Original French

Dictes moy ou, n'en quel pays,
Est Flora la belle Rommaine,
Archipiades ne Thaïs,
Qui fut sa cousine germaine,
Echo parlant quant bruyt on maine
Dessus riviere ou sus estan,
Qui beaulté ot trop plus q'humaine.
Mais ou sont les neiges d'antan?

Ou est la tres sage Helloïs,
Pour qui chastré fut et puis moyne
Pierre Esbaillart a Saint Denis?
Pour son amour ot ceste essoyne.
Semblablement, ou est la royne
Qui commanda que Buridan
Fust geté en ung sac en Saine?
Mais ou sont les neiges d'antan?

La royne Blanche comme lis
Qui chantoit a voix de seraine,
Berte au grand pié, Beatris, Alis,
Haremburgis qui tint le Maine,
Et Jehanne la bonne Lorraine
Qu'Englois brulerent a Rouan;
Ou sont ilz, ou, Vierge souvraine?
Mais ou sont les neiges d'antan?

Prince, n'enquerez de sepmaine
Ou elles sont, ne de cest an,
Qu'a ce reffrain ne vous remaine:
Mais ou sont les neiges d'antan?


English Translation

Ballad Of The Ladies Of Yore

Tell me where, in what country,
Is Flora the beautiful Roman,
Archipiada or Thais
Who was first cousin to her once,
Echo who speaks when there's a sound
On a pond or a river
Whose beauty was more than human?
But where are the snows of yesteryear?
Where is the leamed Heloise
For whom they castrated Pierre Abelard
And made him a monk at Saint-Denis,
For his love he took this pain,
Likewise where is the queen
Who commanded that Buridan
Be thrown in a sack into the Seine?
But where are the snows of yesteryear?

The queen white as a lily
Who sang with a siren's voice,
Big-footed Bertha, Beatrice, Alice,
Haremburgis who held Maine
And Jeanne the good maid of Lorraine
Whom the English bumt at Rouen, where,
Where are they, sovereign ******?
But where are the snows of yesteryear?

Prince, don't ask me in a week
or in a year what place they are;
I can only give you this refrain:
Where are the snows of yesteryear?

A thousand peaks: no more birds in flight.
Ten thousand paths: all trace of people gone.

In a lone boat, rain cloak and hat of reeds.
An old man’s fishing the cold river snow.

I am alone in this mountain fastness, on a steep downward path in the deepest shadow. I play with the twelve characters of Lui Tsung-yaun’s poem. How few poems tell of the desolation of winter. The coming of Spring, the passing of Autumn? Yes. But the onset of Winter? Even my sharp memory only recalls a meagre handful of poems to this season: the time of the first snows. Against all good sense I set out from Stone Village too late in the year: now I search for comforting word images to accompany me on this journey. Just below the snowline I pass through a stunted forest of ancient walnut trees almost leafless; the unrelenting wind has dispatched them crinkled brown into the valley below. I see there a winding river. I see its distant lake. I think of this poem known since my teenage years, puzzled over that one could see in one sweep of the horizon a thousand peaks. Here are that thousand and more if the ranks of limestone pillars in these mountains can be counted as peaks. I count them as peaks. And those thousand paths? At every turn there is some fresh way falling into the valley, or a faint trail rising to the heights. But this path I tread asserts itself on the traveller. Its stones are worn and the excrement of passing pack animals sticks to my boots.

Last night a cave, tonight I will reach the village of Psnumako. My former guide provided its name with a disdain he could not hide. When questioned he warned me not to enter without a stout staff against the mastiffs that guard each house, supposedly ******* during the day but apt to break their bonds at the smell of a stranger.

The steep and ever steeper descent brings pain to my knees. At this hour of the day my body would prefer to climb to the heights, but descend I must. The cold, the damp cold begins to stiffen weary limbs. I am tired from a day’s travel, tired from three hard climbs, two descents and this, my third, to complete before nightfall. I enter a narrow gorge loud with clamour of running water, cascade upon cascade flowing from the heights, falling fast to the river soon to interrupt my path. I shall have to force a crossing. What passed for a bridge were two fallen pines lashed together.  Now they lie akimbo a little distant, thrown apart like sticks by the spring flood as the deep snows melt. I must divest myself of boots and lower garments and wade across, stumbling on stones up to my waist in swift waters, terrified under the weight of my pack that I will fall and be swept under and along. To travel alone at such moments is foolhardy, but on this cold afternoon I have no choice.

I am so intent on preparing for this crossing it is only when I reach the end of the path that I notice snow is falling, its flakes sharp and white against the dark-water flow. The whirl and turn of the water mesmerises. Fatigue, fatigue embraces me, a day’s fatigue holds me fast on the river’s stony side. I close my eyes and hear the water rush and place myself into the protection of a mountain charm learnt from a passing traveller. Dwarfed by the size of his burden I see him negotiate a narrow path high above a chasm; he walked trance-like to the intoning of this charm.

It is soon done, the cold crossing, and with a lighter step I walk the remaining leagues to the lake-side and sight of the village. There are the faintest sparks of light amongst the silhouettes of houses. Animals are being brought in from the home fields against the night. A sudden shout, the barking of dogs, and now the snow falls thick and fast.

The guttural dialect here is barely discernable as speech. We are from different worlds this shepherd and I who meet at the stupa guarding the village entrance. This is not a Buddhist shrine but an acknowledgement of some mountain giant of terrifying aspect. The shepherd sees my official insignia and nods, knowing I will require shelter. He utters what may be a welcome, but could be a warning, and leads me forth. The mastiffs leap and bay as I pass between the primitive two-storey houses, animals below, humankind above. He disappears. I stop and wait. He returns with a woman who beckons me to climb the ladder to what may be her home. A widow perhaps? She is alone unless the rank darkness hides a man or child. But there is none. I hear animals move and grunt under the floor, a mat of dirt and straw. There is a sleeping loft, a cooking corner. I can see little else. But I am out of the snow, the biting wind, the cold. She pulls at my cloak, wet and caked with ice. There is a bowl placed in my hands; a rough tea. I speak a greeting, but there is no reply just a rustle of straw as she moves across the room.

The stupor of a journey’s pause is upon me. After three days on the trail to the heights I am numb with fatigue. I need food and sleep. I need rest before a final trek into the wilderness. Beyond Psnumako Lake known paths end. Except for the tracks used by shepherds to move their flocks to different seasonal pastures, there is wilderness. I hope for guidance, for the whereabouts of the sages who, in the winter months I am told, leave their reed huts on the heights for caves in the lower valleys. I shall be patient, remain here a little while. I am now immune to the discomfort and dirt of travel. That is how it is. That is how is must be. I miss only the mental absorption of writing, the caress of the brush on a scroll. In my home in Louyang I keep brush and paper close to hand; wherever I may be I can write, even in, especially in, the privy. If a line comes to me I can write it down. Here there is only the comfort of memory.

To think that in the past I wrote of this mountain wilderness out of my imagination and the descriptions of others. I once thought of these remote places as havens of spiritual liberation.

In the hills there is the sound of zither.
White clouds stay over shaded peaks,
Red flowers shine in the sunlit woods
Rocks are washed in the stream like jade;

How very different is the reality of it all; in this emerging winter world of mist, where the sun rarely visits and most living things have departed, where wind colours silence and one’s footfall becomes consolation. The sound of stone rubbing stone on the path is the eternal present. There have been days when only a distant crow moves in the landscape. Lammergeyers are known in these parts, but I have yet to see one. If there are wild beasts, they shun me.

As this bowl of tea cools in my hands but warms my frozen fingers I form pictures of the past day on its dark surface. Before dawn from the mouth of a river cave I sensed changes in the qualities of darkness that have hidden the heights above me. Then a perceptible line appeared and divided the mountain from the sky. That line became variegated; there were trees bristling on the highest rocks. It appears that at this hour the prevalent mist settles in the valleys leaving the sky clear.

The woman comes to me. She kneels to untie my boots. She looks with a curious innocence at my strangeness, the distortion of my face, the cleft palette, the deformed upper lip, the squint of my left eye. She is kindly as I give her my best smile though my face seems frozen still. There is a whisper, a prayer of welcome possibly. Then she bows her head, unravels a long scarf to reveal a mane of oiled hair, and sets about removing my boots. I see only the top of her head, a severe parting, hair held tightly in wooden combs. I close my eyes to bring to mind the image of Xaoli, so slight in comparison, her butterfly hands flittering into and around my sleeves, her seeing touch mapping out the extent of me, each piece of clothing, only later my face.

My reverie is broken by the entrance of two men. They squat behind the woman and, after taking in my ugliness and my hairpins of office, patiently wait for her to finish and retire. We stand and bow, then sit again amongst the straw.

‘Honoured Lord, I am Yun. You have travelled from Stone Village? And beyond?’

I pass him the Emperor’s seal he cannot read, but remain silent.

‘You are seeking those who live in the heights? The village only sees their servants, young boys sent for a goat or flasks of barley spirit. They bring herbs our women favour. Some have seen their huts when seeking lost animals. Now it is said they are gathered in the caves like animals waiting for the spring moon.’

‘When was the village last visited by their kind?’

‘ Hanlu, my Lord, the time of cold dew, two boys appeared with a pony. There was trading. They brought Chrysanthemum flowers and herbs for two geese and wine. They left scrolls for passage to Stone Village. Now the snows fall we may not see them until the Spring’

‘How far are your summer pastures? Have you any who would guide me there ?’

‘We do not seek these places after the first snows. The sages haunt the region beyond Chang Mountain. Before the 11th moon you might pass into the valley of Lidong where it is believed their caves lie, but to return before the Spring will not be possible.’

‘How many days there?’

‘Allow four. A difficult way, unmarked, rarely trodden, much climbing. There is one here who we could send with you – part of the way, and at a price, My Lord. Dahan travelled two seasons since as groom to a party of six with ponies, but then in late Spring.’

‘I will stay three days.’

‘Just so My Lord. Xiu Li will see to your wishes.’

And they depart, Yun’s companion has remained silent throughout, though searched my face continually. By the door he places his hand against the stout bag that carries my lute. ‘Guqin’, he says tenderly.

This instrument is my pass to the community of the reclusive. I am renown for my songs and their singing. My third-best guqin has not left its bag since Stone Village and I fear damage despite all my care on the path.

Later, as the village mastiffs gradually cease their baying as the quarter moon rises I take this instrument and place it across my lap. Its seven silk strings I wipe with a cloth and gently tune with its tasselled pegs. I then prepare myself through meditation to avoid the intrusion of distracting thoughts. With my eyes closed I allow my hands to seek out and name each part of guqin: from the Forehead of the Top Board, to the String Eyes, the Dew Collector, The Mountain, Shoulder and Phoenix Wings, past the Waist, the Hat Lines and the Dragon’s Beard, to the Dragon’s Gums and thence to the Inner Top Board. I can feel the Pillar of Heaven – the sound post – has moved a little in my recent travels. So too the Pillar of Earth – but with care I move both to their rightful positions. And so on naming the inner and outer parts of each of the two boards that make up the guqin. I begin to regulate my breathing and allow the fingers of my left hand to stroke and touch, to press and oscillate in the manner of vibrato. Zhoa Wenji describes twenty-three kinds of vibrato. I feel in turn each of the hui, the thirteen gold studs that mark the harmonic nodes and allow me to play the guqin by touch alone. In these moments of preparation I hear the words of my teacher: a good player makes sounds that are plentiful but not confused. As the moon reflecting on water, so the sounds are together but not combined. Like wind in the pines, they are combined but also spread out. Such sounds are valued for their lightness. Avoid the addition of inappropriate  "guest" sounds. This is the refined theory of the guqin. To be knowledgeable about music, one must seek this, then one can realize its beauty.

I have tuned to the Huangzhong mode. The song *Amidst Mountains Thinking of an Old Friend I have brought to mind. I recall the words of The Slender Hermit who says of this piece that its interest lies in holding cherished thoughts, but having no way to tell these to anyone. There are emotions about the present time, longings and laments for the past, but there is no way to express any of this. And so this piece.

In this poor reed hut the room is filled with mist and haze,
how far away are the things I love;
the old plum tree seems exhausted, its flowers about to die,
the mountains are lonely and I am nostalgic for past times.
The moon shines brightly on this lovely evening,
from this distance I think of my old friend and wonder where he is.
The green of the mountains never fades,
but before I know it my hair will turn white;
the moon is waning and flowers wither,
Old friend, I dream constantly of meeting you.
How hard it is to recall the joy of our last meeting!
With the many mountain ranges,
and its hidden tigers and coiled dragons,
I am unable return to you in Chang An.
The road is distant, the tall trees make the road dark,
and the world is vast.

I mourn Aquila and Lyra
separated by the Milky Way like the cowherd and weaving girl,
on the ground we are separated by 1,000 li
in the sky we are each in a separate place,
though our passions remain strong
There has been no warm correspondence,
there is restraint to the bright harmony,
and the flowing streams are swallowed by the setting sun.

