It all started in the town of Orangeville
There is an upcoming commotion relaying still
The pumpkin patch being on the move
A mission having everything to prove
The pumpkins were tired in being carved and having to show their scars
It’s time for a change
Let the world feel our range
The pumpkins move through the streets and pulsate their weapon juice
Revenge is certainly taking place
This is something the world will never erase
The world becomes stuck in their running tracks
They were together being a pack
Their faces became pumpkin faces
Scars design beyond any human form
The world now knows
It took a pumpkin to actually show
Pumpkin vow victory has become theirs
The pumpkins now can preserver
Now the pumpkins troops march on
It was a battle that seemed long
The pumpkin patch multitudes that showed they were strong.

I

On the Coast of Coromandel
Where the early pumpkins blow,
In the middle of the woods
  Lived the Yonghy-Bonghy-Bo.
Two old chairs, and half a candle,--
One old jug without a handle,--
    These were all his worldly goods:
    In the middle of the woods,
    These were all the worldly goods,
  Of the Yonghy-Bonghy-Bo,
  Of the Yonghy-Bonghy-Bo.

II

Once, among the ****-trees walking
  Where the early pumpkins blow,
    To a little heap of stones
  Came the Yonghy-Bonghy-Bo.
There he heard a Lady talking,
To some milk-white Hens of Dorking,--
    ''Tis the lady Jingly Jones!
    'On that little heap of stones
    'Sits the Lady Jingly Jones!'
  Said the Yonghy-Bonghy-Bo,
  Said the Yonghy-Bonghy-Bo.

III

'Lady Jingly! Lady Jingly!
  'Sitting where the pumpkins blow,
    'Will you come and be my wife?'
  Said the Yonghy-Bonghy-Bo.
'I am tired of living singly,--
'On this coast so wild and shingly,--
    'I'm a-weary of my life:
    'If you'll come and be my wife,
    'Quite serene would be my life!'--
  Said the Yonghy-Bonghy-Bo,
  Said the Yonghy-Bonghy-Bo.

IV

'On this Coast of Coromandel,
  'Shrimps and watercresses grow,
    'Prawns are plentiful and cheap,'
  Said the Yonghy-Bonghy-Bo.
'You shall have my chairs and candle,
'And my jug without a handle!--
    'Gaze upon the rolling deep
    ('Fish is plentiful and cheap)
    'As the sea, my love is deep!'
  Said the Yonghy-Bonghy-Bo,
  Said the Yonghy-Bonghy-Bo.

V

Lady Jingly answered sadly,
  And her tears began to flow,--
    'Your proposal comes too late,
  'Mr. Yonghy-Bonghy-Bo!
'I would be your wife most gladly!'
(Here she twirled her fingers madly,)
    'But in England I've a mate!
    'Yes! you've asked me far too late,
    'For in England I've a mate,
  'Mr. Yonghy-Bonghy-Bo!
  'Mr. Yonghy-Bonghy-Bo!'

VI

'Mr. Jones--(his name is Handel,--
  'Handel Jones, Esquire, & Co.)
    'Dorking fowls delights to send,
  'Mr. Yonghy-Bonghy-Bo!
'Keep, oh! keep your chairs and candle,
'And your jug without a handle,--
    'I can merely be your friend!
    '--Should my Jones more Dorkings send,
    'I will give you three, my friend!
  'Mr. Yonghy-Bonghy-Bo!
  'Mr. Yonghy-Bonghy-Bo!'

VII

'Though you've such a tiny body,
  'And your head so large doth grow,--
    'Though your hat may blow away,
  'Mr. Yonghy-Bonghy-Bo!
'Though you're such a Hoddy Doddy--
'Yet a wish that I could modi-
    'fy the words I needs must say!
    'Will you please to go away?
    'That is all I have to say--
  'Mr. Yonghy-Bonghy-Bo!
  'Mr. Yonghy-Bonghy-Bo!'.

VIII

Down the slippery slopes of Myrtle,
  Where the early pumpkins blow,
    To the calm and silent sea
  Fled the Yonghy-Bonghy-Bo.
There, beyond the Bay of Gurtle,
Lay a large and lively Turtle,--
    'You're the Cove,' he said, 'for me
    'On your back beyond the sea,
    'Turtle, you shall carry me!'
  Said the Yonghy-Bonghy-Bo,
  Said the Yonghy-Bonghy-Bo.

IX

Through the silent-roaring ocean
  Did the Turtle swiftly go;
    Holding fast upon his shell
  Rode the Yonghy-Bonghy-Bo.
With a sad primaeval motion
Towards the sunset isles of Boshen
    Still the Turtle bore him well.
    Holding fast upon his shell,
    'Lady Jingly Jones, farewell!'
  Sang the Yonghy-Bonghy-Bo,
  Sang the Yonghy-Bonghy-Bo.

