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I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
I don't love you as if you were the salt-rose, topaz
or arrow of carnations that propagate fire:
I love you as certain dark things are loved,
secretly, between the shadow and the soul.
I love you as the plant that doesn't bloom and carries
hidden within itself the light of those flowers,
and thanks to your love, darkly in my body
lives the dense fragrance that rises from the earth.

I love you without knowing how, or when, or from where,
I love you simply, without problems or pride:
I love you in this way because I don't know any other way of loving

but this, in which there is no I or you,
so intimate that your hand upon my chest is my hand,
so intimate that when I fall asleep it is your eyes that close.
Michael R Burch Mar 2020
Love Sonnet XVII
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I do not love you like coral or topaz,
or the blazing hearth’s incandescent white flame:
I love you like phantoms embraced in the dark,
secretly, in shadows, unrevealed and unnamed.

I love you like shrubs that refuse to bloom
while pregnant with the radiance of mysterious flowers;
now thanks to your love an earthy fragrance
lives dimly in my body’s odors.

I love you without knowing how, when, why or where;
I love you forthrightly, without complications or care:
I love you this way because I know no other.

Here, where “I” no longer exists, nor “you” ...
so close that your hand on my chest is my own,
so close that your eyes close gently on my dreams.

Keywords/Tags: Neruda, translation, Spanish, love, sonnet, rose, topaz, coral, dark, shadow, obscure, secret, fragrance, hand, chest, eyes, close, dreams



More Pablo Neruda translations ...

You can crop all the flowers but you cannot detain spring.
―Pablo Neruda, loose translation by Michael R. Burch

While nothing can save us from death,
still love can redeem each breath.
―Pablo Neruda, loose translation/interpretation by Michael R. Burch

As if you were set on fire from within,
the moon whitens your skin.
—Pablo Neruda, loose translation/interpretation by Michael R. Burch

Please understand that when I awaken weeping
it's because I dreamed I was a lost child
searching the leaf-heaps for your hands in the darkness.
―Pablo Neruda, loose translation/interpretation by Michael R. Burch

I’m no longer in love with her, that's certain ...
yet perhaps I love her still.
Love is so short, forgetting so long!
—Pablo Neruda, loose translation/interpretation by Michael R. Burch

I alone own my darkness.—Pablo Neruda, loose translation/interpretation by Michael R. Burch

I own my own darkness, alone.—Pablo Neruda, loose translation/interpretation by Michael R. Burch



I love you only because I love you
by Pablo Neruda
loose translation by Michael R. Burch

I love you only because I love you;
I am torn between loving and not loving you,
Between apathy and desire.
My heart vacillates between ice and fire.

I love you only because you’re the one I love;
I hate you deeply, but hatred
Bends me all the more toward you, so that the measure of my variableness
Is that I do not see you, but love you blindly.

Perhaps January’s frigid light will consume my heart with its cruel rays,
robbing me of any hope of peace.

In this tragic plot, I am the one who dies,
Love’s only victim,
And I will die of love because I love you,
Because I love you, my Love, in fire and blood.



Every Day You Play
by Pablo Neruda
loose translation by Michael R. Burch

Every day you play with Infinity’s rays.
Exquisite visitor, you arrive with the flowers and the water.
You are vastly more than this immaculate head I clasp tightly
like a cornucopia, every day, between my hands ...



Love Sonnet XI
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I crave your mouth, your voice, your hair.
I stalk the streets, silent and starving.
Bread does not satisfy me; dawn does not divert me
from my relentless pursuit of your fluid spoor.

I long for your liquid laughter,
for your sunburned hands like savage harvests.
I lust for your fingernails' pale marbles.
I want to devour your ******* like almonds, whole.

I want to ingest the sunbeams singed by your beauty,
to eat the aquiline nose from your aloof face,
to lick your eyelashes' flickering shade.

I pursue you, snuffing the shadows,
seeking your heart's scorching heat
like a puma prowling the heights of Quitratue.



The Book of Questions
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Is the rose ****
or is that just how she dresses?

Why do trees conceal
their spectacular roots?

Who hears the confession
of the getaway car?

Is there anything sadder
than a train standing motionless in the rain?



In El Salvador, Death
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Death still surveils El Salvador.
The blood of murdered peasants has never clotted;
time cannot congeal it,
nor does the rain erase it from the roads.
Fifteen thousand were machine-gunned dead
by Martinez, the murderer.
To this day the coppery taste of blood still flavors
the land, bread and wine of El Salvador.



If You Forget Me
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I need you to know one thing ...
You know
how it goes:
if I gaze up at the glowing moon,
if observe the blazing autumn’s reddening branches from my window,
if I touch the impalpable ash of the charred log’s wrinkled body ...
everything returns me to you,
as if everything that exists
―all aromas, sights, solids―
were small boats
sailing toward those isles of yours that await me.

However ...
if little by little you stop loving me
then I shall stop loving you, little by little.

And if you suddenly
forget me,
do not bother to investigate,
for I shall have immediately
forgotten you
also.

If you think my love strange and mad―
this whirlwind of streaming banners
gusting through me,
so that you elect to leave me at the shore
where my heart lacks roots,
just remember that, on that very day,
at that very hour,
I shall raise my arms
and my roots will sail off
to find some more favorable land.

But
if each day
and every hour,
you feel destined to be with me,
if you greet me with implacable sweetness,
and if each day
and every hour
flowers blossom on your lips to entice me, ...
then ah my love,
oh my only, my own,
all that fire will be reinfernoed in me
and nothing within me will be extinguished or forgotten;
my love will feed on your love, my beloved,
and as long as you live it will be me in your arms ...
as long as you never leave mine.



Sonnet XLV
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Don't wander far away, not even for a day, because―
how can I explain? A day is too long ...
and I’ll be waiting for you, like a man in an empty station
where the trains all stand motionless.

Don't leave me, my dear, not even for an hour, because―
then despair’s raindrops will all run blurrily together,
and the smoke that drifts lazily in search of a home
will descend hazily on me, suffocating my heart.

Darling, may your lovely silhouette never dissolve in the surf;
may your lashes never flutter at an indecipherable distance.
Please don't leave me for a second, my dearest,

because then you'll have gone far too far
and I'll wander aimlessly, amazed, asking all the earth:
Will she ever return? Will she spurn me, dying?



My Dog Died
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

My dog died;
so I buried him in the backyard garden
next to some rusted machine.

One day I'll rejoin him, over there,
but for now he's gone
with his shaggy mane, his crude manners and his cold, clammy nose,
while I, the atheist who never believed
in any heaven for human beings,
now believe in a paradise I'm unfit to enter.

Yes, I somehow now believe in a heavenly kennel
where my dog awaits my arrival
wagging his tail in furious friendship!

But I'll not indulge in sadness here:
why bewail a companion
who was never servile?

His friendship was more like that of a porcupine
preserving its prickly autonomy.

His was the friendship of a distant star
with no more intimacy than true friendship called for
and no false demonstrations:
he never clambered over me
coating my clothes with mange;
he never assaulted my knee
like dogs obsessed with ***.

But he used to gaze up at me,
giving me the attention my ego demanded,
while helping this vainglorious man
understand my concerns were none of his.

Aye, and with those bright eyes so much purer than mine,
he'd gaze up at me
contentedly;
it was a look he reserved for me alone
all his entire sweet, gentle life,
always merely there, never troubling me,
never demanding anything.

Aye, and often I envied his energetic tail
as we strode the shores of Isla Negra together,
in winter weather, wild birds swarming skyward
as my golden-maned friend leapt about,
supercharged by the sea's electric surges,
sniffing away wildly, his tail held *****,
his face suffused with the salt spray.

Joy! Joy! Joy!
As only dogs experience joy
in the shameless exuberance
of their guiltless spirits.

Thus there are no sad good-byes
for my dog who died;
we never once lied to each other.

He died, he's gone, I buried him;
that's all there is to it.



Tonight I will write the saddest lines
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Tonight I will write the saddest lines.
I will write, for example, “The night is less bright
and a few stars shiver in the distance
as I remember her unwarranted light ...”

Tonight I will write her the saddest lines:
that I loved her as she loved me too, sometimes,
all those long, lonely nights when I held her tight
and filled her ears with indecipherable rhymes ...

Then she loved me too, as I also loved her,
compelled by the spell of her enormous eyes.
Tonight I will write her the saddest lines
as I ponder love’s death and our mutual crimes.

Outside I hear night―silent, cold, dark, immense―
as these delicate words fall, useless as dew.
Oh, what does it matter that love came to naught
if love was false, or perhaps even true?

And yet I hear songs being sung in the distance.
How can I forget her, so soon since I lost her?
I seek to regain her, somehow bring her closer.
But my heart has been blinded; she will not appear!

Now moonlight and starlight whiten dark trees.
We also are ghosts, by love’s failing light.
My love has failed me, but how I once loved her!
My voice ... this cursed wind ... what use to recite?

Another’s. She will soon be another’s.
Her body, her voice, her infinite eyes.
I no longer love her! And why should I love her
when love is sad, short, mad, fickle, unwise?

Because of cold nights we clung through so closely,
I’m not satisfied to know she is gone.
And while I must end this hell I now suffer,
It’s sad to remember all love left undone.
I.

One night at the Troubadour I spotted this extraordinary girl.

So I asked who she was.

‘A professional,’

That was my introduction that on a scale of one to ten

there were women who were fifteens—beautiful, bright, witty, and

oh, by the way, they worked.

Once I became aware,

I saw these women everywhere.

And I came to learn that most of them were connected to Alex



II.

She had a printer engrave a calling card

that featured a bird of paradise

borrowed from a Tiffany silver pattern

and,
under it,

Alex’s Aviary,

Beautiful and Exotic birds.



A few were women you’d see lunching at Le Dôme:

pampered arm pieces with expensive tastes

and a hint of a delicious but remote sexuality.

Many more were fresh-faced, athletic, tanned, freckled

the quintessential California girl

That you’d take for sorority queens or future BMW owners.





III.

The mechanism of Alex’s sudden notoriety is byzantine,

as these things always are.

One of her girls took up with a rotter,

the couple had a fight,

he went to the police,

the police had an undercover detective visit

(who just happened to be an attractive woman)

and ask to work for her,

she all but embraced her

—and by April of 1988 the district attorney had enough evidence

to charge her with two counts of pandering

and one of pimping.

For Alex, who is fifty-six

and has a heart condition and diabetes,

the stakes may be high.

A conviction carries the guarantee of incarceration.

For the forces of law and order,

the stakes may be higher.

Alex has let it be known that she will subpoena

every cop she’s ever met to testify at her trial.

And the revelations this might produce

—perhaps that Alex compromised policemen

by making girls available to them,

—perhaps that Alex had a deal with the police to provide information

in exchange for their blind eye to her activities

—could be hugely embarrassing to the police and the district attorney.

For Alex’s socially correct clients and friends,

for the socially correct wives of her clients and friends

and for a handful of movie and television executives

who have no idea they are dating or

married to former Alex girls,

the stakes are highest of all.



IV.

Alex’s black book is said to be a catalogue of
Le Tout Los Angeles.

In her head are the ****** secrets

of many of the city’s most important men,

to say nothing of visiting businessmen and Arab princes.

If she decides to warble,

either at her trial or in a book,

her song will shatter more than glass.





V.

A decade ago, I went to lunch at Ma Maison,

There were supposed to have been ten people there,

but only four came.

One of them was a short woman

who called me a few days later and invited me to lunch.

When I arrived, the table was set for two.

I didn’t know who Alex was or what she did,

but she knew the important facts of my situation:

I was getting divorced from a very wealthy man

and doing the legal work myself

to avail lawyers who wanted to get a big settlement for me.


Occasionally, she said, I get a call for a tall, dark-haired,

slender, flat-chested woman

—and I don’t have any.

It wouldn’t be a frequent thing.

There’d be weekends away, sometimes in Palm Springs,

sometimes in Europe.

The men will be elegant,

you’ll have your own room

—there would be no outward signs of impropriety.

And you’d get $10,000 to $20,000 for a weekend.





VI.

The tall, slender, flat-chested brunette

didn’t think it was right for her.

Alex handed her a business card

and suggested that she think about it.

To her surprise, she did

—for an entire week.

This was 1978, and $20,000 then

was like $40,000 now,

I knew it was hooking,

but Alex had never mentioned ***.



Our whole conversation seemed to be about something else.



VII.

I was born in Manila

to a Spanish-Filipina mother and German father,

and when I was twelve

a Japanese soldier came into our house

with his bayonet pointed at us,

ready to do us in.

