The ******* of embezzled glory staunchly defend their counterfeit stature by defalcating the public trust of industrious societies governed internally by compunction and sabotaged externally by the tempests of acerbic fate met with inclement aleatory convergence. To supply a society with ingenuity without being complaisant or officious with unctuous pleas to the overlords we must fashion a new vogue that taps the bustle of giants and aggrandizes the margins to oversee their own creative destinies with scaffolded arrangements of titanic promise and justifiable fluidity to conquer the blinkered dogmatism of a dissolute chastity to inveterate apocryphal tenets of factitious but unmerited perspectives. Democracy crumbles when the convenience of sensationalism supplants the resolve of those that fossick hidden wealth and promulgate validity instead of undergirding pomp with precarious prevarications of duplicitous omission guarded gingerly by the gatekeepers of a ****** sanity that whitewashes the discussion with invented hobgoblins and purblind catharsis. To defeat simplicity and enshrine byzantine elegance as the paragon for voguish commentary rather than abide by a bowdlerized decorum for appeasing simpletons with divisive balkanization through identity politics we can overcome the impediments to human progress that are engineered to persist because of the inertia of the listless and the stubbornness of doctrinaire politicization and invent vivacity and festivity anew. We need to divorce ourselves from pedestrian quibbles of hero-worship that endanger the vitality of the common discourse because of fastidious pedantic disempowerment that ravages us with debased dreams by underscoring nuisances and tolerable nightmares that emasculate the virulence of the liberated individual and subvert his ambitions to contend with a picaresque world of limitless promise and self-motivated internal wealth.
      The bane of modernity is how chary the world becomes because of fractured histories intersecting with controversial destinies and the antidote to that poisonous self-defeating self-censorship is the audacity of brazen challenges to expurgation through assiduous resourcefulness and delicate diplomacy in wrangling controversies with outspoken courage rather than whispered resentment. Temerity waged in inclement circumstance is justified and curiosity stoked by lambent flames of fulgurant individualism should be fortified to the extent necessary to conquer the feckless spoilsports of unctuous puritanism and institutional obedience. The quacksalvers that blather about inconsequence strand the imagination in a desiccated desert that is ostracized from the palettes of the artistic whim to wield efflorescence rather than squander life in pursuit of perfunctory lucre or tenuous solidarity around banal idealism promised by social justice warriors that forget the biggest war being waged on humanity is on the ingenuity of the common discourse and the liberty to opine about real issues rather than saccharine conventions of emasculation through linguistic imprisonment and epicurean slavery to fashimites who relish the buzzword but never the enlightened audience that scoffs at feeble attempts at cultural commentary like Childish Gambino’s “This is America” music video. This particular artifact is a demonstration of how childishly fickle the plebeian mentality really is, stitching together a bricolage of violence to engineer controversy and serenading it with the most banal music imaginable and exhorting people to herald it as a high artform while inundating the world with unimaginative comic book movies and Star Wars rip-offs because of the lucrative business of formulaic replication. “This is America” should be regarded as a parody of itself because of how hackneyed its design is and how cacophonous it sounds and mocks its audience with lowbrow tactics of adding tinsel to trash and marketing it as the glory of tatterdemalions rather than the refinement of true cinematic achievements that have been relegated because Warhol’s Campbells-Soup-consumerism trumps true belletrist in the public view.
        Cultural watersheds punctuate our history with salient achievements in experimentation, but the formulaic profiteering of buzzword sensationalism and yellow journalism and the ostentatious glorification of promiscuous boasting and fancy cars tantalize the mice to continue playing slot machines rather than penning a novel or doing something promethean. The world scoffs at Trump but ignores the bigger institutional caveats that endanger us much more than a pragmatic albeit unconventional pontificator who is complicit in constructing a false narrative to enslave mindless people to fret about eminence rather than delight themselves in the consequential nuances of established refinement that used to serenade the world with flourish and spectacle. The world kowtows to the crusade against flavor-of-the-week enemies of the liberal-conservative syncretism because it has been conditioned to believe that synthesis is the only logical solution for the polarized worldviews of churlish people that become parvenus not on their merits but on their marketable pitfalls and their public foibles. Peccadillos are more important to people than virtues and this makes society morally bankrupt if we loiter around Astroturf causes that have been infiltrated by corporatism and venal debauchery and acquiesce as disempowered gossip hounds that hunt in packs to find jest in aberration rather than achievement in self-created narratives that defy the stupid purblind boorishness of the mainstream media and its haughty liberalism or the persnickety condemnation of priggish conservative moralities that had an expiration date 50 years ago. Who the **** cares about transgender-touting-gender-fluidity quidnuncs and the snooty obsession with lurid personal endeavors of reputable people that made minor ****** transgressions in a world policed by wide-eyed feminazis that seek to ransack men of their vital virulence to spotlight their unjustifiable oppression. Women are oppressed but the carnal nature of their calumniation and their vindictive powers of persuasion are deployed with such vehement vigilance and such distaste for the majority that the world relegates itself to quibbles of celebrities rather than substantive issues. There is a systemic feminization of society occurring that seeks to demarcate despotic uxorious pleasantries as an incarceration of vocal dissent against supercilious women and their tamed men that slavishly grovel in repudiation of anything prickly.  Men historically have oppressed women but the solution to this quandary isn’t a reverse discrimination where the minority concern is spotlighted as a majoritarian issue that overshadows the disproportionate nature of our society where nominal accreditation is afforded in a non-meritocratic way to absolve people of their carnality and demote the vigorous defense of human liberty as secondary to compromise solutions that appease more people than they offend but simultaneously result in suboptimal conditions that reward arbitrarily coachable people while jettisoning anyone witty enough to be capable of insubordination of a hedonistic epicurean world obsessed with appearance and ravaged by the decadence of formulaic profiteering at the expense of originality and true promethean art that is herculean enough to defy hackneyed tropes and siphon the best elements from a piecemeal world variegated with complexity but stifled by fomented hatred.
The solutions to these problems is to create a watchdog group of artistic critics who become eminent and ubiquitously heard enough to offer creative consultation to the artistic endeavors that we consume and the music that is curated for fastidious ears that crave euphonic originality rather than the banality of easily dovetailed bass-heavy cookie-cutter garbage and the gaudy tactics of talentless rappers whose swagger derives from  the intersection of opportunism and the divestiture of an industry that rewards gloated supercilious epicureanism and meretricious marketability. Am I the only one jaded by second-rate superhero movies that infest the cinemas that borrow from Michael Bay while thrusting pulse-pounding but narratively bankrupt movies down the throats of consumers that might prize the cinematic originality of the heyday of filmmaking? Is it always high art to invent controversy that is witless or half-witted just because it will create buzz? Shouldn’t we condemn the laziness of society in acquiescing to the penury of the modern cultural narrative which belabors the dead horses of racism and sexism ad nauseum? Shouldn’t we fight the war of against inequity through legislation rather than hibernating about scandalous eminence and testy malfeasance?
          Liberty should be championed above all else and we are turning our backs on the future unless we muster the resolve to diminish the sway of the common narrative and aim our spotlight at consequential endeavors rather than the tropes of prosaic and pedestrian bastardization of art and culture. We need to fight artistic laziness which has ravaged our culture and castigate the tactics of wannabee celebrities that use lurid tactics to attract an audience by bedizening themselves with Pyrrhic ostentations and rampant fakery to create more melodrama in a world that needs to be less histrionic. YouTube celebrities swarm us as they get high on ******* and lean-- at our expense-- and vandalize property and convincing nine-year-old’s like Lil Tay to flex her money like it is infinitely renewable in a finite world where all our attention is wasted on artless artifice of less talented people that know how to engineer a ruckus by strutting themselves beyond all decency and selling out to a corporatist nightmare of enslaved convenience. We need to be more vocal about the dissolution of artistic merit and the formulaic repetition of successful formulas that jade us and make us yawn about another retread of a previously successful idea that is milked to the point of cruelty.                                                         ­                       
       Let’s change the narrative and focus on creating true art rather than reacting to the meretricious tinsel of the vogue consensus which is so impotent in its ability to rivet audiences because it has become so notoriously lazy. Fight laziness in art, dismiss your news feeds, be resourceful, seek true happiness rather than find yourself hoodwinked and duped by the idea that Trump is the most important issue or getting caught in thought loops and brooding about sexism and inequality. Let us strive to be egalitarian but within limits that would also appease hominists rather than just the hypertrophy of the leftist narrative that seeks to cage us with the doublespeak of complaisant conformity.  Reject the unctuous charlatans that pretend priggishness when their banausic purpose is barbaric but beguiling to be a lullaby for laggards. We need to fight for the future of civilization rather than hobnob with convenience and loiter around decrying false perpetrators rather than systemic injustices that could otherwise be rectified if enough people fought for it. We can invent a future that is a great festivity serenaded by cultivated artistic refinement and forget about the trifles that divide us. United in ambition and fueled by ingenuity we can defeat artistic laziness and be resourceful with how we decide what is newsworthy. Spurred by the argosy of proactive motivation we can change the world in a substantial way by deciphering the subtext that governs the world. The subtext is everything!