The thought of this song of mid autumn touches me before its words have issued from my lips. I play the last two lines in harmonics and sing.

From the French of François Villon

Tell me now in what hidden way is
Lady Flora the lovely Roman?
Where’s Hipparchia, and where is Thais,
Neither of them the fairer woman?
Where is Echo, beheld of no man,
Only heard on river and mere—
She whose beauty was more than human?—
But where are the snows of yester-year?

Where’s Heloise, the learned nun,
For whose sake Abeillard, I ween,
Lost manhood and put priesthood on?
(From Love he won such dule and teen!)
And where, I pray you, is the Queen
Who willed that Buridan should steer
Sewed in a sack’s mouth down the Seine?—
But where are the snows of yester-year?

White Queen Blanche, like a queen of lilies,
With a voice like any mermaiden—
Bertha Broadfoot, Beatrice, Alice,
And Ermengarde the lady of Maine—
And that good Joan whom Englishmen
At Rouen doomed and burned her there—
Mother of God, where are they then?—
But where are the snows of yester-year?

Nay, never ask this week, fair lord,
Where they are gone, nor yet this year,
Except with this for an overword—
But where are the snows of yester-year?

It Snows and we aren't expected to stop living.
It Snows and we live despite the brutality of life.
It Snows and we live with our decisions.
It Snows and we live with ourselves.
It Snows and life continues whether we want it to or not.
We live with heartache yet we act like it isn't there.
We live with depression yet we act like we aren't lonely.
We live with anxiety yet we act like the tremors aren't there.
So live and stop acting. Face the feelings and be free.

by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

        COR. AGRIPPA,
           Occult Philosophy, Book I. chap. v.

“Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.”

                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865

Slow sinks, more lovely ere his race be run,
Along Morea’s hills the setting Sun;
Not, as in northern climes, obscurely bright,
But one unclouded blaze of living light;
O’er the hushed deep the yellow beam he throws,
Gilds the green wave that trembles as it glows;
On old ægina’s rock and Hydra’s isle
The God of gladness sheds his parting smile;
O’er his own regions lingering loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain-shadows kiss
Thy glorious Gulf, unconquered Salamis!
Their azure arches through the long expanse,
More deeply purpled, meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of Heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian rock he sinks to sleep.

  On such an eve his palest beam he cast
When, Athens! here thy Wisest looked his last.
How watched thy better sons his farewell ray,
That closed their murdered Sage’s latest day!
Not yet—not yet—Sol pauses on the hill,
The precious hour of parting lingers still;
But sad his light to agonizing eyes,
And dark the mountain’s once delightful dyes;
Gloom o’er the lovely land he seemed to pour,
The land where Phoebus never frowned before;
But ere he sunk below Cithaeron’s head,
The cup of Woe was quaffed—the Spirit fled;
The soul of Him that scorned to fear or fly,
Who lived and died as none can live or die.

  But lo! from high Hymettus to the plain
The Queen of Night asserts her silent reign;
No murky vapour, herald of the storm,
Hides her fair face, or girds her glowing form;
With cornice glimmering as the moonbeams play,
There the white column greets her grateful ray,
And bright around, with quivering beams beset,
Her emblem sparkles o’er the Minaret;
The groves of olive scattered dark and wide,
Where meek Cephisus sheds his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk,
And sad and sombre ’mid the holy calm,
Near Theseus’ fane, yon solitary palm;
All, tinged with varied hues, arrest the eye;
And dull were his that passed them heedless by.
Again the ægean, heard no more afar,
Lulls his chafed breast from elemental war:
Again his waves in milder tints unfold
Their long expanse of sapphire and of gold,
Mixed with the shades of many a distant isle
That frown, where gentler Ocean deigns to smile.

  As thus, within the walls of Pallas’ fane,
I marked the beauties of the land and main,
Alone, and friendless, on the magic shore,
Whose arts and arms but live in poets’ lore;
Oft as the matchless dome I turned to scan,
Sacred to Gods, but not secure from Man,
The Past returned, the Present seemed to cease,
And Glory knew no clime beyond her Greece!

  Hour rolled along, and Dian’******on high
Had gained the centre of her softest sky;
And yet unwearied still my footsteps trod
O’er the vain shrine of many a vanished God:
But chiefly, Pallas! thine, when Hecate’s glare
Checked by thy columns, fell more sadly fair
O’er the chill marble, where the startling tread
Thrills the lone heart like echoes from the dead.
Long had I mused, and treasured every trace
The wreck of Greece recorded of her race,
When, lo! a giant-form before me strode,
And Pallas hailed me in her own Abode!

  Yes,’twas Minerva’s self; but, ah! how changed,
Since o’er the Dardan field in arms she ranged!
Not such as erst, by her divine command,
Her form appeared from Phidias’ plastic hand:
Gone were the terrors of her awful brow,
Her idle ægis bore no Gorgon now;
Her helm was dinted, and the broken lance
Seemed weak and shaftless e’en to mortal glance;
The Olive Branch, which still she deigned to clasp,
Shrunk from her touch, and withered in her grasp;
And, ah! though still the brightest of the sky,
Celestial tears bedimmed her large blue eye;
Round the rent casque her owlet circled slow,
And mourned his mistress with a shriek of woe!

  “Mortal!”—’twas thus she spake—”that blush of shame
Proclaims thee Briton, once a noble name;
First of the mighty, foremost of the free,
Now honoured ‘less’ by all, and ‘least’ by me:
Chief of thy foes shall Pallas still be found.
Seek’st thou the cause of loathing!—look around.
Lo! here, despite of war and wasting fire,
I saw successive Tyrannies expire;
‘Scaped from the ravage of the Turk and Goth,
Thy country sends a spoiler worse than both.
Survey this vacant, violated fane;
Recount the relics torn that yet remain:
‘These’ Cecrops placed, ‘this’ Pericles adorned,
‘That’ Adrian reared when drooping Science mourned.
What more I owe let Gratitude attest—
Know, Alaric and Elgin did the rest.
That all may learn from whence the plunderer came,
The insulted wall sustains his hated name:
For Elgin’s fame thus grateful Pallas pleads,
Below, his name—above, behold his deeds!
Be ever hailed with equal honour here
The Gothic monarch and the Pictish peer:
Arms gave the first his right, the last had none,
But basely stole what less barbarians won.
So when the Lion quits his fell repast,
Next prowls the Wolf, the filthy Jackal last:
Flesh, limbs, and blood the former make their own,
The last poor brute securely gnaws the bone.
Yet still the Gods are just, and crimes are crossed:
See here what Elgin won, and what he lost!
Another name with his pollutes my shrine:
Behold where Dian’s beams disdain to shine!
Some retribution still might Pallas claim,
When Venus half avenged Minerva’s shame.”

  She ceased awhile, and thus I dared reply,
To soothe the vengeance kindling in her eye:
“Daughter of Jove! in Britain’s injured name,
A true-born Briton may the deed disclaim.
Frown not on England; England owns him not:
Athena, no! thy plunderer was a Scot.
Ask’st thou the difference? From fair Phyles’ towers
Survey Boeotia;—Caledonia’s ours.
And well I know within that ******* land
Hath Wisdom’s goddess never held command;
A barren soil, where Nature’s germs, confined
To stern sterility, can stint the mind;
Whose thistle well betrays the niggard earth,
Emblem of all to whom the Land gives birth;
Each genial influence nurtured to resist;
A land of meanness, sophistry, and mist.
Each breeze from foggy mount and marshy plain
Dilutes with drivel every drizzly brain,
Till, burst at length, each wat’ry head o’erflows,
Foul as their soil, and frigid as their snows:
Then thousand schemes of petulance and pride
Despatch her scheming children far and wide;
Some East, some West, some—everywhere but North!
In quest of lawless gain, they issue forth.
And thus—accursed be the day and year!
She sent a Pict to play the felon here.
Yet Caledonia claims some native worth,
As dull Boeotia gave a Pindar birth;
So may her few, the lettered and the brave,
Bound to no clime, and victors of the grave,
Shake off the sordid dust of such a land,
And shine like children of a happier strand;
As once, of yore, in some obnoxious place,
Ten names (if found) had saved a wretched race.”

  “Mortal!” the blue-eyed maid resumed, “once more
Bear back my mandate to thy native shore.
Though fallen, alas! this vengeance yet is mine,
To turn my counsels far from lands like thine.
Hear then in silence Pallas’ stern behest;
Hear and believe, for Time will tell the rest.

  “First on the head of him who did this deed
My curse shall light,—on him and all his seed:
Without one spark of intellectual fire,
Be all the sons as senseless as the sire:
If one with wit the parent brood disgrace,
Believe him ******* of a brighter race:
Still with his hireling artists let him prate,
And Folly’s praise repay for Wisdom’s hate;
Long of their Patron’s gusto let them tell,
Whose noblest, native gusto is—to sell:
To sell, and make—may shame record the day!—
The State—Receiver of his pilfered prey.
Meantime, the flattering, feeble dotard, West,
Europe’s worst dauber, and poor Britain’s best,
With palsied hand shall turn each model o’er,
And own himself an infant of fourscore.
Be all the Bruisers culled from all St. Giles’,
That Art and Nature may compare their styles;
While brawny brutes in stupid wonder stare,
And marvel at his Lordship’s ’stone shop’ there.
Round the thronged gate shall sauntering coxcombs creep
To lounge and lucubrate, to prate and peep;
While many a languid maid, with longing sigh,
On giant statues casts the curious eye;
The room with transient glance appears to skim,
Yet marks the mighty back and length of limb;
Mourns o’er the difference of now and then;
Exclaims, ‘These Greeks indeed were proper men!’
Draws slight comparisons of ‘these’ with ‘those’,
And envies Laïs all her Attic beaux.
When shall a modern maid have swains like these?
Alas! Sir Harry is no Hercules!
And last of all, amidst the gaping crew,
Some calm spectator, as he takes his view,
In silent indignation mixed with grief,
Admires the plunder, but abhors the thief.
Oh, loathed in life, nor pardoned in the dust,
May Hate pursue his sacrilegious lust!
Linked with the fool that fired the Ephesian dome,
Shall vengeance follow far beyond the tomb,
And Eratostratus and Elgin shine
In many a branding page and burning line;
Alike reserved for aye to stand accursed,
Perchance the second blacker than the first.

  “So let him stand, through ages yet unborn,
Fixed statue on the pedestal of Scorn;
Though not for him alone revenge shall wait,
But fits thy country for her coming fate:
Hers were the deeds that taught her lawless son
To do what oft Britannia’s self had done.
Look to the Baltic—blazing from afar,
Your old Ally yet mourns perfidious war.
Not to such deeds did Pallas lend her aid,
Or break the compact which herself had made;
Far from such counsels, from the faithless field
She fled—but left behind her Gorgon shield;
A fatal gift that turned your friends to stone,
And left lost Albion hated and alone.

“Look to the East, where Ganges’ swarthy race
Shall shake your tyrant empire to its base;
Lo! there Rebellion rears her ghastly head,
And glares the Nemesis of native dead;
Till Indus rolls a deep purpureal flood,
And claims his long arrear of northern blood.
So may ye perish!—Pallas, when she gave
Your free-born rights, forbade ye to enslave.

  “Look on your Spain!—she clasps the hand she hates,
But boldly clasps, and thrusts you from her gates.
Bear witness, bright Barossa! thou canst tell
Whose were the sons that bravely fought and fell.
But Lusitania, kind and dear ally,
Can spare a few to fight, and sometimes fly.
Oh glorious field! by Famine fiercely won,
The Gaul retires for once, and all is done!
But when did Pallas teach, that one retreat
Retrieved three long Olympiads of defeat?

  “Look last at home—ye love not to look there
On the grim smile of comfortless despair:
Your city saddens: loud though Revel howls,
Here Famine faints, and yonder Rapine prowls.
See all alike of more or less bereft;
No misers tremble when there’s nothing left.
‘Blest paper credit;’ who shall dare to sing?
It clogs like lead Corruption’s weary wing.
Yet Pallas pluck’d each Premier by the ear,
Who Gods and men alike disdained to hear;
But one, repentant o’er a bankrupt state,
On Pallas calls,—but calls, alas! too late:
Then raves for’——’; to that Mentor bends,
Though he and Pallas never yet were friends.
Him senates hear, whom never yet they heard,
Contemptuous once, and now no less absurd.
So, once of yore, each reasonable frog,
Swore faith and fealty to his sovereign ‘log.’
Thus hailed your rulers their patrician clod,
As Egypt chose an onion for a God.