He locked us in and set the house on fire.

I haven’t been scared by much since that.



My mother always struck me as goofy,

so I jumped on a bus and ran away,

I got off in Oakland,

saw a help-wanted sign on a parish house,

and went in.

I got $200 a month for taking care of four priests.

I spent all the money on pastries for the parish house.

But I didn’t care.

It felt safe.

And the priests sparked my interest in the domestic arts

—in linen, in crystal.



A new priest arrived.

He was unpleasant,

so on a vacation in Los Angeles I took a pedestrian job,

still a teenager,

married a scientist.

We separated eight years later,

he took our two sons to another state

threatened to keep them if I didn’t agree to a divorce.

Keep them I said and hung up.

It’s not that I don’t have a maternal instinct

—though I don’t,

I just hate to be manipulated.



My second husband,

an alcoholic,

had Frank Sinatra blue eyes, and possibly

—I never knew for sure—

had a big career in the underworld

as a contract killer.

Years before we got serious,

he was going out with a famous L.A. ******,

She and her friends were so elegant

that I started spending time with them in beauty salons.

They were so fancy,

so smart

—and they knew incredible people,

like the millionaire who sat in his suite all day

just writing $5,000 checks to girls.



VIII.

I was a florist.

We got to talking.

She was a madam from England

who wanted to sell her book and go home.

I bought it for $5,000.

My husband thought it was cute.

Now you’re getting your feet wet.

Three months later,

he died.

After eleven years of marriage,

just like that.

And of the names in the book

it turned out

that half of the men were also dead.

When I began the men were old and the women were ugly.



IX.

It was like a lunch party you or I would give,

Great food Alex had cooked herself.

Major giggles with old pals.

And then,

instead of chocolate After Eight,

she served three women After Three



This man has seen a bit of life

beyond Los Angeles,

so I asked him how Alex’s stable

compared with that of Madam Claude,

the legendary Parisian procuress.

Oh, these aren’t at all like Claude’s girls,

A Claude girl was perfectly dressed and multilingual

—you could take her to the opera

and she’d understand it.





He told me that when she was 40

she looked at herself in the mirror

and said

Disgusting.

People over 40

should not have ***.

But She Was Clear That She Never Liked It

even when she was young.

Besides, she saw all the street business

go to the tall,

beautiful girls.

She thought that she never had a chance

competing against them.

Instead,

she would take their money by managing them.





X.

Going to a ****** was not looked down upon then.

It was before the pill;

Girls weren’t giving it away.

Claude specialized in

failed models and actresses,

ones who just missed the cut.

But just because they failed

in those impossible professions

didn’t mean they weren’t beautiful,

fabulous.



Like Avis

in those days,

those girls tried harder.

Her place was off the Champs,

just above a branch of the Rothschild bank, where I had an account.

Once I met her,

I was constantly making withdrawals and heading upstairs.





XI.

We took the lift

and Claude greeted us at the door.

My impression was that of the director

of an haute couture house,

very subdued,

beige and gray, very little makeup.

She took us into a lounge and made us drinks,

Whiskey,

Cognac.

There was no maid.

We made small talk for 15 minutes.

How was the weekend?

What’s the weather like in Deauville?

Then she made the segue. ‘I understand you’d like to see some jeunes filles?’

She always used ‘jeunes filles.’

This was Claude’s polite way of saying 18 to 25.

She left and soon returned

with two very tall

jeunes filles,

One was blonde.

This is Eva from Austria.

She’s here studying painting.

And a brunette,

very different,

but also very fine.

This is Claudia from Germany.

She’s a dancer.

She took the girls back into the apartment and returned by herself.

I gave my English guest first choice.

He picked the blonde.

And wasn’t disappointed.

Each bedroom had its own bidet.

There was some nice

polite conversation, and then



It was slightly formal,

but it was high-quality.

He paid Claude

200 francs,

not to the girls

In 1965, 200 francs was about $40.

Pretty girls on Rue Saint-Denis

could be had for 40 francs

so you can see the premium.

Still, it wasn’t out of reach for mere mortals.

You didn’t have to be J. Paul Getty.





XII.

A lot of them

were models at

Christian Dior

or other couture houses.

She liked Scandinavians.

That was the look then

—cold, tall, perfect.

It was cheap for the quality.

They all used her.

The best people wanted

the best women.

Elementary supply and demand.



XIII.

She had a camp number tattooed on her wrist. I saw it.

She showed it to me and Rubi.

She was proud she had survived.

We talked about the camp for hours.

It was even more fascinating than the girls.



She was Jewish

I’m certain of that.

She was horrified at the Jewish collaborators

at the camp who herded

their fellow Jews

into the gas chambers.

That was the greatest betrayal in her life.



XIV.

She was this sad,

lonely little woman.

Later, Patrick told me who she was.

I was bowled over.

It was like meeting Al Capone.

I met two of the girls

who worked for her.

One was what you would expect

Tall

Blonde

Model.

But the other looked like a Rat

Then one night

she came out

all dressed up,

I didn’t even recognize her.

She was even better than the first girl.

Claude liked to transform women like that.

That was her art.

It was very odd,

my cousin told me.

There was not much furniture

and an awful lot of telephones.

“Allô oui,”



XV.

I had so many lunches

with Claude at Ma Maison

She was vicious.

One day,

Margaux Hemingway,

at the height of her beauty, walked by.

Une bonne

—the French for maid

was how Claude cut her dead.

She reduced

the entire world

to rich men wanting *** and

poor women wanting money.

She’d love to page through Vogue and see someone

and say,

When I met her

she was called

Marlene

and she had a hideous nose

and now she’s a princess.

Or she’d see someone and say

Let’s see if she kisses me or not.

It was like

I made her,

and I can destroy her.

She was obsessed

with “fixing” people

—with Saint Laurent clothes,

with Cartier watches,

with Winston jewels,

with Vuitton luggage,

with plastic surgeons.



XVI.

Her prison number was

888

which was good luck in China

but not in California.

‘Ocho ocho ocho,’ she liked to repeat

Even in jail, she was always working,

always recruiting stunning women.

She had a beautiful Mexican cellmate

and gave her Robert Evans’s number

as the first person she should call

when she was released.



XVII.

Never have *** on the first date.



XVIII.

There will always be prostitution,

The prostitution of misery.

And the prostitution of bourgeois luxury.

They will both go on forever.



“Allô oui,”



It was so exciting to hear a millionaire

or a head of state ask,

in a little boy’s voice,

for the one thing

that only you could provide

It's not how beautiful you are, it's how you relate

--it's mostly dialogue.



She was tiny, blond, perfectly coiffed and Chanel-clad.

The French Woman: The Arab Prince, the Japanese Diplomat, the Greek Tycoon, the C.I.A. Bureau Chief — She Possessed Them All!



XIX.

She was like a slave driver in the American South

Once she took a *******,

the makeover put the girl in debt,

because Claude paid all the bills to

Dior,

Vuitton,

to the hairdressers,

to the doctors,

and the girls had to work to pay them off.

It was ****** indentured servitude.



My Swans.



It reached the point

where if you walked into a room

in London

or Rome

as much as Paris

because the girls were transportable,

and saw a girl who was

better-dressed,

better-looking,

and more distinguished than the others

you presumed

it was a girl from Claude.

It was, without doubt,

the finest *** operation ever run in the history of mankind.



**.

The girl had to be

exactly what was needed

so I had to teach her everything she didn’t know.

I played a little the role of Pygmalion.

There were basic things that absolutely had to be done.

It consisted

at the start

of the physical aspect

“surgical intervention”

to give this way of being

that was different from other girls.

Often they had to be transformed

into dream creatures

because at the start

they were not at all



Often I had to teach them how to dress.

Often they needed help

to repair

what nature had given them

which was not so beautiful.

At first they had to be tall,

with pretty gestures,

good manners.

I had lots of noses done,

chins,

teeth,

*******.

There was a lot to do.



Eight times out of ten

I had to teach them how to behave in society.

There were official dinners, suppers, weekends,

and they needed to have conversation.

I insisted they learn to speak English,

read

certain books.

I interrogated them on what they read.

It wasn’t easy.

Each time something wasn’t working,

I was obliged to say so.



You were very demanding?

I was ferocious.



It’s difficult

to teach a girl how to walk into Maxim’s

without looking

ill at ease

when they’ve never been there,

to go into an airport,

to go to the Ritz,

or the Crillon

or the Dorchester.

To find yourself

in front of a king,

three princes,

four ministers,

and five ambassadors at an official dinner.

There were the wives of those people!

Day after day

one had to explain,

explain again,

start again.

It took about two years.

There would always be a man

who would then say of her,

‘But she’s absolutely exceptional. What is that girl doing here?’ ”





XXI.

A New York publisher who visited

the Palace Hotel

in Saint Moritz

in the early seventies told me,

I met a whole bunch of them there.

They were lovely.

The johns wanted everyone to know who they were.

I remember it being said

Giovanni’s Madame Claude girl is going to be there.

You asked them where they came from and they all said

Neuilly.

Claude liked girls from good families.

More to the point she had invented their backgrounds.



I have known,

because of what I did,

some exceptional and fascinating men.

I’ve known some exceptional women too,

but that was less interesting

because I made them myself.



Ah, this question of the handbag.

You would be amazed by how much dust accumulates.

Or how often women’s shoe heels are scuffed.





XXII.

She would examine their teeth and finally she would make them undress.



That was a difficult moment

When they arrived they were very shy,

a bit frightened.

At the beginning when I take a look,

it’s a question of seeing if the silhouette

and the gestures are pretty.

Then there was a disagreeable moment.

I said,

I’m sorry about this unpleasantness,

but I have to ask you to get undressed,

because I can’t talk about you unless I see you.

Believe me, I was embarrassed,

just as they were,

but it had to be done,

not out of voyeurism, not at all

—I don’t like les dames horizontales.



It was very funny

because there were always two reactions.

A young girl,

very sure of herself,

very beautiful,

très bien,

would say

Yes,

Get up, and get undressed.

There was nothing to hide, everything was perfect.



There were those who

would start timidly

to take off their dress

and I would say

I knew already.

The rest is not sadism, but nearly.

I knew what I was going to find.

I would say,

Maybe you should take off your bra,

and I knew it wasn’t going to be

beautiful.

Because otherwise she would have taken it off easily.

No problem.

There were damages that could be mended.

There were some ******* that could be redone,

some not

Sometimes it can be deceptive,

you know,

you see a pretty girl,

a pretty face,

all elegant and slim,

well dressed,

and when you see her naked

it is a catastrophe.



I could judge their physical qualities,

I could judge if she was pretty, intelligent, and cultivated,

but I didn’t know how she was in bed.

So I had some boys,

good friends,

who told me exactly.

I would ring them up and say,

There’s a new one.

And afterwards they’d ring back and say,

Not bad,

Could be better, or

Nulle.



Or,

on the contrary,

She’s perfect.

And I would sometimes have to tell the girls

what they didn’t know.

A pleasant assignment?

No.

They paid.



XXIII.

Often at the beginning

they had an ami de coeur

in other words,

oh,

a journalist, a photographer, a type like that,

someone in the cinema,

an actor, not very well known.

As time went by

It became difficult

because they didn’t have a lot of time for him.

The fact of physically changing,

becoming prettier,

changing mentally to live with millionaires,

produced a certain imbalance

between them

and the little boyfriend

who had not evolved

and had stayed in his milieu.

At the end of a certain time

she would say,

I’m so much better than him. Why am I with this boy?

And they would break up by themselves.



Remember,

this was instant elevation.

For most of them it was a dream existence,

provided they liked the ***,

and those that didn’t never lasted long.

A lot of the clients were young,

and didn’t treat them like tarts but like someone from their own class.

They would buy you presents,

take you on trips.



XXIV.

For me, *** was something very accessoire

I think after a certain age

there are certain spectacles one should not give to others

Now I have a penchant for solitude.

Love, it’s a complete destroyer,

It’s impossible,

a horror,

l’angoisse.

It’s the only time in my life I was jealous.

I’m not a jealous person, but I was épouvantable.

He was jealous too.

We broke plates over each other’s heads;

we became jealous about each other’s pasts.

I said one day

It’s finished.

Sometimes I look at myself in the mirror and say:

Break my legs,

give me scarlet fever,

an attack of TB, but never that.

Not that.



XXV.

I called her into my office

Let us not exaggerate,

I sent her away.

She came back looking for employment,

but was fired again, this time for drugs.

She made menacing phone calls.

Then she arrived at the Rue de Boulainvilliers with a gun.