.do you really need a disclaimer, for this sort of work? no, not really... it's not exactly being allowed the equivalency of dropping an in excess of 2000mg of paracetamol.

the one aspect of legacy media, that still has some viability, akin to rekindling the famous extract from the movie: all the presidents men... is concerns for metal health issues of youngsters, who didn't have, the, "privilege" of being exposed to internet ergonomics, other than within the confines of gaming, they came far too late for, what replaced mp3 sharing.... ideas are not exactly sound-bites of copyright infringement...

**** me... do i really have to slap then punch
myself in the face, to remotely stay
awake while drinking ***** like pepsi
sharpshooters?
     i guess so...

   i too, "suffered" from roman bulimia,
the classical kind...
   don't ask me how i managed to make
the esophagus contender of the heart,
muscle...
                 at first it was cheap choc down
the throat, missing on brushing my
teeth for 48 hours...
   then... ******* down the throat,
like the ****-style gimmick of the Watergate
informant...
       came back up, bundled in quasi turds
packages...
               classical Roman bulimia -
eat, regurgitate, eat some more,
hell, now you have a Pompeii style
banquet of the coming of age...
laxatives?
that's no bulimia...
  bulimia is an extension of an ancient
Roman practice, akin to throwing yourself
****-naked into a nettle shrub area...
to get the "itches"...
     that method, involved in energizing
the neuron extension of the skin...
              it's a "placebo" itch...
   nettles, ancient Romans,
and bulimia like the rite of a loss of
virginity of kings...
      festering at its core... of the French court...
with a *****'s teaching apparatus,
leveraging the use of, a single "tool"...
           and even though the ancient Romans
never reached my people...
i get to abuse their phonetic encoding stratum...
bulimia... sure... i, "suffered" from it...
not really, no... i ******* enjoyed
the regurgitation process...
   anti-Grecian pederasty gimmick...
(a) taking a ****
   (b) oral regurgitation
   imitating an ancient Roman banquet
(c) / (d) ensuring the two entry points
are filled by an external source -
wishing for vanilla custard *******...
none to be...
    oops...
               so no one taught these girls
about ancient Roman bulimic
practices?
   you work on the esophagus...
                       by the time i finished
the transition period...
  i automated the esophagus reaction...
like training gymnastics for a six-pack...
no longer ******* down the throat...
you say charge? i think of
a rhino juggernaut...
           so no one bothered these girls
introducing ancient methodologies
to their predicament?
    no training of the esophagus,
no two (index + middle) fingers down
their throat to ease their larynx from
a gagging order?
    none of it?
   they'll grow out of it!
i did...
       drink a liter of ***** per day
and i'm feeling: shimmy!
          upon each nocturnal investment
that i translate into writing...
      anorexia?
    give them excess coffee...
              or strong cider...
      the most pristine aperitif...
    you can't cure anorexia with either
drips or syringes...
   you need aperitifs...
                     but please don't give them
white vinegar...
           you need a balance of alcohol
overcoming the sugars...
     strong beer is alcohol overcoming
starches... won't work...
     coffee and sugar helps...
  both simulate the pristine form of
the marijuana *****...
             it's not poison...
so why should i care?
   oh but i do care... reading this article...
troubled teenagers dodge Instagtram
   curbs on photos glorifying self-harm...
ever tried burning out a cigarette tip
on your knuckle?
   ever wondered about
    warming up a hand of scissors and
giving yourself an indie tattoo?
   while at the same time...
relying on the mouse principle?
i.e. remaining pipsqueak clean from
making any noise?!
              cutting is so crass...
so unimaginative...
  you will not achieve the adrenaline *****
status of a stab-victim...
   there is no element of surprise...
but...
     if you really want to ingest pain?
hmm... hmm?
            heat up a scissor arm...
   and put it against your skin...
            and then... EAT... the pain...
with what you can surmount in and with,
silence...
                   cutting is too... dramatic...
at least burning yourself you have
not achieved the stature of a shedding blood...
cleaner, more effective,
think of orange recycling bags
collected at the start of the week...

              **** me though...
you seen the comradely behavior
of competing athletes, at the european
championships in Berlin,
   with the pole vaulters?
   Armand Duplantis -
congratulated for having crossed
the 6m benchmark of respectability...
now... that's sport!
football, soccer, basketball,
call it what you like...
   that's not sport, that's business,
that's advertisement...
     that's concussion cover-ups...

Epke Zonderland? also a doctor...
communist Poland believed in
sport, sport on the side,
   sport was never to reach status
of a mono-career investment...
            most of the local football
players from my hometown,
also worked less hours in
the metallurgy plant...
                  that's sport...
   a healthy balance...
which, mainstream sport is lacking...
oh look...
   the women doing the hammer throw,
or the discus...
   not exactly Vogue / Chanel catwalk
material...
    mandible beauties...

    to be honest? the doping affair
in the Olympic sports?
   but a minor setback of credibility...
     i rather watch that...
   than those pitiable 22 ballerinas in soccer.

The wilderness is the blank space
Where the minds can roam free
A canvas for us to paint our imagination
Happy minds devoid of any anxiety
Fresh breath of life in the empty space
Where do we take refuge if destroyed?
Wilderness is the bank space to treasure
Explore and find all the answers
For the unimaginative they have no relevance
Among the wilderness we embrace life

you stop fearing death once you stop dreaming, and treat sleep like a cruise-ship holiday of complete darkness - i mean, who'd drag imagination down into the unconscious to create dreams, rather than keep it boiling conscious of limbs and skeleton in being awake, and write a poem or two? i know, when restrictions come, cashier no. two thousand and five hundred, when people are shoved into pits and black holes they recreate their imaginative spirit in sleep, they dream... imagination not utilised in the waking hour is worth a bundle of entertaining patterns, as in: how does light enter utter darkness? the most vivid dreamers are the most unimaginative people, esp. with conversation starters, let alone main meals (relationships), and desserts (commuter silences and lost eye-contact).*

i write                                                 because
                   i don't
   like                                     talking.

