Teresa sighed. Chill of cloister ate at bones and flesh. Nimble walking might ease, but walk as nuns do and cold bites like violent fish. Breathed in the air. The moon still out. Stuck out on a corner bright and white. The sun’s colour fed the dawn’s light. Brightness promised. Warmer weather. Warmer than Sister John. Who knows, Teresa mused, touching the cloister wall for sense of touch. Absence of touch can mean so much, Jude said, years before. Jude’s image faded now. No longer haunting as before. Teresa brushed her finger on the cloister wall. Rough and smooth. Rough and smooth. Men may deceive, papa said. Let none touch, mama advised. Long ago or seeming so. Seventeen-years old and innocent as innocence allowed. Jude laughed, feeling such. Wanting to touch. Over much. Entered church. Cool air. Sense of aloneness. Choir stalls. Smell of incense and polish mixed. Sense upon sense. Smell upon smell. Walked slowly. Genuflected to Christ. High on high. All seeing. Like Mother abbess. But less human. Less human all too human. The Crucified for all to see. Half naked there. Stretched wide arms. Head dangling lifeless or so seeming. Genuflection over moved to place in choir stall, stood, and stared at vacant wall. Brick upon brick. Sounds held. Chants upon chants sang once, held here. Chill in bone and flesh. Breviary held. Pages turned. Find the place and mark it well. Bell pulled sounds now. Nuns enter and gather round. Sister upon sister, elbow near elbow, but none may touch. None touch. None touch.Sister Rose eyes dim searched yours for morning joy. Smiled. Coughed. Awaited tap from Abbess. Smiled. Nodded. Hands held beneath black serge. Wanting to hold something, someone, but none may do so. None may touch. Tap, tap, wood on wood. Chant came as if from the cold air settled on ears. Felt in breast. Sensed and blessed, but none may touch. The sense to sing. The voice raised. The ear tuned. The mouth and lips employed, but none may touch. At least, said Sister Rose, not over much. Not over much. Still air. Cold air. Warmth wanted. Sister John or Sister Rose. None shall touch.
Terry Collett Dec 2013
Blessed art thou amongst women. Sister Teresa closed the book. Brushed hand across book cover dispersing dust and thoughts. And blessed is the fruit…She lowered her hands to her stomach and tapped three times. Empty tomb; empty womb. Looked across the room at the crucified hung on the white wall; hammered and nailed; battered and bruised by time. She brought her hands together. Let flesh touch flesh. Jude long gone, in flesh at least. Papa had gone the year before; no last farewell; no last goodbye. Sighed. Lifted her eyes to the off-whiteness of ceiling; lifted her heart and mind to a world beyond. Bell rang from bell tower. Voice of Christ, some said. Closed eyes. Held breath. Then released breath as if God had touched her afresh.  Men not to be trusted, Papa had said. Last will and testament; his last words, she mused. She rose from the table and book; stood gazing at the black book cover; stood in a silence like one struck dumb. Bell rang. Sighed. Moved across the room; opened the door; closed it  with softness of summer’s breeze. Mama wore black in perpetual mourning. Black on black; death on death. She moved along the cloister; touched the wall; felt the roughness of brick on brick. Jude’s image pale as ghost; off to her right she thought he lingered. All in the mind, Mother Abbess had said; smiled; patted her hand. Not to touch, not over much. She paused by church door and felt for the stoup; dipped finger in water; hoped for blessedness; made sign from breast to breast; scanned the choir stalls for Sister Clare; not there, she mused; disappointment stabbed her; drove her inwards; struggled with her night of soul. And blessed is the fruit of thy womb. Jude kissed her once or was it more? She mused, taking her place in choir; shifting her breviary; clutching it tight. Nun followed nun; each to their own place; each to their God prayed, she mused, opening the page, shifting her weight from foot to foot. Mother Abbess tapped wood on wood; made the sign from shoulder to shoulder; nodded the beginning of prayer and chant. Not to be trusted, Papa had said. Not seen last nine months; sorely missed; huge chasm in her breast and heart. Turned the page. Lifted her voice. Eyes flowed across the black and white as if swimming through the sea of despondency. No Sister Clare. I do declare a pain is here; wish you were here; near me now, she said inwardly, following the words like lost sheep. Where are You now my God? Sighed. Held the breviary; felt the weight of it; like her sins it weighed her down. Sunlight shone through upper windows; touched the stone floor between choir stalls; made as if fire burned between them, she mused, letting eyes move from the page; allowing memories to stir like giants waking from slumber. Flesh on flesh; hand on hand to touch. Not over much, not over much. And where are You? she asked in her silence; settled her feet in stillness. Pray for us sinners. Now and at the hour. Where had time gone? Papa gone; Mama long since dust to dust; Jude blown to the four corners in battle; all so sorely missed. No Sister Clare. Chant ended. Silence. Mother Abbess made sign; blessed all gathered; gathering her black robes she moved slowly down the aisle with her bride groomed but invisible Christ and the sisters followed each too with their battered and bruised groom inwardly held; separately loved. Sister Teresa waited and watched. Knelt and sighed. Where was her groom?  Had He gone or died? Closed eyes. Sighed. Brought hands together; moved lips and mumbled prayer, which lingered just above her head; blessed the air. Now and at the hour.
The 8 prose poems that make up the series begins with Matins 1907- and ends with Compline 1977. The poems move in decades. Following a nun from 17 until 87.
The Convent at Le Cap Fureur
Lies empty, by the sea,
Its ancient walls a grim despair
Of anonymity,
No more the chants of singing Nuns
To vespers, weave their way,
A thousand years of heartfelt prayers
In silence, drift away.

The Sisterhood of Sainte Bernice
Is cloistered there no more,
The end came in a fury from
The world outside, at war,
The Nuns were fasting, deep in Lent,
When soldiers came across
To find each sister worshipping
The Stations of the Cross.

No godly men were in their ranks
No thoughts of sin or Christ,
The Nuns were ***** and beaten in
Some pagan sacrifice,
The Abbess stood with arms outstretched
And prayed, ‘Forgive them not!’
Was taken to the courtyard where
The sergeant had her shot.

There’s blood still on those convent walls
It leaches out at Lent,
Runs down the walls of dim-lit halls
And stains the grey cement,
We lodged there late one April night
Myself, Joylene and Drew,
Lay staring at the stars above
As round us, silence grew.

We slept within those hallowed walls
Until I woke in fright,
And roused the others, ‘Come and see
This strange and fearful sight!’
For out there in the entrance hall
We heard a weird chant,
And two long lines of Nuns approached
To keep their covenant.

Two lines of candles in the dark,
The Nuns wore hoods and cowls,
And as each candle flickered out
Their chant gave way to howls.
Screams and pleas then filled the air,
The sound of steel-capped boots,
A pagan army from the east
Of rough and raw recruits.