X

From the Coast of Coromandel,
  Did that Lady never go;
    On that heap of stones she mourns
  For the Yonghy-Bonghy-Bo.
On that Coast of Coromandel,
In his jug without a handle
    Still she weeps, and daily moans;
    On that little hep of stones
    To her Dorking Hens she moans,
  For the Yonghy-Bonghy-Bo,
  For the Yonghy-Bonghy-Bo.

Sour.
Bitter.
Bright.
The sky before the night.
The leaves in the fall.
The rhythmically bouncing basketball
The poet’s nightmare.
The fire’s glare
The bottle of prescription pills
The pumpkins on our porch, still.

I. The lifespan of a pumpkin is incredibly short. Considering the rapid pace in which a pumpkin goes from flower to fruition, it is quite literally a blink of an eye. And there is no nobility in a pumpkin death. No, it is a long and grueling process. From the beginning, the pumpkin patch is like Wall Street, 1763. Being poked and prodded, weighed, gawked at and compared to my brothers and sisters. I was chosen earlier than the rest for my robust size, even ridges, and vivid colour. I remember being severed from the vine- I know that humans don’t remember being cut from the umbilical cord, but it’s the only human experience I can compare it to. I imagine that if I had lungs I would scream or eyes I would cry, but I suppose the lack of these organs is what makes it so easy for humans to humiliate us as they do. We have no voice of our own- and who would stand up for us? Possibly vegans, but I digress.
Once inside the human home, I’m set on a “tiled countertop,” as they call it. I’m not sure what that is exactly, but it’s polished and hard and artificial. The coldness of it makes my skin stiffen. And then, as if overcome by brain fever, the smaller humans rush about their living space grabbing up “newspapers” and “paper towels” (no doubt made from abused trees) and just as I had feared, knives. More polished coldness. I know what is to come- I’ve heard the cautionary tales. When my siblings and I hung on the vine as buds, we’d swap horror stories. Of course, we didn’t think that they were real then. Though we had seen older pumpkins snatched up, we were too young to understand. And now that I know it’s all true, my fear isn’t for myself but for my kin. I know that it isn’t normal for humans to hope for their loved ones to rot, but it is for pumpkins. I hope that they will grow old, old, old until the day comes that they quietly fall off the vine and become food for the animals and the soil and their seeds impregnate the earth. And though I may be faced with this violent fate, I am not going to be afraid. I shall not sweat, nor make my skin tough to their blades. No, I will be soft as butter and dry as the sky. As the humans pick up their tools of operation and discuss what kinds of sweet treats they’ll be making with my “guts,” I yield to the steel and dare them to do their worst…

II. They’re finished now, and I’ve been gutted to within an inch of my life. My insides are piled in a white bowl beside me, my seeds rest on a tin sheet, dried of juice and covered in salt. Their skin is transparent and flaky like fish scales and the flesh underneath is toasted brown. They baked my babies! They baked my babies and now they’re popping them into their pudgy, glistening mouths like the giant who used bones to bake his bread. It occurs to me that I can see more of the room than I originally could. It makes sense… now that half my skin is gone that I should have a clearer view of the world. The oldest human walks over to the small ones.
“What did you make guys?” she asks.
“A face!” they exclaim. Was my original face not good enough?
At this point I catch a glimpse of the “face” that is being discussed. Behind the humans is a painted forest locked in by a sheet of glass. On the spotless surface I see my reflection- my smooth, rounded skin has become a hideously comical mask. Two triangles and a semicircle make up this face, the mouth being a jaunty one-toothed smile, a sweet ironical touch. A hanging man with a grin. A tiny white candle has been lowered into my hollowed out stomach and lit. The flame burns my core and scorches my skin in some places to a charcoal black.
My consciousness is sliding around now… from the kitchen to the pumpkin patch and back again… The fire in my belly has dulled to a pleasant burn… maybe because I’m so cold and now I’ve gotten colder… they’ve taken me outside… placed me on an artificial hay bale… more children appear with plastic replicas of me dangling from their polyester-draped arms… they grin and their smiles match the “pumpkins’” smiles on their arms, match mine… this is all too hilarious…
“Trick or treat!”