I was at a party the other day
I don't usually go to parties
I don't like crowds
I don't like gatherings
I don't like, new people.
But I'm here as a favour to a friend,
And so I stand in this hovel
That looks like the dodgy part of *****
Or the ganglands of Gomorrah,
Pathetically clutching my long empty beer bottle
And breathing in air that's more smoke than oxygen.
Desperately hoping
That if I pretend to be drunk enough
I wont have to meet anybody new.

But as luck would often have it
As luck and I do not get on
My friend beckons me from a darkened corner
Surrounded by people I don't know.
She's confident, enigmatic and wants me to come over.
And because I owe her a favour I cant say no
And so I trudge towards her with all the enthusiasm
Of an arthritic Labrador, dragging my hind legs
Across the sweat stained carpet
Bracing myself for someone new.

And as I place one foot in front of the other
I can practically see the outline of the gallows.
And I notice that the walls really are an especially ugly colour
And that boy surely isn't old enough to be drinking without permission from his mother.
And someone please tell those guys not to put the owners dog in the oven.
And I wonder if I should break up those limb tangled lovers
Because I hear that that one, who's dating that one, gave that one chlamydia
and suddenly the air is too thick
And too hot
But my feet will not stop.
Because I owe my friend a favour.
But this hideous carpet might as well be an ocean
Because believe me, I'm drowning, adrift.
This feels like I've left my stomach
Somewhere four feet behind me
And I've always been so used to listening to my gut.

This is not fear, this is anxiety
The two are so easily confused, but
Unfortunately by now I know the difference
More intimately than many people do.
Fear is a cold steel
Sharp knife, with smooth un-serrated edges
That drives into your chest or your head or your belly
And it takes what it wants from you, and then is wrenched back out
And its painful, but its usually there for a reason.
Fear can be conquered
Don't laugh I've seen it
Fear grapples with the human spirit in the eyes of every
Soldier still fighting
No matter what the battlefield.
Be it desert or office or kitchen or playground.

But anxiety is fears younger cousin
and it is a wire sponge against your chest
Like the ones they use on cleaning dishes.
And it grates at you until you're raw
And scrubs at every inch of skin
There's hardly a moment when you're not itchingly pink
Until it feels as though your ribs are utterly exposed
And every eye is fixed on what you hide within.
But that's not the worst thing about it.
That's not what drives you every second, mad.
I can handle the razor winged moths that make a home in my stomach
The worst, is the irrational nature of this relative of fear.

I should not be afraid to open my mouth
To be seen, and immediately judged
Even though I know in reality
The most important people won't reckon me
On the first impression, first look, first word.
But I still am
I am scared, and that is terrifying.
And I know that this might just pass
It could be teenage angst
My lack of self confidence holding me back.
But whatever it is.
Right now, it is Everest.
So don't you dare tell me just to get over it.

But as I sidle up beside my best friend, I know she doesn't understand
And I hope she never does.
One, Two, Three.
Three people who are new,
Three epinephrine shots of irrational anxiety pumping through my blood.
And she smiles so encouragingly,
All yellow and marmoset eager.
And I take one, two, three deep breaths of smoky air,
And let my mind play marionette to the corners of my mouth,
Tugging them into a smile that's somewhat believable.
And the first word that tumbles out of my mouth is a hideously unimaginative,
“Hey.”
But they don't seem to mind.

This small talk we're making, that for me is colossal
Gradually settles the pinpricks of venom beneath my skin
Into something entirely more manageable.
And by the end of the night
Two of those three people are no longer somebody new.
And I feel as though I've made the progress of a few meters
In climbing my Everest.
But there's still miles and miles to go.  
But the thing to remember...
What I must remember,
No matter what mountain anxiety builds for you,
Be it Atlas or Snowdon,
Be it at a school, or an office or at home,
Every step that we make, on our own or pushed forward by friends
Is another meter or mile, on this arduous road
That will eventually lead to a summit, ten times more beautiful
Than the valley we just left below.

There is an energy flowing through me
A fire to consume all things

An electricity from the top of my head to the tips of my fingers

The need to create
The need for words to pour out like water from a dam

Words to change the meaning of creation
Words to end time itself

But pen goes to paper
and it drops dead.

Conjunction:
a small class of words distinguished in many languages by their function as connectors between words, phrases, clauses, sentences

- the act of conjoining; combination; the state of being conjoined; union; association:

- a compound proposition that is true if and only if all of its component propositions are true.

- the coincidence of two or more heavenly bodies at the same celestial longitude.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I am in a relationship.

a colorless word
a word of no clarity
a good one? a bad one?
a professional deal,
or one that makes you squeal
with pleasure or despair

without context or content,
a description of a status,
not a state,
but a quid pro quo

I prefer
I am in a conjunction

well recall the day
our orbits
more than crossed,
but synchronized,
when two bodies
began to travel
upon the same longitude
one direction
in conjunction

t'was the day we coordinated
on our mobile phone,
co-configured our future,
our calendars

nowadays,
I answer her questions
while she is commencing to think,
when her foolishness prevails,
she questions, "did you remember to..."
my answer, a question returned,
connected, constant and conjunctive,
"and what's my name?"
an answer conveying constancy

relationship
oft the farthest place from logical,
but you know that,
say I am in a conjunction
and the logicians will celebrate
the end of your lonely celibacy,
well they understand the truth
inherent in and of and about
your compounded proposition

what unimaginative creatures we be,
dispensing with beauty for factuality,
but facts are easily misread,
your fact and my fact, relationship,
the exact same fact, conveys neither
an agreement as to what that means

are we unionized, associated, or conjoined
what is the quality of
our related ships?

so
Dear Mr. Zuckerberg,
amend my status please,
post me
as being in a state of:
a) conductivity b) connectivity c) concoctive

no, none of those
capture
what we have
captured,
so let create a new state,
a new world,
using a very old world word
post us as follows,
"Nat is in a conjunction"

A lot of people think they can write or paint or draw or sing or make movies or what-have-you, but having an artistic temperament doth not make one an artist.


Even the great writers of our time have tried and failed and failed some more. Vladimir Nabokov received a harsh rejection letter from Knopf upon submitting ******, which would later go on to sell fifty million copies. Sylvia Plath’s first rejection letter for The Bell Jar read, “There certainly isn’t enough genuine talent for us to take notice.” Gertrude Stein received a cruel rejection letter that mocked her style. Marcel Proust’s Swann’s Way earned him a sprawling rejection letter regarding the reasons he should simply give up writing all together. Tim Burton’s first illustrated book, The Giant Zlig, got the thumbs down from Walt Disney Productions, and even Jack Kerouac’s perennial On the Road received a particularly blunt rejection letter that simply read, “I don’t dig this one at all.”

So even if you’re an utterly fantastic writer who will be remembered for decades forthcoming, you’ll still most likely receive a large dollop of criticism, rejection, and perhaps even mockery before you get there. Having been through it all these great writers offer some writing tips without pulling punches. After all, if a publishing house is going to tear into your manuscript you might as well be prepared.

