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CHAPTER ONE

My geographic movements during the past year could be called “A Tale of Two Couches.” So as June draws to a close, I assume the position here again on Couch California. I am back in Hemet, the place the smug among us call Hemetucky--as if there was nothing a couple of Mint Juleps and a **** of Blue Grass wouldn’t cure. It is the year of our Lord, 2014: so far an interesting year for women. There was a woman who wore socks to bed. There was always my long-time, here today-gone tomorrow, long time companion, currently teaching somewhere remote on the Big Rez, a southwestern Navajo concentration camp near the 4 Corners.  Next, there’s my current object of affection, that fine and frisky lady from The Bronx by way of Bernalillo--currently at home in Laguna Beach, Orange County. Trixie: my main squeeze at the moment.

And now, completely out of the ******* blue this afternoon, my cell phone rings and it’s ******* Juanita--my all-time favorite woman, Juanita Mi Favorita de La Quinta--a Coachella Valley town and desert wadi, extending its lucrative winter tourist season to become a significant, year-round retirement venue and a robust service economy feeding off it.  Juanita arrived there in the late 80s, in middle of her early forties.  She was unemployed, homeless, just a suitcase to her name and a two-year old toddler in tow. Her parents were there, as was her Aunt Peggy.  Juanita was always Peggy’s favorite niece, her favorite child, actually, Peggy herself being childless, never married.  Aunt Peggy put her maternal instincts to work on Juanita Rodriguez, her Sister Rosalia’s second favorite twin daughter.

Maria, Rosalia’s first favorite daughter, Juanita’s twin sister—MARIA: lives in Newport Beach and acts as an extra in many commercial ads shot in southern California and elsewhere, an irony never without sting for Juanita. “Que lastima!” Poor Juanita: as her would-be Hollywood Movie star aspirations disintegrated over the years, along with her unrealized lower expectations to be TV star, and even those semi-glamorous modeling gigs at trade shows and fairs—the elephant’s graveyard of the acting profession—failed to materialize, and now her celebrity habitat shrunken even further, to that sporadic but consistent mockery of stardom, I refer to any would-be thespian’s ignominious one-celled visual protozoan: The Extra Call List.  And—*******-- what happens next? Juanita’s sister Maria starts getting these parts, starts getting hired by filling out a ******* postcard, starts getting paid to look good in the background. *******: no professional education or instruction, no agent, and no need to **** off both the producer, the producer’s cousin Morey, the director and the director’s wife’s huge Golden retriever, Genghis--actually a mighty handsome animal--or needing to spill $4K on that Derma-brasion, Juanita inflicted on herself last year.

Juanita, as you already know, was the second favorite daughter and the second favorite twin of the family. She became the third favorite child in her three-child family upon the arrival of her slick baby brother Nico-- the Golden Child, who grew up to be a glib Merrill-Lynch stockbroker, office and residence, Beverly Hills 90112.  (Enter forcefully into the narrative, His Nibs himself, Sir Nicodemus of Hollywood, Juanita and Maria’s baby brother Nico. He speaks: “Excuse me, stockbroker my ***, as it says in a 11 point Rockwell Boldfont, right here on my gold-leaf embossed business card: Senior Large Capital Investment Counselor.”)

No, Juanita had a hard time just treading water in that Cleveland shark tank. And though she lacked nothing in the cuteness department, she had this one fatal flaw, namely, the gift of ***** and sass and a reflex to speak truth to power. Juanita: rejected by Rosalia as a threat to her hegemony as Boss of the Girl’s Club, was cast adrift on a tempestuous childhood cruel Montserrat sea, out there on the briny deep . . .  
                

                                      



High Seas: where many a tuna has a Sorry Charlie moment: “Star-Kist don’t want no tuna with good taste; Star-Kist wants a tuna that tastes good.”

