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Ade
You call me Ade, my heart skips a beat
I can't help but feel my life's complete

You say goodbye, my world starts to fall
I can't help but hate how I've lost all

Please call me Ade, just one more time
So I can remember when you were mine

I wish you'd say yes, when I ask you out
Your voice isn't something I can live without

So please call me Ade, like you did before
Please call me Ade, at least once more.
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
Ade
You call me Ade, my heart skips a beat
I can't help but feel my life's complete

You say goodbye, my world starts to fall
I can't help but hate how I've lost all

Please call me Ade, just one more time
So I can remember when you were mine

I wish you'd say yes, when I ask you out
Your voice isn't something I can live without

So please call me Ade, like you did before
Please call me Ade, at least once more.
She called me Ade, just one last time,
and I was flooded with memories, of when she was mine.
Of every last moment, and each "I love you",
the dreams that we'd share, and the things that we'd do,
and though I'm in love with the girl that I see,
I'm all too aware, she doesn't love me,
but if just for a moment, I thought that she did,
I'd regret to no end, all the love I have hid.
DieingEmbers Jun 2012
Her scent
is not by fair Channel
for she is nat-u-ral...

her perfume
is soap and flannel
soiled diapers
and form-u-la...

fresh baked bread
and apple pie
White wine
and lem-on-ade

cookies and milk
and chicken soup
hot baths
and hair in braids

for she wears her womanhood
                         in perfume no coin can buy.
May women never fear to remind men not all perfume can be bought
Sudhansu Jan 2013
I'am The Puppet of Love,
For you my girl,
to my heart I shove.
Pulling a mask, on my face,
for your love, i gave a chase.
At the end of time,
i do find you,
with the sweetest chime,
over the sky you flew.

I met you there as a Joker,
amazed were you,
Laughed at my tunes,
danced at me voice.
Then you moved along,
said me good bye,
i stood right there,
under the face i cry.

I chased you down
the river bloom,
i met you there,
at half past noon.
I wore the mask, of a thief.
I came to steal ye,
from the pirate chief.
You saw me, with pity eyes,
kissed me cheek, with a lovely lie.
You gave a smile, you turn your face,
promised the thief to give up the chase.

My heart was broke but hope ain't lost,
i picked me up, i took the post.
I followed you up,the mountain top,
i found you there, in a shady stop,
i pulled the face of a wizard,
i tried my tricks to please you hard,
you were amused to see me there,
covered in flames,
with a magic wand,
clapped at me moves,
eyes wide spread,
then you moved away,
blew me a kiss,
the sweet scent of love,
the one i miss.

Unwilling to leave,i followed your scent,
under the star,
with the moon crescent.
I saw you move to my endemic town,
the one in i grew,
the one were i could be me.

I took my steps to a shabby inn,
held my drink,
waited in faith.
Round the corner of me eyes,
i thought i saw you move,
i turned my face to find you grove,
you gave to me, your perfect smile,
crossed the hall, which felt a mile.
took my hands around your waist,
pulled me close, for my heart won't rest.
i could feel your beat, close to mine,
as we danced to summer of 69.
You looked me eyes,
you sealed my lips,
i could ask no more,
for my story don't end,
it goes forth, transcend.
Gidgette May 2016
Poisonous fairytales
Princesses sleeping
True loves first kiss
Secrets not worth keeping
All lies
Mere madness
Cruel truths
Surrounding sadness
Give your heart
Get tears in return
Give love a match
It'll watch you burn
Poisoned by fairytales
Raised on lies
No happily ever afters
It all ends with goodbye
The princesses in towers
Will never be free
And frogs stay frogs
Just kiss one, you'll see
There are no knights
Shining in white
Wishes on falling stars
Don't make things right
Sleeping Beauty and Snow White
Were never kissed and awoke
Prince Charming was a liar
He wasn't rich, he was broke
Poisonous fairytales
Cruel lies
Don't drink the cool-ade
It all ends with goodbye
Ralph Bobian Sep 2015
Subliminal but obvious
That I'm indigenous to the populace
Of all the kids that melt their ears
And rot to this
inaudible ****
That we call music...
A dangerous drug
that'll melt your brain
With a repetitive beat
All one in the same.
It's my love ade,
And all drank up
With only hate left
to fill my ear buds...
A generational gap
That I like to act like I have
To stay one step above
The music I hate
That I secretly love.
So tell me you're interests,
I'd love to respond
And show you my insolence
I've already made inner-rest
In thinking that nobody knows
I'm a hypocrite.
Mind of a hipster... blegh
Faeri Shankar May 2012
Stomach full of liquid.