1. The first draft of everything is ****. -Ernest Hemingway
2. Never use jargon words like reconceptualize, demassification, attitudinally, judgmentally. They are hallmarks of a pretentious ***. -David Ogilvy
3. If you have any young friends who aspire to become writers, the second greatest favor you can do them is to present them with copies of The Elements of Style. The first greatest, of course, is to shoot them now, while they’re happy. – Dorothy Parker
4. Notice how many of the Olympic athletes effusively thanked their mothers for their success? “She drove me to my practice at four in the morning,” etc. Writing is not figure skating or skiing. Your mother will not make you a writer. My advice to any young person who wants to write is: leave home. -Paul Theroux
5. I would advise anyone who aspires to a writing career that before developing his talent he would be wise to develop a thick hide. — Harper Lee
6. You can’t wait for inspiration. You have to go after it with a club. ― Jack London
7. Writing a book is a horrible, exhausting struggle, like a long bout with some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand. — George Orwell
8. There are three rules for writing a novel. Unfortunately, no one knows what they are. ― W. Somerset Maugham
9. If you don’t have time to read, you don’t have the time — or the tools — to write. Simple as that. – Stephen King
10. Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong. – Neil Gaiman
11. Imagine that you are dying. If you had a terminal disease would you finish this book? Why not? The thing that annoys this 10-weeks-to-live self is the thing that is wrong with the book. So change it. Stop arguing with yourself. Change it. See? Easy. And no one had to die. – Anne Enright
12. If writing seems hard, it’s because it is hard. It’s one of the hardest things people do. – William Zinsser
13. Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college. – Kurt Vonnegut
14. Prose is architecture, not interior decoration. – Ernest Hemingway
15. Write drunk, edit sober. – Ernest Hemingway
16. Get through a draft as quickly as possible. Hard to know the shape of the thing until you have a draft. Literally, when I wrote the last page of my first draft of Lincoln’s Melancholy I thought, Oh, ****, now I get the shape of this. But I had wasted years, literally years, writing and re-writing the first third to first half. The old writer’s rule applies: Have the courage to write badly. – Joshua Wolf Shenk
17. Substitute ‘****’ every time you’re inclined to write ‘very;’ your editor will delete it and the writing will be just as it should be. – Mark Twain
18. Start telling the stories that only you can tell, because there’ll always be better writers than you and there’ll always be smarter writers than you. There will always be people who are much better at doing this or doing that — but you are the only you. ― Neil Gaiman
19. Consistency is the last refuge of the unimaginative. – Oscar Wilde
20. You must stay drunk on writing so reality cannot destroy you. ― Ray Bradbury
21. Don’t take anyone’s writing advice too seriously. – Lev Grossman
image – christine zenino

variation in what's dyslexic in English:          roy-     (+)     -al - like Al Pacino - or? roy-       (+)        -all - a different slug for a tongue caged behind the 32; alternatively say: casino royal - two pronunciations of the same word, and no distinctive two-lane stresses added to say them intentionally with variance - basically one variation is missing an acute a (á) - alter to acute: dentistry's alphabet - say A - you end up adding an invisible hark of prolonging a sound from ~aye into ahhhh; the tetragrammaton is more than a noun, the Hebrews didn't see it coming, the two H variations are involved in how diacritical marks are asserted and used - i too thought it was something to do with déjà vu  - but it turns out it isn't that simple - how diacritical marks are asserted and used, or upon second suggestion: how they're not used, and what complications arise from omitting them.

for someone as concerned with people's ****** lives
as *richard von krafft-ebing was,
with his mangum opous: psychopatia sexualis -
i'm surprised he didn't throw a *** party -
stage an **** - richard brautigan apparently read
this Victorian - may i say trash? -  compendium
and giggles with friends; modernity has no stamina
for the seemingly idyllic *** lives of bowler hat
gentlemen - a sample from psychopatia sexualis:
homosexual feeling as an acquired manifestation
of box sexes (the androgynous stipend to exercise
all mouth **** and ****) - however you like it,
quote: almost every self-****** individual (originally
masturbator) at last reaches a point where, frightened
on learning the the results of the vice, or on
experiencing them (νευρασθενια), or leg by example
or seduction to the opposite ***, he wishes to free himself
of the vice and re-instate his ****** life.
you could say that, unless of course you're put off
when a girl reads you a questionnaire from the cosmopolitan
magazine, and you've seen too many Jame Bond movies,
or heard stories - or how you figured: well,
totalitarian governments aided heterosexual marriages,
championed them with the standard myths,
democracy doesn't really do that... democracy likes
the odd fetish... hence with the aid of science the fetish
marriages - surrogate prostitutes aplenty -
that's not ONE HOUR AT £120 A POP... THIS IS NINE MONTHS!
someone once lived and said: Jews and homosexuals run
the show - i think it might have been a Bukowski citation -
yeah, but who's the audience and not the puppets?
the politically, what's the word? ah, uncomfortable -
there's a strategic unit in medicine that's not the MI5
or the MI6 that deals with them under the alias P.S. -
not post-scriptum, but paranoid schizophrenic -
formerly known as premature dementia -
to me creative, to others worth sedating - meaning:
why would i write about western society in defence or
in apologetic language like C. S. Lewis and his love
affair with Christianity when i'm pretty sure i'm not
writing about utopia? why? oddly enough niece is also
said likewise for Nice - or 'aw, how nice.'
staged on the promenade des anglais - is this a clue?
anyone in touch with the security forces?
could be a pattern clue - now there are two fronts to be
worried about, the achoo right - boy, what a sneeze,
and the already involved actors -
mind boggling, how, ever, could, it, have, happened?
and i swear language was intended to be flexible,
like a gymnast - flex flex flex - which is strange that
the unimaginative always attack from their rat cages
bewildered at seeing a way out of a maze and then blocking
it (e.g. Ezra Pound, mm, the prime fascist of them all) -
it's called censorship, but in the west it's hardly a Stalinist
plot (believe, it's not utopia, i don't understand this
collective delusion that it is - somehow - and indeed,
somehow it isn't - it's called a superiority complex -
the same happened in Iraq - coverage almost zero -
subterfuge requests all over the media - now i have to live
as ethnically placed in close alignment with the people
that regurgitate all this hype - i have absolutely no reason
not to fake a clownish tear and whatnot -
it just is. so yeah, why didn't rich von krafft-ebing throw
an ****? a swingers' ball to cure all the pathology noted?
even now, or *** lives are hardly concerning -
why poets **** over the book of genesis
and leave the other books to themselves - reducing
the book of exodus into only one pair leaving -
it becomes harder and harder to relate to these books
and the people that venerate them after reading Don Quixote -
it really does - it's almost like talking to an illiterate literate
person - as agonising as it is to say it, it's exactly that.
i wonder if anyone bothered including the prefix in-
to all the scientific words in the dictionary - denoted:
in-pathology, in-sanity etc. - i.e. the first person accounts -
i do it because i would hate to go back to the gym
and complications of talking over a sunday roast -
my life in a nutshell? my laptop was so ***** that i decided to
clean it today - anti-bacterial wipes and dried with kitchen towels -
i thought the mouse of the laptop was broken,
ages ago i bought a mini-mouse with a USB port -
after cleaning the laptop, to my disbelief, the laptop mouse
started working (you know, that little touch-patch of plastic
towing two clicks) - that's life, uncomplicated -
a marvel to behold such daily problems - bound by choice
we choose what is to worry us - the next
chapter in my adventure with Kant?
the critique of all theology pouring out from the
speculative principles of the mind -
so for i've passed the ontological, the cosmological
and the theologically-physical impossibilities for the
existence of an absolutely necessary being - even if atheists,
we're all chipping in - basis? presupposition of such
a being and argued counter (cf. Satanic rebellion) -
not the agnostic quasi-supposition (basically speculative
tact) - at 274 (page no.) ending at 442 (page no.) -
oh i'll finish it - transcendental methodology should
be interesting - it's just a question of how much distraction
becomes fused with blank pixel pages and my irritability
as to how or why poetry ought to be stripped from
banal / predictable technique - rhyme is definitely go,
listen to BBC Radio 1 at any time and you can just hear
rhyme ****** - well, if painting could be stripped down
further than cubism - i don't see why poetry
can't have conversational overtones to it, one of the few
unearthed secrets of modern intimacy, just sitting there,
like ducks.

