They told me —
a woman’s hunger
should be poetic,
not physical.
Desire should be folded
into metaphors
and hidden in kitchen drawers
behind cumin and shame.
But my lips
do not write verses
to please you.
They burn with wanting—
not your approval,
but my own arrival
into a body
that I refuse to apologize for.
You called me dangerous
because I asked for more
than survival.
You called me broken
because I moaned without fear
and dared to say
what women were only allowed
to whisper into pillows
after the lights went out.
I am not the fire
that ruined your perfect home.
I am the fire
you lit
and ran from.
I touched myself
and did not shatter.
I confessed to desire
and did not turn to stone.
I spoke of my body
as mine—
and that
made your temples tremble.
You said,
“This is why women are left.”
“This is why marriages die.”
“This is why daughters should be quiet.”
“This is why God gave shame to Eve.”
And I replied—
“No. This is why women are reborn.”
Your disaster
is not my doing.
It is your brittle masculinity
cracking under the weight
of a woman
who refuses to be less.
I lit a lamp inside me,
and you called it a wildfire.
But don’t mistake my flame
for your ruin.
I burn to become — not to destroy.
This poem was born in a quiet rebellion.
A rebellion against the idea that a woman’s desire is dangerous,
that her longing is shameful,
that her softness must be hidden to be respected.
I wrote this for the girl who simply wanted to love
— with her heart, her body, her truth —
and was told she was too much.
Every time she expressed her wanting,
they made it a crisis.
Every time she opened her arms,
they closed the door.
This poem is her fire,
her clarity.
It says:
Desire is not a sin.
It is not a storm to fear.
It is a song —
and I will sing it without apology.
Because my desire is not your disaster.
It is my birthright.
— Sharda Gupta