Finally, Juanita is rescued, taken aboard the Good/Soul Aunt Peggy—that wayward bark Elisabeta Rodriguez, home-ported in Southside, Chicago, Illinois—the rescue at sea performed in classy, rather low-key manner; no Andrea Doria drama, but understated:

{Camera One, Helicopter above, zooms over turbulent ocean surface. Peggy, an oasis of calm, aboard the raft Kon Tiki with Thor Heyerdahl and his crew, floats by, whispering, “Going my way, Honey? Climb aboard. Have a homemade oatmeal cookie and a small glass tumbler of Jack Daniels.” Okay, no, that’s not fair. Sure Aunt Peggy drank, but never got round to offering you a drink until you were well into your 30s. Let’s just say she offered you a warm glass of milk, the mother’s milk deprived you by your mother, her sister Rosalia. Dear Aunt Peggy: a seasoned survivor herself, flawed by early childhood deafness and grotesque speech.  Yet, she had refused to settle for life in an asylum. She made a go at life.  She learned; she prospered; she flourished. And when the time came, she was there for you in the Coachella Desert, there for her feisty niece Juanita Ann.  Aunt Peggy: a loving spirit personified, became Juanita’s special confidant and counselor, her personal cheer squad of one. Juanita, of course, a former cheerleader herself--an early hint of greatness to be sure, a highlight, perhaps the highlight of her life, shown off every Halloween, still celebrated at American high schools each Fall. She is the Principal’s secretary at a huge suburban high school in Indio. Each Halloween, if the date falls on a school day, Juanita arrives for work wearing that scrupulously preserved, vintage 1966 cheerleader uniform, looking real foxy still, snug now in all the right places. Eternal Truth: Juanita has always and will always be good looking. Life with Juanita is perpetual “ooh la-la.”

So, I am on the couch that afternoon, reading more of Gramsci’s prison notebooks, specifically the philosophy he calls “Praxis.”  Completely out of the ******* blue, Juanita calls me on a RESTRICTED phone, as I said, Juanita, a torch I’ve kept burning for years, flaring up like a refinery flame--oil still very much in the present energy mix--hope springing eternal as they say, and instantly my mission in life is rekindling our lost love. Juanita’s conceived her mission prior to her phone call:  using me to keep her son from being whacked by the local Eme--the Mexican Mafia—that ethnic-pride social club that the RICO-squad-- using family tree socio-grams and other expensively-printed graphics, the one RICO keeps trying to convince us is some sort of organized crime conspiracy. The Mexican Mafia: like everything else practical and utilitarian in this world: THAT’S ITALIAN! And, if you are starting to sense a bit of ethnic chauvinism on, between & below the lines, you are barking up the right tree.
                                                           ­     
      
                                                            
(AUTHOR’S POST-SCRIPT EDIT: And, an ad for dog food right here? Not the best choice of sponsors, perhaps, at the moment. Juanita was far off from the ****** ***** that start looking not half-bad at 2:30 in the glazy morning, not anywhere near those beasts you find lingering in the airport bars you usually frequent near closing time on Saturday nights. No, I remind you that Juanita was all “ooh la-la.” In my next printing—and my Lord, there have been so many, haven’t there, Paulie “Eat-a-Bag-of-****” Muldoon? I will change out the Alpo ad, plugging in a spot for Aunt Jemima pancake syrup or Betty Crocker whipped cream, you know, something more apropos.)

Juanita, I really must hand it to you. You showed the greatest staying power, year after year as I moved further and further away from La Quinta, California. Juanita: you embraced what was good in me, ignored my flaws and strengthened me with your love for so many years. As far as you and Peggy, I guess it was a case of the “apple not falling far from the tree” one of many endearing Midwestern metaphors you taught me.  Peggy taught you, taught you to be kind and then you taught me. No matter what bizarre venue I pulled out of my ***, you showed above-average staying power, continued to visit me wherever I went, Casa Grande & Buckeye, Arizona, Appalachia, West Virginia, and even Italy, when I thought I’d try Europe again after so many years.  With each move, each time, Juanita renewed her commitment to the relationship. Meanwhile, I continued to test her, quantifying her dedication, undermining her sense of mission to disprove my worldview on the expendability of women. Surely, you know that one: the unreliability of women, women who disappear without saying goodbye. That old deeply etched conviction to never get attached to a woman, any woman, based on the empirical fact that women have been known to suddenly die, a fact seared into my still tender metal by the surprise death of my mother on 11 January 1962.