"Where's the *** gone?"

"I've got a jar of dirt!"

"So you are all going to fight them, and you are all going to fight them all on the account of him wanting to **** him?"

"Jack. Where's Elizabeth."
"She's safe, just like I promised. She's all set to marry Norrington, just like she promised. And you get to die for it just like you promised. So we're all men of our word, really... except for Elizabeth, who is, in fact, a woman."

"The lies I told you were not lies"
"You lied to me by telling me the truth?"
"Yes"
"That's good, can I use that?"

"You know when you are standing in a high place and suddenly have the urge to jump?
…I don't have it"

"And that was without even a single drop of ***."

"You have a cruel mind, Jack Sparrow."
"Cruel is a matter of perspective"

"You know, for all that pirates are clever clogs, we are an unimaginative lot when it comes to naming things."

"Aye, the original plan was to use nine pieces of eight to bind Calypso, but when the first court met the Brethren were, to a one, skint broke."
"So change the name!"
"To what? "Nine pieces of whatever we happened to have in our pockets at the time?" Oh yes, that's very piratey!"

at this point, i really don't know where to begin, in all earnet;
   this might seem unfathomable, but it's the case...

perhaps i'll begin from the end:
       ć - a shortening of ch -
                            and the case of unimaginative nouns,
say: the noun table, or chair...
       they're dull...
                           inanimate things tend to
have dull indentifications - they're dull nouns,
      they resemble the nature of the thing being named,
they don't move, they don't speak...
        but esp.                       they don't bloom -
and there's no hope for a revival of them...
   that table? that chair? it has no hope in any attempt
to return to its former, original form, i.e. a tree.

            but you already have two perfectly good
examples of a linguistic transgressions, and what's
   truly, nothing more laziness -
           the czech (check) republic...
                     what's the other one?
****... off the top of my head: i can't remember.
  
    we are talking about the second dimension of applied
diacritical marks, aren't we?
   ć     - the acute syllable scalpel is identified
                when the **** of iota enforces itself -
in an e.g. cieć (loosely... a trickle of **** from
                                                  a wound)....
                      what these symbols actually are,
are not necessarily idiosyncrasies, particular to whatever
particular they are designated to...
    look at them as punctuation marks,
             but not between words, instead within words;
sure, the ć example can only be interpreted
                     as sharpening the ch / cz compound...
because single letters are, after all, atomic.
                and there are ways of hiding -
      a č hides the z or the h: depending what
part of europe you're from...
                     but in the west they still know how to
pronounce czech republic... but have a hard time
    pronouncing the car manufacturer's logo:
              škoda - that's sh- / sz-      -koda....
                     that's being ******* rude, you don't
just avoid that sign... what? you think those people put
it up: so that it looks "pretty"?
                     the fact that škoda = szkoda (sh)
    in another langauge, and means oh well is another
matter.

    no, what really got me going to write this piece
begun as a rumour... yet another attack in germany...
football fans, bombs under buses...
         even the sadist in me (if there ever was one)
  thinks real hard about enjoying the amalgam
                        rooted in ethnicity of my nation's
former enemies... i'm really going to cringe on that point;
i cringe at white men dancing the new zealanders'
                                         - haka -
(māori)                            ergo?                      ­háka;
see it's a human decency to put "punctuation" marks
onto words... a bit like putting a kippah in a synagogue...
      so you get to then write:     ha!     ka!
           the phonetic incision in the second syllable
                                   it not necessary;
but hey! they mustered enough ***** to state in
condensed macron form a prolonging:
                             i.e.                        maa'ori.
actually, given the **** of iota, i'd write that as
                                            maa'o'rí -
         like the last letter is throwing something real
akin to a torero's                                    olé!

    what i am lamenting is the indecency of the english
language... in that they don't practice the aesthetic
of diacritical appropriation, and having acquired this
language aged 8, and having synthesised it for, oh 20 odd
years, analysing it has shown me that the english
language is far too peppered with minute idiosyncracies
that are beyond a chance of a diacritical approach being
established... as i already stated,
       czech - that word has no place in the uniform
rules of otherwise english, in matra form true here, true
there, true throroughly.
                       combine the eastern variant of
the western "sensibility" and all you get is: chech -
                                                             chalk-cheque.
                   you can't apply diacritical indicators to ease
the suffering of dyslexics when timing their syllable
intake... you really hear hardly anything of dyslexia
in poland... maybe because there are clear incisor
                                        "coordinates" in the words?
                      like commas descending from on high?

but as the title indicates, this is but a minor point,
what bugged me today was -
     the east sports birds as emblems of their nationhood
status...
     the west? ******* flowers.

the scots?             a thistle.
   the irish?      a clover.
the english?     a rose.
            the dutch?              a tulip.
   the french?   a ******* lily!

           coming from a people that has an eagle
as its national emblem, i thought:
                         how about we choose a flower for
ourselves, and imitate these former angry colonial *******?
but on an implosive basis, so we bite into the rocks
   and slur out the words:      i'm not moving!

so i asked an older soul...
- given the above examples, what flower could contend
                  to be the naational flower of poland?
- well... there's the malwa (malva - mallow)
                 and there's the dalia (dahlia).

   i actually can remember the scent of a mallow,
the flower as such doesn't smell of anything,
   a bit like a jasmine....
                                              the leaves have the distinct
perfume, just like nettles have the distinct itch
protruding from their stems....
                                  but i was like:
   sure the mallow could be a national emblem of poland...
       but i was like: that doesn't go back to the root
of my curiosity...
                         some nouns sound so much better
in your native tongue...
       i know it's not a flower...
                   but when you're walking in the ancient
heart of your soul, that's a pine forest...
                    and you spot a bush
         and it's a paproć   (ferns!) -
                                i'll choose that as the nation's emblem...
sure, the mallow does have a nostalgic potency
to remember my great-grandmother who survived
           the second world war...
                                      but i kinda like the word
      paproć.... plus, it wouldn't be clever to imitate
western nations, with their....    FLOWER! POWER!
    i really have to make a cryptic joke by now:
   lauren sauthern = leonid brezhnev = gordon brown.

i can clearly hear how english mutates...
a book review by a channel... better than food...
the book he's reviewing is goETHE's captain faust:
and the non-avengers...
but no...

