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The Last Wordsmith  Oct 2014
Ade
Ade
You call me Ade, my heart skips a beat
I can't help but feel my life's complete

You say goodbye, my world starts to fall
I can't help but hate how I've lost all

Please call me Ade, just one more time
So I can remember when you were mine

I wish you'd say yes, when I ask you out
Your voice isn't something I can live without

So please call me Ade, like you did before
Please call me Ade, at least once more.
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
The Last Wordsmith  May 2014
Ade
Ade
You call me Ade, my heart skips a beat
I can't help but feel my life's complete

You say goodbye, my world starts to fall
I can't help but hate how I've lost all

Please call me Ade, just one more time
So I can remember when you were mine

I wish you'd say yes, when I ask you out
Your voice isn't something I can live without

So please call me Ade, like you did before
Please call me Ade, at least once more.
She called me Ade, just one last time,
and I was flooded with memories, of when she was mine.
Of every last moment, and each "I love you",
the dreams that we'd share, and the things that we'd do,
and though I'm in love with the girl that I see,
I'm all too aware, she doesn't love me,
but if just for a moment, I thought that she did,
I'd regret to no end, all the love I have hid.
Sudhansu  Jan 2013
Mas·quer·ade
Sudhansu Jan 2013
I'am The Puppet of Love,
For you my girl,
to my heart I shove.
Pulling a mask, on my face,
for your love, i gave a chase.
At the end of time,
i do find you,
with the sweetest chime,
over the sky you flew.

I met you there as a Joker,
amazed were you,
Laughed at my tunes,
danced at me voice.
Then you moved along,
said me good bye,
i stood right there,
under the face i cry.

I chased you down
the river bloom,
i met you there,
at half past noon.
I wore the mask, of a thief.
I came to steal ye,
from the pirate chief.
You saw me, with pity eyes,
kissed me cheek, with a lovely lie.
You gave a smile, you turn your face,
promised the thief to give up the chase.

My heart was broke but hope ain't lost,
i picked me up, i took the post.
I followed you up,the mountain top,
i found you there, in a shady stop,
i pulled the face of a wizard,
i tried my tricks to please you hard,
you were amused to see me there,
covered in flames,
with a magic wand,
clapped at me moves,
eyes wide spread,
then you moved away,
blew me a kiss,
the sweet scent of love,
the one i miss.

Unwilling to leave,i followed your scent,
under the star,
with the moon crescent.
I saw you move to my endemic town,
the one in i grew,
the one were i could be me.

I took my steps to a shabby inn,
held my drink,
waited in faith.
Round the corner of me eyes,
i thought i saw you move,
i turned my face to find you grove,
you gave to me, your perfect smile,
crossed the hall, which felt a mile.
took my hands around your waist,
pulled me close, for my heart won't rest.
i could feel your beat, close to mine,
as we danced to summer of 69.
You looked me eyes,
you sealed my lips,
i could ask no more,
for my story don't end,
it goes forth, transcend.
DieingEmbers Jun 2012
Her scent
is not by fair Channel
for she is nat-u-ral...

her perfume
is soap and flannel
soiled diapers
and form-u-la...