She shot three bullets

I was dressed in the fashion of Courrèges at this moment

He did very padded things.

I had a padded dress with a little jacket on top.

The bullet

—merci, Monsieur Courrèges

—stuck in the padding.

I was thrown forward onto the telephone.

I had one thought which went through my head:

I will die like Kennedy.

I turned round and put my hand up in a reflex.

The second bullet went through my hand.

I have two dead fingers.

It’s most useful for removing bottle tops.

In the corridor I was saved from the third bullet

because she was very tall

and I am quite petite, so it passed over my head.



XXVI.

There were men

who could decapitate,

****, and bomb their rivals

who would be frightened of me.

I would ask them how was the girl,

and they’d say

Not bad

and then

But I’m not complaining.

I was a little sadistic to them sometimes.

Some women have known powerful men because they’re their lover.

But I’ve known them all.

I had them all

here.



She will take many state secrets with her.



XXVI.

I don’t like ugly people

probably because when I was young

I wasn’t beautiful at all.

I was ugly and I suffered for it,

although not to the point of obsession.

Now that I’m an old woman,

I’m not so bad.

And that’s why

I’ve always been surrounded by people

Who

were

beautiful.

And the best way to have beautiful people around me

was to make them.

I made them very pretty.





XXVII.

I wouldn’t call what Alex gives you

‘advice,’

She spares you Nothing.

She makes a list of what she wants done,

and she really gets into it

I mean, she wants you to get your arms waxed.

She gives you names of people who do good facials.

She tells you what to buy at Neiman Marcus.

She’s put off by anything flashy,

and if you don’t dress conservatively, she’s got no problem telling you,

in front of an audience,

You look like a cheap *****!

I used to wear what I wanted when I went out

then change in the car into a frumpy sweater

when I went to give her the money she’d always go,

Oh, you look beautiful!



Marry your boyfriend,

It’s better than going to prison.

When you go out with her,

she’ll buy you a present; she’s incredibly generous that way.

And she’ll always tell you to save money and get out.

It’s frustrating to her when girls call at the end of the month

and say they need rent money.

She wants to see you do well.





We had a schedule, with cards that indicated a client’s name,

what he liked,

the names of the girls he’d seen,

and how long he’d been with them.

And I only hired girls who had another career

—if my clients had a choice between drop-dead-gorgeous

and beautiful-and-interesting,

they’d tend to take beautiful-and-interesting.

These men wanted to talk.

If they spent two hours with a girl,

they usually spent only five or ten minutes in bed.



I get the feeling that in Los Angeles, men are more concerned with looks.



XXVIII.

That was my big idea

Not to expand the book by aggressive marketing

but to make sure that nobody

mistook my girls for run-of-the-mill hookers.

And I kept my roster fresh.

This was not a business where you peddle your ***,

get exploited,

and then are cast off.

I screen clients. I’ve never sent girls to weirdos.

I let the men know:

no violence,

no costumes,

no fudge-packing.

And I talked to my girls. I’d tell them:

Two and a half years and you’re burned out.

Save your money.

This is like a hangar

—you come in, refuel, and take off.

It’s not a vacation, it’s not a goof.

This buys the singing lessons,

the dancing lessons,

the glossies.

This is to help you pay for what your parents couldn’t provide.

It’s an honorable way station—a lot of stars did this.



XXIX.

To say someone was a Claude girl is an honour, not a slur.



Une femme terrible.

She despised men and women alike.

Men were wallets. Women were holes.



By the 80s,

if you were a brunette,

the sky was the limit.

The Saudis

They’d call for half a dozen of Alex’s finest,

ignore them all evening while they

chatted,

ate,

and played cards,

and then, around midnight,

take the women inside for a fast few minutes of ***.



They’d order women up like pizza.



Since my second husband died,

I only met one man who was right for me,

He was a sheikh.

I visited him in Europe

twenty-eight times

in the five years I knew him

and I never slept with him.

He’d say

I think you fly all the way here just to tease me,

but he introduced me

by phone

to all his powerful friends.

When I was in Los Angeles, he called me twice a day.

That’s why I never went out

he would have been disappointed.



***.

Listen to me

This is a woman’s business.

When a woman does it, it’s fun

there’s a giggle in it

when a man’s involved,

he’s ******,

he’s a ****.

He may know how to keep girls in line,

and he may make money,

but he doesn’t know what I do.

I tell guys: You’re getting a nice girl.

She’s young,

She’s pleasant,

She can do things

she can certainly make love.

She’s not a rocket scientist, but she’s everything else.



The world’s richest and most powerful men, the announcer teased.

An income “in the millions,” said the arresting officer.

Pina Colapinto

A petite call girl,

who once slid between the sheets of royalty,

a green-eyed blonde helped the police get the indictment.

They really dolled her up

She looks great.

Never!

What I told her was: ‘Wash that ******.’





XXXI.

Madam Alex died at 7 p.m.

Saturday at Cedars-Sinai Medical Center,

where she had been in intensive care after recent open heart surgery

We all held her hand when they took her off the life support

This was the passing of a legend.

Because she was the mother superior of prostitution.

She was one of the richest women on earth.

The world came to her.

She never had to leave the house.

She was like Hugh Hefner in that way.


It's like losing a friend

In all the years we played cat and mouse,

she never once tried to corrupt me.

We had a lot of fun.


To those who knew her

she was as constant

as she was colorful

always ready with a good tidbit of gossip

and a gourmet lunch for two.

She entertained, even after her conviction on pandering charges,

from the comfy depths of her blue four-poster bed at her home near Doheny Drive,

surrounded by knickknacks and meowing cats,

which she fed fresh shrimp from blue china plates.



XXXII.

She stole my business,

my books,

my girls,

my guys.

I had a good run.

My creatures.

Make Mommy happy

Oh! He is the most enchanting cat that I have ever known.



She was, how can I say it,

classy.

When she first hired me

she thought I was too young to take her case.

I was 43.

I'm going to give you some gray hairs by the time this is over.

She was right.





XXXIII.

I was fond of Heidi

But she has a streak that is so vindictive.



If there is pure evil, it is Madame Alex.





XXXIV.

I was born and raised in L.A.

My dad was a famous pediatrician.

When he died, they donated a bench to him at the Griffith Park Observatory.



I think that Heidi wanted to try her wings

pretty early,

and I think that she met some people

who sort of took all her potential

and gave it a sharp turn



She knew nothing.

She was like a little parrot who repeated what she was supposed to say.



Alex and I had a very intense relationship;

I was kind of like the daughter she loved and hated,

so she was abusive and loving at the same time.



Look, I know Madam Alex was great at what she did

but it's like this:

What took her years to build,

I built in one.

The high end is the high end,

and no one has a higher end than me.

In this business, no one steals clients.

There's just better service.



XXXV.

You were not allowed to have long hair

You were not allowed to be too pretty

You were not allowed to wear too much makeup or be too glamorous

Because someone would fall in love with you and take you away.

And then she loses the business



XXXVI.

I was pursued because

come on

in our lifetime,

we will never see another girl of my age

who lived the way I did,

who did what I did so quickly,

I made so many enemies.

Some people had been in this line of business

for their whole lives, 30 or 40 years,

and I came in and cornered the market.

Men don't like that.

Women don't like that.

No one liked it.



I had this spiritual awakening watching an Oprah Winfrey video.

I was doing this 500-hour drug class

and one day the teacher showed us this video,

called something like Make It Happen.

Usually in class I would bring a notebook

and write a letter to my brother or my journal,

but all of a sudden this grabbed my attention

and I understood everything she said.

It hit me and it changed me a lot.

It made me feel,

Accept yourself for who you are.

I saw a deeper meaning in it

but who knows, I might have just been getting my period that day!



XXXVII.

Hello, Gina!

You movie star!

Yes you are!

Gina G!

Hello my friend,

Hello my friend,

Hello my movie star,

Ruby! Ruby Boobie!

Braaawk!

Except so many women say,

Come on, Heidi

you gotta do the brothel for us; don't let us down.

It would be kind of fun opening up an exclusive resort,

and I'll make it really nice,

like the Beverly Hills Hotel

It'll feel private; you'll have your own bungalow.

The only problem out here is the climate—it's so brutal.

Charles Manson was captured a half hour from Pahrump.



I said, Joe! What are you doing?

You gotta get, like,

a garter belt and encase it in something

and write,

This belonged to Suzette Whatever,

who entertained the Flying Tigers during World War II.

Get, like, some weird tools and write,

These were the first abortion tools in the brothel,

you know what I mean?

Just make some **** up!

So I came out here to do some research

And then I realized,

What am I doing?

I'm Heidi Fleiss. I don't need anyone.

I can do this.

When I was doing my research, in three months

I saw land go from 30 thousand an acre

to 50 thousand an acre,

and then it was going for 70K!

It's urban sprawl

—we're only one hour from Las Vegas.

Out here the casinos are only going to get bigger,

prostitution is legal, it's only getting better.





XXXVIII.

The truth is

deep down inside,

I just can't do business with him

He's the type of guy who buys Cup o' Noodles soup for three cents

and makes his hookers buy it back from him for $5.

It's not my style at all.

Who wants to be 75 and facing federal charges?

It was different at my age when I

at least...come on, I lived really well.

I was 22,

25 at the time?

It was fun then, but now I wouldn't want

to deal with all that *******

—the girls and blah blah blah.

But the money was really good.



I would've told someone they were out of their ******* mind

if they'd said in five years I'd be living with all these animals like this.

It's hard-core; how I live;

It's totally a nonfunctional atmosphere for me

It's hard to get anything done because

It’s so time-consuming.

I feel like they're good luck though....

I do feel that if I ever get rid of them,

I will be jinxed and cursed the rest of my life

and nothing I do will ever work again.



Guys kind of are a hindrance to me

Certainly I have no problem getting laid or anything.

But a man is not a priority in my life.

I mean, it's crazy, but I really have fun with my parrots.



XXXIX.

I started a babysitting circle when I wasn't much older than 9

And soon all the parents in the neighborhood

wanted me to watch over their children.

Even then I had an innate business sense.

I started farming out my friends

to meet the demand.

My mother showered me with love and my father,

a pediatrician,

would ask me at the dinner table,

What did you learn today?

I ran my neighborhood.

I just pick up a hustle really easily,

I was a waitress and I met an older guy who looked like Santa Claus.



Alex was a 5' 3" bald-headed Filipina

in a transparent muu muu.

We hit it off.

I didn't know at the time that I was there to pay off the guy's gambling debt.

It's in and out,

over and out.

Do you think some big-time producer

or actor is going to go to the clubs and hustle?



Columbia Pictures executive says:

I haven’t done anything that should cause any concern.

Jeez, it's like the Nixon enemies list.

I hope I'm on it.

If I'm not, it means I must not be big enough

for people to gossip about me.



That's right ladies and gentlemen.

I am an alleged madam and that is a $25 *****!

If you live out here,

you've got to hate people.

You've got to be pretty antisocial

How you gonna come out here with only 86 people?

That's Fred.

He's digging to China.

You look good.

Yeah, you too.

It's coming along here.

Yeah, it is.

I wanted to buy that lot there, but I guess it's gone?

That's mine, man! That's all me.

Really?

I thought there was a lot between us.

No. We're neighbors.



He's a cute guy

He's entertaining.

See, I kind of did do something shady to him.

I thought my property went all the way back

and butted up against his.

But there was one lot between us right there.

He said he was buying it,

but I saw the 'For Sale' sign still up there,

So I went and called the broker and said,

I'm an all-cash buyer.

So I really bought it out from under him.

But he's got plenty of room, and I need the space for my parrots.

Pahrump will always be Pahrump, but Crystal is going to be nice

All you need are four or five fancy houses and it'll flush everyone out

and it'll be a nice area.

They're all kind of weird here, but these people will go.

Like this guy here,

someone needs to **** him.

I was just saying to my dad that these parrots are born to a really ******-up world

He goes, Heidi, no, no; the world is a beautiful garden.

It's just, people are destroying it.

I’m looking into green building options

I don't want anything polluting,

I want a huge auditorium,

but it'll be like a jungle where my birds can really fly!

Where they can really do what they're supposed to do.

There were over 300 birds in there!

That lady,

She ran the exotic-birds department for the Tropicana Hotel,

which is a huge job.

She called me once at 3:30 in the morning

Come over here and help me feed this baby!

Some baby parrot.

And I ran over there in my pajamas

—I knew there was something else wrong

and she was like

Get me my oxygen!

Get me this, get me that.

I called my dad; he was like,

I don't know, honey, you better call the paramedics.