i don't hear: stick an umlaut anywhere you please...
i, "for some reason"... do not hear
a: Θ... a göethe... or a goëthe (ladin alphabet -
the germans know about this)...
there is this... goe-ether association...
it's sometimes a riddle of goë, göe...
or quiet simply...
the remains of the ancient latin grapheme (œ)?

educated people make this distinction -
and they'll catch "you" out on it...
since... they represent the Hyacinth Bucket brigade...
gynocentrism doing a snail-trail:
one step forward... two steps back...
it's beside what the linguist "says":
a bucket is a bucket a ***** is a *****...
otherwise? glorifying such a harsh reality
of a surname like: bucket... but not beckett?
no... "samuel"? well then...
it's not a bucket if it's somehow
translated via chernobyll as: bouquet...
is it?! is it?
because even in french: they self-cannibalise...
i.e. they "eat" some letters...
they write one language: but speak another...
what isn't bucket what is nonetheless
bouquet? well... isn't it: bouque-?
it's not even that... boo-k for the ones that
still hear... and can write grafitti schlang...
in some variation of a german...

becuase educated people can get away
with treating GOETHE...
as?  '/ˈɡɜːrtə, ˈɡeɪtə'...
or in simple-me-and-you being bilingual...
fiddling around we arrive at:
Göerte... which is "said"...
but this "lunatic asylum" exception has
to be written: with a clarity of a *******
Greek THETA... a fin! the end!
which always makes lying easier...
when you can: say (a)... but... but...
imply (b)... like some "metaphor"...
some forever useful tool of nuance...
some "spectacle"...
it's easier to lie when... you say (a)
but are "implying" (b)...
then you can blame it on...
not allow the literacy of the masses:
quite as much... you require... exceptions
to the rule... to **** out the lesser educated
"people"...

don't get me started...
born? Ostrowiec Świętokrzyski...
perhaps i should have never left...
3 years in Edinburgh...
over a month in St. Petersburg...
somewhere in Paris, Stochholm, Venice...
Athens... Belgrade from a distance...
Amsterdam... two weeks in Kenya...
and a nonchalant attitude surrounding
London... a strong distaste for Warsaw...
a myth of Cracow...

and no, i haven't been everywhere...
but... after a while... does it really matter
where you go, if you're bringing
expectations with you?
expectations and postcards?
clichés? clichés expectations and postcards?
and... a whole lot of strangers
you haven't met?
tourism and: feeding the ghost town
mentality... perhaps a ghost town would be
something to behold... instead of this...
atypical metropolitan casualness of avoiding
each other... busier busier: and no more
busy than once pronounced dead...
but wait for it: you're at least given a "scene"...

but no... i know one language that
makes pedantic orthographical observations...
but i also know a language that...
write one way... speaks another...
whichever way, best, to suit it...

and you "know" it would only be Fa-Ber'g -
no... borrow the j- from je suis...
if that last E was not an acute É...
but an grave È (grave... or? gráve...
grrrr'av... not a hey hey grave...
GRA-Vity)...

hence? my point exactly..
if the diacritical markers are respected
in fwench... with an acute É and a grave È...
why do "we" need... I(i) and J(j)?
why not... I(ı) and J(ȷ)?

besides... ever imagine writing an autobiography
like a Knausgård... defender of the runes
for a sentence in volume 1...
major google-maps ****** *** volume 2...
i write that with a "glee"...
i mean... you can be immediately be put off
writing an autobiography...
just to avoid the mediocre descriptive elements
of using something more complicated
than a hammer...
for an otherwise... less than a hammer's worth
of banality: evaluation of modern banality /
procrastination...
no one we have been given these complicated
tools... and to the best of our abilities we
best procrastinate, using them...
i hardly think a hammer would be used
to... pretend to play the drums...
but yes: Knausgård... the defender of runes...
irony... but the mr. google-earth guy to turn to...

yes... and before i discovered a past...
there were the runes... and there was
forever this latin morph of the barbarians
"thieving"... but there was also the glagolitic script...
apparently! and before that there was the greek!
and... somehow... i did arrive at having
to master some vague understanding of
mother cyrillic!

- but prior to... did you know what
slavs love cabbage? all the pakistani point this
out: slav love cabbage!
today? i watched the film Layer Cake
and made some cabbage soup...
Layer Cake being? the pre-to-a-bond-film
taster for the actor Daniel Craig...
it was hardly a Guy ******* Ritchie film...
woz itz? but... a decent actor advert...
with "hindsight"...
if i watched the film then...
or as i whatched the now...
and all the known actors jumped the train...
well... cabbage soup... base?
a decent polish / jewish chicken broth...
most of the chicken goes into a ***...
except the *******: you make a *******
roulade with that...
and proper potato bakes...
potato bakes like Heston Blumethal
boils a soft egg...
tatties in cold water... until they start boiling...
then you hunch over them...
boil them for a decent fiver...
turn off the heat...
again... hunch over them...
like an inquistive condor waitig for
the water to stop bubbling...
asking the question: are we all ready...
for the oven? yes, my toy soldiers,
are we, ready?

apparently they taste like christmas
tatties in waistcoats!
my my... what a lovely affair!
cabbage soup? you really need a complete
lack of imagination and a work-around
using root veg...
the european way...
but what is preferred is ensuring
you make a cabbage soup like...
a slav treats a cabbage like a frenchman treats
an onion: you suffocate it...
an hour minimum...
until the crass ******* boils out...
and you're left with...
a sweetness... and softness...
bay leaf all-spice (english spice) included...
some kiełbasa (etymology?
root... kieł- derived from the plural?
kły... canines... suffix -basa?
baza - base... canine-base...
something that requires an understanding
that elevates the dog, "debases" the man...
no quran reader will understand this:
for lack of a better word: shaming food...

where would pakistani cuisine be...
without the pantheon of hindu spices?!
i'll eat like a dog and in so doing:
live a tier above a king...
i still find it highly unimaginative...
to call one fruit "forbidden"
and one meat: "impure"...
whatever Gabriel spoke to Muhammad...
never really explained crab meat...
crab meat crab meat...
the Maldive muslims eat crab meat...
what's crab meat again:
when it concentrates a comparison
with ol' porky porky? scavenger of the seas...
what's with the muslim beef on pork?
and god was critical...
of his perfected animal worthy of
consumption... looks pretty silly from
Beijing... so Beijing is ensuring that Muslims
"look silly"... well... "live"... silly...
so god was so... this that and the other...
then he lent his "all knowing wisdom" and said...
no... this one animal... which you can...
butcher and make use of...
all that's missing is the oink and the hoofs!
or whatever it was: i can't eat the oink,
the grunt remain's the bacon's owner...
and perhaps the "hoofs"...
but such a pristine animal...
tapeworms come... much larger in size...
from aquatic flesh... so...
tic-toc... tic-toc... pull a sly porky on me or...
Gabriel my ***...

the Pwophet sez!
much easier these days: to, "get away" with "it"...
camel jockeys turned oil barons...
yachts... whizzed-up-*******-white-****-****...
and never... the odd-ball from
that long extended lineage of the family
living with a cuddles *****, soft toys...
east of Beirut...
that pencil girth's woe explosion in the sky...
"built" by people...
who employ slave Bangladeshis for
a sunday's worth of sabbath cricket in the desert...
i thought that deserts were only good
for waiting for qurans and dinosaur blood
and myopia and... the odd dehydration
hallucinations?!