  “Now fare ye well! enjoy your little hour;
Go, grasp the shadow of your vanished power;
Gloss o’er the failure of each fondest scheme;
Your strength a name, your bloated wealth a dream.
Gone is that Gold, the marvel of mankind.
And Pirates barter all that’s left behind.
No more the hirelings, purchased near and far,
Crowd to the ranks of mercenary war.
The idle merchant on the useless quay
Droops o’er the bales no bark may bear away;
Or, back returning, sees rejected stores
Rot piecemeal on his own encumbered shores:
The starved mechanic breaks his rusting loom,
And desperate mans him ‘gainst the coming doom.
Then in the Senates of your sinking state
Show me the man whose counsels may have weight.
Vain is each voice where tones could once command;
E’en factions cease to charm a factious land:
Yet jarring sects convulse a sister Isle,
And light with maddening hands the mutual pile.

  “’Tis done, ’tis past—since Pallas warns in vain;
The Furies seize her abdicated reign:
Wide o’er the realm they wave their kindling brands,
And wring her vitals with their fiery hands.
But one convulsive struggle still remains,
And Gaul shall weep ere Albion wear her chains,
The bannered pomp of war, the glittering files,
O’er whose gay trappings stern Bellona smiles;
The brazen trump, the spirit-stirring drum,
That bid the foe defiance ere they come;
The hero bounding at his country’s call,
The glorious death that consecrates his fall,
Swell the young heart with visionary charms.
And bid it antedate the joys of arms.
But know, a lesson you may yet be taught,
With death alone are laurels cheaply bought;
Not in the conflict Havoc seeks delight,
His day of mercy is the day of fight.
But when the field is fought, the battle won,
Though drenched with gore, his woes are but begun:
His deeper deeds as yet ye know by name;
The slaughtered peasant and the ravished dame,
The rifled mansion and the foe-reaped field,
Ill suit with souls at home, untaught to yield.
Say with what eye along the distant down
Would flying burghers mark the blazing town?
How view the column of ascending flames
Shake his red shadow o’er the startled Thames?
Nay, frown not, Albion! for the torch was thine
That lit such pyres from Tagus to the Rhine:
Now should they burst on thy devoted coast,
Go, ask thy ***** who deserves them most?
The law of Heaven and Earth is life for life,
And she who raised, in vain regrets, the strife.”

The rain ****** through a darkening sky.

The man's eyes grow bright and he smiles. Softly, he whispers, " Man, you're the biggest, whitest, what hell are you anyway?"

The pup sits up and Jack Delleto caresses her neck, but much to the mutt's chagrin the man stands up and walks away.

Jack has his hand on the door about to go into the bar. The pup issues an interrogatory, "Woof?"

The rain turns to snow.

The man's eyes grow bright and he smiles, "My grandma used to say that when it snows the angels are sweeping heaven. I'll be back for you, Snowflake."

Jack shivers. His smile fading, the night jumps back into his eyes.

Snowflake chuffs once, twice.

The man is gone.



The room would have been a cold, dark place except the bodies who sit on the barstools or stand on the ***** linoleum floor produce heat. The cigarette smoke burns his eyes. Jack Delleto looks down the length of the bar to the boarded shut fire place and although the faces are shadows, he knows them all.

The old man who always sits at the second barstool from the dart board is sitting at the second bar stool. His fist clenched tightly around the beer mug, he stares at his own reflection in the mirror.

The aging barmaid, who often weeps from her apartment window on a hot summer night or a cold winter evening, is coming on to a man half her age. She is going to slip her arm around his bicep at any moment.

"Yeah," Jack smiles, "there she goes."

Jack Delleto knows where the regulars sit night after night clutching the bar with desperation, the wood rail is worn smooth.

In the mirror that runs the length of the bar Jack Delleto sees himself with clarity. Brown hair and brown eyes. Just an ordinary 29 year old man.

"Old Fred is right," he thinks to himself, "If you stare at shadows long enough, they stare back." Jack smiles and the red head returns his smile crossing her long legs that protrude beneath a too short skirt.

The bartender recognizes the man smiling at the redhead.

"Well,  Jack Delleto, Dell, I heard you were dead. " The six foot, two hundred pound bartender tells him as Dell is walking over to the bar.

"Who told you that?"

"Crazy George, while he was swinging from the wagon wheel lamp." Bob O'Malley says as he points to the wagon wheel lamp hanging from the ceiling.

"George, I heard, HE was dead."

The bartender reaches over the bar resting the palms of his big hands on the edge of the bar and flashes a smile of white, uneven teeth. Bob extends his hand. "Where the hell have you been?"

They shake hands.

Dell looks up at the Irishman. "I ve been at Harry's Bar in Venice drinking ****** Marys with Elvis and Ernest."

Bob O'Malley grins, puts two shot glasses on the bar, and reaches under the bar to grab a bottle of bourbon. After filling the glasses with Wild Turkey, he hands one glass to Dell. They touch glasses and throw down the shots.

"Gobble, gobble," O Malley smiles.


The front door of the bar swings open and a cold wind drifts through the bar. Paul Keater takes off his Giants baseball cap and with the back of his hand wipes the snow off of his face.

"Keater," Bob O'Malley calls to the Blackman standing in the doorway.

Keater freezes, his eyes moving side to side in short, quick movements. He points a long slim finger at O'Malley, "I don't owe you any money," Paul Keater shouts.

The people sitting the barstools do not turn to look.

"You're always pulling that **** on me." Keater rushes to the bar, "I PPPAID YOU."

As Delleto watches Keater arguing with O'Malley, the anger grows into the loathing Dell feels for Keater. The suave, sophisticated Paul Keater living in a room above the bar. The man is disgusting. His belly hangs pregnant over his belt. His jeans have fallen exposing the crack of his ***, and Keater just doesn't give a ****. And that ragged, faded, baseball cap, ****, he never takes it off.

When Keater glances down, he realizes he is standing next to Jack Delleto. Usually, Paul Keater would have at least considered punching Delleto in his face. "The **** wasn't any good," Paul feining anger tells O'Malley. "Everybody said it was, ****."

The bartender finishes rinsing a glass in the soapy sink water and then places it on a towel. "*******."

Keater slides the Giant baseball cap back and forth across his flat forehead. "**** it," he turns and storms out of the bar.

"Can I get a beer?" Dell asks but O"Malley is already reaching into the beer box. Twisting the cap off, he puts it on the bar. "It's not that Keater owes me a few bucks, "he tells Dell, "if I didn't cut him off he'd do the stuff until he died." Bob grabs a towel and dries his hands.

"But the smartest rats always get out of the maze first," Jack tells Bob.


Cigarette butts, candy wrappers, and losing lottery tickets litter the linoleum floor. Jack Delleto grabs the bottle of beer off the bar and crosses the specter of unfulfilled wishes.

In the adjacent room he sits at a table next to the pinball machine to watch a disfigured man with an anorexic women shoot pool. Sometimes he listens to them talk, whisper, laugh. Sometimes he just stares at the wall.

"We have a winner, "the pinball machine announces, "come ride the Ferris wheel."



"I'm part Indian. "

Jack looks up from his beer. The Indian has straight black hair that hangs a few inches above her shoulders, a thin face, a cigarette dangling from her too red lips.

"My Mom was one third Souix, " the drunken women tells Jack Delleto.

The Indian exhales smoke from her petite nose waiting for a come on from the man with the sad face. And he just stares, stares at the wall.

Her bushy eyebrows come together forming a delicate frown.

Jack turns to watch a brunette shoot pool. The woman leans over the pool table about to shoot the nine ball into the side pocket. It is an easy shot.

The brunette looks across the pool table at Jack Delleto, "What the **** are you starin at?" She jams the pool stick and miscues. The cue ball runs along the rail and taps the eight ball into the corner pocket. "AH ****," she says.

And Jack smiles.

The Indian thinks Jack is smiling at her, so she sits down.

"In the shadows I couldn't see your eyes," he tells her, "but when you leaned forward to light that cigarette, you have the prettiest green eyes."

She smiles.

" I'm Kathleen," her eyes sparkling like broken glass in an alley.

Delleto tries to speak.

"I don't want to know your name," she tells Jack Delleto, the smile disappearing from her face. "I just want to talk for a few minutes like we're friends," she takes a drag off the cigarette, exhales the smoke across the room.

Jack recognizes the look on her face. Bad dreams.

"I'll be your friend," he tells her.

"We're not going to have ***." The Indian slowly grinds out the cigarette into the ashtray, looks up at the man with the sad face.

"Do you have family?"

"Family?" Delleto gives her a sad smile.

She didn't want an answer and then she gets right into it.

"I met my older sister in Baltimore yesterday." She tells the man with sad eyes.' Hadn't seen her since I was nine, since Mom died. I wanted to know why Dad put me in foster homes. Why?

"She called me Little Sister. I felt nothin. I had so many questions and you know what? I didn't ask one."

Jack is finishing his beer.

"If you knew the reasons, now, what would it matter, anyway."

The man with the black eye just doesn't get it. She lived with them long enough. Long enough to love them.

She stands up, stares at Jack Delleto.

And walks away.


It's the fat blondes turn to shoot pool. She leans her great body ever so gently across the green felt of the pool table, shoots and misses. When she tries to raise herself up off the pool table, the tip of the pool cue hits the Miller Lite sign above the pool table sending the lamb rocking violently back and forth. In flashes of light like the frames from and old Chaplin movie the sad and grotesque appear and disappear.

"What the **** are you starin at?" The skinny brunette asks.

Jack pretends to think for a moment. "An unhappy childhood."

Suddenly, she stands up, looking like death wearing a Harley Davidson T-shirt.

"Dove sta amore?" Jack Delleto wonders.

Death is angry, steps closer.

"Must be that time of the month, huh," Jack grins.

With her two tiny fists clenched tightly at her side, the brunette stares down into Delleto's eyes. Suddenly, she punches Jack in the eye.

Jack stands up bringing his forearm up to protect his face. At the same time Death steps closer. His forearm catches her under the chin. The bony ***** goes down.

Women rush from the shadows. They pull Jack to the ***** floor, punch and kick him.

In the blinking of the Miller Light Jack Delleto exclaims," I'm being smother by fat lesbians in soft satin pants."  But then someone is pulling the women off of him.

The Miller Lite gently rocks and then it stops.

Jack stands up, shakes his head and smiles.

"Nice punch, Dell," Bob O' Malley says, "I saw from the bar."

Jack hits the dust off of his pants, grabs the beer bottle off of the table, takes a swallow. Smiling, he says, "I box a little."

"I can tell by your black eye." O'Malley puts his hand on his friends shoulder. "Come on I'll buy you a shot. What caused this spontaneous expression of love?"

"They thought I was a ******."


2 a.m.

Jack Delleto walks out the door of the bar into the wind swept gloom. The gray desolation of boarded shut downtown is gone.

The rain has finally turn to snow.

His eyes follow the blue rope from the parking meter pole to its frayed end buried in the plowed hill of snow at the corner of Cookman Avenue.

The dog, Snowflake, dead, Jack thinks.


The snow covers everything. It covers the abandon cars and the abandon buildings, the sidewalk and its cracks. The city, Delleto imagines, is an adjectiveless word, a book of white pages. He steps off the curb into the gutter and the street is empty for as far as he can see. He starts walking.

Jack disappears into empty pages.


Chapter 2


Paul Keater has a room above Wagon Wheel Bar where the loud rock music shakes the rats in the walls til 2a.m. The vibrations travel through the concrete floor, up the bed posts, and into the matress.

Slowly Paul's eyes open. Who the hell is he fooling. Even without the loud music, he would not be able to sleep, anyway.

Soft red neon from the Wagon Wheel Bar sign blinks into his room.

Paul Keater sits up, sighs, resigns himself to another sleepless night, swings his legs off the bed. His x-wife. He thinks about her frequently. He went to a phycologist because he loved her.

Dump the *****, the doctor said.

"I paid him eighty bucks and all he had to say was dump the *****." He laughs, shakes his head.

Paul thinks about *******, looks around the tiny room, and spots a clear plastic case containing the baseball cards he had collected when he was a boy.

He walks to the dresser and puts on his Giant's baseball cap. Paul sits down on the wooden chair by the sink. Turns on the lamp. The card on top is ***** Mays. Holding it in his hand, it is perfect. The edges are not worn like the other cards.

It was his tenth birthday and his dad had taken him to his first baseball game and his father had bought the card from a dealer.

Oblivious to the loud rock music filtering into his room, he stares at the card.

Fondly, he remembers.

Dad.


                                     *     

It arrives unobtrusively. His heart begins to race faster.
Jack Delleto rolls away from the cracked wall. He sits up and drops his legs off the bed.

Jack Delleto thinks about mountains.

When he cannot sleep he thinks about climbing up through the fog that makes the day obscure, passing where the stunted spruce and fir tees are twisted by the wind, into cold brilliant light. Once as he climbed through the fog he saw his shadow stretching a half a mile across a cloud and the world was small. Far down to the east laid cliffs and gullies, glaciated mountains and to the west were the plains and cities of everyday life.

The army coat is draped over the back of the chair. In the pocket is his notebook. Jack stands and takes the notebook from the pocket. When he sits in the wooden chair he opens the book and slides the pen from the binder.