Joylene was in hysterics by
The time this vision went,
And Drew was praying loudly on
That final day of Lent,
We grabbed our things, rushed out and then
We heard a single shot,
The blood-stained Abbess blocked our way
And cried: ‘Forgive them not!’

David Lewis Paget
Michael Hoffman Jan 2012
Hildegard of Bingen
the most musical abbess
of the year 1097 a.d.
met with Jung the unconscious detective
and Ginsberg the howling poet
for lattes at some Starbucks
in a vibrating city
on a shimmering afternoon.

Angelic minuets keep flowing,
effervescing through my chakras
like tonal champagne . . .
the glowing femme declared.
Beams of ethereal light infuse me,
tsumanis of energy tempt me
to dance right out of my habit.

Ignoring the possibility
of seeing a naked nun drink coffee in public,
Alan mused behind his hornrims . . .
I get what you mean
like I have felt the same perfusion of joy
watching cans of peas and ayahuasca
dance with talking bananas
at the A&P; Market near my pad in Brooklyn,
can you dig it?

Still suffering from his Freudian hangover,
Carl reframed them both . . .
Any conclusions or convictions
drawn from such experiences
may not self-verify because
your introspective identifications
attempt in vain
to concretize the amorphicity
of decentralized psychic sensations
which reach conscious awareness
only at the expense of extension.

What did he just say?
Hildegard asked Alan.
I have absolutely no idea,
the portly poet answered
as he doodled an intricate mandala
on his hemp napkin.
Terry Collett Nov 2013
Sister Teresa put down the pen. Eyes searched page. White and black. Scribbled words. Meaning there some where amongst the lines, she mused. Bell rang from bell tower. Echoed around cell. Closed her eyes. Held hands together. Sighed a prayer. Allowed the dark and peaceful to swim about her. Out of the depths, O Lord, she whispered. Opened eyes. Parted hands, rested on the table before her palms up, and read the signs. The last echo went out of the room. The whisper of it out of earshot.First-class now this age; first-rate her papa had thought; foremost her mama decided. Gone now Mama, she mused, lifting her body from the chair and walking to the window. Gone except memory. What the little child had seen she wanted to forget. Some memories are best buried. The sky was cold looking; the clouds shroud-like. Held hands beneath habit; clutched hands child-like. Mumbled prayer. Watched nuns move along cloister; watched the slowness; sensed the coldness of the air. If possible, Lord, she murmured, moving from window, walking towards the door. Paused. Looked back. Stared at crucifix on wall. The Crucified agonised, battered by age and time. Smiled. Nodded. Turned and opened the door and walked into the passageway. Closed the door with gentle click; hid hands beneath the cloth; lowered eyes to floor’s depth. Wandered down by wall’s side. Listened. Sighed. Sensed day’s hours; day’s passage and dark and light. Entered cloister and felt the chill wind bite and snap. Best part, Papa had said. Men are not to be trusted, said he many a time. Felt the cloister wall’s roughness with her right hand. Sensed the rough brick; sensed the tearing of the flesh on wall of brick; the nails of Christ. Mama had died her own crucifixion. The child closed the door having seen in the half-dark, she recalled, closing her eyes, feeling the chill wind on her cheek. Paused. Breathed deep. Saw sky’s pale splendour; saw light against cloister’s wall; saw in the half-light. Nun passed behind. Sister Helen, big of bone, cold of eyes, cool of spirit. Cried once; cried against night’s temper. Months on months moved on; days on days succeeded. Papa had said, the zenith of the passing years, my dear child, your mama’s love. How pain can crucify, she thought as she moved on and along the cloister, lifting eyes to church door. Nails hammered home to breast and ribs, she murmured as she entered the church. Fingers found stoup and tip ends touched cold water; blessed is He, she sighed. Eyes searched church. Scanned pew on pew; nun on nun. Sister Bede nodded; held hands close; lifted eyes that smiled. Where Jude had been buried, Papa had not said. Ten years passed; time almost circle-like, she mused, pacing slow down aisle to the choir stall. Sister Bede lowered her head; lowered her black habited body. Saw once as a child but closed the door. Poor Mama. Who is she that came and went? Long ago. Time on time. Papa had missed her; tears and tears; sobs in the mid of night. Mother Abbess knocked wood on wood. Silence. Closed eyes. Dark passages lead no where, Papa said. Chant began and echoed; rose up and down; lifted and lowered like a huge wave of loss and grief. Where are you? What grief is this? Night on night, her papa’s voice was heard; echoed her bedroom walls; her ears closed to it all except the sobs. De profundis. Out of the depths. Dark and death are similar to man and child. Opened eyes to page and Latin text. Bede and she, to what end? Death, dark, and Mama’s fears echoed through the rooms of the house; vibrated in the child’s ears; bit the child’s heart and head. This is the high point Jude had said; had kissed her once; had held her close and she felt and sensed. Men are not to be trusted. Breathed deep. For thine is the kingdom. And Papa’s words were black on white and pained her. Jude gone and buried; mama crucified; Sister Rose fled the walls; wed and wasted to night’s worst. Come, my Christ, she murmured through chant and prayer; come lift me from my depths; raise me up on the last day. Voice on voice; hand on heart; night on night. Jude had said be prepared for the next meeting, but dead now; Passchendaele claimed him. Voice on voice, Amen. Chill in bone and flesh. Breath eased out like knife from wound. Bede looked and smiled; hid the hands; bit the lip. Men are not to be trusted. Jude long gone. Nuns departed. Bede turned and went with her gentle nod. Paused. Sighed. Come, my Lord and raise me up, she mused, stepping back from stall and the tabernacle of Christ. Raise me up. Raise your lonely bride from death and dark.
Terry Collett Nov 2013
The rosary slips
between fingers,
pushed by thumb,
prayers said, saying,

praying. The nun
feels cramp in her
thigh, ache of knee.
Bell to ring, light

through crack in
shutters, seeps.
Like that time in
Paris. Young then,

bells from some
church, he saying,
we must visit the
Sacre Coeur. Did,

too, later, their hands
holding, thoughts
of love. That thin
sliver of light through

cracks in that shutter.
He beside her, body
warm, hands folded
between his thighs,

prayer like. Pater
Noster, thumb moves
beads, skin on wood.
And he said, Paris is

built on the bones of
the dead, he looking
straight into her eyes,
dark eyes, pools of

smooth liquid passion.
The bell rings, Matins,
she thumbs away the
last bead, prayers said,

on flight to her God.
Knees ache, thigh crampy,
she rubs to ease. He
rubbed like that, her

thigh, his hands, warm
and slowly. Rubs slowly
now, she and her hand,
to ease. Pain, what is