1962. It was already an insecure world, to wit:  The Cuban Missile Crisis. Nikita Khrushchev, in his time both Dr. No and Dr. Evil, namely the Premier whom we Baby Boomers saw as Boogey Man of All Time (Although Putin is showing potential, lately)—the Kennedy ****** (what else could you call it?). All these events scary, whether or not I got the chronology right . . . I remained on high alert for any threat to my delicate adolescent psyche.  My mother-Rosa Teresa Sekaquaptewa-died at 2 o’clock in the morning, screaming in agony while apologizing to my father for not having his dinner on the table when he walked in from work that prior afternoon. She’d already been in bed since noon, attended by two of my aunts--both my father’s sisters--who loved their Hopi sister-in-law, Rosa.  Also present was Lafcadio Smirnoff, M.D.--last of the house call medicine men--a dapper, mustachioed, swarthy gentleman, misdiagnosing her abdominal pain as a 24-hour virus, while she bled out internally for at least eight more hours, her whimpers alternated with screams, well into the wee hours of the morning.

I was upstairs in that dormer bedroom listening to her die. An hour later, Father Numb-nuts of Our Lady of Lourdes Parish teleported in, beaming directly into my bedroom from the parish rectory.  Father Seamus Numb-nuts, an illuminated Burning Bush . . . not quite the bush I ‘d conjured at other times, so many times alone with Gwen Wong, ******* Playmate of the Year, 1961, one of Hefner’s hot centerfolds. No, give me a ******* break, you momo! Whacking off is the last thing on a libidinous, adolescent guinea’s brain when his mama is being tortured and killed by God. Even Alexander Portnoy, Philip Roth’s early avatar would have drawn the wanking line at that unforgettable moment.

No, perhaps what I’d had in mind was The Burning Bush Golf Course where so much of Fletcher Kneble’s political mischief and government shenanigans got cooked up. You remember his books, some of the Cold War’s finest: Seven Days in May, Vanished, etc.

Or better yet, perhaps the greatest political slogan of the 20th century: “STAY OUT THE BUSHES!” Thank you, Jesse. “Thank you, Reverend Jackson,” I slip into my Excellence in Broadcasting mode, my very own private Limbaugh. Announcing my on- air arrival is El Rushbo’s unmistakable, totally recognizable bass line bumper, courtesy of Chrissie Hynde’s Pretenders band mate, guitarist Tony Butler: Dum, dum, dum-dum, Da-dum, dum-dum-dum-dum-da-dum-dum. Single, “My City Was Gone” by The Pretenders
Rush Limbaugh Song– YouTube www.youtube.com/watch?v=SScW9r0y3c4

I become Reverend Jackson. I emerge from the vapors, an obscure abyss of deep family pangs and disappointments, ever-diminishing public relevance and fade to black (no pun intended) and media oblivion. The only thing left is that line:  “STAY OUT THE BUSHES!” You will always own that line, Jesse--true political genius (to wit: Rainbow Coalition) Jackson that you are, despite El Rush-Bo’s virulent anti-Black animus, his predilection to mock you, Al Sharpton, Corey Booker, Barack “Hussein” Obama, and any other professional ***** in America. Isn’t it time someone came right out and tagged Mr. Limbaugh as the Father Coughlin of our time.

Meanwhile back in The Bronx, enter another man of the cloth:  It’s Seamus Numb-nuts, making one of his many well-documented spectral visitations, his splendiferous miracles and wonders. How much longer will the Vatican ignore this humble Bronx priest, this epitome of Sainthood; this reverent man, lacking only the stigmata for a unanimous consent vote? Quote the Numb-nuts: “God Works in Mysterious Ways.” An old standard to be sure, but a lovely, all-purpose bromide for explaining why evil exists in our world. Needless to say, I was underwhelmed; I lost God at that moment, consequently shooting myself in the foot--metaphorically-speaking-condemning myself to an unshielded life, life OUT THE BUSHES!  I went forth into the world without God, without that handy divine crutch, that Andy Devine metaphor for when one’s legs grow weary: a puff of smoke, a reverb twang and a nasty frog croaking “Hi-ya, Kids. Hi-ya, Hi-ya. Hi-ya.”