When he finishes his story he makes the end into the beginning.



                                           Chapter 3


"I want a captain in a truck." The 10 year old boy with the brown hair tells his mom. "I want it NOW."

His blonde haired mom wearing the gold diamond bracelet nods her head at Jack Delleto. Jack looks up at the clock on the wall. It is only 9a.m. After four years of college Jack has a part time job at K.B. Toy store. "We're all out of them," he tells her for the second time.

"Honey," Blondie tells her boy, "they're all out of them."

"YOU PROMISED."

"How about a sargeant in a jeep?

"OK, but I want a missile firing truck , too."

Delleto turns to the display case behind the counter. Briefly, he studies his black eye in the display case mirror and then begins searching the four shelves and twenty rows of 3 inch plastic toys. He finds the truck. His head is aching. He finds the truck and puts it on the counter in front of the boy.

"Sorry, we're all out of the sargeant," Jack tells the pretty lady. The aching in his head just won't go away.

"Mommy, mommy, I want an ATTACK HELIOCOPTER, MOMMMEEE, I WANTAH TTTAAANNNK..."

Jack Delleto leans over the counter resting his elbows on the glass top. The boy is staring at the man with the black eye, at his bruised, unshaven face.

"Well, we haven't got any, GODDAMED TANKS. How about a , KICKINTHE ***."

Finally the boy and his mother are quiet.

"My husband will have you fired."

She grabs the boy by the hand. Turns to rush out of the store.

Jack mutters something.

"MMOOOMEEE,  what does..."

"Oh, shut the hell up," the pretty lady tells her son


                                    

The assistant manager takes a deep drag on her cigarette, exhales, and crosses her arms to hold the cigarette in front of her. Susan looks down at Jack sitting on the stool behind the counter. He stands up. "Did you tell some lady to blow you?" She crushes the cigarette out in the ashtray on the shelf below the counter. "Maybe you don't need this job but I do."

"Sue, there's no smoking in the mall."

"Jack, you look tired," the cubby teenager tells him, "and your eye. Another black eye."

"I was attacked by five women."

'Oh, I see, in your dreams maybe. I see, it's one of those male fantasies I'm always reading about in Cosmo. You're not boxing again, are you Dell?" Sue likes to call him Dell.

"I go down to the gym to work out. Felix says I've got something."

"Yeah, a black eye." Susan laughs, opens the big vanilla envelope, and hands Jack his check.

She turns and takes a pair of sunglasses from the display stand. "You 're scaring the children, Dell ." Susan steps closer looks into Dell's brown eyes and the slips the sunglasses on his face. "Why don't you go to lunch."

                                              

It's noon and the mall is crowded at the food court area. Jack gets a 20oz cup of coffee, finds a table and sits down.

"Go over and talk to him. " Susan says. Jack turns his head , looks back, sees the Indian walking towards his table.

"Hello, Kathrine," says Jack Delleto.

"My names not Kathrine, it's Kathleen."

Jack pulls the chair away from the table, "Have a seat Kate."

Her eyebrows form that delicate frown. "My names Kathleen." As soon as she sits down she takes a cigarette from the pack sticking out of her pocketbook. "I had to leave. I told the baby sitter I'd only be gone an hour. Anyway you weren't much help."

"So why did you come over to talk to me?"

"You were alone, the bar full of people and you're alone. Why?"

"I like it that way. You've seen me there before?"

"Yeah, sitting by the pin ball machine staring at the wall, and sometimes, you'd take out your blue note pad and write in it.
What do you write about?  Are you goin to write about me..."

"Maybe. How many kids do you have?"

"Just one. A boy, and believe me one is enough. He'll be four in June," Kathleen smiles but then she remembers and abruptly the smile disappears from her face. "Sometimes I see Anthony's father in the mall and I ask him if he'd like to meet his son, but he doesn't.

Kathleen draws the cigarette smoke deep into her lungs, tilts her head back, and blows the smoke towards the skylight. Suddenly caught in the sunlight the smoke becomes a gray cloud. " I didn't want to marry him anyway, I don't know why he thought that."

She hears the scars as Delleto talks, something sad about the man, something like old newspapers blowing across a deserted street. She hears the scars and knows never, never ask where the scars came from.


                                    

As Jack walks towards the bank to cash his check, he glances out the front entrance to the mall. It is a bright, cold day and the snowplows are finishing up the parking lot plowing the snow into big white hills. That is the fate of the big white pup plowed to the corner of Cookman and Main buried deep in ***** snow. At that street corner when the school is over the children will play on the hill never realizing what lay beneath there feet.

The snow must melt; spring is inevitable.

His pup will be back.



                                           Chapter 4


The 19 year old light heavyweight leans his muscular body forward to rest his gloved hands on the tope rope of the ring. He bows his head waiting to regain his breath as his lungs fight to force air deep into his chest. Bill Wain has finished boxing 4 rounds with Red.

Harry the trainer, gently pulls the untied boxing gloves from Red's hands. "Good fight, he says, patting Red on the back as the fighter climbs through the ropes and heads to the showers. Harry hands the sweat soaked gloves to Felix who puts one glove under his arm while he loosens the laces on the other 12ounce glove. He makes the sleeve wider.

"Do you want the head gear?" Felix asks.

Jack Delleto shakes his head and pushes his taped hand deep into the glove.

The old man takes the other glove from under his arm, pulls the laces out, and holds it open. Without turning his head to look at him, Felix tells Harry, "Make sure Bill doesn't cool down. Tell him to shadow box. Harry walks over to Bill and Bill starts shadow boxing.

Jack pushes his hand into the glove. "Make a fist." Jack does. Felix pulls the laces and ties it into a bow.

Felix looks intently into Delleto's eyes. "How does that feel?"

"About right."

"You look tired."

"I am a little."

"Are you sick or is it a woman."

"I'm not sick."

A big smile forms across the face of the former welterweight champion of Nevada. The face of the 68 year old Blackman is lined and cracked like the old boxing gloves that Jack is wearing but his tall body is youthful and athletic in appearance. Above Felix's eyebrows Jack sees the effect of 20 years as a professional fighter. He sees the thick scar tissue and the thin white lines where the old man's skin has been stitched and re-stitched many times. As he gives instructions to Jack, Felix's brown eyes seem to be staring at something distant and Jack wonders if Felix has chased around the ring one time too often his dream.

"And get off first. Don't stop punching until he goes down. You've got it kid and not every fighter does."

Jack and Felix start walking over to the ring.

"What is it I've got?" Jack Deletto wonders.

Felix puts his foot on the fourth strand of the rings rope and with his hand pulls up the top strand and as Jack steps into the ring, "You've got, HEART."

In the opposite corner Bill Wain waits.

"Will he be alright?" Harry asks.

"Bill's tired, " Felix replies, then he tries to explain. "It's not about money. I'm almost 70 and I want to go out a winner." Felix pauses and the offers, he can hit hard with either hand."

"Yeah, but at best he's a small middleweight and he only moves in one direction, straight ahead."

"Harry, I love the guy," Felix puts his hand on Harry's shoulder, he's like Tyson at the end of his career. He'd fight you to the death but he's not fighting to win anymore."

Harry puts his hands in his pocket and stares at the floor. "Do you want me to tell him to go easy." Harry looks up at Felix waiting for an answer.

"I'm tired of sweeping dirt from behind the boxes of wax beans and tuna fish. I'm sick of collecting shopping carts in the rain. A half way decent white heavyweight can make a lot of money. It's stupid for a fighter to practice holding back. Bill's a winner. Jack'll be alright."

Felix hands the pocket watch to Harry so he can time the rounds.

Bill Wain comes out of his corner circling left.

Jack rushes straight ahead.

Felix winks at Jack Delleto and whispers, "The Jack of hearts."



                                           Chapter 5


The front door of the Wagon Wheel bar explodes open to Ziggy Pop's, "YOU'VE GOT A LUST FOR LIFE." Jack Delleto steps over the curb and vanishes into the dark doorway.

"HEY, JACK, JACK DELLETO," The lanky bartender shouts over the din.

Delleto makes his way through the crowd over to bar. How the hell have you been Snake?" Jack asks.

"Just great," says Snake. "You're lookin pretty ****** good for a dead man."

"Who told you that? Crazy George?"

The bartender points across the room to where a man in a pin stripe suit is swinging to and fro from a wagon wheel lamp attached to the ceiling.

"Yeah, I thought so. Haven't seen Crazy George in a year and he's been telling everyone I'm dead. I'm gonna have to have a long talk with that man."

Snake hands Jack a shot of tequila. The men touch glasses and throw down the shots.

How's the other George? Dell asks.

"AA."

"How's Tommy? You see him anymore?"

"Rehab."

"What about Robbie?"

Snake refills the glasses. "He's livin in a nudist colony in Florida, he has two wives and 6 children."


Jack looks across the room and sees Bob O'Malley trying to adjust the rose in the lapel of his tuxedo. Satisfied it won't fall out O'Malley looks up at the man swinging from the lamp. "Quick, name man's three greatest inventions."

"Alcohol, tobacco, and the wheel," Crazy George shoots back.

O'Malley smiles and then jumps up on the top of the bar and although he is over six feet and weighs two hundred pounds, he has the dexterity and grace of a ballerina as he pirouttes around and jumps over the shot glasses and beer bottles that litter the bar.

Wedding guests lean back in their chairs as strangers fearful of his gyrations ****** their drinks off the bar. Bob fakes a slip as he prances along but he is always in control and never falters. Forty three year old Bob O'Malley is Jim Brown who dodges danger to score the winning touch down.

When Bob reaches the end of the bar he jumps to the floor, pulls two aluminum lids from the beer box, and with one in each hand he smacks them together like cymbals.

Some guests clap. The bemused just stare.

In the back of the room sitting at the wedding table the father of the bride leans over, whispers into the ear of his crying wife, "If I had a gun I'd shoot Bob."

The bride raises a glass of champagne into the smoke filled air and Bob takes a bow but then heads towards the kitchen at the other end of the room.

" Hey, Bob," Jack Delleto shouts to the groom.

O'Malley stops under the wagon wheel lamp and turns as Delleto steps into the  circle of light cast onto the floor.

"Congratulations, I know Theresa and you are goin to be happy. I mean that." Delleto offers his hand and they shake hands.

"Thanks, Mr. Cool."

Jack takes off the sunglasses.

"TWO black eyes. Your nose is bleeding. What happened?"

Dell takes the handkerchief from his back pocket, wipes the blood dripping down his face. "It's broken."

"What happened?" O'Malley asks again.

"Bill Wain."

"He turned pro."

"Yeah, but he's nothing special. Hell, he couldn't even knock me down."

O'Malley shakes his head. "Dell, why do you do it? You always lose."

"If you don't fight you've already lost."

"Put the sunglasses back on, you look like a friggin raccoon."

Dell smiles. The blood running down his lips."Thersa's beautiful, Bob, you're a lucky guy."

"Thanks Dell." O'Malley puts his hand on Dell's shoulder and squeezes affectionately. Bob looks across the room at Theresa. "Yeah, she is beautiful." Theresa's mother has stopped crying. Her father drinks whiskey and stares at the wall.

O'Malley looks away from his bride and passed the archway that divides the poolroom from the bar and into the corner. With the lamp light above his head gleaming in his eyes Bob seems to see a ghost fleeting in the far distant, dark corner. Slowly, a peculiar half smile forms uneven, white, tombstone teeth.  A pensive smile.

Curious, Dell turns his head to look into the darkness of the poolroom, too.

At night in July the moths were everywhere. When Dell was a boy he would sit on his porch and try to count them. The moths appeared as faint splashes of whiteness scattered throughout the nighttime sky, odd circles of white that moved haphazardly, forward and then sideways, sometimes up and then down.

Sometimes the patches of moths flew higher and higher and Dell imagined the lights those creatures were seeking were the stars themselves; Orion, the Big Dipper, and even the milky hue of the Milkyway.

One night as the moths pursued starlight he saw shadows dropping one by one from the branches at the tops of the trees. The swallows were soundless and when he caught a glimpse of sudden darkness, blacker than the night, he knew the shadows had erased the dreamer and its dream.

His imagination gave definition to form. There was a sound to the shadows of the swallows in his thoughts, the melody and the song played over and over. Wings of shadow furled and unfurled. Perhaps he saw his reflection in the night. Perhaps there are shadows where nothing exists to cast them.

"Do you hear them, Bob?"

"Hear what?" Bob asks.

"All of them."

"All of what?"

"Shadows," Delleto candidly tells his friend, then, "Ah, Nothin."

O'Malley doesn't understand but it does not matter. The two men have shared the same corner of darkness.

Bob calls to Paul Keater. Keater smiles broadly, slides the brim of his Giant baseball cap to the side of his forehead. The two men disappear through the swinging kitchen door.


                                          Chapter 6


"Hello Kate." Jack Delleto says and sits down. She has a blue bow in her hair and make up on.

"My names Kathleen."