i'll eat some sushi to sober up before
i accompany my mother: circa 60 getting
a hip replacement surgery done on her...
i'll sober up: but first things first:
spew...

mind you... below you will find some
ancients inscriptions...
i had to wonder: if the precursor text
of the anglo-sphere people...
the germans and "celts" of the british isles...
the welsh... the scandinavians...
was bound to runes...
before the latin men came...
what did "we", the slavs, use?

before the greeks allowed us entry into
the realm of mediating the otherwise:
quasi-fathomable?
cyrillic is what came: AFTER...
but there was a prior...
i'm no longer interested in the prior...
no more than i am interested in greek...
i once slurred russian cyrillic
for not having any diacritical markers...
i knew they had them...
but that they were... crude...
for lack of a better word...

how does that theory sound?
the: ex Africae omnis est Africanus...
sorry... what?!
giving my scrutiny of phonetic encoding...
am i closer to speak...
or thinking, and if not thinking,
then, reading?!
by the looks of it...
i devolved from encoding in
chinese... perhaps not so much:
sanskrit... but i most certainly suffered
moving across Siberia: obviously: not "i"...

mind you: i've looked at "it" and thought...
me, reproduce? add a stranger to the equation
of my family? i'm just happy to end
the libeage... thank god i don't have
some inheritence complex abounding...
no expectation, no "legacy" akin
to a surname like Rhodes (circa NY)...
i was born with one ****** surname,
which changed... i'll die with another ******
surname: that never made it to a status
of Eshlert... nonetheless! i'll leave...
like a ******* Einstein of an acronym:
E = MC... good for me! bravo ty! bravo ja!

beside the egyptian hieroglyphs...
i'm yet to read something...
from... Congo... perhaps i'm just too ignorant...
or the -igger shade was just too much
that it... grabbed my attention and
i forgot that the victim olympics didn't
happen every 4 years...
but every... whimsical time-span of...
a quarter of the length of a fortnite...

whatever: all out of africa implies...
i'm writing in a devolved chinese...
frozen bits across the siberian fickle desert...
next stopover? Novosibirsk!
no need for pyramids in Novosibirsk...
no "awe" to be found...
when you're toe-dead numb from
frost bite.... is there?!

my letters are a sieve... they allow meaning
through like hands praying to cusp water!
it's, the, reality...
you have ****-wit socialists on one side...
and then... this hyper-inflated
darwinism is all historism on the other...
middle ground, people!
"democracy"! i stand stand both the marxism...
or the darwinism... but arguments failed...
or? we can have the extreme of both ends
of the argument! enough of reading
Pasternak will teach you...
hey... shhh shhh... the collective can
congregate any minute now...
they don't need that many intelligent people
to rally them...
what your, "your" side needs, though?
if enough brass people: stupid enough
to entertain, to lulluby...
em... that's now much to "go on"... is it?
the intelligent with pour gasoline
on a fire...
the entertainers will simply pour
cold milk into a saucepan that contains
milk you're warming to...
melt some butter some honey and an egg yolk
to self-remedy: devoid of big pharma influences...
a witches' brew for a cold and soar throat...

side note: do i "worry" about not having children?
if i lived on the Faroe islands,
Greeland, Iceland, Norway -
i most probably would probably mind...
small town mentality: enlarged...
then again: my family, "my" and "family"
is not exactly accomodating...
why am i not spending time with my grandparents?
at least one side... the "patriarchal" side
drops off: accomodating the madonna anyways...
a sister (my mother) and a brother (my uncle)
are waging a war...
this... "eastender" soap opera is...
i don't have the finances to grativate away
from it...
enter children? and they'd be more ******
up than i already am with my libido
and no outlet... i've stopped seeing prostitutes:
no because i felt "bad":
that one time we only pretended to be
leeching / kissing oysters just because
i forgot to trim my ***** hair:
like some western feminist argument
about the exploitation of romanian women "matters"...
when... the labourer drones of men
of building sites... coming in to work...
hangover... might perhaps... stop...
fuelling the english lush economy...
i didn't want to have children because:
family-wise? things, "things" are messy...
and there's no magic carpet to get me out
of here... not when the last surviving remnant
of a past... i.e. my grandmother,
talks to my dementia riddled grandfather
with the words...
and he stresses them: you no good...
skurwysyn!
elaborate? sure! z-kurwy-syn...
from-a-*****-son..
my grandfather's mother...
well... let's put it in facts...
my grandfather is an illegitimate (
oh **** me, i spelled that right, drunk)
son... his mamma then married...
the father of this illegitimate child...
was a polyglot... spoke 7 languages...
emigrated to the U.S. of A...
remarried, fostered some shards of glass...
and sent his last postcard...
from Niagara Falls... before jumping
into the kamikazee sun...
oh my family is perfect...
then this mother of his...
had two children with a man...
who would beat my grandfather...
which is why he became a "pioneer"
coal-miner aged 15 or 14 or 16...
then this one kid ended up being
fostered... then this "watermelon" of a kid
(nickname) came out...
from a love affair... and when the "*****" died...
his quasi-foster father lived with him...
and in this custard: he...
the father semi-god-know's what...
abused the old man for putting up with
him as a love-child: in wedlock...
and... well thank god there was
no epitaph to begin an end with...

me and children? i am gracious,
i am kind... i don't want them to inherit this
history... which is worse than
a history of germany... at least those *******
had the nazis... which is worthwhile
in terms of exploiting them via video games
as those: evilz badz guyz!

i always think: the sooner i'm dead -
the more chances i have
to either dream... or breathe...
currently i quasi the former and accept
the reality of the latter...
but me and children? my, own, brood?
em... for some capitalistic driven darwinism
pressure ploy of narrative?
taxes and retirement plans for
the western: placebo: aged?
grand'm'ah and gwand'p'ah not fit under
the same roof... set them on the butcher's
path toward the "shop" of wrinkle
and: pristine effortless economic
endeavor... the pig's the lot...
economic meat and... about as barren as a dinner
plate scooped up for examination
once a pauper sat before it to supper...
ingenious! if only, if only we were all born
into a Charlie ******* Dickens' lot of life!
then, only then, we could, we could
perhaps, perhaps: write about it!

i have seen how people have lived their lives...
how... they had wish to write about it...
which always involved a lot of other people -
movie scripts written by directors
and not... actual manuscripts of scripters...
they would write... but then:
started to gag from **** at the mere of thought
of being: brutal, honest, honing...

people either write an honest autobiography,
they ghost it: have someone write a biography,
they write an autobiography that's
designated as: tabloid...
but most importantly... they forget...
a "Moscow"...
when i was in Moscow... i felt like i was
in London for the very first time...
a last time...

i did mention that i didn't envy the russian
diacritical approach...
the odd: miss and "there"...
but no... i didn't envy them...
to me there was no russian orthography...
there is an orthography: which you mind
above any metaphysical discussion...
when, and only when... aesthetics comes
into play...
i.e. rz = ż and ó = u and ch (cerp i ha) = h (samo ha)
this is how orthography is born...
sorry... i'm too "busy" dealing with
orthographic ******* to even mind
your "metaphysics" or a death of (it): interim...

as i stood at the feet of the tower of babel...
i started to su doku the pieces that
pleased my eyes... and the pieces...
left in leftover arabic squiggles of
the remnants of the 20th century...
and the new emergence of environmental
beijing free-of-syndromes to spawn
the 21st... or...
the child of a one-child-state-policy
without a Beijing... only a gradual evaluation
of... concerns for...
not giving birth to yet another ****-wit
of the world's counter to: another
****** of a gullible persuasion...
given that law is blind...
he must have been born: deaf!