Black eyed peas

And obsession with relish

Finally paying off.

Trees

Collages

Dancing

Seductress.

Knowledge

Healing

­Three small boys dressed as their fathers

Playing checkers

Giggling

Marimba chops

Echoing

Twice stolen earphones

Volume control

Old south

1933

Shallow grave

Shallow sleep

Fresh cars

First to drive

Survive.

Sonic

Pescetarianism.

Cherry Lime-ade

Walking on the

Green grass

REM interrupted

Curious hands

Laced between

Fingers

Three sizes smaller

Sinking

unbiased truth

peeking an ugly face

around her corner.

Talk of mustaches and

****** orientation

The price of documentation.

Embrace

certainty within confusion.

Tuesday.
Madeleine Toerne Nov 2013
Turning all of the lights off and pretending like there's nothing due.
Conditionals, conjuncts, and disjuncts to name a few.

The condition is that my naked body has been revealed to you,
uncomfortably in the light
and confidently in the dark.  

The conjunct is musky, old-timey undertones
of Sam Beam's voice.
Dr. Pepper, eventually, convinced me to be reckless
and rot my teeth, and give myself a stomach ache
for the sake of making out upstairs,
in a chair,
next to home-ade sound absorbers, made of fiber glass.  

The disjunct:
deciding between two and a half hours of utter hell,
driving a broken down dust buster van in the middle of
hell's ******* half acre, chugging up frosty hills and into a town,
a foreign town,
to be greeted with, "Hel-low,"
Versus, not having to do that.

The biconditional is that I will be with you if and only if I can be with myself first.
Ottar Aug 2013
Seren-dip-me-pity,               (she was self-accepting failure,  bad luck wannabe, wears black and sniffles)
the ardent opposite
of Seren-dip-i-ty,       (she was an accidental discovery, no recovery needed, awe, found objects, in the     
                                                                                    moment)
they are part of the
seven sisters Seren,

wherein lies the rub
Saran-wrap, was third           (caught up on herself, clean and air tight, fresh as the day, tough like teflon)
in line, (changed the spelling of the family name - to be sooner alphabetically)
Seren-ate,                         (she sings she dances, she eats, she sings some more, she waits for applause)
does not speak or gesticulate
unless she performs in song.
Seren-ade, used to sing well           (jealous, performance orientated, sometime for love, lately for money)
as well but when the other came
along and did it better she got bitter
and moved in to retail sales        (lemonADE, pomADE, calvacADE of arcADEs, you get it,                                                                  ­                                                      everything ­became a parADE)
And as for the twins who
are always fighting Seren-ity    (lacks calmness, lacks peace, wants a piece of you, uneven temper)
Seren-e                                         (more easy to be obscene, like evening air with a heavy chill, not bright).

The seven sisters of Seren,
who were always preparing
for a fight to the right to
the next beau to knock
on the door, but soon they
all stopped calling,
they were
no longer falling,
over one another,
as the Seren-ities
were now old biddies,
no longer remained a
worth-while dowry, befitting
sitting silently as the seven
sisters of Seren squabbled
soiling the solitude of the soul.
I stepped out of the box, not sure where I am, have not made home if you see me wave, and point me West or East where ever it is I yam.
Jane Tricky Apr 2013
sometimes i feel like a citrus
lemon, orange, lime, or grapefruit
fragrant and flavorful
my insides bitter or sweet
and my outsides the exact opposite
high quantities of acid regardless
eat me raw
press my juice, i make a great 'ade
you may also preserve me in a marmalade

sometimes i feel like an apple
do not call me a crab tho
a globose pome
my outside has smooth shiny skin
my inside is sweet or **** yet soft
my centre contains seeds arranged in a star-like manner
i make great pies
but i also pair great with cheese
my versatility allows me to please

sometimes i feel like grape
growing from the woody vines
my flexibility is far and wide
raisins, vinegar, oil, and wines
i prefer to remain in a cluster of friends
im afraid to venture out
because i need them to sustain

sometimes i feel like anything other than me
i am tired of looking in the mirror
i have grown weary of what i see
so i pick flora and fauna
inanimate objects
weather and time
space and place
to rectify my existence
in some way that i can relate

at least when i list fruit
my belly aches with delight
personification is such a sweet treat
Joshua Haines Jun 2016
Slumping over their shopping carts
like porpoises on parade.
Baskets overflowing with
fritos, doritos, and sugar-ade.