She fondles the whiskey glass in her slim fingers. "Hello, Dell, Sue thinks Dell is such a **** name. Kathleen takes a last drag on her cigarette, rubs it out in the ashtray, looks up at him, "What should I call you?"

"How about, Darlin?"

"Hello, Jack, DARLIN," her soft, deep voice whispers. Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. Kate is drunk and Dell does not care. He leans closer, "Do you wanna dance?"

"But no one else is dancing."

"Well, we can go down to the beach, take a walk along the sand."

"It's twenty degrees out there."

"I'll keep you warm."

"All right, lets dance."

Jack stands up takes her by the hand. As Kathleen rises Jack draws her close to him. Her ******* flatten against his chest. He feels her heart thumping.

The Elvis impersonator that almost played Las Vegas; the hairdresser that wanted to be a race car driver; the insurance salesman with a Porche and a wife.  Her men talked about what they owned or what they could do well.

And Kathleen was impressed.

But Dell wasn't like them. Dell never talked about himself. Did he have a dream? Was there something he wanted more than anything?

Kathleen had never meant anyone quite like Dell.

She rests her head on his shoulder. "What do you what more than anything? What do you dream about at night?"

"Nothing."

"Come on," she says," what do you want more than anything? Tell me your dreams."

Jack smiles, "Just to make it through another day."  He smiles that sad smile that she saw the first time they met. "Tell me what you want."

Kate lifts her head off of his shoulder and looks into his eyes. "I don't want to be on welfare the rest of my life and I want to be able to send my son to college." She rests her cheek against his, "I've lived in foster homes all my life and every time I knew that one day I'd have to leave, what I want most is a home. Do you know the difference between a house and a home?"

"No. not at all"

Her voice is a roaring whisper in his ear, "LOVE."

The song comes to an end and they leave the circle of light and sit down. Kate takes a cigarette from the pack.

Dell strikes a match. The flame flickering in her eyes. "Maybe someday you'll have your home."

"Do you want me to?"

"Yeah."

Kate blows out the match.


                                        


"Can you take me home?" Kate asks slurring her words.

Kathleen and Jack walk over to where the bride and groom are standing near the big glass refrigerator door with Paul Keater. When Paul realizes he is standing next to Jack Delleto he rocks back and forth on the heals of his worn shoes, slides his Giants baseball cap back and forth across his forehead and walks away.

O'Malley bends down and kisses Kathleen on the cheek and turns to shake hands with Dell. "Good luck," says Dell. Kathleen embraces the bride.

Outside the bar the sun is setting behind the boarded shut Delleto store.

"That was my Dad's store, " Jack tells Kate and then Jack whispers to to himself as he reads the graffiti spray painted on the front wall.
"TELL YOUR DREAMS TO ME, TELL ME YOU LOVE ME, IF YOU LOVE ME, TELL ALL YOUR DREAMS TO ME."


                                         Chapter 7


An old man comes shuffling down the street, "Hello Mr. Martin, " Jack says, "How are you?"

"I'm an old man Jack, how could I be," and then he smiles, "ah, I can't complain. How are you?"

"Still alive and well."

"Who is this pretty young lady?"

"This is Kate."

Joesph Martin takes Kathleen by the arm and gently squeezes, "Hello Kate, such a pretty women, ah, if I was only sixty," and the old man smiles.

Kathleen forces a smile.

The thick eyeglasses that Mr. Martin wears magnifies his eyes as he looks from Kathleen to Jack, "Have fun now, because when you're dead, you're going to be dead a long, long time." And Martin smiles.

"How long?  Delleto inquires.

The old man smirks and waves as he continues up the street to the door leading to the rooms above the bar. He turns to face the door. The small window is broken and the shards of glass catch the twilight.

Joesph Martin turns back looking at the man and young woman who are about to get into the car. He is not certain what he wants to say to them. Perhaps he wants to tell them that it ***** being an old man and the upstairs hallway always smells of ****.

Joesph Martin wants to tell someone that although Anna died seven years ago his love endures and he misses her everyday. Joesph recalls that Plato in Tamaeus believed that the soul is a stranger to the Earth and has fallen into matter because of sin.

A faint smile appears on the wrinkled face of the old man as he heeds the resignation he hears in his own thoughts.

Jack waves to Mr. Martin.  Joesph waves back. The mustang drives off.

Earth, O island Earth.


                                               Chapter 8


Joseph pushes open the door and goes into the hallway. The fragments of glass scattered across the foyer crunch and clink under his shoes. The cold wind blowing through the broken window touches his warm neck. He shivers and walks up the stairs. There is only enough light to see the wall and his own warm breathing. There is just enough light like when he has awaken from a  bad dream, enough to remember who he is and to separate the horror of what is real from the horror of what is dreamt.

The old man continues climbing the stairs following the familiar shadow of the wall cast onto the stairs. If he crosses the vague line of shadow and light he will disappear like a brown trout in the deepest hole in a creek.

By the time he reaches the second floor he is out of breath. Joseph pauses and with the handkerchief he has taken from his back pocket he wipes the fog from the lenses of his eyeglasses and the sweat from his forehead.

A couple of doors are standing open and the old man looks cautiously into each room as he hurries passed. One forty watt bulb hangs from a frayed wire in the center of the hallway. The wiring is old and the bulb in the white porcelain socket flickers like the blinking of an eye or the fearful beating of the heart of an old man.

When he opens the door to his room it sags on ruined hinges.

Joesph searches with his hand for the light switch.  Several seconds linger. Can't find it.

Finds it and quickly pushes the door shut. He sits down on the bed, doesn't take his coat off, reaches for the radio. It is gone.

Joseph looks around the room. A small dresser, the sink with a mirror above it. He takes off his coat and above the mirror hangs the coat on the nail he has put there.

Hard soled boots echo hollowly off the hallway walls. The echoes are overlapping and he cannot determine if the footsteps are leaving or approaching.

The crowbar is under his pillow.

He grabs it. Holds it until there is silence.

He lays back on the bed. Another night without sleep. Joseph rolls onto his side and faces the wall.

Earth, O island Earth.



                                           Chapter 9


Tangled in the tree tops a rising moon hangs above the roofs of identical Cape Cod houses.

Jack pulls the red mustang behind a station wagon. Kathleen is looking at Dell. His face is a faint shadow on the other side of the car. "Do you want to come up?" she asks.

Kathleen steps out of the car, breathes the cold air deep into her lungs. It is fresh and sweet. Jack comes around the side of the car just as she knew he would. He takes her into his arms. She can feel his lips on hers and his warm breath as the kiss ends.

They walk beneath the old oak tree and the roots have raised and crack the sidewalk and in the spring tiny blue flowers will bloom. The flowers remind Jack of the columbines that bloom in high mountain meadows above tree line heralding a brief season of sun and warmth.

"Did you win?" Kathleen asks as she fits the key into the upstairs apartment door. The door swings open into the brightly lit kitchen.

Dell, leaning in the doorway, two black eyes, looking like the Jack of Hearts. "It doesn't matter."

"You lost?"

"Yeah."

Crossing the room she takes off her coat and places it on the back of the kitchen chair. When Kate leans across the kitchen table to turn on the radio the mini dress rides up her thigh, tugs tightly around her buttocks.

The radio plays softly.

Jack stands and as Kathleen turns he slips his arms around her waist and she is staring into his eyes like a cat into a fire. His body gently presses against the table and when he lifts her onto the table her legs wrap around his waist.

Kathleen sighs.

Jack kisses her. Her lips are cold like the rain. His hand reaches. There is a faint click. The room slips into darkness. It is Eddie Money on the radio, now, with Ronnie Specter singing the back up vocals. Eddie belts out, "TAKE ME HOME TONIGHT, I WON"T LET YOU LEAVE TIL..."

When Jack withdraws from the kiss her eyes are shining like diamonds in moonlight.

The buttons of her dress are unfastened.  Her arms circle his neck and pull him to her *******. "Don't Jack. You mustn't. I just want a friend."

His hands slide up her thighs. "I'll be your friend, " says Jack.

Her voice is a roaring whisper in his ear. "*** always ruins everything," He pulls her to the edge of the table as Ronnie sings, "O DARLIN, O MY DARLIN, WON'T YOU BE MY LITTLE BAABBBY NOOWWW."


They are sitting on a couch in the room that at one time had been a sun porch.

Now that they have gotten *** out of the way, maybe they can talk. Sliding her hands around his face she pulls him closer.

"Jack, what do you dream about? You know what I mean, tell your dreams to me."

"How did you get those round scars on your arm?" Dell wonders.

"Don't ask. I don't talk about it. Do you have family?"

"Yeah. A brother. Tell me about those scars."

My ****** foster dad. He burned me with his cigarette. That's how I got these ****** scars.

And when I knew he was coming home, I'd get sick to my stomach, and when I heard his key in the door, I'd *** myself. And I got a beating.

But that wasn't the worst of it.

When they didn't beat me or burn me, they ignored me, like I didn't exist, like I wasn't even there. And you know what, I didn't hate him. I hated my father who put in all those foster homes."



                                             Chapter 10



Spring. All the windows in the apartment are open. The cool breeze flows through her brown hair. "You're getting too serious, Jack, and I don't want to need you."

"That's because I care for you."

The rain pounds the roof.

Jack Delleto sits down on the bed, caresses her shoulder. "I hate the rain. Come on, give me a smile. "Kathleen pulls away and faces the wall.

"Well, I don't need anyone."

"People need people."

"Yeah, but I don't need you." There is silence, then, "I only care about my son and Father Anthony."

"What is it with you and the priest?" You named your son Anthony is that because he's the father."

"You're an *******. Get out of here. I don't love you." And then, "I've been hurt by people and you'll get over it."

Then silence. Jack gets up from the bed, stares at her dark form facing the wall. "Isn't this how it always ends for you?"

The room is quiet and grows hot. When the silence numbs his racing heart, he goes into the kitchen, opens the front door and walks down the steps into the cold rain.


"Anthony," Kathleen calls to her son to come to her from the other bedroom and he climbs into the bed, and she holds him close. The ghost of relationships past haunt her and although they are all sad, she clings to them.


On the sidewalk below the apartment window Jack stops. He thinks he hears his name being called but whatever he has heard is carried off by the wind. He continues up the dark street to his Harley.

High in reach less branches of the old oak tree a mockingbird is singing. The leaves twist in the wind and the singing goes on and on.



                                                  



The ringing phone. The clock on the dresser says 5 a.m.

"Who the hell is this?"

"Jack, I'm scared."

"Kate? Is that you?"

"Someone broke into my apartment."

"Is he still there?"

"No, he ran out the door when I screamed. It was hot and I had the window open. He slit the screen."

"I'll be right over."



                                         Chapter11


"How hot is it?" Kathleen asks.

The bar is empty except for O'Malley, Keater, a man and a woman.

"98.6," says Jack. The sweat rolls down his cheeks.

"Let's go to the boardwalk."

"When it's hot like this, it's hot all over."

"We could go on the rides."

"I've got the next pool game, then we'll go."

"It's my birthday."

"I bought you flowers."

"Yeah, carnations."

Laughing, Paul Keater slides the brim of his baseball cap back and forth across his forehead.

Jack eyes narrow. He starts for Keater, Katheen steps in front of Jack, puts her hands on his shoulders. She looks into his eyes.

"Who are you Jack Delletto? What is it with you two? But as always you'll say nothing, nothing." As Jack tries to speak she walks over to the bar and sits on the barstool.

"It's my birthday," she tells O'Malley.

When Bob turns from the horse races on the T.V., he notices her long legs and the short skirt. "Hey, happy birthday, Kate, Jack Daniels?"

"Fine."

Filling the glasses O'Malley hands one to Kathleen, "You look great," he tells her.

"Jack doesn't think so. Thanks, at least someone thinks so."

"Hope Jack won't mind," and he leans over the bar and kisses her.

Kathleen looks over her shoulder at Delleto. Jack is playing pool with a woman wearing a black tight halter top. The woman comes over to Jack, stands too close, smiles, and Jack smiles back.

The boyfriend stares angrily at Jack.

When Kathleen turns back O'Malley is filling her shot glass.

Jack wins that game, too.



                                                 Chapter 12



"Daddy," the little girl with her hands folded in her lap is looking up at her father. "When will the ride stop? I want to go on."

"Soon, Darling, "her father assures her.

"I don't think it will ever stop."

"The ride always stops, Sweetie." Daddy takes her by the hand, gently squeezes.


When the carousel begins to slow down but has not quite stopped Kathleen steps onto the platform, grabs the brass support pole. The momentum of the machine grabs her with a **** onto the ride, into a white horse with big blue eyes. Dropping her cigarette she takes hold of the pole that goes through the center of the horse. She struggles to put her foot in the stirrup, finds it, and throws her leg over the horse. The carousel music begins to play. With a tremble and a jolt, the ride starts.

Sitting on the pony has made her skirt ride well up her legs. The ticket man is staring at her but she is too drunk to care. She hands him the ticket, gives him the finger.