They ended up getting a helicopter.

And they were taking her away

in the wind with her IV and blood and everything

and she goes, Heidi, you take care of my birds.

And she dies the next day.

She was just a super-duper person.



XL.

I relate to the lifestyle she had before,

Now, I'm just a citizen.

I'm clean,

I'm sober,

I'm married,

I work at Wal-Mart.

I'm proud to say I know her. I look into her eyes

and we relate.





I got out in 2000,

so I've been sending her money for seven years

She was…whatever.

Girlfriend?

Yeah, maybe.

But ***, I tried like two times,

and I'm just not gay.

She gets out in about eight or nine months

and I told her I would get her a house.

But nowhere near me.

I didn't touch her,

but I'd be, like...

a funny story:

I told her,

Don't you ever ******* think

about contacting me in the real world.

I'm not a lesbian.

Then about two years ago, I got an e-mail from her,

or she called me and said, 'Google my name.'

So I Googled her name,

and she has this huge company.

Huge!

She won, like, Woman of the Year awards.

So I called her and I go,

Not bad.

She goes, 'Well, I did all that because you called me a loser.'

I go, '****, I should've called you more names

you probably would've found the cure for cancer by now.



XLI.

No person shall be employed by the licensee

who has ever been convicted of

a felony involving moral turpitude

But I qualify,

I mean, big deal, so I'm a convicted felon.

Being in the *** industry, you can't be so squeaky-clean.

You've got to be hustling.

Nighttime is really enchanting here

It's like a whole 'nother world out here, it really is

I’m so far removed from my social life and old surroundings.

Who was it, Oscar Wilde, I think, who said

people can adjust to anything.

I was perfectly adjusted in the penitentiary,

and I was perfectly adjusted to living in a château in France.



We had done those drug addiction shows together

Dr. Drew.

Afterward we were friendly

and he'd call me every now and then.

He'd act like he had his stuff together.

But it was all a lie.

Everything is a lie.

I brought him to a Humane Society event at Paramount Studios last year.

He was just such a mess.

So out of it.

He stole money from my purse.

He's such a drug addict because he's so afraid of being fat.

He liked horse ****, though. He did like horse ****.

This one woman that would have *** with a horse on the internet,

He told me that’s his favorite actress.

Better than Meryl Streep.



XLII.

The cops could see

why these women were taking over trade.

Girls with these looks charged upwards of $500 an hour.

The Russians had undercut them with a bargain rate of $150 an hour.

One thing they are not is lazy.

In the USSR

they grew up with no religion, no morality.

Prostitution is not considered a bad thing.

In fact, it’s considered a great way to make money.

That’s why it’s exploding here.

What we saw was just a tip of the iceberg.

These girls didn’t come over here expecting to be nannies.

They knew exactly what they wanted and what they were getting into.

The madam who organized this raid

was making $4 million a year,

laundered through Russian-owned banks in New York City

These are brutal people.

They are all backstabbers.

They’re entrepreneurs.

They’re looking at $10,000 a month for turning tricks.

For them, that’s the American dream.



XLIII.

If you’re not into something,

don’t be into it

But,

if you want to take some whipped cream,

put it between your toes,

have your dog licking it up and,

at the same time,

have your girlfriend poke you in the eye,

then that’s fine.

That’s a little weird but we shouldn’t judge.



She was my best friend then

and I consider her one of my best friends now,

because when I was going through Riker’s

and everyone abandoned me,

including my boyfriend,

I was hysterical,

crying,

and she was the one that was there.

And, when somebody needed to step up to the plate,

that’s who did, and I have an immense amount of

loyalty, respect, and love for her.

And if she’s going to prison for eight years

—that’s what she’s sentenced for

—I’ll go there,

and I’ll go there every week,

for eight years.

That’s the type of person I am.
Thinking, tangling shadows in the deep solitude.
You are far away too, oh farther than anyone.
Thinking, freeing birds, dissolving images,
burying lamps.

Belfry of fogs, how far away, up there!
Stifling laments, milling shadowy hopes,
taciturn miller,
night falls on you face downward, far from the city.

Your presence is foreign, as strange to me as a thing.
I think, I explore great tracts of my life before you.
My life before anyone, my harsh life.
The shout facing the sea, among the rocks,
running free, mad, in the sea-spray.
The sad rage, the shout, the solitude of the sea.
Headlong, violent, stretched towards the sky.

You, woman, what were you there, what ray, what vane
of that immense fan? You were as far as you are now.
Fire in the forest! Burn in blue crosses.
Burn, burn, flame up, sparkle in trees of light.

It collapses, crackling. Fire. Fire.
And my soul dances, seared with curls of fire.
Who calls? What silence peopled with echoes?
Hour of nostalgia, hour of happiness, hour of solitude.
Hour that is mine from among them all!
Megaphone in which the wind passes singing.
Such a passion of weeping tied to my body.

Shaking of all the roots,
attack of all the waves!
My soul wandered, happy, sad, unending.

Thinking, burying lamps in the deep solitude.

Who are you, who are you?
W. H. Auden  Jun 2009
The Quest
I. The Door

Out of it steps our future, through this door
Enigmas, executioners and rules,
Her Majesty in a bad temper or
A red-nosed Fool who makes a fool of fools.

Great persons eye it in the twilight for
A past it might so carelessly let in,
A widow with a missionary grin,
The foaming inundation at a roar.

We pile our all against it when afraid,
And beat upon its panels when we die:
By happening to be open once, it made

Enormous Alice see a wonderland
That waited for her in the sunshine and,
Simply by being tiny, made her cry.

II. The Preparations

All had been ordered weeks before the start
From the best firms at such work: instruments
To take the measure of all queer events,
And drugs to move the bowels or the heart.

A watch, of course, to watch impatience fly,
Lamps for the dark and shades against the sun;
Foreboding, too, insisted on a gun,
And coloured beads to soothe a savage eye.

In theory they were sound on Expectation,
Had there been situations to be in;
Unluckily they were their situation:

One should not give a poisoner medicine,
A conjurer fine apparatus, nor
A rifle to a melancholic bore.

III. The Crossroads

Two friends who met here and embraced are gone,
Each to his own mistake; one flashes on
To fame and ruin in a rowdy lie,
A village torpor holds the other one,
Some local wrong where it takes time to die:
This empty junction glitters in the sun.

So at all quays and crossroads: who can tell
These places of decision and farewell
To what dishonour all adventure leads,
What parting gift could give that friend protection,
So orientated his vocation needs
The Bad Lands and the sinister direction?

All landscapes and all weathers freeze with fear,
But none have ever thought, the legends say,
The time allowed made it impossible;
For even the most pessimistic set
The limit of their errors at a year.
What friends could there be left then to betray,
What joy take longer to atone for; yet
Who could complete without the extra day
The journey that should take no time at all?

IV. The Traveler

No window in his suburb lights that bedroom where
A little fever heard large afternoons at play:
His meadows multiply; that mill, though, is not there
Which went on grinding at the back of love all day.

Nor all his weeping ways through weary wastes have found
The castle where his Greater Hallows are interned;
For broken bridges halt him, and dark thickets round
Some ruin where an evil heritage was burned.

Could he forget a child's ambition to be old
And institutions where it learned to wash and lie,
He'd tell the truth for which he thinks himself too young,

That everywhere on his horizon, all the sky,
Is now, as always, only waiting to be told
To be his father's house and speak his mother tongue.

V. The City

In villages from which their childhoods came
Seeking Necessity, they had been taught
Necessity by nature is the same
No matter how or by whom it be sought.

The city, though, assumed no such belief,
But welcomed each as if he came alone,
The nature of Necessity like grief
Exactly corresponding to his own.

And offered them so many, every one
Found some temptation fit to govern him,
And settled down to master the whole craft

Of being nobody; sat in the sun
During the lunch-hour round the fountain rim,
And watched the country kids arrive, and laughed.

VI. The First Temptation

Ashamed to be the darling of his grief,
He joined a gang of rowdy stories where
His gift for magic quickly made him chief
Of all these boyish powers of the air;

Who turned his hungers into Roman food,
The town's asymmetry into a park;
All hours took taxis; any solitude
Became his flattered duchess in the dark.

But, if he wished for anything less grand,
The nights came padding after him like wild
Beasts that meant harm, and all the doors cried Thief;

And when Truth had met him and put out her hand,
He clung in panic to his tall belief
And shrank away like an ill-treated child.

VII. The Second Temptation

His library annoyed him with its look
Of calm belief in being really there;
He threw away a rival's boring book,
And clattered panting up the spiral stair.

Swaying upon the parapet he cried:
"O Uncreated Nothing, set me free,
Now let Thy perfect be identified,
Unending passion of the Night, with Thee."

And his long-suffering flesh, that all the time
Had felt the simple cravings of the stone
And hoped to be rewarded for her climb,

Took it to be a promise when he spoke
That now at last she would be left alone,
And plunged into the college quad, and broke.

VIII. The Third Temptation

He watched with all his organs of concern
How princes walk, what wives and children say,
Re-opened old graves in his heart to learn
What laws the dead had died to disobey,

And came reluctantly to his conclusion:
"All the arm-chair philosophies are false;
To love another adds to the confusion;
The song of mercy is the Devil's Waltz."

All that he put his hand to prospered so
That soon he was the very King of creatures,
Yet, in an autumn nightmare trembled, for,

Approaching down a ruined corridor,
Strode someone with his own distorted features
Who wept, and grew enormous, and cried Woe.

IX. The Tower

This is an architecture for the old;
Thus heaven was attacked by the afraid,
So once, unconsciously, a ****** made
Her maidenhead conspicuous to a god.

Here on dark nights while worlds of triumph sleep
Lost Love in abstract speculation burns,
And exiled Will to politics returns
In epic verse that makes its traitors weep.

Yet many come to wish their tower a well;
For those who dread to drown, of thirst may die,
Those who see all become invisible:

Here great magicians, caught in their own spell,
Long for a natural climate as they sigh
"Beware of Magic" to the passer-by.

X. The Presumptuous

They noticed that virginity was needed
To trap the unicorn in every case,
But not that, of those virgins who succeeded,
A high percentage had an ugly face.

The hero was as daring as they thought him,
But his peculiar boyhood missed them all;
The angel of a broken leg had taught him
The right precautions to avoid a fall.

So in presumption they set forth alone
On what, for them, was not compulsory,
And stuck half-way to settle in some cave
With desert lions to domesticity,

Or turned aside to be absurdly brave,
And met the ogre and were turned to stone.

XI. The Average

His peasant parents killed themselves with toil
To let their darling leave a stingy soil
For any of those fine professions which
Encourage shallow breathing, and grow rich.

The pressure of their fond ambition made
Their shy and country-loving child afraid
No sensible career was good enough,
Only a hero could deserve such love.

So here he was without maps or supplies,
A hundred miles from any decent town;
The desert glared into his blood-shot eyes,
The silence roared displeasure:
looking down,
He saw the shadow of an Average Man
Attempting the exceptional, and ran.

XII. Vocation

Incredulous, he stared at the amused
Official writing down his name among
Those whose request to suffer was refused.

The pen ceased scratching: though he came too late
To join the martyrs, there was still a place
Among the tempters for a caustic tongue

To test the resolution of the young
With tales of the small failings of the great,
And shame the eager with ironic praise.

Though mirrors might be hateful for a while,
Women and books would teach his middle age
The fencing wit of an informal style,
To keep the silences at bay and cage
His pacing manias in a worldly smile.

XIII. The Useful

The over-logical fell for the witch
Whose argument converted him to stone,
Thieves rapidly absorbed the over-rich,
The over-popular went mad alone,
And kisses brutalised the over-male.

As agents their importance quickly ceased;
Yet, in proportion as they seemed to fail,
Their instrumental value was increased
For one predestined to attain their wish.

By standing stones the blind can feel their way,
Wild dogs compel the cowardly to fight,
Beggars assist the slow to travel light,
And even madmen manage to convey
Unwelcome truths in lonely gibberish.

XIV. The Way

Fresh addenda are published every day
To the encyclopedia of the Way,

Linguistic notes and scientific explanations,
And texts for schools with modernised spelling and illustrations.

Now everyone knows the hero must choose the old horse,
Abstain from liquor and ****** *******,

And look out for a stranded fish to be kind to:
Now everyone thinks he could find, had he a mind to,

The way through the waste to the chapel in the rock
For a vision of the Triple Rainbow or the Astral Clock,

Forgetting his information comes mostly from married men
Who liked fishing and a flutter on the horses now and then.