   Andy's Gang - Pasta Fazooli vs. Froggy the Gremlin - YouTube
► 3:55► 3:55
www.youtube.com/watch?v=H35odPm7b3w Aug 8, 2012 - Uploaded by jmgilsinger
Froggy the Gremlin -Tuba ... Andy Devine (Aug 24, 1952)

Life for me became lonely and purposeless. And probably explains my susceptibility to military discipline and a subsequent career in clandestine government service. In 1968--the very day I turned nineteen, September 25th of that year—that fateful day when I should have shot myself in the foot—literally not metaphorically--earning that coveted 4-F physical rejection, a draft deferment to be desired, that 4-F classification of unfitness for duty, a necessary loophole in U.S. conscript service law.  The Draft: last used during that great commonwealth Cold War purge, that culling out of the unwashed, uneducated children of immigrants, that cut-rate, discount, lower socio-economic ***** bank—the only bank where after you make a deposit, you lose interest, to wit: most Black, Hispanic and Poor White Trash parents.  We were cannon fodder, many of us got to be planted at Arlington and other holy American shrines, still wrapped in black or olive drab leak-proof body bags, doing our generational bit to strengthen the gene pool left behind. A debt, some would say, we owed the country and, given the sorry state of the global wicket, increasingly an obligation to the species. And if I had to predict an outcome, Fascism in America will arrive riding the white horse of the environmental, anti-nuclear Bolsheviks. One could argue that Communism has moved so far left on the political spectrum that it’s now the far right.  Concoct a legislative policy goal, accomplish it legally as the bill becomes Law, signed by the President, endorsed and blessed by The U.S. Supreme Court, the highest court in the land.

To wit: “Three generations of imbeciles is enough?” declared Oliver Wendell Holmes, Jr., an Associate Supreme Court Justice at the time, buttressing a majority argument harnessing the power of U.S. law as a legal means of purifying the race.  When euthanasia failed to win over American hearts and mind, the Federal Government played the war card again and again. Vietnam: undeclared and therefore unconstitutional--except for that Gulf of Tonkin ******* resolution. Vietnam: a cost-plus eugenics project, if ever there was one, although responsive, of course, to the needs of the Military-Industrial Complex.  ******* Ike: he warned us against Fascism in America. As usual, we ignored the man in charge.

Eugenics? Why didn’t the government just put all the retards on the stand, as John Frankenheimer did in Judgment at Nuremberg, a crafty Maximilian Schell humiliating a feeble-minded Montgomery Clift?  Why not, make everyone face a public tribunal, forcing all of us to testify in court, exposing our many substandard and borderline substandard cerebral deficits?  Why not force everyone to demonstrate just how ******* dumb we are, using some clever intelligence test, something l
Mitchell May 2014
Upended
Uplifted
The boats on the river
Are a drifting
But where are you tonight
My sweet Peggy Sue?

Air smelled of
Sweet mint
When you're away babe
I can't get my mind to think
You're the one on the brink
But where are you tonight
My sweet Peggy Sue?

Good hands
Hold no idle molds
Whenever you were around
I never did what I was told
Caterpillar on the fence
Crow sliding through the crooked moon
Where are you tonight
My sweet and only Peggy Sue?

I asked myself the other day
Why was it you felt the need to go away?
Dusty books sit across my bookshelf
I slip on my trusty wolf's pelt
The fire is cracking, my money is stacking
But where are you tonight
My sweet Peggy Sue?

Out in the distance
A horse kicks its hind legs
Crystal combs her honey dew hair
As Henry flips through his magazine
I'm the leftist corner store
Sipping on a coffee, hurting to the core,
Wondering where she is tonight
My sweet Peggy Sue?

Corn fed whiskey raised
Stars in the sky wink n' cry
Every lover knows
They've got to share a slice of the pie
These gravel roads, these picket signs
Are pointing me in a direction
I never intended to go
But what have I got to show
Other than this empty glass and wrinkled bow?
Oh' where are you tonight
Sweet Peggy Sue?

