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Nat Lipstadt  Jul 2013
Mashup
Nat Lipstadt Jul 2013
Mashup

Part I (and there is a Part II & III)

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.


My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.


Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.


You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.


This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.


You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...


All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.


Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.


Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.


Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.


Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.


Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.


I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp


Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.


And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words
Mashup Part II  Is now posted.

It appears that I write a lot on this topic.   Anyway all theses are indeed snippets from poems  I wrote  and have posted here.  Started with the oldest poems May 18 and working my way thru 'em
M  Feb 2014
Retitled.
M Feb 2014
By now I'm sure I'm nothing more to you all than the guy who fell in love with a girl that he can't stop writing about. I think I'd be okay with that, because I do love her, and there's nothing that I want you to know about myself more than I want you to know: I want to be whoever she wants me to be. Your books and your inspirational quotes, your mothers and fathers, and friends.. they all tell you to never change who you are just to be with someone else. Well, those people who wrote those books, your friends, your family.. see, they've never known her. I believe in her so much that I think that anyone who does not know her, should. She's not someone that you meet and you think of her as a really good friend, or girlfriend, or just a pretty face. No, she's not that at all. She has this collection of beautiful smiles that ignite her blue eyes, and maybe they only shine because of a build up from her tear ducts when her eyes slightly close, but it doesn't change what it looks like, and it doesn't change the fact that it only happens when she smiles. She has soft cheeks and a freckle on the left side of her bottom lip. Her voice is... Well, to tell you the truth It's hard to think about her voice. It's as clear in my head as it is straight from her vocal chords, and I'd do anything to hear her whisper in my sleep again. I've been dreaming of myself in house fires, and eruptions, and drowning in the sea, and I always wake up reaching frantically for something that's not there, or wanting to run to the nearest exit. My soul will not let me sleep, it can't live without her. So it's been burning my dreams down, and it's been choking me awake. She's exactly like drowning, she's exactly what makes it hard to breathe but easy to know, with her I want to take my last breath. Maybe you still don't understand, but you get to wake up from your nightmares, and I wake up to mine. I want to spend my nights with her and pull her closer in the cold mornings. I'm the type of person who can study medicine and learn to save a life, but she.. she is naturally smart, and she knows how to live. I need that. To live, and with her, that is everyday. I met her while her heart was broken, and since I've wanted to take all those little pieces of her broken heart and keep it safe behind my bones, right next to mine. This is something I love doing. Writing. Regardless, I'll always want to write, and change the world, and I'll always love her. Her- An endless sky with billions of galaxies made of billions of stars, she is the eruption inside of me. Our universe itself will even come to an end. That is inescapable. The hydrogen will eventually be burned to nothing and stars will no longer be born. As the last diamond dies out, the infinite darkness will consume all we've known and everything will turn cold, but I'm not afraid. Not with her. Long after our bodies become a part of this dying world, my soul will cling to hers, and we'll crawl out of the dark together. We'll spend an eternity dancing through the cosmos. After all, she is where I belong. She's exactly that. For now, this is where I am. Beginning each day fighting for her lips. Ending each night staring at a picture with a caption, "I'll love you forever."
Before falling in love with me, you must know about the constant meltdowns, and the nights of endless tears. You must know about my damaged heart, and my broken soul. Be aware that I never sleep at night, and sometimes I talk in my sleep. You must know about my need for your love, as well as my distant personality and constant fear of losing you. And know about my terrible fear of spiders, and the way I eat too fast for my own good.
But once you fall in love with that part of me, you can fall in love with my tender smile and warm embrace. You can fall in love with the way I'll warm your hands in mine, and tickle your feet with my toes. You can fall in love with the way I'll make you soup when you're sick, and how I'll kiss you when you get hurt. Fall in love with the way I laugh, and the soft spoken words of encouragement I'll give to you.
At the end of the day, I want to be able to fall asleep knowing that our lives are intertwined in a way only we can understand.
John B  May 2016
Retitled
John B May 2016
My dealer came and went

We talked about the war

I read 100 poems

It only scratched the sore

My mind keeps playing music

My ear is to the door

It plays upon the tension

Of my heart down on the floor

I know I'm not a mastacist

I know you're not a *****

But I would give up anything

To see you once more

My heart strings played by telephone

This ringing in my ears

My drug of choice before me

I can't squelch the flow of tears

I don't want a taste

It's clear to me this pain insides for you

So I won't waste it

Should it do you good

I'll suffer worse than wounds

If it would make you smile

I'd pluck out my eyes

I'd gouge out my ears

But the rain itself would be your tears

They soak my tired shoulders

Is it in my heart or in my mind

What can I cut to free myself

I can't leave you behind
I was born for the end but if you were a zombie I'd seek a cure.
Nat Lipstadt Dec 2013
Sometimes the pen,
unnecessary.
The poem, fully formed,
in his mouth, born.

