An overall’d uncle stabbed over homemade champagne drifts around the bend.
A commemoration quilt and the Adamsville population shifts around the bend.

There’s an old hymn torn out of Martha’s hymnal, an elegy, a black dress.
“These details seem important,” Preacher says in European swifts around the bend.

The rains come and wash away the things we bury, bodies and toy cars.
Lowlands become lakes and a lone, malaise blackbird lifts around the bend.

A boy, all elbows and knees, in corduroy everything, in the thick of it,
drives a truck with no wipers, no license, the stick shifts around the bend.

The homes with electric lose electric, and the newspaper floats off porch.
No news today, nor tomorrow these are philanthropic gifts around the bend.

It was six in the morning**: I sat in a cab dangling on small-talk with a middle-aged white male cabbie basted in the demeanor of the over-friendly uncle. He asked me about school—I'm hyperawake, paranoid, body pulsing, feeling loose, depersonalized, and lightly psychedelic—my vision wavering as if someone had entered my skull to punch raw brain. I did a gram and a half of ******* that night; mixed lines with ketamine to simulate a proto-psychosis, but am convinced I may very well have driven myself past the point of no return. I'd been doing this strict mix for over 2 straight weeks, landing myself in out-of-body experiences and coked-out drawls on the floor like a sad, puckered monkey chewing on a lemon it mistook for an orange. Why I led myself to this existential precipice is both beyond me and totally within my rational sympathies if I pretend I am on the outside looking in.
When I was 18—drawn, for the first time—away from smalltown Powell River and into the Vancouver suburbia of Port Coquitlam, my only successful job-find was a McDonald's arched inside a Wal-Mart. The double-insult this presented me as a teenage anarchist pushed me deep into my first true emotional crisis which I only turned to accept after a particular phone call with my father in which he appealed to me to think of this stint as a 'temporary social experiment'; a chance to learn and breathe this proletarian experience from the inside out. During the pre-Christmas night-shifts, the only customers we ever had were the dark, apathetic silhouette-people Wal-Mart hired to greet the absolutely no one's walking through the door. I incessantly cleaned what was already a mirror-wet floor and made sad conversation with Rosario—the slightly autistic shift-manager with a prickly-shave of a face and an awkward sense of humor I could never come to appreciate and yet always managed to humor in polite obsequiousness. Regardless, it was a form of spread and endless boredom that began to fascinate me; it brought me to a darkness I had never quite known. It was an experience—like all experiences—to be had at least once, to the fullest and truest intensity. To be pushed with reckless sincerity.
Ever since, I have found myself pushing every limit to disembodied extremes—on occasion, to points of such profound irresponsibility or feigned responsibility that I break a particular streak and wind-up on the other dichotomous side of whatever line I unintentionally (or intentionally?) crossed (or broke?) because everything is a social experiment and I've touched the multifarious lives of overworked modernity, residential care aide, dishwasher, Christopher McCandlessesque wilderness jaunt, melancholic Kierkegaard, psychonaut, and now: a short-lived ****** inspired by the excess of Burroughs and the early beatniks all willing to **** their darlings for the sake of blood-stained posterity.
And yet meanwhile—in the cab—I can feel my headache grow perceptively wider from my left temple. Almost like a mushroom cloud over Bikini Atoll I am watching from as safe a distance as the physical body can withstand, according to some calculable hypothesis drafted by Oppenheimer himself. I am constantly amazed at how lucid I am in conversation with this friendly cabby; given that I feel as if I'm about to go ******, focusing so deftly on the way the streetlights glide across placid puddles moving only with our tires intervention—and the way I keep imagining insanity in the form of a zombie-likeness of myself strapped into an electric chair, skin melting and eyes rolling back in my head as I seizure to metaphysical death—I still laugh away short quips about the blind-leading-the-blind (he has no idea how to find my destination, and keeps pulling over to check a book road-map for 4143 Hessington Place). The only reason I am with him now is that I am venturing to see my girlfriend at her group-house past Uvic where the door is always unlocked for friends and friends-of-friends, she being the only solution to this crisis with her stash of .5 Xanax pills.
I remember those tense moments—with my body and brain as taut as a bow—he would pull over or pull out and my entire existence seemed to move through space and time as if against a wind that was perpetually in resistance—as if my entire consciousness was going to capsize into some form of overdosed darkness. Even when I exited the cab and waved a friendly goodbye to the old man, I could feel my dopamine receptors attempting to fire on empty. This caused a latent buzz that was only solved with two milligrams of alprazolam and my eyes wide shut until my head shut down.

I held her close. I knew she thought I was an idiot.

I climbed a tree
on the edge of the tree line
surrounding my favorite park
someone has broken the limb
the highest one that I could reach
from which I hung my heart
someone has bested me
it used to make me sick
but now I am relieved
that someone has bested me
instead of tasting the high
before ever reaching the leaves
love is not about possession
because that air is not the only
air there is to breathe
there are other trees
and I can not, in good conscience
despise whoever can climb
higher than me

The conspiracy's got holes, water coming in, and
everything you say on the burner, they're going
to use against you in a court of law or as
a bargaining chip to go a level or two up,
but if you get caught, who can you give up?
Whose real name do you know? You feel
it all closing in. The black sedan whose
make and model you can never peg
is always parked off to the side.
Some days it rains, and you
try to remind yourself
to cherish this. You've
killed one man, been
asked to **** two more.
The sun sets uptown and
the jewelry stores close
and the bars open,
the ones with oak tables
and longbeards serving drinks,
the ones where they look at
you funny when you pay
in cash, the ones where
the women talk loudly
about their shapes
being real, about beauty
and food and thigh gaps,
their world entire.
What a funny set of problems,
you think to yourself as
the third beer hits your head
just right and headlights
come in through the window.
You walk out the back through the kitchen
into the neighborhood with
bikes left in the street. Two, three porch lights
on. Watchers east. Watchers west.
You break your phone on the hood of a stranger's car.
You run for the first time in months.
You run past the coffee shop and the frozen yogurt shop
and the artisan haircut shop and the tattoo shop with fair trade
ink. You find yourself at your sister's on 23rd. You tie off
in the living room while your nephew yells at the
Xbox and the LCD. It's curtains. Uneven.
The warmth and softness of synthetic women swirl around
you. There's a word for this. Maybe two. You swear when
you wake you will be hunter. No more defender. No more
user. Hunter King. Dark Secret on the Wind.

it's raining on the second longest night of the year
i never said i was honest you never bought me anyway i am all
stolen breath on these wood floors we're burning in //losing// blood.
we're the last of the locusts, you and me. our mothers can't take it no more
it's raining on the second longest con of our lives
so if i recover will you be
//will you be my//