First Minutes
The discovery sinks in as we spring into action
Adrenaline kicks in, heart pounding, blood rushing.
My mind confusedly putting pieces together.
First Few Hours
Calls are made to paramedics and cops and investigators swarm our house.
Our car goes faster than what is safe as we follow the ambulance as it carried what we would later learn was only her body and a few dedicated paramedics.
A time of death is announced and more tearful calls are made, this time to family and later to friends.
We leave hours later surrounded by a mournful silence.
First Day
We sat on the on the couch in a shocked silence, which was only broken by my calls to her friends, the ringing of the house phone and doorbell.
First Week
The silence was deafening and I had to escape.
So I returned to school after making arrangements with my family for the cremation and shedding my own tears for the first time. I caught the last two classes of the day and began burying myself in my classwork after telling those who needed to know.
First Month
Our own questions were behind every turn as we handled finances, possessions, settling things and celebrating her short life.  
I began to tell more and more of my friends.
Second Month
The pain was still fresh and stinging,
My mother returned to work for the first time.
Third Month
I held back my tears in English.
The play we read reminding me of her and running lines with her the previous year.
Fourth Month
I let it get to me while locked in my room, wishing it was my boyfriend's arms around me instead of my paint-stained jacket as I painted the canvas as black as I was feeling.
Recording my tears for him and watching how he hid his own watery eyes the next day in class as I honored our promise.
Her birthday passed and my mother planted flowers.
Fifth Month
After an uneventful spring break, my dad began staying home from work, unable to handle the weight of his thoughts.
Sixth Month
School ended and summer began and for the first time in what was now fourteen years, I didn't have a sister. I was alone.
Seventh Month
Slowly but surely the pain faded, with the help of scattered therapists, counselors, and mountains of support from family and friends. Summer traditions continued but were never the same.
Eighth Month
The weight of her absence doesn’t rest on my shoulders as heavy anymore.
Ink stains me with her memory. The pain I felt, saw and personified over many pages as we still face it.
My father has returned to work as we each learn to deal with the missing piece of our family in our own ways.
Ninth Month
School begins.
It's my junior year and school is starting for the first time since 3rd grade without my sister. My mother would always take a "first-day" picture, the tradition faded when we attended different schools. Maybe it wasn't so annoying after all.
Tenth Month
It's October, my, our, favorite month. Lost memories run through my head along with missed opportunities. Did we even carve pumpkins last year? Last year we argued about passing out candy but both ended up falling asleep. When was the last time we went to the County Fair? The Mullet Festival? Missed opportunities for silly reasons.
Eleventh Month
The Holiday season is kicking off. Soon it will be Thanksgiving. Her absence is noticeable as I stand amongst my family and celebrate. The only ones who don't ignore it are the little ones, repeatedly asking where she is as the grownups look uncomfortable. I don't know what to tell them.
Twelveth Month
The Holidays are in full swing and I can't help but think of the last one we all spent together. She passed before Christmas. They aren't the same anymore.

One Year
Its hard to believe that a year has passed without her. Her room is the same as if shes just at school. We spent the anniversary doing things she enjoyed, like taking the family dog to the beach and sharing cotton candy.
We haven't moved on, not in the slightest. My mother still cries, I don't think she'll ever stop. But as the days pass I can see how it gets easier and easier for my family to be happy again.

Their hallow heads hold fire after being carved by kids. I wonder how they do that, gouge a gourd for human fests. I bring them water every day, until they grow with might, these now seedless pumpkins that glow all through the night. They say they scare the ghosts away but none yet have I seen except the ones of the rotted skeletons that were once these.

Our solar lamps  
plead for more sunshine
as they die 
 in the middle of dinner
every night
even  in this  stark Texas
  late afternoon light
        all the while
I can still
get a beastly burn
the faintest suggestion
of Fall
wafts through
the chilled
grocery store air
        rife
with frothy pumpkin lattes
maybe if I stare long enough
at the neighbor’s
front porch
loaded with  gaudy gourds
I can almost
trick myself
into feeling
crisp.

Roses are red
Pumpkins are orange
Nothing rhymes with orange
I **** at poetry

hints of auburn drift creating a soft cadence against the autumn wind
almost heard in lieu 'tis felt somehow awakening souls buried long ago
giving birth to falling crimson leaves tinged with maroon and gold
abandoned dusty roads transform under enchanting spells cast by fall

burnt orange pumpkins standing solitary on wooden porches threaten to reveal
hidden secrets held by dusk’s luscious cinnamon seasoned air
once fulgent sunflowers begin to slumber softly beneath the harvest moon
whilst autumn’s trance brushes all it touches with honey colored hues

i stand pensive as an amber leaf gently twirling falls to the ground
bewitched by thine supernatural powers; thine gifted artist’s hand
who with one stroke turns to butter amber all that once was forest green
and imbues my soul with thine exalted essence forever ripening

©2016janetaylor