And how reliable can any truth be that is got
By observing oneself and then just inserting a Not?

XV. The Lucky

Suppose he'd listened to the erudite committee,
He would have only found where not to look;
Suppose his terrier when he whistled had obeyed,
It would not have unearthed the buried city;
Suppose he had dismissed the careless maid,
The cryptogram would not have fluttered from the book.

"It was not I," he cried as, healthy and astounded,
He stepped across a predecessor's skull;
"A nonsense jingle simply came into my head
And left the intellectual Sphinx dumbfounded;
I won the Queen because my hair was red;
The terrible adventure is a little dull."

Hence Failure's torment: "Was I doomed in any case,
Or would I not have failed had I believed in Grace?"

XVI. The Hero

He parried every question that they hurled:
"What did the Emperor tell you?" "Not to push."
"What is the greatest wonder of the world?"
"The bare man Nothing in the Beggar's Bush."

Some muttered: "He is cagey for effect.
A hero owes a duty to his fame.
He looks too like a grocer for respect."
Soon they slipped back into his Christian name.

The only difference that could be seen
From those who'd never risked their lives at all
Was his delight in details and routine:

For he was always glad to mow the grass,
Pour liquids from large bottles into small,
Or look at clouds through bits of coloured glass.

XVII. Adventure

Others had found it prudent to withdraw
Before official pressure was applied,
Embittered robbers outlawed by the Law,
Lepers in terror of the terrified.

But no one else accused these of a crime;
They did not look ill: old friends, overcome,
Stared as they rolled away from talk and time
Like marbles out into the blank and dumb.

The crowd clung all the closer to convention,
Sunshine and horses, for the sane know why
The even numbers should ignore the odd:

The Nameless is what no free people mention;
Successful men know better than to try
To see the face of their Absconded God.

XVIII. The Adventurers

Spinning upon their central thirst like tops,
They went the Negative Way towards the Dry;
By empty caves beneath an empty sky
They emptied out their memories like slops,

Which made a foul marsh as they dried to death,
Where monsters bred who forced them to forget
The lovelies their consent avoided; yet,
Still praising the Absurd with their last breath,

They seeded out into their miracles:
The images of each grotesque temptation
Became some painter's happiest inspiration,

And barren wives and burning virgins came
To drink the pure cold water of their wells,
And wish for beaux and children in their name.

XIX. The Waters

Poet, oracle, and wit
Like unsuccessful anglers by
The ponds of apperception sit,
Baiting with the wrong request
The vectors of their interest,
At nightfall tell the angler's lie.

With time in tempest everywhere,
To rafts of frail assumption cling
The saintly and the insincere;
Enraged phenomena bear down
In overwhelming waves to drown
Both sufferer and suffering.

The waters long to hear our question put
Which would release their longed-for answer, but.

**. The Garden

Within these gates all opening begins:
White shouts and flickers through its green and red,
Where children play at seven earnest sins
And dogs believe their tall conditions dead.

Here adolescence into number breaks
The perfect circle time can draw on stone,
And flesh forgives division as it makes
Another's moment of consent its own.

All journeys die here: wish and weight are lifted:
Where often round some old maid's desolation
Roses have flung their glory like a cloak,

The gaunt and great, the famed for conversation
Blushed in the stare of evening as they spoke
And felt their centre of volition shifted.
Vladimir Lionter May 2020
I
Colonel Zaev(1), our commander,
Lived seventeen years in Angolian land.
There are no Luanda’s(2) experts better
Than him- he met its ambassadors two hundred
Times. He smashed UNITA(3) and weakened SAR’s (4)
Power. He supported Fidel Castro(5)
And he became famous for counter-attacks.
The Angolians call him Victor-Pastor:
He does always set the young on the right path:
Aoi!

II
Roberto Holden6 was the foe of Neto
He was a monarcho-tribolist.
And he happened to declare vendetta
To foes. His aim’s to banish socialists.
He invited China’s instructors to teach his
Soldiers the skill of fighting retreating under
Kifangondo(7), he’d not swiftly yield positions
Colonel Callan(8) retreated farther
With him. He was a cruel and fearless
Rascal, he was good at arranging ambush in
Woods. He fought hand-to-hand many times
But he was taken prisoner by the Guard
He declared political indifference but the court
To his grief didn’t believe him so that
Then he was quickly and publicly shot.
Aoi!

III
Savimbi Jonas(9) continued that war
Robin Holden quitted his Motherland –
It’s hard to revise views. What’s to be done for
Tearing a half away for his Fatherland?
He went to America, got a Baptist,
As preacher – he was the lost’s lecturer.
He didn’t wish just to be a pessimist
He wanted to live till times more fair.
Savimbi Jonas founded UNITA –
He made up his mind to go underground
MPLA’s detachments were defeated
By the Cubans but they were free quite
For diversions in the city. A new spiral
Of resistance began – two ideologies’
Confrontation took place and in final
It did cost life to many people for this.
Aoi!

IV
Our Victor Zaev, the commander
Of marines often trained us tirelessly
And all of us were not up to laughter
In gas-masks. We loaded incessantly
Our guns, we crossed the equator, anyway
In a moment Poseidon glorifying
By recompense. We stuck to the right fairway,
Neptun’s Day(10) became a great undertaking.
Aoi!

V
Coming to Luanda was usual rather,
The port’s scenery was bright, beautiful.
“Well, beauty!” exclaimed Igor, a warrant officer,
Zaev added: “It’s, brothers, very wonderful!”
Our councilor climbed up a deck as
Head of the Soviet military legation
He tried to explain the situation to us
Continuous seemed to be his Head’s duration.
Then the Cubans’ crew met us, their commander,
Did happen to know Russian at his fingers’
End. He valued the bearing of our landing
Force. And he was called Francisco Ortis.
Aoi!

VI
Here Agostino Neto came with
His suite consisting of twelve grandees
The President was cordial and gay. This
Day was marvellously fine, in his
Speech he praised the ******’s guard arranged
To meet him. He’d not fail to give his regiment
For it. “What an array!” admired said
Antonio. And at this moment
Tanks floated forward out of the hold
To display Agostino manoeures
Antonio began to sweat: old
Allies can always surprise friends, of course.
The Angolians were invited to dinner
And contented officials were standing
But “No!” was Neto’s serious answer,
“We should return for the fight’s resuming!”
Aoi!

VII
We reached Kanton on cruisers. A warrant
Officer cried: “Sound urgently bells”
The Angolians didn’t let us on to the port,
We anchored no outer roads. What was else?
Mattheu Kureku visited us then.
The President of far mountains of Benin,
And we’d appreciate his being of those men
Who were as modest as Ibn- Sina.
We displayed him gifts and even more
Than we wanted: hand- to- hand fight,
The landing force’s landing to the shore.
Mattheu said us his warm good- bye after that.
Aoi!

VIII
Soon we headed for Luanda, how
Long an action had been fought in its suburbs
And suddenly we saw a fishing scow
Six fisher- men were rowing in the ocean’s
Water catching the sight of us they began
To row faster knots increasing as
If punishment waited them but the race did happen
To be transitory. But cruisors’ powers
Are not boats’ powers equal and at last
We caught them, their fish fell to our lot.
The fish’ reserves were enough for a month.
We said with thankfulness: “Thank you a lot!”
The meeting was pleasant for them and us.
Aoi!

IX
Suddenly came order of the day:
To bring in an identification prisoner. Stas
A secrete service man, volunteered. Anyway,
His own fist was of the bull’s head’s size.
And Grigory, head naval petty officer
Then did volunteer to follow Stas.
“Well, who is else?” were the sailors asked after
It. Silence. It’s better to live on deck. At last,
Watching this the captain himself intervened
In it. His bas was heard even in far hold: “Oh,
You, cowards, I’ll feed you to whales, mind it!”
And phrases were not necessary any more.
Thus six more sailors gathered together – they were
Superheroes as if they were handpicked
The detachment of sound, strong men. Chernomor
Himself would take them so quick-witted.
There are not more safe people in the fleet,
There were not, there won’t be, indeed!
Aoi!

X
Here the scouts came down from the deck and they
All went so deep into a foreign land
A hundred verst’s was their sailing away
From the port. Ships from their Motherland
Were seen. Their commander
was the major lieutenant
And he said: “Motherland is calling us!”
In the fleet he was just called Kostya Brandt –
He did lead the scouts bravely forwards!
Aoi!

XI
The detachment marched into woods being dense,
The jungle were rustling around Luanda. It
Was raining cats and dogs, there was entrance
There, there was no exit for retreat!
They covered their necessary ten versts
More on that day they heard their foes’ voices.
They thought: it’s, perhaps, one of hostile posts.
A good luck attended them! The members
Of UNITA waited for them ahead
Savimba knew of Brandt’s group so dare –
Devil. He was warned by an Angolian friend,
The general had friends everywhere.
Aoi!

XII
Even Kostya Brandt didn’t know it
And he led his vanguard through a marshy path
Sailors were like brothers in the detachment.
Everybody was ready to sacrifice
Himself! And suddenly they saw in front:
Tents standing in forty meters from them and
And something went pit- a pat in Kostya Brandt
And he stretched his hand to a pistol hard.
They stole up to the last one, went into it:
It was empty, there were only playing- cards
There: and perhaps it seemed to them far, indeed?
On the ground there were three machine-guns.
Aoi!

XIII
Meanwhile Savimbi Jonas gathered troops
And he made such a speech when warriors gathered
Together: “We’ll die for freedom as heroes
We do not want another Motherland!
We will repulse all the Cuban occupants
We’ve recently sacked all the colonists!
The Soviet landing force’s scouts
Are going here. Near are the communists!
We’ll organize ambush for them behind the tent –
I’m sure they will go into it a at once.
I was informed that there are less than ten
Of them. We’ll **** the foes at once
We’ ll win because there are much more of us”
And selecting one hundred and forty men,
The strongest ones, Savimbi encircled the scouts.
Aoi!

XIV
“Well, that’s all, forward”, Kostya said strictly
The tent’s bed- curtains having half- opened
By his hand. But suddenly he was slightly
Taken aback- he saw foes get in his road
And he did cry: “We shall die for Russia-
Not disgracing ancestors or the Motherland!”
He stepped forward like a sent messia
He had no right to run away like a coward.
Aoi!

XV
Ours defended each other by backs hard
The battle was hot as it was hand- to- hand.
Two sides’ supporters did not know fright
This region was home for the partisans. And
Brandt fought as an ancient lion Neimeyan –
No pistols’ bullets could reach him at all.
He was a mighty, stately warrior European –
UNITA’s terror and poets’ idol!
The partisans had also a strong warrior –
He was called Manuel by Luanda’s citizens
When hunting he became a hero of yore –
He could hit varios marks without miss.
He took aim at the lieutenant’s back so that
A sharp bullet could pierce his heart. He pressed
The sear. And it did hurt Konstantin and
Shroud overshadowed his consciousness
And a celestial disk burning low, meciless
It’s opening a picture before his eyes:
His own mother’s meeting him and he is
Whispering her: “Mum, I’m going to the skies ”
And fell onto the ground Kostya breathless:
People’s blood was shed as the river around
But ours fought desiring nevertheless
To be gone with foes in the palace. Wounded
Stas’ll hit and three of them’ll fall without
Life’s signs. When he hits on the right–eight
Of them’ll fall at once although there are a few
Epic heroes all of them are heroes dead.
The dead can’t be responsible anew.
Aoi!

XVI
They all were dead. There were
three times more foes
Ours and UNITA collected the dead.
And that very day happened to be worth
A week. Bitter news of blood that was shed
Killed us. Our ship was anchored for five days more
We covered Cuban troops from the sea there.
On the sixth day we sailed from the shore,
Painful grief left an after- taste in their
Mouths. And Victor Zaev, our bold
Colonel, was silent in painful sadness,
He had done the last deed for the dead of old.
He presented them with rewards: “For service”
Putting them on each of coffins. All the ******
Were standing being in their low spirits.
Aoi!