it for? Questions, answers,
always there. Coinage,
pain, to pay back, debt
for sins, hers, others,

here, in Purgatory. She
ceases to rub, puts rosary
down, lets it hang from
her belt as she walks from

her cell(room) along passage,
down stairs, not to rush, said
Sister Hugh, not to rush.
She holds up the hem so

as not to rub. Into the cloister,
early morning light just
about to come over the
high walls. Chill, touches,

hands, fingers, bend, open,
bend. He showed her this
trick with a coin, his hand
open, the coin there, then

he closed and opened, and
it had gone, vanished, had
mouth open, and he laughed.
Never did show how was

done, have faith, he said
laughing. The cloister, walls
high, church tower, red bricks,
flower garden around below

the walls. Silence. She learnt
that, not easy being a woman,
tongue still, interior silence,
also, Sister Josephine said,

inner silence. Harder to keep,
the inner voice hushed. She
passes the statue of Our Lady,
flowers, prayer papers, pieces,

tucked in crannies, under flower,
vases. Santa Maria audi nos.
He was coming to her, took
her in his arms and kissed her

lips, that cold morning after
the party, Paris, art, music,
it was all there. She enters
the church, puts fingers into

stoup, blessed water, makes
sigh of cross from head to
breast to breast. Sunlight seeps
through glass windows, stone

flag floor, cold, shiny, smooth.
His lips on hers, flesh on flesh,
tongue touching tongue. Long
ago, best forget, let it go. She

sits in her choir stall, takes up
breviary, thumbs through pages.
Prayer pieces of paper, many
requests sent. This one's mother

has cancer, deadly, her prayers
requested for recovery. Not
impossible, faith says so. But
she doubts, always the doubt.

She'll pray, ask, request, ask
God, for supplicants request,
but God knows best. He sees all.
Knows all. Knows me, she

thinks, better than I know myself.
Cogito ergo sum, Descartes said,
and he said it,too. He in his
pyjamas, so ****, uttering the

Descartes, hands open. I think,
there, I am, he said, I am,(naked)
therefore, I think. He laughed.
Other nuns enter, take their place

in choir stalls, sound of sandals
on wood, books being opened,
prayers whispered. Bells ring,
Mother Abbess, enters, all lower

head. Where did he go after
having *** with you? she never
did know, not then, some things
best not known. O Lord open

my lips. Shut down my thoughts.
She makes the sign of the cross.
Finger, *******, from
forehead to breast to breast.

Smells, air, fresh, stale, bodies,
old wood and stone, she standing,
praying, all together, all alone.
Terry Collett Dec 2013
Sister Scholastica left the refectory after lunch; made her way to the grounds for the twice-daily recreation period. She had been one of the twelve nuns to be chosen to have their feet washed by the abbess later that day. Some were too old, some too young, she imagined, looking for a quiet spot to wander; take in the scenery; meditate on her day and the following days to come of Easter. A chaffinch flew near by; a blackbird alighted on the ground and then flew off again. She paused. Maundy Thursday. Her sister Margaret had died on a Thursday. She remembered the day her sister was found in her cot by her mother; heard the screams; the rushing of both about her; her father’s harsh words; both shouting; her being pushed aside; wondering what had happened; no one saying until the small coffin was taken out of the house for the funeral and off to the church which she was not allowed to attend. Mother was never the same afterwards. The days of lucidity grew less and less; madness crept over her like a dark spider spinning its web tightly. She sighed. Walked on through the grounds passed the stature of Our Lady green with moss and neglect. The sun warmed. Say your prayers, mother had said, always say your prayers. Mother’s dark eyes lined with bags through lack of sleep, peered at her especially when the madness held her like a bewitched lover. Poor Margaret, poor sister, only said baby sounds, off into the night. One of the nuns passed her with a gentle nod and a smile. Sister Mary. She saw her once holding the hand of another sister, late evening after Compline, along the cloister in the shadows. Father fumed at the creeping madness; Mother’s spewing words; the language foul. She stopped; looked at the apple orchard. Le repas saint: le corps et le sang de Christ, Sister Catherine said to her that morning after mass, the holy meal, the body and blood of Christ, Sister Scholastica translated in her mind as she paused by the old summerhouse. Francis, who once claimed to have loved her, wanted only to copulate; left her for some other a year later. A bell rang from the church. Sighed, Time not hers. She fingered her rosary, a thousand prayers on each bead, each bead through her finger and thumb. Her father beat her when her mother’s rosary broke in her hands; the room was cold and dark. Pray often, Mother said, in moments of lucidity. Time to return. The voice of God in the bells. She turned; walked back towards the convent, her rosary swinging gently in her hand, her eyes taking in the church tower high above the trees; a soft cool breeze kissing her cheek like Francis did once, long long ago before Christ called and made her a bride; clothed her in black as if in mourning for the sinful world she’d left behind.
Terry Collett Nov 2013
Il dio è il miei testimone e guida, Sister Maria, the refectorian, had said, Sister Teresa remembered walking passed the refectory, touching the wall with her fingers. God is my witness and guide, she translated, feeling the rough brick beneath her fingers. She stood; turned to look at the cloister garth. Sunlight played on the grass. Flowers added colour to borders and eyes, she thought, letting go of Maria's words as if they were balloons. Ache in limbs; a slowness in her movements. Age, she muttered inaudibly. The war had taken her cousin's sons in death. Two of them. Peter and Paul. Burma and D-day. Three years or more since. She brought hands together beneath the black serge of her habit. Flesh on flesh. Sister Clare had touched. Not over much, not over much. Papa would lift her high in his arms as a child, she mused, her memory jogged by the sunlight on the flowers. Higher and higher. Poor Papa. The spidery writing unreadable in the end. She sniffed the air. Bell rang from church tower. Sext. She looked at the clock on the cloister-tower wall. Lowered her eyes to the grass. So many greens. Jude had lain with her once or was it more? She mused, turning away from cloister wall and the sight of grass and flowers. Thirty years since he died. Blown to pieces Papa had written. Black ink on white paper sheet. Flesh on flesh; kiss to lip and lip. She paused by church door; allowed younger nuns to pass; so young these days, she thought, bowing, nodding her head. Placing her stiff fingers in the stoup, she made cross from breast to breast. Smell of incense; scent of wood; bodies close; age and time. She walked to her place in the choir stall, bowed to Crucified tabernacled. Kneeled. Closed eyes. Murmured prayer. Heard the rustle of habits; clicking of rosaries; breathing close. Opened eyes. Sister Clare across the way. A nod and a smile, almost indiscernible to others, she thought, returning the same. Mother Abbess tapped wood on wood; chant began; fingers moved; sign of cross; mumbled words. Forty years of prayer and chant; same such of fingered rosaries; hard beds; dark night of soul and such. She sensed Papa lifting her high in thought at least; Mama's touch on cheek and head. Jude's kiss. Embrace of limbs and face. Il dio è il miei testimone e guida, she recalled: God my witness and guide. Closed eyes. Sighed. Sister Clare had cried; had whispered; witness and guide; witness this and guide, she murmured between chant, prayer, and the scent of incense on the air.
Sext in Latin is six. The sixth hour.
Terry Collett Nov 2012
Martha had this thing
about the Crucified.
The image, the cross,
the stretched out arms.