The ticket man goes over to the little girl and her father who are sitting in a golden chariot pulled by to black horses.

"Ooooh, Daddy, I love this."

"So do I," The father smiles and strokes his daughter's hair.

The heat makes the dizziness grow and as the ride picks up speed she sees two of everything. There are two rows of pin ball machines, eight flashing signs, six prize machines. All the red, blue and green lights from the ride blend together like when a car drives at night down a rain-soaked street.

Kathleen feels the impulse to *****.

"Can we go on again?" The little girl asks.

"But the ride isn't over, yet."


Kathleen concentrates on the rain-soaked street and the dizziness and nausea lessens. She perceives the images as a montage like the elements that make up a painting or a life. She has become accustom to the machine and its movement. The circling ride creates a cooling breeze that becomes a tranquil, flowing waterfall.

The ponies in front are always becoming the ponies in the back and the ponies in back are becoming the ponies in the front. Around and around. All the ponies galloping. Settling back into the saddle she rides the pony into the ever-present receding waterfall.

You can lose all sense of the clock staring into the waterfall of blue, red and green. Kathleen leans forward to embrace the ride for a long as it lasts.

Just as suddenly as it started, the ride is slowly stopping, the music stops playing.

Coming down off the pony she does not wait for the ride to stop, stumbles off the platform and out the Casino amusement park door. "****, *******," she yells careening into the railing almost falling into Wesley Lake.

She staggers a few steps, sits down on the grass by the curb, hears the carousel music playing and knows the ride is beginning again, and all of her dreams crawls into her like a dying animal from its hidden hole.

And it all comes up from her throat taking her breath away. A distant yet familiar wind so she lies down on the grass facing the street of broken buildings filled with broken people. From the emptying lot of scattering thoughts the mockingbird is singing and the images shoot off into a darkening landscape, exploding, illuminating for a brief moment, only to grow dimmer, light and warmth fading into cold and darkness.




                                            

"Your girlfriend is flirting with me," Jack Delleto tells the man. "It's my game."

The man stands up, takes a pool stick from the rack, as he comes towards Jack Delleto the man turns the pool stick around holding the heavy part with two hands.

There is an explosion of light inside his head, Delleto sees two spinning lizards playing trumpets, 3 dwarfs with purple hair running to and fro, intuitively he knows he has to get up off the floor, and when he does he catches the bigger man with a left hook, throws the overhand right. The man stumbles back.

His girlfriend in the tight black halter top is jumping up and down, screaming at, screaming at Jack Delleto to stop, but Jack, does not. Stepping forward, a left hook to the midsection, hook to the head, spins right, throws the overhand right.

The man goes down. Jack looks at him.

"You lose, I win," and Delleto's smile is a sad, knowing one.



                                                  CHAPTER­ 13

"It's too much," and Jack looks up from the two lines of white powder at Bob O'Malley. "I'll never be able to fall asleep and I hate not being able to sleep."

" Here," Bob takes a big white pill from his shirt pocket.

Jack drops the pill into his shirt pocket and says, "No more." He hands the rolled-up dollar bill to Bob who bends over the powder.

"Tom sold the house so you're upstairs? O Malley asks, and like a magician the two lines of white powder disappear.

"Till i find another place," Jack whispers.

Straightening up, O'Malley looks at Dell, "I know you 're hurting Dell, I'm sorry, I'm sad about Kate, too."

"Kate had a kid. A boy, four years old."

Jack becomes quiet, walks through the darkened room over to the bar. Leaning over the bar he grabs two shot glasses and a bottle of Wild Turkey, walks back into the poolroom. He puts the shot glasses on top of the pin ball machine. "We have a winner, " the pin ball machine announces. Dell fills the glasses.

"Felix came in the other day, he's taken it hard," Bob tells him.
Bill Wain knock down four times in the sixth round, he lost consciousness in the dressing room, and died at the hospital."

"I heard. What's the longest you went without sleep? Jack asks.

"Oooohhh, five, six days, who knows, after awhile you lose all track of time."

They take the shots and throw them down.

"I wonder if animals dream," Jack wants to know. "I wonder if dogs dream."

"Sure, they do, " O'Malley assures him, nodding his head up and down, "dogs, cats, squirrels, birds."

"Probably not insects."

"Why not? June bugs, fleas, even moths, it's all biochemical, dreams are biochemical, mix the right combination of certain chemicals, electric impulses, and you'll produce love and dreams."

                                                

Jack Delleto goes into his room above the bar, studies it. The light from the unshaded lamp on the nightstand casts a huge shadow of him onto the adjacent wall. Not much to the room, a sink with a mirror above it next to a dresser, a bed against the wall, a wooden chair in front of a narrow window.

The rain pounds the roof.

The apprehension grows. The panic turns into anger. Jack rushes the white wall, meets his shadow, explodes with a left hook. He throws the right uppercut, the overhand right, three left hooks. He punches the wall and his knuckles bleed. He punches and kicks the blood-stained wall.

At last exhausted, he collapses into the chair in front of the open window. Fist sized holes in the plaster revel the bones of the building. The room has been punched and kicked without mercy.

The austere room has won.

The yellow note pad, he needs the yellow note pad, finds it, takes the pencil from the binder but no words will come so he writes, "insomnia, the absence of dream." He reaches for the lamp on the nightstand, finds it, and turns off the light. Red and blue, blue and red, the neon from the Wagon Wheel Bar sign blinks soft neon into his room. The sign seems to pulsate to the cadence of the rock music coming from the bar.

Taking the big white pill from his shirt pocket, he swallows it, leans back into the chair watching the shadows of rain bleed down the wall. The darkness intensifies. Jack slides into the night.



                                           Chapter 14


The rain turns to snow.

With each step he takes the pain throbs in his arm and shoulder socket. His raw throat aches from the drafts of cold air he is ******* through his gaping mouth and although his legs ache he does not turn to look back. Jack must keep punching holes with his ice axe, probing the snow to avoid a fall into an abyss.

The pole of the ice axe falls effortlessly into the snow, "**** it, another one."

Moonlight coats the glacier in an irridecent glow and the mountain looms over him. It is four in the mourning and Jack knows he needs to be high on the mountain before the mourning sun softens the snow. He moves carefully, quietly, humbly to avoid a fall into a crevasse. When he reaches the top of the couloir the wind begins to howl.

"DA DA DUN, DA DA DUN, HEY PURPLE HAZE ALL AROUND MY BRAIN..."

Jack thinks the song is in his head but the electric guitar notes float down through the huge blocks of ice that litter the glacier and there standing on the arête is Jimi, his long dexterous fingers flying over the guitar strings at 741 mph.

"Wait a minute, " Jack wonders, stopping dead in his tracks. The sun is hitting the distant, wind-blown peaks. "Ah, what the hell," and Jack jumps in strumming his ice axe like an air guitar, singing, shouting, "LATELY THINGS DON'T SEEM THE SAME, IS THIS A DREAM, WHATEVER IT IS THAT GIRL PUT A SPELL ON MEEEE, PURRPPLLE HAZZEEE."


                                             


Slowly the door moans open.

"Jack, are you awake?" her voice startles him.

"Yeah, I'm awake."

"What's the matter, can't sleep?"

Jack sifts position on the chair. "Oh, I can sleep all right." He recognizes the voice of the shadow. "I want to climb to a high mountain through ice and snow and never be found."

"A heart that's empty hurts, I miss you, Jack Delleto."

"I'm glad someone does, I miss you, too, Kate."

There is silence for several minutes and the voice comes out of the darkness again.

"Jack, you forgot something that night."

"What?" The dark shape moves towards him. When it is in front of him, Jack stands, slips his arms around her waist.

"You didn't kiss me goodbye."

Her lips are soft and warm. Her arms tighten around his neck and the warmth of her body comes to him through the cold night.

"Jack, what's the matter?" She raises her head to look at him, "Why, you're crying."

"Yeah, I'm crying."

"Don't cry Darlin," her lips are soft against his ear. "I can't bear to see you unhappy, if you love me, tell me you love me."

"I love you, I do," he whispers softly.

"Hold me, Jack, hold me tighter."

"I'll never let you go." He tries to hug the shadow.


                                                *


The dread grows into an explosion of consciousness. Suddenly, he sits up ******* in the cold drafts of air coming into the room from the open window. Jack Delleto gets up off the chair and walks over to the sink. He turns on the cold water and bending forward splashes water onto his face. Water dripping, he leans against the sink, staring into the mirror, into his eyes that lately seem alien to him.



                                            Chapter 15


Someone approaches, Jacks turns, looks out the open door, sees Joesph Martin go shuffling by wearing a faded bathrobe and one red slipper. Jack hears Martin 's door slam shut and for thirty seconds the old man screams, "AAHHH, AAAHHH, AAAHH."
Then the building is silent and Jack listens to his own labored breathing.

A glance at the clock. It is a few minutes to 7 a.m. Jack hurries from his room into the hallway.  They pass each other on the stairs. The big man is coming up the stairs and Jack is going down to see O'Malley.

Jack has committed a trespass.

When the big man reaches the top of the stairs, the red exit light flickers like a votive candle above his head. The man slides the brim of his Giants baseball cap back and forth across his forehead, he turns and looks down, "Hello, Jack, brother. Dad loved you, too, you know." An instant later the sound of a door closing echoes down the hallway steps.


Jack Delleto is standing in the doorway at the bottom of the steps looking out onto the wet, bright street.

"Hey, Jack, man it's good to see you, glad to see you're still alive."

Jack turns, looks over his shoulder, "Felix, how the hell are you?"
The two men shake hands, then embrace momentarily.

"Ah, things don't get any better and they don't get any worse," shrugs the old man and then he smiles but his brown eyes are dull, and Jack can smell the cheap wine on the breath of the old boxer. "When are comin back? Man, you've got something, Kid, and we're going places."

"Yeah, Felix, I'll be coming back."  Jack extends his hand. The old fighter smiles and they shake hands. Suddenly, Felix takes off down Main Street towards Foodtown as if he has some important place to go.

Jack is curious. He sees the rope when he starts walking towards the Wagon Wheel Bar. One end of the rope is tied around the parking meter pole. The rest of the rope extends across the sidewalk disappearing into the entrance to the bar. The rattling of a chain catches his attention and when the huge white head of the dog pops out of the doorway Jack is startled. He stops dead in his tracks and as he spins around to run, he slips falling to the wet pavement.

The big, white mutt is curious, growls, woofs once and comes charging down the sidewalk at him. The rope is quickly growing shorter, stretches till it meets it end, tightens, and then snaps. Now, unimpeded by the tension of the rope the mutt comes charging down the sidewalk at Delleto. Jack's body grows tense anticipating the attack. He tries to stand up, makes it to his knees just as the dog bowls into him knocking him to the cement. The huge mutt has him pinned down, goes for his face.

And begins licking him.

Jack Delleto struggles to his knees, hugs her tightly to him. Looking over her shoulder, across Main Street to the graffiti painted on the boarded shut Delleto Market...

                               FANTASY WILL SET YOU FREE

                                                 The End

To Tommy, Crazy George and Snake, we all enjoyed a little madness for a while.


"Conversations With a Dead Dog..."

Road Trip: Thinking it's about time (find yourself within II)

This particular poem was born as a one line response to a message.  But in many other forms, half written, it exists still, un, unfinished, waiting for the next burst energy, the next holiday time, to reach a new finish line.

This is a different but similar to a poem posted on June 2nd, "Poetry Round (find your self within)"

Any error of omission is unintentional, but know that this took many hours, until fatigue won. If you never told or revealed to me your location, know that you will be called out, to and unto me, in another poem, called "your banner is my flag."

Fact about me:  You design me.
-------------------------------------------------------

th­inking it's about time for a road trip.

create an excuse
(reasons, I got a plenty)
to stop by,
to show you another side of me,
for a drink, a meal,
and some kind
of exchange, of
form and fluids,
manner to be determined.

to come to Minneapolis,
watch you create a heated sensuality,
verbally, from melted snowdrifts,
a hot time to be had
by all the poets
of the mini-apple,
I want to meet
and celebrate ann victory.

travel to Thiruvananthapuram,
tour the treasures
of gold and diamonds,
from whence come
the bejeweled poems,
that have earned visits from
thousands upon thousands,
pilgrims, devotees, followers,
to partake at that, his,
special temple.