Reckless the dream that changed
what they couldn't,
to swim through foil bars
soaring from cash to vein.
Girl with scissors, cutting hair,
to reach a new brain.

Sofa-living, so much thwarting
thoughts of inadequacy.
Streams of image, money
-- and American Honey,
I think you are fine
the way you hurt.
Coins dangling down,
above the baby's crib.
Songs of tri-color flags,
Songs of how.
Marshal Gebbie Dec 2009
Mother dear, do you recall
The day you broke down in the hall?
Do you remember why you cried ?
Why father hurt you deep inside ?
The old man gone for weeks on end
Did cause your lonely heart to rend
With sadness, made a desperate plea,
Come home Steve, please come home to me!

I watched you there in that half light
Your face collapsed, your shoulders slight,
The tears were running down your cheek,
I should have helped, I felt so bleak.
A little boy can only grasp
The simple things, the easy task.
When tears and sobbing overtake
A small boys courage tends to break.
So I stood there sadly watching you
Way back in 1952.

I recall trailing after you,
My little sister trailing too.
In failing light you staggered home
Your high heels dragging on the stone.
You’d been to McKyatt's corner bar
To meet the girls and share a jar.
We had a raspberry ade or two
And the time quite got away from you.
The cupboard's empty and the pan
So that nights meal was bread and jam.

Some days we spent beneath the bed
Whilst you and father fought and bled,
We put the fingers in our ears
And saw the wire wove through tears.
I’ve tried to recall happy days
But my head only plays replays
Of all the bad and sorry stuff
That made our childhood,
…  Oh so tough!

The last time that I saw you Mum
You looked so shrunken, thin and glum,
You lay there in that little bed
With a pillow propped beneath your head.
I can’t remember now, your words
But saw my fathers' shattered nerves.
He cried for all the broken dreams
His tears reflect your silent screams.
We left you there with hollow eyes
And kissed you without last good byes.

For years I’ve thought about you Mum
Wondered why it went wrong,
And I’ve come to the conclusion that
The war destroyed your song.
That war destroyed your happiness
It robbed you of your youth.
It stole your key to peace of mind
And muddied love and truth.
It took away prosperity
And ****** up all your life.
It deprived you of togetherness
And caused your marriage strife.
You couldn’t live with tension Mum
You needed party time,
I understand all this because
Your feelings, Mum,
…Are mine.

Marshalg
Mangere Bridge
11th April 2008
Julia Sep 2013
They asked me,
"What do       you see?"
& in each on                                                                          e I saw you,
in a different sh                                    ade, a different  
distance away (calling                                                 to me? Reaching out?),  
     so I said I saw a                                          few ducks & an old  
   woman smok                                                                ing a cigarette  
& someth                            ing like a
scho                 ol bus,
but you are not those things.

I do not see
the diamonds in you.
Paul Hardwick Dec 2013
Bottle of ***
                     But no Coke a Cola
But plenty Cherry ade
                                                     Taste is like some sort of cough brew
Ow what the  F--K  after two or three glasses the party has began
                    And it has plus
                                                     Not working for the Yankee Doller
                                            
                                                     MERRY Christmas Love Paul ***.
Bet I show up ON GCHQ for that one.     P.S.  Happy New Year  Love Paul.
Moments ago in a place called never
On a stage of fear, a frightening fever
Not a minute passed from an hour
In a glimpse of the past that time devoured
Came a man from an unknown movement
And spoke to a few but in the case of disappointment

Made a sense of loneliness for accurate reason
And sang the ballads made from every season
Reached into the crowd and talked about she who he adores the most
The prettiest face for which he could not stop to boast
Her name was never heard before by many
As a matter of fact, you can't compare her to any.

A** woman of such passion and grace
Betrothing every man from their pace
Reigning, a zesty reign
Every king would give her a crown and palace again and again
Now the man stopped from his speech
In a surprising twist, he began to teach
Calmed the people, he started to preach
And that wraps it up, just another story from a man off the beach
Rocky G Mar 2013
What a sorry sight we are
Our faces are pale
Hair is ***** and matted
The "clothes" we wear are rags sewn together
We eat what the rats leave
The scars on our arms are memories
Of what we left for this
We were scorned and persecuted
Because we were wrapped in light
Now we can't escape darkness
Our smiles were slapped off of our faces
The best we can do is paint them back on
They replaced our crowns with thorns
And we let them!
We were mocked for respecting our Father
So we ran away from home
We were fearless
But now we cower from our own shadows
We **** our dreams and devour their wings
We're monsters who once were knights
And yet our Father still holds His arms wide open
He wants us to come home
But our own thoughts hold us back
It's not our tormentors' fault anymore
They can't stop us from leaving
But we think they can
So we grit our teeth
As the b;ade greets us
Crimson tears blur our vision
Of our loving Father
Raquel Groves 2013© Copyrite protected
PK Wakefield May 2010
who art thou?dawn caked child
                                      correct
quiet
                      sounds
      so
                               silent
2 tongued
               colour
say                        no