fresh baked bread
and apple pie
White wine
and lem-on-ade

cookies and milk
and chicken soup
hot baths
and hair in braids

for she wears her womanhood
                         in perfume no coin can buy.
May women never fear to remind men not all perfume can be bought
Gidgette May 2016
Poisonous fairytales
Princesses sleeping
True loves first kiss
Secrets not worth keeping
All lies
Mere madness
Cruel truths
Surrounding sadness
Give your heart
Get tears in return
Give love a match
It'll watch you burn
Poisoned by fairytales
Raised on lies
No happily ever afters
It all ends with goodbye
The princesses in towers
Will never be free
And frogs stay frogs
Just kiss one, you'll see
There are no knights
Shining in white
Wishes on falling stars
Don't make things right
Sleeping Beauty and Snow White
Were never kissed and awoke
Prince Charming was a liar
He wasn't rich, he was broke
Poisonous fairytales
Cruel lies
Don't drink the cool-ade
It all ends with goodbye
Ralph Bobian Sep 2015
Subliminal but obvious
That I'm indigenous to the populace
Of all the kids that melt their ears
And rot to this
inaudible ****
That we call music...
A dangerous drug
that'll melt your brain
With a repetitive beat
All one in the same.
It's my love ade,
And all drank up
With only hate left
to fill my ear buds...
A generational gap
That I like to act like I have
To stay one step above
The music I hate
That I secretly love.
So tell me you're interests,
I'd love to respond
And show you my insolence
I've already made inner-rest
In thinking that nobody knows
I'm a hypocrite.
Mind of a hipster... blegh
Faeri Shankar  May 2012
Medley
Faeri Shankar May 2012
Stomach full of liquid.

Black eyed peas

And obsession with relish

Finally paying off.

Trees

Collages

Dancing

Seductress.

Knowledge

Healing

­Three small boys dressed as their fathers

Playing checkers

Giggling

Marimba chops

Echoing

Twice stolen earphones

Volume control

Old south

1933

Shallow grave

Shallow sleep

Fresh cars

First to drive

Survive.

Sonic

Pescetarianism.

Cherry Lime-ade

Walking on the

Green grass

REM interrupted

Curious hands

Laced between

Fingers

Three sizes smaller

Sinking

unbiased truth

peeking an ugly face

around her corner.

Talk of mustaches and

****** orientation

The price of documentation.

Embrace

certainty within confusion.

Tuesday.
Madeleine Toerne Nov 2013
Turning all of the lights off and pretending like there's nothing due.
Conditionals, conjuncts, and disjuncts to name a few.

The condition is that my naked body has been revealed to you,
uncomfortably in the light
and confidently in the dark.  

The conjunct is musky, old-timey undertones
of Sam Beam's voice.
Dr. Pepper, eventually, convinced me to be reckless
and rot my teeth, and give myself a stomach ache
for the sake of making out upstairs,
in a chair,
next to home-ade sound absorbers, made of fiber glass.  

The disjunct:
deciding between two and a half hours of utter hell,
driving a broken down dust buster van in the middle of
hell's ******* half acre, chugging up frosty hills and into a town,
a foreign town,
to be greeted with, "Hel-low,"
Versus, not having to do that.

The biconditional is that I will be with you if and only if I can be with myself first.
Ottar Aug 2013
Seren-dip-me-pity,               (she was self-accepting failure,  bad luck wannabe, wears black and sniffles)
the ardent opposite
of Seren-dip-i-ty,       (she was an accidental discovery, no recovery needed, awe, found objects, in the     
                                                                                    moment)
they are part of the
seven sisters Seren,

wherein lies the rub
Saran-wrap, was third           (caught up on herself, clean and air tight, fresh as the day, tough like teflon)
in line, (changed the spelling of the family name - to be sooner alphabetically)
Seren-ate,                         (she sings she dances, she eats, she sings some more, she waits for applause)
does not speak or gesticulate
unless she performs in song.
Seren-ade, used to sing well           (jealous, performance orientated, sometime for love, lately for money)
as well but when the other came
along and did it better she got bitter
and moved in to retail sales        (lemonADE, pomADE, calvacADE of arcADEs, you get it,                                                                  ­                                                      everything ­became a parADE)
And as for the twins who
are always fighting Seren-ity    (lacks calmness, lacks peace, wants a piece of you, uneven temper)
Seren-e                                         (more easy to be obscene, like evening air with a heavy chill, not bright).

The seven sisters of Seren,
who were always preparing
for a fight to the right to
the next beau to knock
on the door, but soon they
all stopped calling,
they were
no longer falling,
over one another,
as the Seren-ities
were now old biddies,
no longer remained a
worth-while dowry, befitting
sitting silently as the seven
sisters of Seren squabbled
soiling the solitude of the soul.
I stepped out of the box, not sure where I am, have not made home if you see me wave, and point me West or East where ever it is I yam.

— The End —