The forests are on fire
The oceans are overflowing too
The sky is shifting from light blue
To a different kind of hue
She sits on the bench
Her legs crossed, her hair tossed
Oh but where are you tonight
My lovely Peggy Sue?

I've got one breath left
And I'll use it to find you
Mother churns the butter
As father stirs the stew
You're lost and away
With my soul and my pay
I ask it one last time:
Where are you tonight
My one and only cruel Peggy Sue?
Stu Harley Nov 2012
well my mother loved to visit miss Peggy's place
yes they talk about this and that but
still Miss Peggy had several
spaded black cats in her place and
mother would ask her three young boys
to come out and visit Miss Peggy's house
unfortunately, i was the only one
brave enough to say that i have
a deep fear inside my chest and sing out
then I said, mama i am really scare of
those ******* cats creeping around
in Miss Peggy's house
centurions guards and griffins along the
halls and stairs, with marble red eyes and
white Cheshire smiles and
i cried, when mama said boy you come right over here and
give Miss Peggy a nice big juicy kiss and a fat hug
i finally screamed out loud and said mama i am scared of
those ******* cats in Miss Peggy's house and
that Miss Peggy's has a black mustache around her mouth
i could not walk through Miss Peggy's house no more.
Lynda Robson Jun 2016
I have become a gran again,
To a special girl,
Shes's got warts on her face,
And a squashed-up nose,
And she trots at a fast pace.
She's cute and she's brown,
Apricot to be correct..
I love her so much
Even when she's being greedy,
Which is most of the time
But we keep her in line
As pugs tend to go fat..
And we don't want that,
I find it a joy
To have her stay,
My cat isn't impressed
And does her best
To ignore Peggy the pug,
I hope one day
They will be friends,
As I care for them both,
The love from a pet
Is unconditional,
Their loyalty knows no bounds
To stroke a pet is therapy they say
I know being with Peggy makes my day
I never knew much about pugs until my daughter got one, and they are the most lovely dogs ever.
Craig Reynolds Sep 2010
did you come to be alone?
when you first came to my room? i no longer see you
as something relative in
space, but more the opposite.

time snakes your trailing coordinates and occupied
places. you are fleeting.

you are
gone. all i see are
the empty spaces,

eyes in love with the wall who
wove wounds
into
itself: to silhouette you.

but you go on, peggy, you insist much like the rest
of them
to make me wish
with a most wishful
wit we have
all had the good fortune to witness.

but how can i shoo you away?

your beauty perches and whines into the night
beating my window
as she stalks the walls beside my bed,
perching, but also,
purring.

&above; all things, peggy
learn to live,
patiently.

because you cant

leave,
i have not washed that sheet;

⁢ still holds you
i know you wrap it around
you like you
wish it were a
woeful
and warm
me.

these are things i know.
but did you come here to be alone?

its cold out here
and me on the other side of space
opposite of a *******
exploding star
what was i to do?
but not say a thing
and take in all the bitter temperatures.

peggy shannon,
wont you share the covers?
Copyright 2009

*an ode to the photograph of a girl, who lived almost a hundred years ago* (also my favorite in this series)

http://farm1.static.flickr.com/143/323548713_a4f828ea18_o.jpg
L B  Aug 2016
I Follow Maureen
L B Aug 2016
It was the time of my Auntie Bee summers
   I was small then
   She had a parakeet that landed on my head
   and a bathtub too
   with water so deep!
   and legs and claws!
   **** thing nearly chased me down the stairs!

She lived in slumbery Windsor Locks
   where bugs hung-out in the haze
   of teenage August
   I played in the tall weeds
   with a shoeless Italian boy
   who ate tomatoes like apples
   and cucumbers right off the vine!
   He was ***** free and foreign!
   We played— reckless, abandoned
   behind the gas pump, under the tractor, in the barn   
   and through the endless fields
   I didn’t know....
   His name was Tony
   I ate pizza with him—the first time

At Auntie Bee’s I had to go to bed at eight
   but I could watch night flowers
   bloom on wallpaper
   She came in to say good night
   slippered, shadowy, night dress slightly open
   and I peeped her *******!
   like Tony’s cucumbers!
   I had never seen my mother’s wonders....