Silent back labor,
unbeknownst the existence thereof.
Yet knowing now
his contractions,
coming fast and furious,
eyes many centimeters dilated,
the sac's fluid breaks
upon the poet's tongue.

He pronounces in a single breath his
Immaculate Completion

When the poets hand to mouth goes,
like Moses,
when he touched the burning coals,
tongue burnt,
the words are signaled,
freedom, born, released.

The words announce:
We are now created, conceived.
This new oxgenated atmosphere
is now our
final resting place.

This child, this poem, this exhalation,
once freed, is now
lost to him,

Its been renamed, retitled,
by hundreds of
newly adopted parents as
"Ours."

So
when you hear the poet-man exclaim,
I live hand to mouth,
weep joy!
by, for and with him,
for his true meaning,
now clarified.

An ode to joy has
been birthed this day,
*a child for the people.
A repost of a poem
Mateuš Conrad  Jun 2016
1958
Mateuš Conrad Jun 2016
February - 45,000 people in one week watch performances of rokabirī music by Japanese singers at the first Nichigeki Western Carnival.

February 14 – The Iranian government bans rock & roll, claiming that this form of music is against the concepts of Islam and is a health hazard. Iranian doctors warn of the risk of injuries to the hips from the "extreme gyrations" of rock & roll dances.

March 12
Billie Holiday is given a year's probation by a Philadelphia court following her arrest and guilty plea on narcotics possession charges in 1956.

In Hilversum, Netherlands, 'Dors, mon amour' sung by André Claveau (music by Pierre Delanoë, text by Hubert Giraud) wins the third annual Eurovision Song Contest for France. Domenico Modugno places third for Italy with 'Nel blu, dipinto di blu' which, retitled 'Volare', will reach No. 1 in the US Billboard Hot 100, and will win two Grammy Awards next year for Record of the Year and Song of the Year for 1958.

and amongst other things, Sylvia Plath writes a poem,
a modest insertion to the world of history and chess,
but nonetheless more spectacular -
all that candy, all that ******* candy,
the smiles the pristine pomp - the goody suede shoe gimmicks,
but there she is, ravenous woman of the swamp,
one of the Graeae - question is, one tooth cannibal
shared or one eye to see Pericles?
ever wonder why poets solely keep the Grecian myths
alive and not involve themselves with saintly tales
akin to Assisi? boring as cow **** fried with shrimps,
that's me and father jack (father ted, a sitcom)
on the matter... but seriously, the celestial beast that
Sylvia Plath is given her housewife circumstance,
no girl this dying age would write such magnifique
superstition - well, that's pomp in-itself,
i don't know, call me stupid, but globalisation is
hardly an argument to expect being well informed,
i have a graveyard for a library, or the other way round,
i'm reading books that desire to be kept in a winery,
for example... well, anyone will do to fit the following
words: a château 1865 - pompous ******* 'n' all,
but you see, what gets me going is 1958 and the poem
Perseus: the Triumph of Wit over Suffering.
i don't care who won the chess tournaments,
or if Elvis was a high-tonne larder than usual -
whatever the hip-replacement tactic of Iranian doctors
was like, for ****'s sake... this is a religion that
puts emphasis on prayer and "music" five times a day...
the Islamic call to prayer is sang, it's not hamstrung,
it's not smoked salmon, it's not Catholic petition
murmur, it's sang... ting a lick'ah ling...
******* church-bell uvula (i know i swear, oath words,
i told you, in polish kurva is a conjunction word
akin to the Achilles heel,
mind you, a cure seeing **** than seeing f&!k
might help with the **** addiction, and...)
i mean i wept listening to an adhan once,
but please don't get me wrong,
if you'd take Mozart to be rain tapping,
and a bunch of cooking saucers to be a drum-kit what then?!
i don't like Islam for one reason... i love music too much,
and, from the way i see it, Islam doesn't like music,
even though i don't like castrated choir boys either
penetrated by the almighty papa who pretends to
be a Jew with his kippah, i'd rather listen to music than
that godforsaken recitation about 72, and how
pomegranate juice will sustain me better than
a whiskey on the rocks... the end, pa pa!
RJ Days Nov 2016
must recognize our Form
in the mirror,
see our Face, and make our reflection
as we kiss it, though it regularly sickens
Us.