The one in the convent
school along by the chapel
always caught her eye.
Stood there staring.

Get a move on Martha,
the nun said. Don’t gape so.
Or the image in the dining
room stuck up on the wall

above the abbess’s table.
Painted on she thought.
Not the same. Her mother
had the one her mother

gave her on her deathbed.
Old wood and plaster.
The plaster peeling from
the hands of the Crucified.

Martha gaped at Him,
at His wounds, at the wound
in His side where the spear
went in. Forgive them for

they know not. They did so,
the *******, she muttered,
putting her fingers on the wound
in the side. She had an ebony

rosary in her skirt pocket. Black
Christ on the small ebony cross.
She fingered in her pocket, said
the prayers, felt the stiff body

on the cross. Sometimes she
took it out and kissed it; the ebony
body, the head, the arms. Once
she had a cross around her neck,

silver, small, given by some old
codger. She felt it warm between
her small *******. Lost it when she
took it off to wash and it slipped

down the plughole in the convent bog.
She knew her mother had this wooden
crucifix on her chest of drawers.
A dark wood, a fleshy plastered Christ,

nails through and hands and feet.
She kissed the hands when her mother
was out, her lips touching the smooth
plaster, the eyes closed, the feel of

smoothness on flesh. Not the real
Christ of course. Least not yet.
She’d wait her turn. The real thing.
See what death and Heaven bring.
Right,
Orwell's version of room 101 travels well,
we each have a vision of hell and where we go when things die, some think of roses, others apple pie, but I think of gremlins that rip through the sky and fly down to devour me, they hold the power over me, a fear of the night, a  feeling that room 101 is just right and that's dismal.

In the abyss, the Abbess looks up and she prays for the sun to light and to bathe her in the cleansing rays of the dawn of a day, she's unsatisfied and cries to the heavens above, 'enough of the ******* give me more of your love'.

There's a silence that hangs like a taut sequence in a thriller I saw on the TV,
She doesn't see it and hears nothing,  she only craves the attention of some celestial dimension,
her sisters, a convent, convene to discuss it, candles are lit for a mass though there's few.

A demon called Andrew who once flew with Richtofen and often drops in for a chat,
tells me,
'I've seen all of this and it doesn't mean that nor lack of wings mean a man cannot fly and the dear god above does not have the monopoly on love
I hope the Abbess will find some and get by.

In every chapter, a verse some are better for the worse and some should be thrown to the crowd.
It's Monday, it's raining and I drizzle.
I use to know a little boy
Who would get up every morning
Look in his bathroom mirror
And find a reason to smile.

Like many other kids
He was bullied,
He was bruised and laughed upon.
But despite all that
He still found a reason to get up each morning
Look in the mirror
And find a reason to smile

But like most good things,
There came an end.
For at the age of eight
This little boy lost a part of his heart.

His sister had died.
The one who took care of him
When no one else did.
The one who was there for him
When no one else could
The one who was now gone
That on one else could replace.

After that his life sundered into an abbess,
An agonizing chain of death and regrets
That this little boy received
That would put the most strong and masculine of men
Into a ball of tears in the corner.

Death of a family member
Of someone the little boy held dear
Either died, or came to a point
Where they might as well be dead.

Each time this happened
The smile in the mirror
That the little boy use to be able to form
Turned into tears, and a blank face
Until the smile came nevermore.

He had nothing left.
His heart that was once filled with joy,
Now just an empty ***** in his cheats…

One day, as the kid became older and bolder
He wrote a letter to his parents
With kind, sweet words to let them know
That he would hurt no more.

He took his parents out that day
For one last day of fun,
One last day of smiles
Upon his parents faces,
One last day to say’
“I Love you, goodbye.”

When the night came out
So did his letter
Upon his bed
As he grabbed his shotgun
And snuck out the window.

He sat out in that pasture
For what seemed like an eternity
Until the tears stopped
As he slowly loaded the barrel
Pointed it in his mouth.
Took a deep breath.
And pulled the trigger.

His body fell to the ground.
Tears coming out,
But he wasn’t crying.
No sobs came from his throat.
No movement of his body,
Other than the tears coming out of his eyes.

After what seemed like hours,
He picked himself up off the grassy ground,
Grabbed his gun that jammed up,
Snuck back into his window,
Hid the letter and gun again,
And went back to bed.

The next morning he is greeted by his parents
Who simply say, “Morning.”
Give the kid a smile and a hug
And continue with their morning routine.

After trying not to cry,
But failing after the boy walked away,
Ran to his bathroom
And looked in the mirror.

Though there were tears in his eyes
And sobs in his throat
He looked into the mirror
And found a reason to smile once again.
I only ask is that you may respectful toward this story for it is a true one. So as I said before, please be respectful and considerate toward this story.
Lawrence Hall May 2017
Cats and the Office of Prime

With the dignity of an abbess the cat
Enthrones herself upon the morning fence
To welcome with due solemn liturgies
The daily rising of the given sun

Her slow lavabo accomplished, she turns
Offering the peace of Cat to the assembly:
The lesser cats, the even lesser dogs
The night-chilled lawn, the dewy leaves, the light