Night spread its wings from the old fan—
   a bird of tireless exhaustion
   whipped, whipped, whipped to death in its cage
   tireless exhaustion
   tic-tocking in time to a wind-up clock
   stretched out on the whine
   of the overland trucks
   Route Five through the night of an open window

In the grape arbor below—
tremulous incessant
   crickets    crickets    crickets
tremulous incessant—insides of a child
   a summer child
   not yet ready for the fall of answers

Auntie Bee had a daughter—Maureen
   I followed her everywhere I could
   I was small then--    
   do anything for a stick of Juicy Fruit
I followed Maureen through my dreams
   of being sixteen
   and woke to Peggy’s “Fever”
   while she tied her sneakers
   against the mattress by my head

I followed Maureen (in my mind)
   tanned and bandanned
   to work in the fields of shade tobacco
   with all those Puerto Rican boys!
   She knew where she was going!

I was small then
...do anything for a stick of  gum

“Mauney! Mauney! Mauney!”
   ...through the goldenrod of roadside
   through the smell of oil that damped the dust    
I followed Maureen’s white shorts
   and chestnut hair...to the corner store
I followed the way the boys smiled
   the way the screen door slammed
   on her bright behind
   the way her lips taunted and took
   the coke-bottle’s green
I followed Maureen

I swear, I tried for hours to get that right!

Must have been Peggy Lee’s “Fever”

Maureen ties her sneakers in my face
Flaunts her years above my head
She has that look—
“We kids don’t know nothin”
(Little turds” that we be)

…followin’ Maureen
through the goldenrod of roadside
tic-tockin’, beboppin’

“Fever— in the morning
Fever all through the night….”
Peggy Lee's Fever:
https://www.youtube.com/watch?v=b4hXyALR9vI
I was seven years old and did I ever get this!
Peggy Lee's stripped down performance is the epitome of ***.

Windsor Locks is in Connecticut.
Donall Dempsey May 2019
"...SO I DID WEAVE MYSELF INTO THE SENSE..."
( In memory of my Aunt Peggy )

the candle carves
your face
out of the dark

you waver
with its flicker
become a mask

I watch your words
float across the space
between us

I see every syllable
all your pauses
your each and every punctuation

you recite
Herbert
with an American accent

I try to pull you
out of the dark
of the past

but this is all
memory will allow
of you

I say your name
to make you more real
"Peggy...Peggy!" I call to you

now far away
from that lost day
your daughter's love

reminds me of
who you were
to me

your Chicagoan voice
telling me: "Gee....
you've got curls like a girl's!"
Jude kyrie Jul 2018
I had that recurring dream again last night.
Awakening with a start.
Perspiration was
Pouring down my face.
The car, the children,
Molly my wife.

The heavy truck spinning in front
on the icy new York   freeway.
Explosions so loud they deafened me.
Then the silence the total quietness
as they drifted away.
And i was left alone.

I moved out of the tiny inner-city cottage.
Is was now over  two years ago
but I just left it the way it was.
The kid's toys strewn on the floor.
Bread and cookies on the table.
I would never return there,  never.
Not even to get my beloved alto sax.
the key for me to making a living.

I followed the cop every day?
The one that pulled me from the wreck.
I did not know why i did this,
Sure she was pretty enough.
But that was not it.

I was once told that if you save
Someone's life they belong to you.
Well, she could have his life.
He did not want it anymore.

She entered the bank
He saw the robbery before she did.
The robber lifted his weapon before
She had time to move.
Without fear or forethought,I jumped
in front of her
and took a bullet for her.

It was in the arm straight in and out.
She put three in the perp,
dropping him dead.
before he could fire another shot.

I fell down she held me in her arms.
As I was bleeding out.
Why did you do that, she said
I would have been killed.
That's why
I whispered.

She visited me in hospital
Brought me grapes
I hate ******* grapes.

She had no idea who I was
When the car wreck happened
I was covered in blood and EMS
Ran me to the hospital.
Names don't stay with people
Only faces.

When I got out of the hospital.
She appeared at my rented room door.
With a coffee and doughnuts
I don't talk much since…..well just since.
Who the **** are you she asked
A God ******  Angel.
I said I don't think God dams his angels.