I

We are still Us, though
that probably means little if it ever did;

We have been amended beyond recognition
from centuries of lobbing
off limbs, appendages, stitching clauses
like bandages then forgetting about them
if we ever shower,
disfiguring the pale torso of our Body
politic, naked and middling before posterity
grotesque genitalia dangling
hopelessly, and useless
between marble columns
unable to unite in congress assembled
erasing pluribus unum;

We're our Legs, buckling under obscene weight
now cloture’s invoked, the question ordered
on history with yays and nays,
discourse long reduced to the nuances
of blusterfuck;

We're our Buttocks, passing gas
bills, denying a snowball’s chance of
melting in frozen hell or on house floor,
and our Brain, lobotomized
better half yearning “Yes, we Can…
…ada” beckoning the coasts, blue dots
on blue dot ever browning;

We're our Fists, clenching gavels
while advising Mother Earth to **** up
because even without her consent,
reality’s adjourned;

II

We're our Skin—yes, our Skin—, thin-
ly veiling contempt insufficiently concealed
by layers of spray tan and unmarred
by blood sweat tears of our foremothers
and our Brow, not sweating more perfect
when it's so easy to turn and follow storybook greatness,
when our Fingers, callused from tweeting
Little Bits of *****,
which though once again retitled
and re-released, remains a classic,
completely unrevised;

We're our Ears, nostalgic for the crack of doom
and we're our Tiny Hands, unable to help themselves
from popping a Tic-Tac and grabbing
onto those titillating, dusty buttons
on the hydrogen jukebox;

We're our Eyes, heavy
as a defeated queen
with makeup running, blessing us
all for this operant foray into madness,
ever observing how our Arms, which
(torches now extinguished)
flail in confusion amid incalculable darkness
still hoist our pitchforks low and
our Tongue still grievously petitions
for more deplorable words amid
hallucinations of victimhood;

We're our *****, *******
on progress, except
which—failing to rise to the occasion—
nonetheless manages
to flop over and strike once more: a dis-
chord in common defense of
fragile white male privilege
always showing, never growing,
general welfare and tranquility flushed down
the toiletbowl of history
hoping those old turds never
resurface, still ignoring the stench of injustice
and the chipping of gilded porcelain;

We’re our Lips–which neither Broadway hits nor
newspaper clips nor high minded pleas alarmed,
and with Dr. Franklin’s warning notwithstanding–
We are our Lips on treacherous steps which will be
all executive power herein vesting;

III

We're our Palms, grasping rope amid air
saturated in deathly vespers, which tugs
down-up toward unearned heavens;

We’re our *****, pretending to be
our Mouths which chide & otherize, while
our Shins expose their cuts to ****,
bullet-holes welcoming the swift infections
in what dank sewage now pours from open
Overton windows, broken along with
any pretense of civility; ultimately,
the only thing we could shatter;

We’re our Holes, shamefully enjoying
the prodding and poking caresses
of anarchy, be-
moaning un-
Equal Protection law & order bestows,
depriving life, liberty, property
when our Hearts, weary of
the long hard due process, supremely
malign centuries’ holdings;

We’re our Immunity, sovereign it be
fighting all insults foreign and domestic
and our Voices rising in lamentation
for what we’ve lost and what we’ve barely kept;

We’re even our Hair, unkempt, distracting us
from enduring corruption of our Blood;

We’re our *****, too. No, never mind.
We never had any. But She did,
and class despite the strength
of glass;

IV

We’re all that still, and our Souls'
politic too, fractured much asking
what Un-
ited States we’re in;
September 17, 1787 – November 8, 2016. Not a bad run, I guess.
Nat Lipstadt Jun 2013
From Hand to Mouth, A Man Gives Birth


Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.

So
When you hear the poet-man exclaim,
I live hand to mouth!

Weep joy by, for and with him,
For his true meaning now clarified,
An ode to joy has
Been birthed this day,
A child for the people.
Mark Sep 2019
Behind the thoughtless rush that rules my dome;
Rebels a thought to it's impermanence
Infrequent tho', as sweet aromas roam
Intoxicating even doubting sense;
Yet lingers still, equating 'bout an itch
Compounding by her crowding please of eyes;
Aware that grace, in beauty's grace may switch,
And swells of mindless bliss reveal, it dies.
But dreary blinds and lovelessness is death;
A dormant tease with none, left begging more
No! What may loose denotes the counting breath!
The lessee on my neck is there, therefore;

Retitled sovereign, governing this lease
Till by dethrones herself or life to cease.

— The End —