She blinks her blessings there upon the day

     And all is complete

When happy children then come out to play
Johnny Noiπ Jan 2019
Everything profound I ever learned about teenage white girls
I learned at the Convent of the Sacred Heart; a stone citadel
on the Upper East Side housing an exclusive all girl Catholic
School surrounded by blue-chip art galleries & world-class
museums; I'd hang out at the Met, Guggenheim, Whitney
& Cooper-Hewitt right across the street, Museum Del Barrio
& the Museum of New York, electronic church bells would
ring out from stone bell towers of the several churches in the
immediate vicinity; so young & so immersed in aesthetics
& on drugs, I would meet up with the various cliques at noon,
lunchtime & at the the end of the day when the pressure to
be holy was off; girls who appeared by day to be obsequious
innocents would begin the transformation from penny loafers
& green plaid and smart emblazoned jackets to ripped fishnet
tights, black lip gloss & false eyelashes; granny ******* replaced
by sequin thongs, ribbons & berets becoming multiple bobby
pins; clean, scrubbed faces turned pale white with blood red
slashed cigarette puffing lips; steeped in catechism these girls
wanted to break free until life ground down their souls & shuttled
them into affluent conformity; some stayed Beat & some got into
****** & crack to crustydom - these were my favorites; girls who
couldn't keep it together, strained & wrinkled whites, rolled down
socks, drug-addled confusion, brilliant, poetic, natural; scruffy &
cast out from the other groups who didn't even stand out from
one another, either in school uniform dress looking all of 14-16
or done up in proto-punk attire; identical whether they were
slumming or taking a test, raving over exiting at the sound
of the period bell. My research revealed that the upper floors
of the huge stone school were occupied by the actual Sisters
of the Sacred Heart, the 'Convent' consisted of old fashioned
wimple wearing nuns who were the teachers; pursuing this
further, I discovered the convent's origin as a home for indigent
& wayward girls, what we would call runaways & prostitutes,
who with nowhere to go & endowed by the woman who started
the Home, a wealthy widow do-gooder as it were, stayed on
& over time given their Christian bent which after fits & starts
became a calling, as some girls continued to ply their trade
either as *** workers or simply eager *****. The founder, now
a nun, only reluctantly began to discourage this after the police
began returning the girls rather than arrest them, advising the
abbess to reign it in as the place was getting a reputation
as a cat house; Here we are, a century or so later, & I wonder
whatever became of those girls I used to smoke ****, drink
& pop pills with at parties &  after school, sometimes often
during school, some right in class; My art was thus torn in two:
whether to depict the clean-cut bourgeois facets of life's smiling
happy parents & docile authoritarianism, or the druggy, crazy,
not quite revolutionary, out-of it kicks to be had in the streets?
What each had in common was the cast of characters, parents
could be drug-addicts, *****, alcoholics or bi-******, just as
****** could be nuns...Catholic schoolgirls could be Punk
Rockers & crusties, fashion models & corporate VPs. It has
been implemented.
Convent of the Sacred Heart is an independent Roman Catholic all-girl school in the Manhattan borough of New York City. Teaching from pre-kindergarten through to twelfth grade, it is located on Manhattan's Upper East Side at East 91st Street and Fifth Avenue.
ConnectHook Feb 2016
Horror of horrors!   Dark lady,  it’s you again

Abbess of shadow and sinister sprite.

Pray show me, sweet Nelida, how to express myself:

Passion?   Pure malice?    Or ****** by fright…

You opened the dungeons where dreams slept desireless

Vanquished my sleep of misogynist night.

A sepulchral shudder enlivens my being:

Liquescent infernoes of Gothic delight.

Elevation celestial or depths of despair –

No middle to stand on beholding your visage

The firmament drops as I swing in the air.

In this fall, or this orbit, show mercy, bright maiden

Nor quench solar fires with lunar disdain.

Eclipsing at zenith, you blacken my brain.
♥ X ♥ X♥ X ♥ X ♥ X ♥ X
Terry Collett Nov 2013
Afternoon sun touched the cloister garth. The office of None had just completed. Sister Teresa walked slowly down the cloister from the church, letting her failing eyesight search for the opening to the garth. Heard the clink of cups on saucers; the chatter of voices; nearby the smell of the flowers in the flowerbeds. Her white stick tapped against the wall as she walked; her arthritic hand gripped it painfully. Felt the sun's rays on her face; the slight breeze touch her habit like as saucy child. Remembered a summer long ago before she entered the convent. The green of grass in her memory and a kiss. Who's kiss? She searched her memory like one seeking through an old chest. Jude. Yes, Jude. Smiled. Felt opening in the wall; turned into the garth. She remembered vaguely his face; felt the grass beneath her feet. Someone touched her arm with their hand. One of the sisters spoke. Not Sister Clare. Dead now. Most of them were she knew. She listened to the tone of the voice; her eyes failed her again. Sister Mark. Her mind grasped the image that fitted the voice. She smiled. Sister Mark had led her by the arm and asked about tea and cake. Tea, yes, no cake, she said. Mama had a similar voice. Mama had said not to let them touch. Not men; not to be trusted. Or was that papa? She couldn't remember. Take it easy, Mother Abbess had told her; take things steady. Fifty years since she came that summer. She recalled the heat of that summer. The cloister's smell of bread and incense. Papa's face when she left home that day; the tears in his eyes; the awkward smile on his lips. No one came now. All dead and buried. Clare in the convent cemetery next to the wall; mole holes along by the gravestone. That had been an adventure in the art of love. A secret known only to God and them. Mea culpa, she whispered. Sister Mark handed a cup and saucer; soft hand touched hers; sweet voice spoke of the weather and the smell of the flowers. Sighed. Breathed in the air. Sipped tea. Cup rattled in the saucer. Stood here once and spoke to all; now few speak; only the kind and brave. Sister Mark spoke of the new novices and of the freshness about them. Sister Teresa looked about her; a vague scan of images; of faces in white and their youthful giggles and chatter. She had been as such once. She, her loves, and her memories. The bell tolled from the cloister clock; voices stilled. The breeze calmed. The sun eased off and hid behind a cloud. Someone took her cup and saucer and placed a hand on her arm. Not to touch, not over much. Mama had said. One of the dead. The God blessed dead. She walked back along the cloister, the hand still on her arm; flesh on flesh. Not to touch, not over much, a soft voice whispered of long ago.
Donall Dempsey Dec 2024
HISTORY. . .HAPPENS.

It is 11.32
in 1132 and  - now.

A sunset sets fire
to Kildare

burns it to the ground.

Night takes the town
in its arms.

Memory sets fire to time.

I, a mind invisible
( divisible by all )

move through the pages
of history

slip silently through
the ages

an unobserved
observer.

The ghost I've
yet to be.

The latitude of now
the longitude of then

the ****** flux
of history.

Voices scattered throughout time
( spoken in a 16th century accent )

whisper to me
greedily

wanting to be
remembered.

". . .the successor of Brigit
was betrayed

carried off...put into a man's bed
forced to submit to him."

"I hear you..!" I say
". . .I hear you!

". . .seven score killed
in Cill Dara...most of it burnt..!

The Chronicles tell
the tattered tale.

The voices once again
lost in the wind.

Diarmud Mac Murrough's
violence on Kildare

happens all over
again and again

written upon the wind.

The **** of the abbess
destroying the divinity

of her authority
her harmony.

A woman baptises
her new born

with milk
as in the old way.

The fires of her age
flickering across her frightened face.

Brigit born anew.

Time tamed
comes to my side

licks my hand
like some mythical hound.

"Take me back..."
I command
". . .to my own now!"

"Now!"
I cry.

Out of the Silken Thomas
one two and three inebriated

merrymakers sway and spill
out into the Christmas of I984.