She seemed to like me.
**** knows why
I wasn't nice to her.
She started looking for me on her shift.
Grabbing a coffee and suggesting dates.
I told her no offense lady
don't arrest me.
But I don't date anymore.

But she was a New York cop.
and a woman,
******* relentless.
She said she would make life hell for me
If I didn't take her for a date.
******* women.

I gave in and said I would join her
At the blues club nearby.
We got there at 10 pm after her shift
She looked ******* hot.
Not like a ******* cop anymore.
The blues were playing
I heard the alto sax wailing
It cried tears
like my soul was feeling.
But my souls eyes were dry.

She saw the tears welling in my eyes
And held me to her soft breast.
Tell me what it is
Is it me she asked?
I was just silent.

The owner of the club saw me.
He said, Tony
where the ******* been man.
It's been two years since you came here.
We miss your sax wailing boy.
He said where's your sax?
Don't you have it anymore?
I shook my head it was a lie
But I had my reasons.

He grabbed the alto sax
from the band playing.
Make it weep Tony.
My heart needs to hear you play man.
I moved quietly to the stage.
And the room went silent.
Just as if the Angel Gabriel
was going to wail his horn.

They remembered me they stood up
and clapped for five minutes.
Blues people don't change.
They just get ******* older.

I said nothing.
But played nature boy.

Peggy got up and took the mike
She wept the words as I played.
Tears falling down
her old sad blackface.

……..There was a boy
A very strange enchanted boy
They say he wandered
very far, very far
Overland and sea
A little shy and sad of eye
But very wise was he…….

My cop was crying too.
She said I don't cry ever see.
I am a cop I see ****.
Who the **** are you she said?
But I let the sax wail for my words.
It poured my sadness into the night.

She got my full name from Peggy.
She says that boy needs a woman.
But then a woman is Peggy's
answer to all men's problems.

She run the info though the computers
at the precinct.
those ******* things
Know every leak you ever take.

She saw the car wreck
the body bags.
Me, covered in blood.
She knew it all.
I was exposed.

She even found my mother in law's place.
And went there.
She said he's heartsick honey.
He won't go home.
Won't let anyone in.
He blames himself.
He's never cried once
It's eating him inside.

She said I can't find him
Do you know where he is?
He's over at the cemetery.

She missed her shift change over.
And went to the Park Lawn
I  was kneeling by a family
grave talking to my kids.

She went to me and slipped
Her arm around me
,I turned my head
Into her breast.
she kissed my head.
and I wept and wept.
I sobbed like my alto sax wailed.

She kissed my eyes.
Let it out, honey
Let it all go
Don't stop let it go
.
She drove us to my house
The mess was on the floor.
The stale food stank.
It was in a mess a disaster.
The kid's toys spread everywhere.
My sax on the hall table.
saying nothing
she started cleaning it up.

She said quietly.
Did I not save your life right?
I  said yes you did.
And you saved mine right
I said yes I did.
She said
Unless we both say  that
we're even stevens.
You know what it means.

He nodded
Yeah...I know.
It means
We belong to each other now.
You got it straight McGraw she quipped.

Two years later
Tony came back from his gig
at the blues club.
He had a recording contract in his pocket.
The money would come in real handy
What with their second baby
coming in a few months.
Kids were pricey little buggers.
Everyone needs to move on
Even when they think they don't
Jude
Geno Cattouse Jan 2014
Park Peggy.
Pull the emergency brake.I throw away the key.
We had a nice ride.
                  Pop my collar against the cold.hands drop deep in my pockets...the city lookspretty from up on.this hill.

Peggy.                  Slow stroll to the rat race.gotta make a killing.

Sixty cents on the dollar.the laundry man is brutal.......Peggy.

Love you baby but I gotta take another route.

There is this girl cross tracks.
Like nobodies business.
Spun my head like a mill on the hill.
Peggy.
Any way.
That's my story
train lites coming up.fast.
Moment.
Of.
Decision.
Kickin rocks.goin the other way baby.
Thump.thump.on the other side of
the tracks now.

Peggy.

— The End —