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Young enough to know
that what they’ll have me
believe of this world
is a shadowy truth at best.
The lesson
in each dancing darkness
on my wall is love, &
we’re nothing but silhouettes
until the lights come on.
© Bitsy Sanders, January 2017
So I can’t trust the Times, Fox News, or the Post.
Too left or too right, just parasites hungry for hosts.
From you, fellow tax-paying citizen, I take note.
I listen to you — that angry defense of your vote.
Are you going to tell me what I am able to trust?
Before this land of the free is left to ruins and rust?
Silence speaks volumes,
like the encyclopedia I loved, circa ‘94—
devoured for hours on my living floor.
(Sidenote: That encyclopedia included several pages on
the Holocaust. But then, I suppose,
the Encyclopedia Britannica shouldn’t be trusted either?)
So what must I trust if I can’t share the news
without being challenged because of my views?
You say I can’t trust the posted or printed, so instead,
I'll trust something much louder in my heart and my head.  
I'll trust that empowered white supremacy in a place
where "all men are created equal," is something I refuse to embrace.
I'll trust that our freedom of speech is not our freedom to hate.
Black, brown, yellow, white— that’s not up for debate.
I'll trust that hope will swallow such hate in the blink of an eye—
choke the breath from its lungs and drop a beat to its cry.

And then I'll trust that history will one day forget
that we've failed to keep its pages from repeating just yet.
© Bitsy Sanders, November 2016
 Aug 2016 Taru Marcellus
Ben
You and I
Temporary

This house we sit in
Temporary

The love we share
(As strong as it is)
Temporary

All the skyscrapers in the world
Temporary

The streets and the sidewalks
Temporary

Every law, speech, and right
Temporary

Every person you pass on the street
Temporary

The piles of bills and gold hidden away behind massive vault doors
Temporary

The pain of a particularly bad day
Temporary

Every mistake and every triumph
Temporary

Your inclinations, opinions, and habits
Temporary

The ghost and the shell
Temporary

The printed words of men long since dead
And long since correct
Temporary

Every thick, coppery, snaking trail of blood
Every minuscule globule of spittle
Every boiling, salty tear
Temporary

The hatred of every person in every place in the entire world
Combined into one stinking stream
(As strong as it is)
Temporary

The soil that has run through your hands
The sand through the hourglass before it is flipped again
The rain that falls on humid August days
The whistling of the wind through broken windows panes
The sneaking of weeds tendrils through cracks in asphalt
Temporary

All
Forever
Temporary
jan from the corner store doesn't understand me,
I told her I wasn't mixed; my parents are just different
shades of the same color but she doesn't believe me,
and the man behind the counter silently agrees.

the old white lady that always takes the 5 train
stares at me curiously, her eyes say they don't trust me
and I don't understand why. I never thought I had to
explain myself to strangers or that my race was the most
interesting thing about me but that's always the
first question everybody asks.

my aunt told me the other day that I was jabao,
in other words, nobody knows what to do with me.
I am unidentifiable. my skin screams the sun and
stars too small to recognize; it says I am the product
of a collision between the blackest sea and the whitest sand.
some parts of my body sing a ballad so dark only certain
people would ever want to listen to. maybe these are the
parts that the old white lady on the five train is scared to
listen to. maybe the curls I tried so hard to straighten are
what terrifies her, maybe the black in my kneecaps keeps
her up at night, maybe the sound of boisterous music in a
language she could never understand makes her skin jump,
sends shivers down her spine makes her think twice
about who I am.

jan from the corner store doesn't understand me,
I told her I was jabao, a mix of summer glow and
muted winter skin. but she doesn't believe me; says
she has never met a Dominican like me, that in some ways
I must be a mixed breed. and the man behind the counter
silently agrees.

(h.l.)
 Aug 2016 Taru Marcellus
JDK
Cracked the only egg left in the basket.
You really shouldn't plan your whole strategy on something so fragile.
There's a question left unanswered but I'm afraid to ask it.
The yoke of old folks is their fear of change.
It's unfair to blame them for it;
it was ingrained at a young age.
You don't believe me? Just look it up.
To be refleshed at the end of your last true summer,
to have fingertips—not your own—pry away the old
skin and charge the nerves of the new,
how could you plan something like that?
You're in a new body and in an old house.
The window unit moans. ***** clothes cover the floor.
He's more than fingertips now. He's uncombed hair.
He's shirtless and he's breath and he's in your mouth
and the taste is sweet, familiar, and just far enough away
to turn nameless and evaporate from where all names
originate: the tongue.