One big one small and one very very tall
together they sing

informing the yet-to-be
of what is lost and past.

"Rejoyce!" the snow says:
"...snow falling faintly through the universe

and falling faintly...upon the living and the dead."

I tell the night
that is already passing into

the great beyond.

"Remember O Thou Man
Oh Thou Man, oh Thou Man.

Remember, O Thou Man
Thy time is spent.

Remember, O Thou Man
How thou camest to me then

And I did what I can
therefore re. . ."

*

Walking through Kildare one passes through all the history still hanging in the air...once one has heard the voices of those who have passed before us...it is impossible not to hear them ever again...the air is stained with the history of their times and the soul cannot but soak up all that has happened.
Brighid reappears in various guises in various times and seems part historic, part mythic, part Christian, part pagan. One of her dualities is that she is herself but also an incarnate representative of Mary.
She is the protectress of dairymaids and is associated with February lambing day (one of the four primary Gaelic holy days, Imbolc, meaning "bag of cream" or "butter-womb"). She was born herself by manifesting from a bucket of milk being carried out the door by her mother, a milkmaid. And the Irish Catholic Church, before it came under the aegis of the Roman Catholic Church, baptised in milk rather than water. My Auntie Nelly used to put the sign of the cross on the flanks of our cows by dipping her fingers in the milk.
As the first abbess of Kildare ( Church of the Oak ****-dara ) she was followed by an unbroken line of abbesses who commanded great respect from the people and were responsible through the saint’s order for maintaining by precise ritualistic means a continuous fire ignited by St. Brighid before her death in ca. 522. The abbesses were assisted in this by 19 nuns. With the sack of Kildare the fire of centuries was finally snuffed out.
The **** of the Abbess of Kildare in 1132 destroyed her sanctity and rendering her unfit for her office. MacMurrough imposed in her place a kinswoman of his own.
Her **** paved the way for the Norman occupation of Ireland.
James Joyce was intensely proud of being born on February 02, lambing day, that is on Imbolc, which by the old reckoning shares the claim for being St. Bridgid's Day along with February. The Celtic day was measured in a lunar manner like the extant Semitic calendars so that a calendar day begins at sunset, not midnight). Joyce considered St. Brighid to be his muse and liked to have his works first issued on February 02 to honour her.
She is invoked in all post-Chamber Music work. As St. Bride Brighid continues to maintain her abbey, now a "finishing establishment" for the "The Floras . . . a month's bunch of pretty maidens." She is Maria in "Clay," the moocow in Portrait, the old milk woman in Ulysses, the maid in Exiles, the broken branch in "Tilly," (one means allowed to stoke the sacred fire at Kildare was to wave air over it with a branch), and a thousand references to milk and things bovine in FW.
The Norman-Anglo Conquest of Ireland began in 1169, when a mercenary invasion force from Norman-occupied Wales captured Wexford and Waterford. A year later they took Dublin, and over the next century, 75% of Ireland would fall. Dermot MacMurrough's wily reign of deceit, beginning in 1132, paved the way for the Norman occupation.
Donall Dempsey Dec 2016
HISTORY. . .HAPPENS.

It is 11.32
in 1132 and  - now.

A sunset sets fire
to Kildare

burns it to the ground.

Night takes the town
in its arms.

Memory sets fire to time.

I, a mind invisible
( divisible by all )

move through the pages
of history

slip silently through
the ages

an unobserved
observer.

The ghost I've
yet to be.

The latitude of now
the longitude of then

the ****** flux
of history.

Voices scattered throughout time
( spoken in as 16th century accent )

whisper to me
greedily

wanting to be
remembered.

". . .the successor of Brigit
was betrayed

carried off...put into a man's bed
forced to submit to him."

"I hear you..!" I say
". . .I hear you!

". . .seven score killed
in Cill Dara...most of it burnt..!

The Chronicles tell
the tattered tale.

The voices once again
lost in the wind.

Diarmud Mac Murrough's
violence on Kildare

happens all over
again and again

written upon the wind.

The **** of the abbess
destroying the divinity

of her authority
her harmony.

A woman baptises
her new born

with milk
as in the old way.

The fires of her age
flickering across her frightened face.

Brigit born anew.

Time tamed
comes to my side

licks my hand
like some mythical hound.


"Take me back..."
I command
". . .to my own now!"

"Now!"
I cry.

Out of the Silken Thomas
one two and three inebriated

merrymakers sway and spill
out into the Christmas of I984.

One big one small and one very very tall
together they sing

informing the yet-to-be
of what is lost and past.

"Rejoyce!" the snow says:
"...snow falling faintly through the universe

and falling faintly...upon the living and the dead."

I tell the night
that is already passing into

the great beyond.

"Remember O Thou Man
Oh Thou Man, oh Thou Man.

Remember, O Thou Man
Thy time is spent.

Remember, O Thou Man
How thou camest to me then

And I did what I can
therefore re. . ."
Brighid reappears in various guises in various times and seems part historic, part mythic -- part Christian, part pagan. One of her dualities is that she is herself but also an incarnate representative of Mary

She is the protectress of dairymaids and is associated with February lambing day (one of the four primary Gaelic holy days, Imbolc, meaning "bag of cream" or "butter-womb").  She was born herself by manifesting from a bucket of milk being carried out the door by her mother, a milkmaid. And the Irish Catholic Church, before it came under the aegis of the Roman Catholic Church, baptised in milk rather than water. My Auntie Nelly used to put the sign of the cross on the flanks of their cows by dipping her fingers in the milk.


As the first abbess of Kildare ( Church of the Oak ****-dara ) she was followed by an unbroken line of abbesses who commanded great respect from the people and were responsible through the saint’s order for maintaining by precise ritualistic means a continuous fire ignited by St. Brighid before her death in ca. 522. The abbesses were assisted in this by 19 nuns. With the sack of Kildare the fire of centuries was finally snuffed out.



The **** of the Abbess of Kildare in 1132  destroyed her sanctity and rendering her unfit for her office. MacMurrough imposed in her place a kinswoman of his own.
Her **** threw paved the way for the Norman occupation of Ireland.  


James Joyce was intensely proud of being born on February 02, lambing day, that is on Imbolc, which by the old reckoning shares the claim for being St. Bridgid's Day along with February. The Celtic day was measured in a lunar manner like the extant Semitic calendars so that a calendar day begins at sunset, not midnight). Joyce considered St. Brighid to be his muse and liked to have his works first issued on February 02 to honour her. She is invoked in all post-Chamber Music work. As St. Bride [220.03], Brighid continues to maintain her abbey, now a "finishing establishment" for the "The Floras . . . a month's bunch of pretty maidens." She is Maria in "Clay," the moocow in Portrait, the old milk woman in Ulysses, the maid in Exiles, the broken branch in "Tilly," (one means allowed to stoke the sacred fire at Kildare was to wave air over it with a branch), and a thousand references to milk and things bovine in FW.