           more
                                   bashful
mirror tones all hushed blues
dapple spring
puddles fresh flesh craves
rubber(yellow)sole
punctuating mirth flavored
moments       fade
     fade
                     f ade

fa d e


                f
    
    a
                

                         d








                                                         e
Santiago May 2015
yo no se lo que me pasa
pero algo me esta fallando
me siento desesperado
abeses no se donde ando
tal vez a de ser la muerte
que ya me a de ade andar buscando

sirva vino cantinero arrimeme otra botella
alcabo que si yo no pago
la muerte paga por ella
porque e firmado un contrato
que e de casarme con ella

yo se que boy a morirme
no se ni donde ni cuando
pero la muerte no espera
y ya se a de andar cansando
para el dia en que yo me muera
caiga rendido en sus brasos

si algun dia me da el diborsio
me boy derecho al infierno
quiero preguntarle al diablo
si quiere que sea su llerno
asi no conoser dos mundos
y ser para siempre eterno

yo se que boy a morirme
no se ni donde ni cuando
pero la muerte no espera
y ya se a de estar cansando
para el dia en que yo me muera
caiga rendido en sus brasos
Fiona Crouch May 2014
Made of steel yet her heart so soft
Opening arms to comfort all who seek
The anchor of the family binding together
Her love knows no bounds or limitations
Enveloping all she cares for in her warmth
R*ichly blessing all who are honoured to call her *Mother
Merry Christmas cobbler
Merry Christmas mate
What do you want for Christmas
A nice cold can of ade
Everyone will be my friend
If I did it now
Merry Christmas cobbler
Yeah merry Christmas to all
I would like to have Kylie
As well as Wendy James
Yes that’ll be cool my mate
She’ll put us boys to shame
Then I want anyone
That I could get oh yeah
But Christmas is a fun year
For everyone and me
Merry Christmas cobbler
Merry Christmas mate
Give us a drink of *****
As well as a can of ade
Put a picture of Tiffany
Under my Christmas tree
Make sure she’s happy mate yeah that will be real sweet
You see if have it off with all these chicks
Your **** will go hard mate
And make you uncomfortable
Merry Christmas cobbler
Merry Christmas mate
Enjoy every life
With a can of lemonade
Yeah that’ll be so cool
I love you, I love your laughter and I love your smile
just thinking of them cheers me up for a while
Oh sure you call stupid, then hit me with your books
But that only makes you perfect, regardless how it looks.
I love the look of your hair when it catches the sun
Just another reason why you're the only one
Then there's your eyes so perfect and beaut'ful
Their intense stare and the attention that they pull
I love it how I just can't stop thinking 'bout you
I love us talking makes things seem better too
I feel so comf'table telling you things
And you are my muse and so my heart sings
Talking to you's so much better than sleeping
And as I'm sure you know without you I'd be weeping
When I hear 'perfect' you spring to my mind
'Cause you're the only girl who is and you're one of a kind
I love how you call me Ade or even say my name
Girl you know I love and I know you feel same.
My poems about you, they got a much more lighter tone.
Compared to my old ones which now seem kind of drone.
Oh and when you read them, and you say that there good
Well lets just say it make me happier than it should.
I just feel so amazing every time I make you blush
And every time you do I get bit more of a crush
And when you get butterflies fluttering round inside
or when I've cheered you up, it fills me with such pride.
I love the way you make me think, I love how your lips taste
I love it how it feels, my arms wrapped round your waist.
I just feel so amazing, whenever we are close
They say love's a drug, well I've had an overdose
It's great that I can write of you, but I like the times I can't
You're so very perfect that there's no words I can supplant
You're perfect beyond words and distracting beyond measure
But you're a great distraction and it's always such a pleasure.
and I really love those times when I'm up till way past two
doing nothing all the while, except thinking about you.
Everything about you's interesting and you could never bore me
Regardless of if I understand or if I can really see.
You're the centre of the universe, the most important thing in life
The one thing that makes it worth every bit of strife.
Whenever ever I'm around you, the voices they are gone
Their endless dark is over and now it's time for dawn
Cause you are perfect in everything you say
I love you and wouldn't want life any other way
I could never tell you just how 'mazing you make me feel
Lets just say it's the one the feeling that I think's ideal
I don't think I've told you this enough so I'll say it yet again
You're so amazingly perfect that it's driving me insane
And whilst you've got all this, there is so much that I lack.
And so I'm quite amazed that you love me back.
I wrote this a while ago, back when I had the most amazing girl ever, funny isn't it, how she now doubts if I love her.
Either I'll love you forever, or one day I won't
and I'm not sure which option, scares me the most.
Forever feeling, the pain of losing you,
or that one day, your Ade, might just be a ghost.
Mateuš Conrad Jun 2018
death has a pardon,
bound to nothing,
except life...
   and life?
                 a closure
for the experience
of life, within the confines
of what death pleases,
and what
death pleases: is life!
welcome,
to the abodes of
      the eternal womb!
   past the impossibility of time
via physics,
through history, as scuh,
only via
   an accolade in epitaph,
to escape a dating of
beign born, and subsequently
dying...