XVII
Thus the song of Luanda came to an end
We paid our duty to military Motherland.
We’d drawn up and the commander said:
“Fine fellows! I wish your life to be quiet!”
Then he sailed not a little, I must say.
He waged war in seven companies. “Glory!”
Cry we to him in Navy Day today.
That is the end of the Luandian story.
Aoi!
The Civil war in Angola represented armed confrontation between
quarelling with each other groups: MPLA (People’s movement for
Angola’s liberation, the Labour’s Party), (port.Movimento Popular de
Liberaçao de Angola- Partido de Trabajo, MPLA), UNITA (port. Uniao
Nacional para a Independencia, Total de Angola, UNITA). The war began
in 1975.
1.Victor Zaev is the main hero of the given poetical work, he is an
invented personage;
2. Luanda (port. Luanda)- Angola’s capital;
3. UNITA – see above;
4. SAR – South African Republic;
5. Fidel Castro – Fidel Alejandro Castro Rus; he was born in August,
13, 1926; Biran, province Oriente , Cuba. He’s a Cuban revolutionary,
party and political figure, Chairman of Ministers’ Council and Chairman
of the State Council of Cuba (president) in 1959- 2008 and 1976- 2008.
6. Roberto Holden- Holden Alvaro Alberto (port. Holden Roberto;
January, 12, 1923, Mbanza- Kongo(its former name is San- Salvadordu- Kongo)- August,2, 2007, Luanda). He was also Jose Gilmore, an Angolian founder and many- year leader of the National Liberation’s Front (FNLA). An active participant of the war for Independence and of the Civil war in Angola. He’s a conservative monarcho-tribolist, anticommunist.
He was a member of the Angolian Parliament.
7. “…under Kirfangongondo…” – this battle was from October, 23
until November,10, 1975 in Angola. It was the first common victory of MPLA and the Cubans.
8. the colonel Kallen… – he is also “colonel Callan, a British service
man, corporal of parachute troops’ regiment’s corporal.” He’s an ethnic
Greek and Cypriot (Greek. Kώozaç Γιώργιoν). He’s a participant of the
Angolian’s Civil war, on FNLA’s side. He was executed according to the
court’s sentence in Luanda, on July,10, 1976.
9. Savimbi Jonas Maiheiro, (August, 3, 1934- February, 22, 2002),
an Angolian political and military figure, a partisan leader, the rebel
movement’s founder and the political Party UNITA’s founder from
March,13, 1966 to February, 22, 2002. He was an active participant of the
Angolian war for independence and of the Civil war. He was candidate
for President in Angolian elections in 1992. He was a prominent figure
of Cold War and world anti- communist movement.
10 Neptun’s Day-Nepptun’s holiday, sometimes it’s called “Neptun’s
Day”. It’s a water show. Sailors founded this tradition after their crossing
of the equator.

{2018}


ПЕСНЬ
I
Наш командир – полковник Виктор Заев(1)
Семнадцать лет прожил в стране Ангольской.
Страну Луанду(2) он отлично знает –
Встречал раз двести местное посольство.
Разбил УНИТА(3) и ЮАР(4) ослабил,
Поддержку оказал Фиделю Кастро(5)
В контратаках. И себя прославил.
Зовут его ангольцы Виктор-Пастор:
Он молодых советом наставляет.
Аой!

II
Роберто Холден(6) был врагом для Нето –
По убеждению – монархо-трайболистом.
И объявил противникам вендетту,
Поставив цель – изгнать социалистов.
Он пригласил инструкторов Китая
Учить своих солдат уменью драться.
Под Кифангондо(7) в битве отступая,
Он не хотел стремительно сдаваться.
С ним отступал назад полковник Каллэн(8) –
Головорез жестокий, но бесстрашный.
Засады ставил он в лесах умело,
Не раз бывал и лично в рукопашной.
Но был пленён он гвардией. И вскоре
Всем заявил свою аполитичность.
Но не поверил суд ему на горе –
Он был расстрелян быстро и публично.
Аой!

III
Савимби Жонаш(9) ту войну продолжил,
Роберто Холден родину покинул –
Переосмыслить взгляды очень сложно:
Как оторвать Отчизне половину?
В Америку уехал, стал баптистом,
Как проповедник – лектором заблудших.
Он не желал быть просто пессимистом
И до времён хотел дожить до лучших.
Савимби Жонаш основал УНИТА –
Борьбу свою он перевёл в подполье:
Отряды МПЛА кубинцами разбиты,
Но для диверсий в городах – раздолье.
Второй виток пошёл сопротивленья –
Противоборства двух идеологий.
И жизнями платило населенье –
Война тогда коснулась очень многих.
Аой!

IV
Наш Виктор Заев – командир морпехов -
Тренировал нас часто, неустанно:
В противогазах было не до смеха -
Мы заряжали пушки беспрестанно.
Пересекли в один момент экватор,
Прославив Посейдона воздаяньем,
Наш путь лежал на правильный фарватер.
Нептуна день (10) – большое начинанье!
Аой!

V
Приход в Луанду очень был обычным,
Пейзаж портовый – яркий и прекрасный.
«Ну, лепота!» - воскрикнул Игорь-мичман.
Добавил Заев: «Это, братья, классно!»
На палубу советник наш поднялся –
Глава советской миссии военной.
Он обстановку дать нам постарался,
Поскольку был там, кажется, бессменно.
Затем кубинцев встретила команда –
Их командир знал русский в идеале.
Он оценил всю выправку десанта –
Франсиско Ортис команданте звали.
Аой!

VI
Вот Агостиньо Нето подошёл
Со свитою двенадцати вельмож.
Был Президент приветлив и весёл,
И день был удивительно хорош!
Он похвалил матросский караул,
Поставленный наверх его встречать.
«За них бы полк отдать не преминул, –
Антонио сказал, – вот это рать!»
Из трюма танки выплыли вперёд –
Маневры Агостиньо показать.
Антонио пробил холодный пот:
Союзники умеют удивлять!
Ангольцев пригласили на обед –
Чиновники довольные стоят.
Но Нето отвечал серьёзно: «– Нет,
Нам возвращаться надобно назад!»
Аой!

VII
На крейсерах в Катону мы приплыли
И крикнул мичман: «Склянки срочно бейте!»
Но в порт ангольцы нас не пропустили –
На якорь встали мы на внешнем рейде.
Затем нас посетил Матье Куреку –
Сам Президент из дальних гор Бенина –
Заметим в дань ему как человеку –
Он скромен был как мудрый Ибн Сина.
Ему мы показали все таланты –
И даже больше, чем хотели сами:
Бой рукопашный, высадку десанта.
Матье тогда тепло прощался с нами.
Аой!

VIII
И взяли курс мы снова на Луанду –
Велись бои давно в её предместьях.
Вдруг видим мы рыбацкие шаланды –
По океану плыло ровно шесть их.
Завидев нас, они быстрей поплыли,
Узлов прибавив, будто ждёт их кара!
Не долгими, однако, гонки были.
Любая лодка крейсеру не пара!
Догнали их. И нам досталась рыба –
Запасов тех на месяцы хватило.
Сказали мы признательно: «Спасибо!»
И после встречи всем приятно было!
Аой!

IX
Нежданно вдруг пришёл такой приказ:
Любой ценой доставить языка.
Тут вызвался морской разведчик Стас –
Его кулак был с голову быка.
И главный корабельный старшина
Григорий захотел идти за ним.
– «Ну, кто ещё?» – спросили. Тишина.
Уж лучше быть на палубе живым.
Тогда вмешался лично капитан –
Был даже в дальнем трюме слышен бас:
– «Ну, трусы! Всех скормлю сейчас китам!»
И больше не понадобилось фраз.
Так набралось ещё шесть моряков –
Супергерои – все как на подбор –
Отряд здоровых, крепких мужиков.
Их взял бы даже Дядька-Черномор!
Надёжнее людей на флоте нет
И не было, не будет и вовек!
Ушло в разведку восемь человек.
Аой!

X
Вот с палубы разведчики сошли
И углубились в даль чужой земли.
На сотню вёрст от порта отошли –
Уж не видать родные корабли.
Руководил всем старший лейтенант.
И молвил он: «Нас Родина зовёт!»
Его на флоте звали Костя Брандт –
Он храбро вёл разведчиков вперёд!
Аой!

XI
Отряд вступил в дремучие леса –
Вокруг Луанды джунгли шелестят.
Льют воду каждый день тут небеса –
Зашёл туда и нет пути назад!
Прошли они ещё десяток вёрст,
Услышали чужие голоса.
Подумали: возможно, вражий пост –
Счастливая настала полоса!
Унитовцы их ждали впереди.
О группе Брандта сам Савимби знал –
Его ангольский друг предупредил:
Имел везде знакомых генерал.
Аой!

XII
Сего не ведал даже Костя Брандт
И вёл отряд болотистой тропой.
Любой матрос в отряде был как брат.
Готовы все пожертвовать собой!
И вдруг увидел каждый впереди:
Стоят палатки метрах в сорока.
У Кости что-то ёкает в груди
И к пистолету тянется рука.
Подкрались к крайней и в неё зашли:
В палатке пусто, карты на столе –
А может, померещилось вдали?
Три автомата было на земле.
Аой!

XIII
Меж тем собрал Савимби Жонаш войско
И речь сказал собравшимся такую:
– «Мы за свободу все умрём геройски,
Ведь не желаем родину другую!
Дадим отпор кубинским оккупантам –
Прогнали ведь недавно колонистов!
Разведчики советского десанта
Идут сюда. Уж близко коммунисты!
Устроим им засаду за палаткой –
Они войдут в неё, уверен, сразу.
Мне донесли: их менее десятка.
Возьмём числом: врагов положим разом!»
И отобрав сто сорок самых сильных,
Пошёл Савимби окружать разведку.
Аой!

XIV
«– Ну, всё, выходим!» – Костя молвил строго,
Палатки полог приоткрыв рукою.
Но только вдруг... опешил он немного,
Когда врагов увидел пред собою.
И закричал: «Умрём же за Россию –
Не посрамим и предков, и державу!»
Шагнул вперёд, как посланный миссия –
Он не имел бежать позорно право.
Аой!

XV
Стояли наши все спиной друг к другу,
Был жаркий бой, поскольку рукопашный.
Из двух сторон никто не знал испуга –
Для партизан был этот край домашним.
И бился Брандт как древний лев немейский –
Его не брали пули пистолетов!
Могуч и статен воин европейский –
Гроза УНИТА и кумир поэтов!
У партизан был тоже сильный воин –
Его луандцы звали Мануэлем.
Он на охоте сделался героем –
Без промаха стрелял по разным целям.
Прицелился он лейтенанту в спину,
Чтоб сердце пуля острая пробила.
Нажал на спуск. И больно Константину,
И пелена сознание затмила.
И тут картину взору открывает
Небесный диск, на небе догорая:
Родная мать с войны его встречает,
А он ей шепчет: «Мама, умираю…»
Упал на землю Костя бездыханно:
Людская кровь лилась вокруг рекою.
Но бились наши – было им желанно
Нести в чертог жизнь вражью за собою.
Изранен Стас: ударит – лягут трое,
Направо стукнет – лягут сразу восемь.
Богатырей хоть мало, все – герои
Погибшие. А с мёртвых долг не спросят.
Аой!

XVI
Все полегли. Врагов – в три раза больше.
Забрали павших наши и УНИТА.
И день тот был иной недели дольше.
Мы были горькой новостью убиты.
Ещё пять дней на якоре стояли –
Мы части Кубы прикрывали с моря.
На день шестой под вечер отплывали –
Осадок был от тягостного горя.
И Виктор Заев, наш полковник смелый,
Молчал угрюмо в тягостной печали.
Последнее для павших сделал дело –
Он «За отвагу» им вручил медали.
На каждый гроб он положил награду –
Все моряки в унынии стояли.
Аой!

XVII
Так завершилась песня о Луанде.
Отдали долг мы воинский Отчизне.
Наш командир сказал тогда команде:
– «Вы молодцы! Желаю мирной жизни!»
Он по морям потом немало плавал.
И воевал ещё в семи кампаньях.
В день ВМФ кричим ему мы: «Слава!» –
На том конец Луандского сказанья!
Аой!
{31.12.2015}

Гражданская война в Анголе представляла собой вооружён-
ное противостояние между враждующими группировками: МПЛА (Народное движение за освобождение Анголы – Партия труда (порт. Movimento Popular de Libertação de Angola — Partido doTrabalho, MPLA), ФНЛА (порт. Frente Nacional de Libertação de Angola,
FNLA) и УНИТА (порт. União Nacional para a Independência
Total de Angola, UNITA). Война началась в 1975 году, а завершилась
в 2002 году.
1. Виктор Заев – главный герой данного поэтического произве-
дения, вымышленный персонаж;
2. Луанда (порт. Luanda) – столица Анголы;
3. УНИТА – см. выше;
4. ЮАР – Южно-Африканская республика
5. Фидель Кастро – Фиде́ль Алеха́ндро Ка́стро Рус (исп. Fidel
Alejandro Castro Ruz; род. 13 августа1926; Биран, провинция Орьенте, Куба) – кубинский революционер, государственный, политический и партийный деятель, который являлся Председателем Совета министров и Председателем Государственного совета Кубы (президентом) в 1959 – 2008 и 1976 – 2008 годах.
6. Роберто Холден – Холден Альваро Робер-
то (порт. Holden Roberto; 12 января 1923, Мбанза-Кон-
го (тогдашнее название – Сан-Сальвадор-ду-Конго) –
2 августа 2007, Луанда), он же Жозе Жилмор (порт.José Gilmore)
– ангольский политик, основатель и многолетний лидер Национального фронта освобождения Анголы (ФНЛА). Активный участник войны за независимость и гражданской войны в Анголе. Консерватор, монархо-трайбалист, антикоммунист. В 1992 – 2007 годах– депутат парламента Анголы.
7. «…под Кифангондо в битве…» – это битва при Кифангондо,
которая произошла с 23 октября по 10 ноября 1975 г. в Анголе и стала первой совместной победой МПЛА и кубинцев.