The Norman-Anglo Conquest of Ireland began in 1169, when a mercenary invasion force from Norman-occupied Wales captured Wexford and Waterford. A year later they took Dublin, and over the next century, 75% of Ireland would fall. Dermot MacMurrough's wily reign of deceit, beginning in 1132, paved the way for the Norman occupation
There's an arrow in my eye 
can't see too good 
feels like someone's put
a hood
over my head,
if
this carries on too long,
King or not I'll soon be
dead.

Jack said, 
'****** me 
Harry's going down in history 
blinded by some blaggard and
his archery'

Well 
sew me sideways in a tapestry 
everyone's gone down in history.

The abbess at the abbey kneeling,
sifting through
confessions or devil dealing, but nevertheless 
stealing precious time to pray for Harold who being on the way to the other side
wasn't really bothered anymore or indeed a King.
Johnny Noiπ Jan 2019
Black and White Black and Yellow.
The second keypad,                                              and the little puke bucket.
B İzimi'i.                             Now the warrior's story of the very bad woman.
AAPP 3D / Bailey Lion and Natte Naidi
In the 40 years of the Abbess' Diocese,
the female leader sang to Tacitus supporters,
Arab community leaders were given the soldiers of the BBC
and BBC leaders of Saudi Arabia's Galactic Fleet.
The young boy and her infant son have been in turmoil by invoking Syria, the valley, the Muslim plan,
and several consecutive generations.
Black and white smoke in the BBC,
BBC News, BBC News, lipsticks,
food items and Arabian descent,                       the mouth of the mouth big,
the Welsh Wonders model,
many free programs from the Arabian Embassy, ​​
a pair of Tingatingkee's candy brush, and a thin,
thinly scarred Latina Natalie. Point out your and your song in the big throat!
Miss Africa, Miss Australia, USA is a part of George's
country in the United States, Miss Europe and Miss South America.
Pictures George's Graffiti words, bulls,      martyrdom in the history
                                         of the martyrdom of Thomas the Emperor,
their friends and their families,                   and the old boats led by the light of the German, the strong thinker
and Christianity is the symbol of the Christian life,
the bridges were assembled in Russia, England,
and the United States. In the morning morning,
Light and Luncheon,                                           a brief booklet of the Uppari Booklet, and a lawyer and former companion
celebrate the respect of the daughter of the deceased.
The woman's care for her comfort, the woman Dibyi,
the Beatles, the center of Spain,             the stone garden in the second hour
of the game,                                            and the same God, in the same God,
the burning of Rome.                              In the eyes of the eye,
the old trees are the health of the screams
and the great health benefits.                Mexican Mexican Mexican museum,
vitamins and pills, full of mountain chains,
filled clouds of ignorance,                 and amusements in miraculous dreams.
The beetle in my mind was,
"Native, g-house, Greece, in England,
in Guinea, in the United Kingdom,
including an altercation, an angry person,
and saved my life in a sea of ​​seawater."
The Andaletian machines are the first payment
for the first poetic poem of the poet.             It was clad in a special, thin leg.
Epiphanies on Woman as Divine Love Incarnate
by Hildegard von Bingen

Hildegard of Bingen (1098-1179), also known as the Sibyl of the Rhine and Hildegardis Bingensis, was a German christian mystic who had visions of the Love of God beginning at age three. She was a German Benedictine abbess and polymath: a poet, writer, songwriter, composer, philosopher and medical writer/practitioner.  remains one of the best-known composers of sacred monophony, as well as the most recorded in modern history. She has been considered by scholars to be the founder of scientific natural history in Germany and perhaps the first notable environmentalist as well. She wrote poems and song lyrics in Latin.

These translations are dedicated to the most loving of mothers, my praiseworthy wife Beth.  

“Every good mother is the embodiment of Love.”—Michael R. Burch

“Cry out, therefore, and compose!”—Hildegard von Bingen, Scivias, translation by Michael R. Burch

HILDEGARD VON BINGEN TRANSLATIONS

I behold you,
noble, glorious and complete Woman,
locus of innocence and purity,
the Sacred Matrix
in whom God delights.
—Hildegard von Bingen, “Ave, generosa” translation/interpretation by Michael R. Burch

You appeared as a luminous white lily,
as God imagined You eons before Creation,
requiring Creation.
—Hildegard von Bingen, “Ave, generosa” translation/interpretation by Michael R. Burch

Now in her
lovingkindness, the deepest tenderness,
abounds for all,
from the Least
to the most Eminent
of those abiding beyond the stars!
—Hildegard von Bingen, “Caritas abundat” translation/interpretation by Michael R. Burch

Exquisitely loving All,
she bequeaths the kiss of peace
upon both Pauper and King.
—Hildegard von Bingen, “Caritas abundat” translation/interpretation by Michael R. Burch

Fashioned by God’s fingertips,
made in the image of God,
Height of Creation, held
within a womb of mingled blood,—
though heiress to Adam's exiled wanderings,
still the elements rejoiced to behold You,
O praiseworthy Woman,
as the heavens illumed
and thundered with praise at Your birth!
—Hildegard von Bingen, “*** processit factura” translation/interpretation by Michael R. Burch

A once-closed portal has been reopened
in the wise Woman
now revealed to us,
for the Flower of Creation
blossoms sun-bright in the dawn.
—Hildegard von Bingen, “Hodie aperuit” translation/interpretation by Michael R. Burch

O blessed child,
the Chosen One,
whom God so inspired.
that in time your sacred womb
produced the manifestations of God,
wafting like the gentlest scents
of frankincense, lavender and rose.
—Hildegard von Bingen, “O beata infantia” translation/interpretation by Michael R. Burch

O glittering starlight,
O most brilliant, exceptional figure
of the royal marriage,
O bright-faceted gem,
arrayed like a Queen
without flaw ...

You have become an angel's consort
and a priestess of sacredness.

Flee the ancient destroyer's dungeon!
Take your rightful place in the palace of the King.
—Hildegard von Bingen, “O choruscans lux stellarum” translation/interpretation by Michael R. Burch

Keywords/Tags: Hildegard von Bingen, English translations, Latin poems, mystic, god, love, woman, womanhood, women, Divine Feminine, mother, son, Mary, Jesus
These are my modern English translations of Latin poems written by Hildegard von Bingen, a German poet, composer, abbess and mystic.
Donall Dempsey Dec 2020
HISTORY. . .HAPPENS.

It is 11.32
in 1132 and  - now.

A sunset sets fire
to Kildare

burns it to the ground.

Night takes the town
in its arms.