make stance:

rather than stand
                                      naked;
i tree befell...
          lingered
as if uprooted...
firm to amass both trunk
and root...
   and such...
          lose believable artefacts....
culminating in
                 i guess
you can only fathom
solipsism...

                coin does the flip;
man?
                  the lampoon
of gesture to disguise
a made delay lampooning..

mea culpa mea culpa
mea culpa mea culpa mea culpa
mea culpa....

    your fault i die?
           but no fault, i live... yes?!
i have no fault to be allowed
an allowance to die,
yet i have...
          a case, a matter,
                                          to "live"!

what life, is this?!
            was leben ist dies?!
mozart-*******-haven?!
            
i guess there's but one answer:

                          lebe(n) ist: dies.
PJ Poesy Mar 2016
Holographic stew
With notes of hippie ****
Served from coconut ladles
Into your banana leaf bowl
A gift from Guru Gabigoo
For feeling his essence
He wants you to know
We are a family of light
And he is the beacon
And his light reflects through us
And if your eyes feel like spirographs
And you feel like you're going to *****
Don't worry
It's just the mushroom curry taking effect
You will feel better in a few hours
Just relax
Go with the flow
We're your family now
We love you
That is
As long as you sign here
Relinquishing your life savings
And any material possessions
Such as jewelry, stocks or bonds
Cars, deeds, access to any trust funds
And/or checking accounts
Have you tasted the Kool-Ade?
It's really cool
You should try some

Brother PJ
"Aww.. Another numbskull hipstercrite? How cute.
Don't drink the 'before-it's-cool-ade!'
You probably already have, haven't you?
Lemme guess: before I heard about it?
Y'know: on second thought, please do."
Emma Jones May 2015
Why do the faces we want T
o remember F
ade from us fastest?

Why do the faces we want to see T
urn away before W
e can capture their image?

Why do the faces I wish to forget F
ill every corner of M
y memory?
Your Excellency
I salute thee
Oh! King
King of Gbomulero
Oh! King
I salute your mighty sword
Oh! King
Kabiyesi o!
Kabiyesi o!

I lift up my mouth
To praise your mighty-ness
Oh! King
Kabiyesi o!
Your Lordship
That no dares to question
No one dares
To look into your eyes
Oh! King
Kabiyesi o!

The fighter of the spirits
The king of the witches
The night crawler
That wrestled the spirits in the dark
The only addressee of the jury
The judge and the jury
The Alápatà of Gbomulero

Oh! King
Kabiyesi o!
The end and eternity
Of Gbomulero's existence
The mantle of Orunmila
The Royal Highness
Of the gods

Oh! King
Kabiyesi o!
Ki ade pelori
Ki bata na tu pele
Kabiyesi is a word in Yoruba which means king. Ekun fun arare in Yoruba means the lion himself.  Ki ade pelori Ki bata na tu pelese means in Yoruba your reign is eternal.
cheryl love Jun 2014
Rik Mayall, may you rest in peace
He did make the whole world smile.
He just oozed talent together with Ade
They both stood out by far and a mile.
But now Rik has gone, gone into the distant land
Where dreams float and time stands still for a while
They now have giggles galore in Heaven
That's what Rik did, he made the world smile.

— The End —