Gomer, Gomer,  & MJJ,
I am in your Florida,
no, sorry, not in Ocala,
near to your homer,
and I feel you springer
ten times in the
November sun rays,
that have me locked
in a full Nelson,
your productivity,
endless,
a sea of orange sunburnt words,

Tennessee,
The Carolinas,
Georgia,
The South,
I rise with it,
now, again,
that I will need a slow
sunny all lazy summer long to
learn y'alls ways,
see the wolves,
in your forests,
helm the riverboats,
navigate the quaint tides
of Charleston,
the special places
where they heal, le ville,
where the ashes of
burnt children,
retuned to be whole.

learn y'alls ways,
walk in your boots,
of seeing poems
using your special
southern saber words.

missed the original
Thrilla-in-Manila,
but rest easy, assured,
that hotbed of creativity,
where I check the
PH of the mc waters
to comprehend its
wisdom and now, it's sadness,
will be an illustrious destination
on my itinerant itinerary,
stopping by Makati City,
after all,
it is writ in the good book,
this island,
the PhilippineS,
is the birthplace
of the letter S,
Samples: samson, sally,
and So many others?

in Nevada City,
which is of course in
krazy California,
wager philosophy, romance,
be available for
succinctly seeing
works in progress,
from which I
will imbibe,
so **** deeply,
may have to
stay awhile for...

while I am there,
will need to do
a search and
Hug Mission,
to find a special man,
his unkempt prose,
his mortal rhymes
disguise not his holy worth,
even to the grassy
cal-stratosphere,
to the mesosphere,
will I high fly,
to find his sweetest spot,
then and thereafter
going looking
further on to
Humboldt County.

in Leeds, in West Yorkshire,
(Hamphshirians, Northamptontonians,
patience please)
built foundries and factories
over the magical forest of Loidis,
near to the river Aire,
yet still hides a
magical sorceress of words,
casting spells over
men and beast.
no one has seen full
her half-turned away face,
but when she summons,
do I have a choix
other than obey?
even if I get lost,
my sorceress,
you know,
I am on way too.

to get there,
will fly I must,
to Heathrow hell,
will do it,
just for you,
faithful friend,
a man da gotta do, what
a man gotta do...for you,
but first a stop off at the
London School of Economics,
Hampstead as well,
for a tutorial about sonnets,
or sams in wells,
even if I come
in my bare feet.

even in New York Upstate,
a man da gotta do,
what he mulls over in his heart,
be not surprised at a knock upon
your door, to make comparative notes,
about each other's tattoos.

in the South African veld,
hid in the highland grasses,
crouches the poetesses and tigresses,
waiting to ambush you
with words that must be seen
to be heard, to be well understood.
perhaps I'll come at ester time,
under blue indigo skies over,
a golden landscape,
seizing all the gems
that can be seen
only at 3:00am

leeward,
north to Canada,
must I, transgress,
country of my momma's birth,
fly from Montreal to Toronto, Calgary
then over to Vancouver.
Canada,
a dangerous place for me,
cause there are beautiful
souls up there,
and maybe even a
warrant to
repossess mine,
they want their
poets back.

double down by ferry,
me to Seattle,
to see a man about river,
in the Pacific Northwest,
where I have happily
drowned so many times,
that The Lord is complaining,
am hogging all the baptismal waters,
but when reminded that
nothing lasts forever,
here tomorrow,
gone today, walk on,
I add my tears
to that river,
before hitting the road.

on that river,
gonna drive me a kayak,
down Daytonway,
on the Yamill River,
see a gyreene marine,
watching me do a beach landing,
in Willamette Wine Park.
he will teach me to salute,
I will teach him how to
shake hands,
and learn from him,
it's ok,
to stand down.

man o' man
there are a lots of poets,
in these here parts,
this grand
Pacific North West,
looking for one in particular,
who will be quite easy to spot,
as he is my very own
soul brother.

will be easy to find,
though we have never met,
he will be on his kayak,
I on mine,
tho when he paddles,
somehow he manages
to hold
never letting go
of, his lovely bride,
his best half's hands.

this will a problem,
for I must teach him how to
shake two handed souls,
while hugging and paddling,
even bailing,
with an old dented pail
simultaneous.
but you can teach old dogs
new tricks, even the ones,
that can't spell
rhymers.

have mercie on me Ohio,
like a mother has to her daughter,
done a three year sentence in Cleveland,
but no jail can hold an NYC boy,
but if requested, yes I will return
to set fire to the *Cuyahoga,
again! he he he...
but do not s mock me!
(now you know why the FBI loves
my poetry, my biggest institutional fan).

souls in torment,
where you be,
where you hide,
matters not where
you physical reside,
for we have found
each other
in each other words.

You, who live in
your very own
personal hell,
I think we met there,
because
yours was
mine too,
tho not found
on any map.

maybe I will meet the
Empress Josephine Maria,
rowing on the canals of
the Netherlands,
no longer will she be
alone.

but then again, some
very special things,
like
the purest of love
are on no map,
they are everywhere.

while in India,
will seek the many musings of many lips
of aged rhyme men
and complicated charmers
so I may kiss them
with spiced humors
to pour and pour,
more and more,
upon this western soul,
mysteries of the east,
to Kashmir, Bangalore,
wherever I must,
even take a praDip in the Ganges,
I will go, find you,
un-hide you,
among the
teeming millions,
millions of
jokes and rhymes,
that make the
world spin brighter.

in Germany,
all the university students
speak English,
in Wiesbaden, they know
poetic beauty is not in the format,
some in Bamberg,
with a peculiar
Missouri accent,
which is nicht gut Englisch,
so study hard the real way,
speak the language
the new yorka way,
which will require
study abroad,
which is quite funny,
now that I think about it.

but in Mo.,
the native drums roll,
long and slow,
making words
I know
better, different,
in a way never saw before,
leaves me asking for,
mo', mo', please?

to get there, to Allemagne,
land of my forefathers,
a ship I will take,
from Southampton
across the Kiel Canal,
before I depart,
will have my hair cut,
my words reworked,
by her Ladyship,
whose keen eyes and
maternal instincts,
see the joy of life in every
Livvi little thing.

Watt am I going to do if
I need to find a Tecumseh,
taker of my naked poems,
and enlarger of them,
so truth by her,
all revealed,
we are all naked
at least,
twice a day?

In Nepal I will purr at the words
gleaned from the markets and
train stations where
voyages from Lalitpur to Katmandu,
start and end,
where there is a miracle almost
sixteen years young,
where they call their schools
future stars and little angels,
so why should poetic miracles not be
as common as its subtropical clime?

though I despise the
Dallas Cowboys,
not my  America's team,
nonetheless there is a young woman,
a true rose of Texas,
who waits and writes
so lovingly of her airman,
in Afghanistan, I have placed
their names first,
in my nighttime prayers,
hoping to be there,
schedule my visit,
to witness his safe return
and their
joyous reunification.

there are no Mayans in Maine,
but poets of similar name,
kould be, mae be,
Julia's in Jersey, new,
in Auckland,
there are poets
who don't know it,
and Down Under, too,
where getting high is easy,
getting high at
and on words
well marshaled ,
but **** sure I will be
peering and prring,
all the way.

Oregon,
don't be gone,
those wide eyes shut,
when I come by,
who knows when I
will pass this way again...
on my way to Phoenix,
where sunrayes bend to the
desires of dessert breezes.

Kentucky to Korea,
one long road to travel,
but middle son,
if you can do it,
so can I, and,
I will follow.

in a beautiful city,
unsurprisingly called
Belleville,
the leader of the band,
still leads us in belle 'noise'
and when he finishes
fall leafing us in song, he still,
rises up in the mid of dark,
prayerful haikus to write.

off to Rogers, Arkansas
to meet an Italian from Mexico
who specializes in skinny poems,
something one day I will be too.

maybe I will go to
places it snows,
there are so many,
but your photo,
and tattoo trail,
clues, will follow,
no matter how hard
you make it a mystery.

you, who live in just
the world,
don't even think,
that crazy dotted lines,
unstraight,
or huge plains,
are sufficient,
to hide your
moody dust trail
from me!

somewhere in the USA,
roses grow in ground
that needs the
watering of tears,
though this place
is hard to find,
ha, turn around,
that is me,
tapping you,
on the shoulder!

will find you,
as I am searching for
a lovely pair
of stockinged ankles,
each with a heart tattoo,
but I sure could use
a clue,
before this hobbit searches
all the shire,
derby hatted,
to find your
heart real, and the real you...

my mode of time travel?
why I am just
a dude on a rocket ship.

Wisconsin,
look for my ruby message
in the snow,
in the dust,
in the sand, the skies, the sea,
but will you answer me?

Pittsburgh,
patient, you've been,
you thought I forgot
all about you,
chimera  at the intersection
of three rivers,
all you need wonder,
upon which one
will my ship arrive
and why you still disbelieve
you are not a poetess!

ME oh my,
you too, a hidey hole got,
but, we are strange, we humans,
we would gladly bleed to please,
If we could but find
a combination of
new words that
would your heart gladden,
your eyes tear,
your lips wear,
a smile of pleasure
at our offerings poetic!
but still I know not,
the where!

Lagos,
where
I shall climb the tallest skyscraper,
calling out in Yoruba,
where is my Temitope?
where is mine,
worthy of thanksgiving
so I may carry my Popoola,
my pole of her of
written wealth?

Mombasa, Singapore,
Maryland, Rhode Island, Kentucky,
Huddersfield, Connecticut Joe, Ireland,
South Dakota,
where the merry elders
well ken somethings
about a moon and tattered clouds,
something about children and dogs,
and something about letting
tomorrow's wait.

Milwaukee, Atlanta,
chuck, in *PA., friend to all,
to all those scattered across these
United States of America.

can we dare not mention
"The Shaq" of Malaysia,
South Sudan, Pakistan,
of course not!

Suburbia,
beautiful, black San Diego, Detroit;

The BBB's -

British Columbia, Brazil, Breendonk, and
B'kara!
the goodness of *Boston,
flipping out in Flipadelphia,

did you think I would forget ya?

those of you hiding among 64 stars,
the groves of L.A',
on the lanes,
the special land of I-sia-Bella,
fellow citizens of Neverland,
those of you 'at home,'
in the land of nightmares,
concrete boxes,
those who post without a doubt,
and in the box,
this who think your birth year
is an identifying mark, not,
you never fooled me,
will visit each and everyone.

even and especially,
the grays of crosstown
NYC,
the red writers of my hood,
the tylers too.

I am exhausted,
forgive me well,
if thy locale,
I did not explicate,
for the hour is very late.

yet thru subtle fissures
in the clouds,
look for a tired old man
on the wings of a
chariot drawn by angels,
bringing you a dictionary
full of new words,
a present for you,
but truly,
a present to himself
for from it,
your future poems
will come.

*but the sun has come up,
so now I sleep.

NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
       such strange things ‘have Never happened in our Land’,
       such quaint things ‘could Never happen in our Land’’,
       such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

The ***** grinder preaches fine on Sunday afternoons -
he quotes from books but overlooks the Secrets Carved in Runes:
“You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
it’s sink or swim as echoed dim in swinging door saloons”.
The laughingstocks are flinging rocks at ball-and-chained baboons.

While ghetto boys are looting toys preparing for their doom
and Mademoiselles are weaving shells on tapestries with looms,
Cathedral cats and rafter rats are peering in the room,
where ragged strangers stoop for change, for coppers in the gloom,
whose thoughts are more upon the doors of crypts in Christmas bloom,
and gold doubloons and silver spoons that tempt beyond the tomb.

Mid *** shots from vacant lots, that strike and ricochet
a painted girl with flaxen curl (named Wendy)’s on her way
to tantalise with half-clad thighs, to trick again today;
and indiscreet upon the street she gives her pride away
to any guy who’s passing by with time and cash to pay.
(In concert halls beyond the Walls, unjaded girls ballet,
with flowered thoughts of Camelot and dreams of cabarets.)

Though rip-off shops and crooked cops are paid not once but thrice,
the painted girl with flaxen curl is paring down her price
and loosely tempts cold hands unkempt to touch the merchandise.
A crazy guy cries “where am I”, a ****** titters twice,
and double quick a lunatic affects a fight with lice.

The alleyways within the maze are paved with rats and mice.
Evangelists with moneyed fists collect the sacrifice
from losers scorned and rubes reborn, and promise paradise,
while in the back they cook some crack, inhale, and roll the dice.

A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
with broken neck, he looks a wreck, the sparrows all aflutter,
the passers-by, they close an eye, and turn their heads and mutter:
“Let’s pray for rains to wash the lanes, to clear away the clutter.”
A river slows neath mountain snows, and leaves begin to shudder.

The jungle teems, a siren screams, the air is filled with ****.
The Reverent Priest and nuns unleash the Holy Shibboleth.
And Righteous Jane who is insane, as well as Sister Beth,
while telling tales to no avail of everlasting death,
at least imbrue Hagg Avenue with whisky on their breath.

The Reverent Priest combats the Beast, they’re kneeling down to prey,
to fight the truth with fang and tooth, to toil for yesterday,
to etch their mark within the dark, to paint their résumé
on shrouds and sheets which then completes the devil’s dossier.

Old Dan, he’s drunk and in a funk, all mired in the mud.
A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
“I’m feeling pain and crying rain and flailing in the flood
and no god’s there inclined to care I’m always coughing blood.”
The Monk, he turns, Dan’s words he spurns and lets the bible thud.