Memory sets fire to time.

I, a mind invisible
( divisible by all )

move through the pages
of history

slip silently through
the ages

an unobserved
observer.

The ghost I've
yet to be.

The latitude of now
the longitude of then

the ****** flux
of history.

Voices scattered throughout time
( spoken in a 16th century accent )

whisper to me
greedily

wanting to be
remembered.

". . .the successor of Brigit
was betrayed

carried off...put into a man's bed
forced to submit to him."

"I hear you..!" I say
". . .I hear you!

". . .seven score killed
in Cill Dara...most of it burnt..!

The Chronicles tell
the tattered tale.

The voices once again
lost in the wind.

Diarmud Mac Murrough's
violence on Kildare

happens all over
again and again

written upon the wind.

The **** of the abbess
destroying the divinity

of her authority
her harmony.

A woman baptises
her new born

with milk
as in the old way.

The fires of her age
flickering across her frightened face.

Brigit born anew.

Time tamed
comes to my side

licks my hand
like some mythical hound.

"Take me back..."
I command
". . .to my own now!"

"Now!"
I cry.

Out of the Silken Thomas
one two and three inebriated

merrymakers sway and spill
out into the Christmas of I984.

One big one small and one very very tall
together they sing

informing the yet-to-be
of what is lost and past.

"Rejoyce!" the snow says:
"...snow falling faintly through the universe

and falling faintly...upon the living and the dead."

I tell the night
that is already passing into

the great beyond.

"Remember O Thou Man
Oh Thou Man, oh Thou Man.

Remember, O Thou Man
Thy time is spent.

Remember, O Thou Man
How thou camest to me then

And I did what I can
therefore re. . ."
Walking through Kildare one passes through all the history still hanging in the air...once one has heard the voices of those who have passed before us...it is impossible not to hear them ever again...the air is stained with the history of their times and the soul cannot but soak up all that has happened.
Brighid reappears in various guises in various times and seems part historic, part mythic, part Christian, part pagan. One of her dualities is that she is herself but also an incarnate representative of Mary.
She is the protectress of dairymaids and is associated with February lambing day (one of the four primary Gaelic holy days, Imbolc, meaning "bag of cream" or "butter-womb"). She was born herself by manifesting from a bucket of milk being carried out the door by her mother, a milkmaid. And the Irish Catholic Church, before it came under the aegis of the Roman Catholic Church, baptised in milk rather than water. My Auntie Nelly used to put the sign of the cross on the flanks of our cows by dipping her fingers in the milk.
As the first abbess of Kildare ( Church of the Oak ****-dara ) she was followed by an unbroken line of abbesses who commanded great respect from the people and were responsible through the saint’s order for maintaining by precise ritualistic means a continuous fire ignited by St. Brighid before her death in ca. 522. The abbesses were assisted in this by 19 nuns. With the sack of Kildare the fire of centuries was finally snuffed out.
The **** of the Abbess of Kildare in 1132 destroyed her sanctity and rendering her unfit for her office. MacMurrough imposed in her place a kinswoman of his own.
Her **** paved the way for the Norman occupation of Ireland.
James Joyce was intensely proud of being born on February 02, lambing day, that is on Imbolc, which by the old reckoning shares the claim for being St. Bridgid's Day along with February. The Celtic day was measured in a lunar manner like the extant Semitic calendars so that a calendar day begins at sunset, not midnight). Joyce considered St. Brighid to be his muse and liked to have his works first issued on February 02 to honour her.
She is invoked in all post-Chamber Music work. As St. Bride Brighid continues to maintain her abbey, now a "finishing establishment" for the "The Floras . . . a month's bunch of pretty maidens." She is Maria in "Clay," the moocow in Portrait, the old milk woman in Ulysses, the maid in Exiles, the broken branch in "Tilly," (one means allowed to stoke the sacred fire at Kildare was to wave air over it with a branch), and a thousand references to milk and things bovine in FW.
The Norman-Anglo Conquest of Ireland began in 1169, when a mercenary invasion force from Norman-occupied Wales captured Wexford and Waterford. A year later they took Dublin, and over the next century, 75% of Ireland would fall. Dermot MacMurrough's wily reign of deceit, beginning in 1132, paved the way for the Norman occupation
Rai Apr 2023
I feel I need to breathe in the waves of the sea,
To feel him gripping me tightly
A breath of warm breeze through the trees,
He entices my soul to fly
I breathe in your love
It is tender yet a little tinged with fear

I will surrender and flow
I will be cleansed and renewed

Or so I believe
And choose to do so

It takes but a moment to move freely through the abbess

Yet I am able to at ease

Follow
Follow
The waves  sing in rhythmic motions
Like some French composer in time with my breath.
The trees sway as I fall freely on the breeze.
Trust in the moment
And you
You must trust also for this magic to be real

How beautiful
How beautiful is it all when we take a moment to breathe  it all in
Donall Dempsey Dec 2023
HISTORY. . .HAPPENS.

It is 11.32
in 1132 and  - now.

A sunset sets fire
to Kildare

burns it to the ground.

Night takes the town
in its arms.

Memory sets fire to time.

I, a mind invisible
( divisible by all )

move through the pages
of history

slip silently through
the ages

an unobserved
observer.

The ghost I've
yet to be.

The latitude of now
the longitude of then

the ****** flux
of history.

Voices scattered throughout time
( spoken in a 16th century accent )

whisper to me
greedily

wanting to be
remembered.

". . .the successor of Brigit
was betrayed

carried off...put into a man's bed
forced to submit to him."

"I hear you..!" I say
". . .I hear you!

". . .seven score killed
in Cill Dara...most of it burnt..!

The Chronicles tell
the tattered tale.

The voices once again
lost in the wind.

Diarmud Mac Murrough's
violence on Kildare

happens all over
again and again

written upon the wind.

The **** of the abbess
destroying the divinity

of her authority
her harmony.

A woman baptises
her new born

with milk
as in the old way.

The fires of her age
flickering across her frightened face.

Brigit born anew.

Time tamed
comes to my side

licks my hand
like some mythical hound.

"Take me back..."
I command
". . .to my own now!"

"Now!"
I cry.

Out of the Silken Thomas
one two and three inebriated

merrymakers sway and spill
out into the Christmas of I984.

One big one small and one very very tall
together they sing

informing the yet-to-be
of what is lost and past.

"Rejoyce!" the snow says:
"...snow falling faintly through the universe

and falling faintly...upon the living and the dead."

I tell the night
that is already passing into

the great beyond.

"Remember O Thou Man
Oh Thou Man, oh Thou Man.

Remember, O Thou Man
Thy time is spent.

Remember, O Thou Man
How thou camest to me then

And I did what I can
therefore re. . ."

— The End —