But he still delivers his tongue to you, your back arching,
you're a lost instrument singing, the notes bending, the
melody transforming, until God's refrain rings and ricochets
noiselessly in the chambers of your skull.
In space there is no center, you're always off to the side.

And he's there, at your side, and you both stare at the ceiling fan
and laugh. What else can you do? He is still. You are still.
He starts to say your name. No more words. We are home.
It was strange and didn't register as a serious request. She wanted to take care of me. Nothing ******. Just a meal here and there, maybe a little tidying up of the house.

She wanted me to talk. And that part, the talking, always felt transactional, a repayment of her cleaning and cooking. She didn't ask questions. Just nudged me on with emphatic nods in the living room, sitting six feet away from me in a stray office chair. She listened as if I were recounting a past life of her own.

I told her once I loved her little feet, especially in those heels. The next week she wore sneakers. She was older but not old, fifty or so. Two children a few years younger than myself.

She made a point of not staying past ten or drinking more than a single glass of wine.

I was always a little embarrassed by the state of the house. The ***** clothes strewn across the room indistinguishable from the clean. Earmarked novels, long novels, the kind you could bludgeon a person to death with, gathered dust on the coffee table, the desk, the kitchen counter. She touched them, fascinated by what secrets or sage advice might lay within, but she never read a page.

One night I realized I'd never said her name out loud. And she said, "That's impossible. Of course you have." But neither of us could think of a particular moment. And just when I was about to, she said, "Why break the streak?"

We grew more comfortable with one another. She wore less makeup and let her age show. She'd show up in sweatpants. Some nights we'd order Chinese and play that familiar game where every fortune is punctuated with "in bed." A stranger will change your life forever tomorrow in bed. Lies lead to great calamities in bed. So on.

We called them dates, our lunches in the break room, taken each day around 2 p.m. She would bring me leftovers from the night before, always making a point of saying something like, "My husband just couldn't finish it."

She brought baked ziti on a Wednesday last March. I told her it was the best I'd ever eaten as I forked it out of the tupperware container, the edges still hot from the microwave. She said she hadn't been intimate in two years.

"Is that possible?"

"It is."

*** didn't transpire immediately. We worked up to it.

I liked the way she directed me. I'd never experienced anything quite like it. She'd tell me to touch myself while she held me in her arms, she'd snag a handful of my hair, she'd dig her nails into my thigh, but her words were always beautiful, whispered, tender, spoken in the sacred and profane language of lovers.

I'd come and she'd make a comment about the quantity, comparing it to her husband's.

In the serene afterglow before we toweled ourselves off, I'd rest my head against her breast, and I'd say, "I could stay here forever."

"Every man I've ever slept with has said that."

"How many men have you slept with?"

"Has anyone ever liked the answer to that question?"

"I don't mind. We could compare data."

"Including you?"

"Including me."

"Two."

She crawled out of the bed and turned on some music, Neil Young, "A Man Needs a Maid."

"I always felt guilty for liking this song," I said.

"Me too," she said.

We drank coffee on the back porch before the sun came up. "There was a man," she said, "before I married. He was an artist, a painter. We were in college and I loved the deliberate way he spoke. He'd think, sometimes for a full minute, before he said anything. There was a softness in his voice that required you to pay closer attention to him. Your voice is not all that different."

The Department of Transportation began tearing down the houses in my neighborhood to make room for an additional two lanes of traffic. By October mine was the only house left on the block. The apocalypse in miniature. We'd drive by piles of brick and fencing and she'd begin to cry.

It was a particularly brutal winter, and she buried her car in mud and snow when she tried to back out of the yard on the day of her son's graduation. I offered to drive her.

"No, no, no no no."

We sat in the snow, our backs against her car. She leaned in and said, "Your cologne is new."

"Yes."

"You've cut your hair."

"Yes."

"Your shirt, it's actually ironed."

Silence for a beat.

"Who is she?"
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