8. «…полковник Каллэн» – настоящее имя Костас Ге-
оргиу (греч. Κώστας Γιώργιου, англ. Kostas Giorgiou; 1951 –
1976), он же «Полковник Каллэн», Colonel Callan – британский военный, капрал парашютно-десантного полка. Этнический грек-киприот. Наёмный участник гражданской войны в Анголе на стороне ФНЛА. Казнён по приговору суда в Луанде 10 июля 1976 года.
9. Савимби Жонаш – Жо́наш Малье́йру Сави́мби (порт. Jonas
Malheiro Savimbi; 3 августа 1934 – 22 февраля 2002) – ангольский политический и военный деятель, партизанский лидер, основатель повстанческого движения и политической партии УНИТА. Лидер УНИТА c 13 марта 1966 по 22 февраля 2002. Активный участник ангольской войны за независимость и гражданской войны. Кандидат в президенты Анголы на выборах 1992. Видный деятель Холодной
войны и мирового антикоммунистического движения.
10. «Нептуна день…» – Праздник Нептуна, иногда –
«День Нептуна». Водное представление. Берёт основы от тради-
ции моряков при пересечении экватора.

Translator - I. Toporov
Translated into English in 1859 by Edward FitzGerald

I.
Awake! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.

II.
Dreaming when Dawn's Left Hand was in the Sky
I heard a voice within the Tavern cry,
"Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."

III.
And, as the **** crew, those who stood before
The Tavern shouted -- "Open then the Door!
You know how little while we have to stay,
And, once departed, may return no more."

IV.
Now the New Year reviving old Desires,
The thoughtful Soul to Solitude retires,
Where the White Hand of Moses on the Bough
Puts out, and Jesus from the Ground suspires.

V.
Iram indeed is gone with all its Rose,
And Jamshyd's Sev'n-ring'd Cup where no one Knows;
But still the Vine her ancient ruby yields,
And still a Garden by the Water blows.

VI.
And David's Lips are lock't; but in divine
High piping Pehlevi, with "Wine! Wine! Wine!
Red Wine!" -- the Nightingale cries to the Rose
That yellow Cheek of hers to incarnadine.

VII.
Come, fill the Cup, and in the Fire of Spring
The Winter Garment of Repentance fling:
The Bird of Time has but a little way
To fly -- and Lo! the Bird is on the Wing.

VIII.
Whether at Naishapur or Babylon,
Whether the Cup with sweet or bitter run,
The Wine of Life keeps oozing drop by drop,
The Leaves of Life kep falling one by one.

IX.
Morning a thousand Roses brings, you say;
Yes, but where leaves the Rose of Yesterday?
And this first Summer month that brings the Rose
Shall take Jamshyd and Kaikobad away.

X.
But come with old Khayyam, and leave the Lot
Of Kaikobad and Kaikhosru forgot:
Let Rustum lay about him as he will,
Or Hatim Tai cry Supper -- heed them not.

XI.
With me along the strip of Herbage strown
That just divides the desert from the sown,
Where name of Slave and Sultan is forgot --
And Peace is Mahmud on his Golden Throne!

XII.
A Book of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread, -- and Thou
Beside me singing in the Wilderness --
Oh, Wilderness were Paradise enow!

XIII.
Some for the Glories of This World; and some
Sigh for the Prophet's Paradise to come;
Ah, take the Cash, and let the Promise go,
Nor heed the rumble of a distant Drum!

XIV.
Were it not Folly, Spider-like to spin
The Thread of present Life away to win --
What? for ourselves, who know not if we shall
Breathe out the very Breath we now breathe in!

XV.
Look to the Rose that blows about us -- "Lo,
Laughing," she says, "into the World I blow:
At once the silken Tassel of my Purse
Tear, and its Treasure on the Garden throw."

XVI.
The Worldly Hope men set their Hearts upon
Turns Ashes -- or it prospers; and anon,
Like Snow upon the Desert's dusty Face
Lighting a little Hour or two -- is gone.

XVII.
And those who husbanded the Golden Grain,
And those who flung it to the Winds like Rain,
Alike to no such aureate Earth are turn'd
As, buried once, Men want dug up again.

XVIII.
Think, in this batter'd Caravanserai
Whose Doorways are alternate Night and Day,
How Sultan after Sultan with his Pomp
Abode his Hour or two and went his way.

XIX.
They say the Lion and the Lizard keep
The Courts where Jamshyd gloried and drank deep:
And Bahram, that great Hunter -- the Wild ***
Stamps o'er his Head, but cannot break his Sleep.

**.
I sometimes think that never blows so red
The Rose as where some buried Caesar bled;
That every Hyacinth the Garden wears
Dropt in its Lap from some once lovely Head.

XXI.
And this delightful Herb whose tender Green
Fledges the River's Lip on which we lean --
Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!

XXII.
Ah, my Beloved, fill the Cup that clears
To-day of past Regrets and future Fears --
To-morrow? -- Why, To-morrow I may be
Myself with Yesterday's Sev'n Thousand Years.

XXIII.
Lo! some we loved, the loveliest and best
That Time and Fate of all their Vintage prest,
Have drunk their Cup a Round or two before,
And one by one crept silently to Rest.

XXIV.
And we, that now make merry in the Room
They left, and Summer dresses in new Bloom,
Ourselves must we beneath the Couch of Earth
Descend, ourselves to make a Couch -- for whom?

XXV.
Ah, make the most of what we may yet spend,
Before we too into the Dust descend;
Dust into Dust, and under Dust, to lie;
Sans Wine, sans Song, sans Singer, and -- sans End!

XXVI.
Alike for those who for To-day prepare,
And those that after some To-morrow stare,
A Muezzin from the Tower of Darkness cries
"Fools! Your Reward is neither Here nor There!"

XXVII.
Why, all the Saints and Sages who discuss'd
Of the Two Worlds so learnedly, are ******
Like foolish Prophets forth; their Works to Scorn
Are scatter'd, and their Mouths are stopt with Dust.

XXVIII.
Oh, come with old Khayyam, and leave the Wise
To talk; one thing is certain, that Life flies;
One thing is certain, and the Rest is Lies;
The Flower that once has blown forever dies.

XXIX.
Myself when young did eagerly frequent
Doctor and Saint, and heard great Argument
About it and about; but evermore
Came out by the same Door as in I went.

***.
With them the Seed of Wisdom did I sow,
And with my own hand labour'd it to grow:
And this was all the Harvest that I reap'd --
"I came like Water and like Wind I go."

XXXI.
Into this Universe, and Why not knowing,
Nor Whence, like Water *****-nilly flowing:
And out of it, as Wind along the Waste,
I know not Whither, *****-nilly blowing.

XXXII.
Up from Earth's Centre through the Seventh Gate
I rose, and on the Throne of Saturn sate,
And many Knots unravel'd by the Road;
But not the Master-Knot of Human Fate.

XXXIII.
There was the Door to which I found no Key:
There was the Veil through which I could not see:
Some little talk awhile of Me and Thee
There was -- and then no more of Thee and Me.

XXXIV.
Then to the rolling Heav'n itself I cried,
Asking, "What Lamp had Destiny to guide
Her little Children stumbling in the Dark?"
And -- "A blind Understanding!" Heav'n replied.

XXXV.
Then to the Lip of this poor earthen Urn
I lean'd, the secret Well of Life to learn:
And Lip to Lip it murmur'd -- "While you live,
Drink! -- for, once dead, you never shall return."

XXXVI.
I think the Vessel, that with fugitive
Articulation answer'd, once did live,
And merry-make, and the cold Lip I kiss'd,
How many Kisses might it take -- and give!

XXXVII.
For in the Market-place, one Dusk of Day,
I watch'd the Potter thumping his wet Clay:
And with its all obliterated Tongue
It murmur'd -- "Gently, Brother, gently, pray!"

XXXVIII.
And has not such a Story from of Old
Down Man's successive generations roll'd
Of such a clod of saturated Earth
Cast by the Maker into Human mould?

XXXIX.
Ah, fill the Cup: -- what boots it to repeat
How Time is slipping underneath our Feet:
Unborn To-morrow, and dead Yesterday,
Why fret about them if To-day be sweet!

XL.
A Moment's Halt -- a momentary taste
Of Being from the Well amid the Waste --
And Lo! the phantom Caravan has reach'd
The Nothing it set out from -- Oh, make haste!

XLI.
Oh, plagued no more with Human or Divine,
To-morrow's tangle to itself resign,
And lose your fingers in the tresses of
The Cypress-slender Minister of Wine.

XLII.
Waste not your Hour, nor in the vain pursuit
Of This and That endeavor and dispute;
Better be merry with the fruitful Grape
Than sadden after none, or bitter, fruit.

XLIII.
You know, my Friends, with what a brave Carouse
I made a Second Marriage in my house;
Divorced old barren Reason from my Bed,
And took the Daughter of the Vine to Spouse.

XLIV.
And lately, by the Tavern Door agape,
Came stealing through the Dusk an Angel Shape
Bearing a Vessel on his Shoulder; and
He bid me taste of it; and 'twas -- the Grape!

XLV.
The Grape that can with Logic absolute
The Two-and-Seventy jarring Sects confute:
The subtle Alchemest that in a Trice
Life's leaden Metal into Gold transmute.

XLVI.
Why, be this Juice the growth of God, who dare
Blaspheme the twisted tendril as Snare?
A Blessing, we should use it, should we not?
And if a Curse -- why, then, Who set it there?

XLVII.
But leave the Wise to wrangle, and with me
The Quarrel of the Universe let be:
And, in some corner of the Hubbub couch'd,
Make Game of that which makes as much of Thee.

XLVIII.
For in and out, above, about, below,
'Tis nothing but a Magic Shadow-show,
Play'd in a Box whose Candle is the Sun,
Round which we Phantom Figures come and go.

XLIX.
Strange, is it not? that of the myriads who
Before us pass'd the door of Darkness through
Not one returns to tell us of the Road,
Which to discover we must travel too.

L.
The Revelations of Devout and Learn'd
Who rose before us, and as Prophets burn'd,
Are all but Stories, which, awoke from Sleep,
They told their fellows, and to Sleep return'd.

LI.
Why, if the Soul can fling the Dust aside,
And naked on the Air of Heaven ride,
Is't not a shame -- Is't not a shame for him
So long in this Clay suburb to abide?

LII.
But that is but a Tent wherein may rest
A Sultan to the realm of Death addrest;
The Sultan rises, and the dark Ferrash
Strikes, and prepares it for another guest.

LIII.
I sent my Soul through the Invisible,
Some letter of that After-life to spell:
And after many days my Soul return'd
And said, "Behold, Myself am Heav'n and Hell."

LIV.
Heav'n but the Vision of fulfill'd Desire,
And Hell the Shadow of a Soul on fire,
Cast on the Darkness into which Ourselves,
So late emerg'd from, shall so soon expire.

LV.
While the Rose blows along the River Brink,
With old Khayyam and ruby vintage drink:
And when the Angel with his darker Draught
Draws up to Thee -- take that, and do not shrink.

LVI.
And fear not lest Existence closing your
Account, should lose, or know the type no more;
The Eternal Saki from the Bowl has pour'd
Millions of Bubbls like us, and will pour.

LVII.
When You and I behind the Veil are past,
Oh but the long long while the World shall last,
Which of our Coming and Departure heeds
As much as Ocean of a pebble-cast.

LVIII.
'Tis all a Chequer-board of Nights and Days
Where Destiny with Men for Pieces plays:
Hither and thither moves, and mates, and slays,
And one by one back in the Closet lays.

