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Everything is too
sugar-spine, salt-lipped,
staticstitched and jitterglow.

I can’t sit still
without turning into
a girl-shaped emergency.

I keep my synonyms in jars—
one for ache,
one for almost,
one for the word I made up
that means I miss you so much I become a faucet.

Language is a loose tooth.
I tongue it until it bleeds metaphor.
Call it poetry.
Call it coping.
Call it anything but what it is:
me, peeling the world into vowels
because I’m scared if I say what I mean,
you’ll hear it.

And then what?

You’ll answer?

You’ll echo?

You’ll send a voice memo
saying same
and I’ll combust on the Q train
like a well-read matchbook?

God, I am so
caption-core,
pun-drunk,
rhyme-accident-prone.
I named my stomach pit afterthought.
I named my wrists reminder.

And I named you
don’t.

But I still say it
every time I open my mouth
to speak.
Some relationships are a loose tooth. You know you’re going to lose them, but you keep poking at it. This poem is about that—about obsessive love, about knowing better and doing it anyway, about aching where someone once was and still is. Language with a wobble. Feeling that throbs. The before and after all at once.
I smiled so wide my molars got jealous.
Everyone said I looked stunning.
I said thank you in the voice I reserve for customer service and playing dumb.
That’s the closest I’ve come to a scream
this week.

I wore the dress that says: I’m over it.
(It lies.)
I walked like a question mark
straightened out with rage.

There was a man in the corner
making balloon animals.
He asked what I wanted.
I said surprise me.
He handed me a noose
shaped like a swan.

No one noticed.
Or maybe that’s just what I tell myself
to feel interesting.

Later, someone told a joke
I didn’t get.
I laughed like I was being watched.

The punchline wasn’t funny.
It just echoed
like something I would’ve said
before I got careful.

I stood in the kitchen
with a paper plate of olives and nothing,
holding it like proof
I was doing fine.

Someone spilled wine on the couch.
I said I’ve ruined better things.
Everyone laughed
like I meant it to be charming.
(I didn’t.)

A girl in white heels asked me
how I knew the host.
I said same way I know most people—
by accident,
and with the kind of premonition that wears perfume.

The bathroom mirror was cracked.
I counted the breaks like confessions
and chose not to atone.
The soap smelled like fruit
that only exists in dreams
you wake up crying from.

I reapplied my lip stain
like armor,
like alibi,
like an exit strategy.

Then I left without saying goodbye
because I couldn’t figure out
how to do it quietly
and still be missed.
A poem about the quiet performance of "doing fine." It's about olives, nothing, and everything under the surface. How we decorate our sadness to make it digestible. How we want to disappear, but be remembered as something haunting. This one came out sharp and honest. I hope it finds the ones who feel it.

— The End —