Well, Banjo Boy, he will annoy with jangled rhymes that fray:
“The clanging bells of carousels lead blind men’s minds astray
to rings of gold they’ll never hold in fingers made of clay.
But crest and crown will crumble down, when withered roots decay.”

A pregnant lass with eyes of glass has never learned to cope.
Once set adrift her fall was swift, she slid a slipp’ry ***** -
she casts the Curse, the Holy Verse, and shoots a shot of dope,
then stalks discreet Asylum Street her daily horoscope -
the stray was struck by random truck which was her only hope.

So Banjo Boy, with little joy, he strums her life entire:
“The wayward waif was never safe; her stars were dark and dire.
Born midst the rues and avenues where lack and want aspire
where no one heeds the childish needs that little ones require;
where faith survives in tempest lives, a swirl within the briar,
Infinity grinds as time unwinds, until the winds expire.
Her last caprice? The final peace that no one could deny her -
whipped by the flood, stray beads of blood cling, splattered on the spire;
though beads of sweat are cool and wet, cold clotted blood is dryer.”

Though broken there, she’s fled the snare with dying thoughts serene.
And now she’s dead, the rumours spread: her age? a sweet 16,
with child, *****, her soul dyed red, her body so unclean.
A place is sought where she can rot, avoiding churchyard scenes,
in limey pits, as well befits, behind forbidding screens;
and all the while a dirge is styled on tattered tambourines
which echo through the human zoo in valleys of the Queens.

Without rejoice, in hissing voice, near soil that’s seldom trod
“In pious role, God bless my soul”, was mouthed with mitred nod,
neath scarlet trim with black, and grim, behind a robed facade -
“She’ll burn in hell and sulphur smell”, spat Priest and man of god.

Well, angels sweet with cloven feet, they sing in girl’s attire,
but Banjo Boy, he’s playing coy while chanting in the choir:
“The clueless search within the church to find what they desire,
but near the nave or gravelled grave, there is no Rectifier.”
And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

A sodden dreg with wooden leg is dancing for a dime
to sacred psalms and other balms, all ticking with the time.
He’s 22, he’s almost through, he’s melted in his prime,
his bane is firm, the canker worm dissolves his brain to slime.
With slanted scales and twisted jails, his life’s his only crime.

A beggar clump beside a dump has pencil box in hand.
With sightless eyes upon the skies he’s lying there unmanned,
with no relief and bitter grief too dark to understand.
The backyard blight is hid from sight, it’s covered up and bland,
and Robin Hood and Brother Hood lie buried in the sand.

While all night queens carve figurines in gelatine and jade,
behind a door and on the floor a deal is finally made;
the painted girl with flaxen curl has plied again her trade
and now the care within her stare has turned a darker shade.
Her lack of guile and parting smile are cutting like a blade.

Some boys with cheek play hide and seek within a house condemned,
their faces gaunt reflecting want that’s hard to comprehend.
With no excuse an old recluse is waiting to descend.
His eyes despair behind the stare, he’s never had a friend
to talk about his hidden doubt of how the world will end -
to die alone on empty throne and other Fates impend.

And soon the boys chase phantom joys and, presto when they’re gone,
the old recluse, with nimble noose and ****** features drawn,
no longer waits upon the Fates but yawns his final yawn
- like Tinker Bell, he spins a spell, in fairy dust chiffon -
with twisted brow, he’s tranquil now, he’s floating like a swan
and as he fades from life’s charades, the night awaits the dawn.

A boomerang with ebon fang is soaring through the air
to pierce and breach the heart of each and then is called despair.
And as it grows it will oppose and fester everywhere.
And yet the crop that’s at the top will still be unaware.

A lad is stopped by roving cops, who shoot in disregard.
His face is black, he’s on his back, a breeze is breathing hard,
he bleeds and dies, his mama cries, the screaming sky is scarred,
the sheriff and his squad at hand are laughing in the yard.

Now Railroad Bob’s done lost his job, he’s got no place for working,
His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
The union man don’t give a ****, Big Brother lies a’ lurking,
the boss’ in cabs are picking scabs, they count their money, smirking.

Bob walks the streets and begs for eats or little jobs for trying
“the answer’s no, you ought to know, no use for you applying,
and don’t be sad, it aint that bad, it’s soon your time for dying.”
The air is thick, his baby’s sick, the cries are multiplying.

Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
and midnight dreams abound with screams. Bob knows he needs to hurry.
It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
he chooses gas, they breathe their last, there’s no more cause to worry.

Per protocols near ivied walls arrayed in sage festoons,
the Countess quips, while giving tips, to crimson caped buffoons:
“To rise from mass to upper class, like twirly bird tycoons,
you stretch the treat you always eat, with tiny tablespoons”

A learned leach begins to teach (with songs upon a liar):
“Within the thrall of Satan’s call to yield to dim desire
lie wicked lies that tantalize the flesh and blood Vampire;
abiding souls with self-control in everyday Hellfire
will rest assured, when once interred, in afterlife’s Empire”.
These words reweave the make believe, while slugs in salt expire,
baptised in tears and rampant fears, all mirrored in the mire.

It’s getting hot on private yachts, though far from desert plains -
“Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
Beyond the blame and pit of shame, outside the Walled domains,
they pet their pups and raise their cups, take sips of pale champagnes
to touch the tips of languid lips with pearls of purple rains.

Well, Gypsy Guy would rather die than hunker down in chains,
be ridden south with bit in mouth, or heed the hold of reins.
The ruling lot are in a spot, the boss man he complains:
“The gypsies’ soul, I can’t control, my patience wears and wanes;
they will not cede to common greed, which conquers far domains
and furtive spies and news that lies have barely baked their brains.
But in the court of last resort the final fix remains:
in boxcar bins with violins we’ll freight them out in trains
and in the bogs, they’ll die like dogs, and everybody gains
(should one ask why, a quick reply: ‘It’s that which God ordains!’)”

Arrayed in shawls with crystal *****, and gazing at the moons,
wiled women tease with melodies and spooky loony tunes
while making toasts to holey ghosts on rainy day lagoons:
“Well, here’s to you and others too, embedded in the dunes,
avoid the stares, avoid the snares, avoid the veiled typhoons
and fend your way as every day, ’gainst heavy heeled dragoons.”

The birds of pray are on their way, in every beak the Word
(of ptomaine tomes by gnarly gnomes) whose meaning is obscured;
they roost aloof on every roof, obscene but always herd,
to tell the tale of Jonah’s whale and other rhymes absurd
with shifty eyes, they’re giving whys for living life deferred.

While jackals lean, hyenas mean, and hungry crocodiles
feast in the lounge and never scrounge, lambs languish in the aisle.
The naive dare to say “Unfair, let’s try to reconcile.
We’ll all relax and weigh the facts, let justice spin the dial.”

With jaundiced monks and minds pre-shrunk, the jury is compiled.
The Rulers meet, First Ladies greet, the Kings appear in style.
Before the Court, their sins are short, they’re swept into a pile;
with diatribes and petty bribes, the jurors are beguiled.

The Herd entreats, the Shepherd bleats the verdict of the trial:
“You have no face. Stay in your place, stay in the Rank and File.
And wait instead, for when you’re dead, for riches after while”;
Aristocrats add caveats while sailing down the Nile:
“If Minds are mugged or simply drugged with philtres in a vial,
then few indeed will fail to feed the Pharaoh’s Crocodile.”
The wordsmiths spin, the bankers grin and politicians smile,
the riff and raff, they never laugh, they mark a martyred mile.

The rituals are finished, all, here comes the Reverent Priest.
He leads the crowds beneath the clouds, and there the flock is fleeced
(“the last are first, the rich are cursed” - the leached remain the least)
with crossing signs and ****** wines and consecrated yeast.
His step is gay without dismay before his evening feast;
he thanks the Lord for room and, bored, he nods to Eden East
but doesn’t sigh or wonder why the sins have not decreased.

The sinking sun’s at last undone, the sky glows faintly red.
A spider black hides in a crack and spins a silken thread
and babes will soon collapse and swoon, on curbs they call a bed;
with vacant eyes they'll fantasize and dream of gingerbread,
and so be freed, though still in need, from anguish of the dead.

Fat midnight bats feast, gnawing gnats, and flit away serene
while on the trails in distant dales the lonesome wolverine
sate appetites on foggy nights and days like crystalline.
A migrant feeds on gnats and weeds with fingers far from clean
and thereby’s blessed with barren breast (the easier to wean) -
her baby ***** an arid flux and fades away unseen.

The circus gongs excite the throngs in nighttime Never Land –
they swarm to see the destiny of Freaks at their command,
while Acrobats step pitapat across the shifting sands
and Lady Fat adores her cat and oozes charm unplanned.
The Dwarfs in suits, so small and cute when marching with the band,
ask crimson Clowns with painted frowns, to lend a mutant hand,
while Tamers’ whips with withered tips, throughout the winter land,
lure minds entranced through hoops enhanced with flames of fires fanned.
White Elephants in big-top tents sell black tusk contraband
to Sycophants in regiments who overflow the stands,
but No One sees anomalies, and No One understands.
At night’s demise, the dither dies, the lonely Crowd disbands,
down dead-end streets the Horde retreats, their threadbare rags in strands,
and Janes and Joes reweave their woes, for thoughts of change are banned.

The Monk of Mock has fled the flock caught knocking up a tween.
(She brought to light the special rite he sought to leave unseen.)
With profaned eyes they agonise, their souls no more serene
and at the shrine the flutes of wine are filled with kerosene
by men unkempt who once had dreamt but now can dream no more
except when bellowed bellies belch an ever growing roar,
which churns the seas and whips a breeze that mercy can’t ignore,
and in the night, though filled with fright, they try to end the War.

The slow and quick are hurling bricks and fight with clubs of rage
to break the chains and cleanse the stains of life within a cage,
but yield to stings of armoured things that crush in every age.

At crack of dawn, a broken pawn, in pools of blood and fire,
attends the wounds, in blood festooned (the waves flow nigh and nigher),
while ghetto towns are burning down (the flames grow high and higher);
and in their wake, a golden snake is rising from the pyre.
Her knees are bare, consumed in prayer, applauded by the Friar,
and soon it’s clear the end is near - while magpie birds conspire,
the lowly worm is made to squirm while dangling from a wire.

The line was crossed, the battle lost, the losers can’t deny,
the residues are far and few, though smoke pervades the sky.
The cool wind’s cruel, a cutting tool, the vanquished ask it “Why?”,
and bittersweet, from  Easy Street, the Pashas’ puffed reply:
“The rules are set, so don’t forget, the rabble will comply;
the grapes of wrath may make you laugh, the day you are to die.”

The down and out, they knock about beneath the barren skies
where homeward bound, without a sound, a ravaged raven flies.
Beyond the Walls, the morning calls the newborn sun to rise,
and Peter Pan, a broken man, inclines his head and cries...

Snows of Winter, heat of Summer,
Two times, two worlds.
The Twins, they dance.

Winter King, in darkness reigns,
Death and darkness, ice and cold.
A crown of thorns upon his head,
Clothed in shadows, hidden light.
Magic dark and waning sun.
Tettens, Woden, Hermes stalks,
From the Castle of Weeping comes.

Summer King in brightness reigns,
Life, rebirth, light, and heat.
Winged crown, light rebounds,
Clothed in fire, born in light.
The sun it rises, warms the land.
A Child is born to warm our hearts.
Lucet, Lucifer, Morning Star,
Riding forth on wings of the morning.

The Twins, they dance,
The passing year.
Light, then dark, then light again.
Two Kings reign, both to die,
Two grooms for oh blessed Night.
Life and Death, Light and Dark,
Ever changing, ever the same.
Snows of Winter melt and thaw.
Heat of Summer takes their place.
Out of darkness shines the brightest light.

You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.

Daddy, I have had to **** you.
You died before I had time ----
Marble-heavy, a bag full of God,
Ghastly statue with one gray toe
Big as a Frisco seal

And a head in the freakish Atlantic
Where it pours bean green over blue
In the waters off the beautiful Nauset.
I used to pray to recover you.
Ach, du.

In the German tongue, in the Polish town
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.
My ****** friend

Says there are a dozen or two.
So I never could tell where you
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.

It stuck in a barb wire snare.
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.
And the language obscene

An engine, an engine,
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew.

The snows of the Tyrol, the clear beer of Vienna
Are not very pure or true.
With my gypsy ancestress and my weird luck
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.

I have always been scared of you,
With your Luftwaffe, your gobbledygoo.
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You ----

Not God but a *******
So black no sky could squeak through.
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you.

You stand at the blackboard, daddy,
In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not
Any less the black man who

Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.

But they pulled me out of the sack,
And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look

And a love of the rack and the *****.
And I said I do, I do.
So daddy, I'm finally through.
The black telephone's off at the root,
The voices just can't worm through.

If I've killed one man, I've killed two ----
The vampire who said he was you
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.

There's a stake in your fat black heart
And the villagersnever liked you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you *******, I'm through.