LIX.
The Ball no Question makes of Ayes and Noes,
But Right or Left, as strikes the Player goes;
And he that toss'd Thee down into the Field,
He knows about it all -- He knows -- HE knows!

LX.
The Moving Finger writes; and, having writ,
Moves on: nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it.

LXI.
For let Philosopher and Doctor preach
Of what they will, and what they will not -- each
Is but one Link in an eternal Chain
That none can slip, nor break, nor over-reach.

LXII.
And that inverted Bowl we call The Sky,
Whereunder crawling coop't we live and die,
Lift not thy hands to it for help -- for It
Rolls impotently on as Thou or I.

LXIII.
With Earth's first Clay They did the Last Man knead,
And then of the Last Harvest sow'd the Seed:
Yea, the first Morning of Creation wrote
What the Last Dawn of Reckoning shall read.

LXIV.
Yesterday This Day's Madness did prepare;
To-morrow's Silence, Triumph, or Despair:
Drink! for you know not whence you came, nor why:
Drink! for you know not why you go, nor where.

LXV.
I tell You this -- When, starting from the Goal,
Over the shoulders of the flaming Foal
Of Heav'n Parwin and Mushtari they flung,
In my predestin'd Plot of Dust and Soul.

LXVI.
The Vine has struck a fiber: which about
If clings my Being -- let the Dervish flout;
Of my Base metal may be filed a Key,
That shall unlock the Door he howls without.

LXVII.
And this I know: whether the one True Light,
Kindle to Love, or Wrath -- consume me quite,
One Glimpse of It within the Tavern caught
Better than in the Temple lost outright.

LXVIII.
What! out of senseless Nothing to provoke
A conscious Something to resent the yoke
Of unpermitted Pleasure, under pain
Of Everlasting Penalties, if broke!

LXIX.
What! from his helpless Creature be repaid
Pure Gold for what he lent us dross-allay'd --
Sue for a Debt we never did contract,
And cannot answer -- Oh the sorry trade!

LXX.
Nay, but for terror of his wrathful Face,
I swear I will not call Injustice Grace;
Not one Good Fellow of the Tavern but
Would kick so poor a Coward from the place.

LXXI.
Oh Thou, who didst with pitfall and with gin
Beset the Road I was to wander in,
Thou will not with Predestin'd Evil round
Enmesh me, and impute my Fall to Sin?

LXXII.
Oh, Thou, who Man of baser Earth didst make,
And who with Eden didst devise the Snake;
For all the Sin wherewith the Face of Man
Is blacken'd, Man's Forgiveness give -- and take!

LXXIII.
Listen again. One Evening at the Close
Of Ramazan, ere the better Moon arose,
In that old Potter's Shop I stood alone
With the clay Population round in Rows.

LXXIV.
And, strange to tell, among that Earthen Lot
Some could articulate, while others not:
And suddenly one more impatient cried --
"Who is the Potter, pray, and who the ***?"

LXXV.
Then said another -- "Surely not in vain
My Substance from the common Earth was ta'en,
That He who subtly wrought me into Shape
Should stamp me back to common Earth again."

LXXVI.
Another said -- "Why, ne'er a peevish Boy,
Would break the Bowl from which he drank in Joy;
Shall He that made the vessel in pure Love
And Fancy, in an after Rage destroy?"

LXXVII.
None answer'd this; but after Silence spake
A Vessel of a more ungainly Make:
"They sneer at me for leaning all awry;
What! did the Hand then of the Potter shake?"

LXXVIII:
"Why," said another, "Some there are who tell
Of one who threatens he will toss to Hell
The luckless Pots he marred in making -- Pish!
He's a Good Fellow, and 'twill all be well."

LXXIX.
Then said another with a long-drawn Sigh,
"My Clay with long oblivion is gone dry:
But, fill me with the old familiar Juice,
Methinks I might recover by-and-by!"

LXXX.
So while the Vessels one by one were speaking,
The Little Moon look'd in that all were seeking:
And then they jogg'd each other, "Brother! Brother!
Now for the Porter's shoulder-knot a-creaking!"

LXXXI.
Ah, with the Grape my fading Life provide,
And wash my Body whence the Life has died,
And in a Windingsheet of Vine-leaf wrapt,
So bury me by some sweet Garden-side.

LXXXII.
That ev'n my buried Ashes such a Snare
Of Perfume shall fling up into the Air,
As not a True Believer passing by
But shall be overtaken unaware.

LXXXIII.
Indeed the Idols I have loved so long
Have done my Credit in Men's Eye much wrong:
Have drown'd my Honour in a shallow Cup,
And sold my Reputation for a Song.

LXXXIV.
Indeed, indeed, Repentance oft before
I swore -- but was I sober when I swore?
And then, and then came Spring, and Rose-in-hand
My thread-bare Penitence apieces tore.

LXXXV.
And much as Wine has play'd the Infidel,
And robb'd me of my Robe of Honor -- well,
I often wonder what the Vintners buy
One half so precious as the Goods they sell.

LXXXVI.
Alas, that Spring should vanish with the Rose!
That Youth's sweet-scented Manuscript should close!
The Nightingale that in the Branches sang,
Ah, whence, and whither flown again, who knows!

LXXXVII.
Would but the Desert of the Fountain yield
One glimpse -- If dimly, yet indeed, reveal'd
To which the fainting Traveller might spring,
As springs the trampled herbage of the field!

LXXXVIII.
Ah Love! could thou and I with Fate conspire
To grasp this sorry Scheme of Things entire,
Would not we shatter it to bits -- and then
Re-mould it nearer to the Heart's Desire!

LXXXIX.
Ah, Moon of my Delight who know'st no wane,
The Moon of Heav'n is rising once again:
How oft hereafter rising shall she look
Through this same Garden after me -- in vain!

XC.
And when like her, oh Saki, you shall pass
Among the Guests star-scatter'd on the Grass,
And in your joyous errand reach the spot
Where I made one -- turn down an empty Glass!
Since she whom I loved hath paid her last debt
To Nature, and to hers, and my good is dead,
And her soul early into heaven ravished,
Wholly on heavenly things my mind is set.
here the admiring her my mind did whet
To seek thee, God; so streams do show the head;
But though I have found thee, and thou my thirst hast fed,
a holy thristy dropsy melts me yet.
But why should I beg more love, whenas thou
Dost woo my soul, for hers offering all thine:
And dost not only fear lest I allow
My love to saints and angels, things divine,
but in they tender jealousy dost doubt
lest the world, flesh, yea, devil put thee out.
I

My love, this is the bitterest, that thou
Who art all truth and who dost love me now
As thine eyes say, as thy voice breaks to say—
Shouldst love so truly and couldst love me still
A whole long life through, had but love its will,
Would death that leads me from thee brook delay!

II

I have but to be by thee, and thy hand
Would never let mine go, thy heart withstand
The beating of my heart to reach its place.
When should I look for thee and feel thee gone?
When cry for the old comfort and find none?
Never, I know! Thy soul is in thy face.

III

Oh, I should fade—’tis willed so! might I save,
Galdly I would, whatever beauty gave
Joy to thy sense, for that was precious too.
It is not to be granted. But the soul
Whence the love comes, all ravage leaves that whole;
Vainly the flesh fades—soul makes all things new.

IV

And ’twould not be because my eye grew dim
Thou couldst not find the love there, thanks to Him
Who never is dishonoured in the spark
He gave us from his fire of fires, and bade
Remember whence it sprang nor be afraid
While that burns on, though all the rest grow dark.

V

So, how thou wouldst be perfect, white and clean
Outside as inside, soul and soul’s demesne
Alike, this body given to show it by!
Oh, three-parts through the worst of life’s abyss,
What plaudits from the next world after this,
Couldst thou repeat a stroke and gain the sky!

VI

And is it not the bitterer to think
That, disengage our hands and thou wilt sink
Although thy love was love in very deed?
I know that nature! Pass a festive day
Thou dost not throw its relic-flower away
Nor bid its music’s loitering echo speed.

VII

Thou let’st the stranger’s glove lie where it fell;
If old things remain old things all is well,
For thou art grateful as becomes man best:
And hadst thou only heard me play one tune,
Or viewed me from a window, not so soon
With thee would such things fade as with the rest.

VIII

I seem to see! we meet and part: ’tis brief:
The book I opened keeps a folded leaf,
The very chair I sat on, breaks the rank;
That is a portrait of me on the wall—
Three lines, my face comes at so slight a call;
And for all this, one little hour’s to thank.

IX

But now, because the hour through years was fixed,
Because our inmost beings met amd mixed,
Because thou once hast loved me—wilt thou dare
Say to thy soul and Who may list beside,
“Therefore she is immortally my bride,
Chance cannot change that love, nor time impair.

X

“So, what if in the dusk of life that’s left,
I, a tired traveller, of my sun bereft,
Look from my path when, mimicking the same,
The fire-fly glimpses past me, come and gone?
- Where was it till the sunset? where anon
It will be at the sunrise! what’s to blame?”

XI

Is it so helpful to thee? canst thou take
The mimic up, nor, for the true thing’s sake,
Put gently by such efforts at at beam?
Is the remainder of the way so long
Thou need’st the little solace, thou the strong?
Watch out thy watch, let weak ones doze and dream!

XII

“—Ah, but the fresher faces! Is it true,”
Thou’lt ask, “some eyes are beautiful and new?
Some hair,—how can one choose but grasp such wealth?
And if a man would press his lips to lips
Fresh as the wilding hedge-rose-cup there slips
The dew-drop out of, must it be by stealth?

XIII

“It cannot change the love kept still for Her,
Much more than, such a picture to prefer
Passing a day with, to a room’s bare side.
The painted form takes nothing she possessed,
Yet while the Titian’s Venus lies at rest
A man looks. Once more, what is there to chide?”

XIV

So must I see, from where I sit and watch,
My own self sell myself, my hand attach
Its warrant to the very thefts from me—
Thy singleness of soul that made me proud,
Thy purity of heart I loved aloud,
Thy man’s truth I was bold to bid God see!

XV

Love so, then, if thou wilt! Give all thou canst
Away to the new faces—disentranced—
(Say it and think it) obdurate no more,
Re-issue looks and words from the old mint—
Pass them afresh, no matter whose the print
Image and superscription once they bore!

XVI

Re-coin thyself and give it them to spend,—
It all comes to the same thing at the end,
Since mine thou wast, mine art, and mine shalt be,
Faithful or faithless, sealing up the sum
Or lavish of my treasure, thou must come
Back to the heart’s place here I keep for thee!

XVII

Only, why should it be with stain at all?
Why must I, ‘twixt the leaves of coronal,
Put any kiss of pardon on thy brow?
Why need the other women know so much
And talk together, “Such the look and such
The smile he used to love with, then as now!”

XVIII

Might I die last and shew thee! Should I find
Such hardship in the few years left behind,
If free to take and light my lamp, and go
Into thy tomb, and shut the door and sit
Seeing thy face on those four sides of it
The better that they are so blank, I know!

XIX

Why, time was what I wanted, to turn o’er
Within my mind each look, get more and more
By heart each word, too much to learn at first,
And join thee all the fitter for the pause
’Neath the low door-way’s lintel. That were cause
For lingering, though thou called’st, If I durst!

**

And yet thou art the nobler of us two.
What dare I dream of, that thou canst not do,
Outstripping my ten small steps with one stride?
I’ll say then, here’s a trial and a task—
Is it to bear?—if easy, I’ll not ask—
Though love fail, I can trust on in thy pride.

XXI

Pride?—when those eyes forestall the life behind
The death I have to go through!—when I find,
Now that I want thy help most, all of thee!
What did I fear? Thy love shall hold me fast
Until the little minute’s sleep is past
And I wake saved.—And yet, it will not be!
Ria Bautista  Sep 2010
XVII
Ria Bautista Sep 2010
True love cannot be tampered upon
Or enclosed in glass and released at will,
It is not an insignificant slave
At the beck and call of its master,
For love has no master and its power so great
That once touched by love's endearing caress,
One must blindly obey.

True love does not follow reason
For reason could not understand a lover's heart,
It is not a pupil that can be taught
Nor a henchman that can be ordered around,
For love is free and unbinding
And all feeble attempts to restrain it shall be in vain.

True love cannot be grown from the seed of lust
Or plucked from jealousy's petals,
For once the desire has waned
The fruits shall wither and rot.
It needn't ask permission to reside in one's heart
For like a thief in the night
Love can come and go as it pleases.

Blessed are lovers' eyes
For they can see true beauty,
For beauty can only be seen
Through true love's eyes.
9.2.10

— The End —