- you didn't see me coming;
i didn't even see you leave... -

since the greek letters i tend to most "forget"
are:
- gamma lower-case (γ) because
of the upper-case upsilon (Υ)
- lower-case zeta (ζ) becaue
of the lower-case "11" (ξ)
- eta, lower-case (η) is no real grief
with lower-case EPSILON (ε)
until... you enter the cyrillic
"debate" of е and э...
- lower-case NU (ν) and lower-case
UPSILON (υ)
- Ξ (Θ, Φ) i.e.: XI, PSI, CHI, PHI...
return: that first 'un' is an ale'ks...
alex... but it's not an X in the way that
CHI expresses itself in CHurCH...
lay-teΞ...
- then again... greek orthography begins
in SIGMA... those... quasi-germans...
those remnants of the northern / teutonic
crusade... those Pruσσianς...
or... Prußianς...
the greek F and the greek "F"...
key into a keyhole: Φ...
key turning in a keyhole: Θ...
the iota of four uses... Θ, Φ, Ξ... Ψ...

but that's only the greek... i will not touch
on the glagolitic... until, barely skimming
the draft months earlier...
until i come with my own diacritical markers
and show you: how i was wrong...
yes... the russians do use these markers...
but they, mostly... do not "accent" them...

because i'm no Ezra Pound i didn't have
to imagine going as far back
as the Taoist ideogram...
because i remained bound to the anchor
of europe and...
i really didn't find anything of worth
in africa encoding: silence into their
verbiage with anything:
beside the odd spell of hieroglyphs...
so? i am not an Idaho man...
or whatever mid-western miss-western
******* the genius came from...

i don't have an ideogram:
i have a synonym... the sound is exactly
the same... but Charon 'ave their eyes!
mind you...
ądam and ęwa are off limits...
as is: ł... then again: given that i write in english...
em... "yes, and no"...

but here's my rubric... a rubric implies:
i will not narrate this crap:

don't get me started on the russian variations
of Y... i once said... because the greeks had
names for their letters... and the romans didn't...
well... in western slavic: Y "why, I" has a name:
e'GREK... iGrek... e and i are interchanged
between the western slavs and the islanders...
but the russians?
let me Shakespeare that for you:
pre-scriptum - don't ask me...
how oh how a german umlaut infiltrated
the alphabet: i blame catherine the great...
you have...

е (ye)
ё (yo)
й (-y-) - which acts like a "ȷUDAS"
ы (ý) - alt. to? ıGREK
ю (yu)
я (ya)

all that's missing is a: иы variation?!
let me check my pentagram of vowels...
e, o... u, a... oh right... IO-T'AH-T'AH-T'AH...
sinking the ******* POTEMPKIN!

it's for the best: i'm entrenched in two languages...
which makes me "schizophrenic" /
bilingual... ergo? i have to write in at least:
four... pepper in some latin etc.....
and modern slang? i need that...
and some german... and perhaps a dash
of Gaelic... and some scandi-navigational
pseudo-romancing the rosetta stone...

the rest is quiet "simple"...
a french-atypical acute... because there's no gr'ah-v'eh!
grave ole...
and a dot... like the dot used for no real purpose
in english...

i.e. ь involves the acute...
while the ъ involes the "horde" symbol...
either the dot above the Z in ż or the caron
above the R: ř...
alternative interpretations invoke
even more: 'hide and seek" mechanisms
of the russian Y...
  объект: interJEct with an obJEct...
thus? there just seem to be gradations
of hiding a why (y) with its added vowel...
and its mutant й... crescent mongol moon...
and all the rest of "it"...
since when you "borrow": yew borrow...
you get something along the lines
of: e.g.:

ć.        ць: c.f. surnames ending with -CKI
ń.       нь
ó.      "u" or? Loonin...
ś.        cь
ź.        зь
dz.     ž (dzik - boar - the wild adjective is a tautology)    
ż.      ř       rz   (зъ) or? ж...
ł.       woad... łagodny (he - gentle)
                        łagodna (she - gentle)
š.      sz.      ш             (sh)
č.      cz.      ч               (ch... you're not foreign
to graphemes... mr. Æ ms. Œ...
you simply haven't seen it applied
to consonants... only vowels!)
щ     šč     (szczypta - pinch -
a germanic, saxon "ch" is a cz...
or a caron above the C...
ch' ch'.... akin to the caron above the S...
sh' sh'... so far away from "god": YHWH...
yet so close, so, close!)
ha ha... a "dangling bit"...
and i thought the russians weren't
good at hiding "things"... from ш to щ
you have hidden: a caron a "c"...
a ****'s CHeap... in a dangling "left-over"...
of an otherwise caron S... heap of SH SH ****...

in terms of the cerp and ha and samo ha?
the greek χ (chi) comes into play...
but not like a cheeze...
more like a vowel-catcher breath...
eerie as ****... a HA HA with...
cHA cHA! i.e. like the surds you allow
hindu words access to: gnostic -
'nostic... or... knife... i.e. 'nife...

it's no surprise for me, now...
out of all the black caribbean kids,
the indian and pakistani,
the africans... i was one of the first
to: come out swinging from under
the iron curtain:
distrust levels? high... near almighty...
not enough "japanese" in me
to squander a late debt from
Hiroshima or some other etc.

in some remote original draft...

as ever, i drink, and am a nobody, but then i find myself inclined to look upon the god of gods: whatever remains of worth for the phonetic encoding... whether latin, greek, rune, cyrillic, or ⰒⰑⰃⰀⰐ ⰒⰉⰔⰏ (another googlewhack)... the glagolitic phonetic encoding... sure, first they'll ban the runes in sweden, before realißing that... there's another alphabet... the glagolith...
                  Ⱉ = Ω, given Ѡ = ω...
         this alphabet has been suppressed, long enough!
to be honest? i've never seen a more beautiful letter,
anywhere, other than in the glatolith...
     Ⰿ = M = ᛗ...
                      maybe that's why i like my given names
so much...
                            ⰏⰀⰕⰅⰖⰞ
                 i too! i too have a past!
             i don't need to peer into pseudo-arab ***
the quran religiosity of hieroglyphs
of the northern africans, camel jockeys!
                             there's, oh there's so much
more at stake than the runes...
                what of the Kiev Rus vikings?
this, this is their language:
                ⰕⰑ          "ⰏⰑⰆⰅ"          (może = maybe)    
(to = this)
                                                   (ⰜⰀ = trzeba, trza /
                                                            tsa)­
            ⰕⰔⰑ (tsa)           ⰃⰀ (ga)     ⰂⰀⰓⰉ (vari)
               (gadać = converse... gavari)

    Ⰴ (d)                ⰆⰫⰕ (żyt = fathoming life)

                             ⰆⰫⰕ (worthwile noting:
this is out lot of, a, life)...

      ⰛⰫⰛⰍⰀ (szyszka = cone, of the ᚦᛁᚱ /
                                     ⰡⰑⰄⰟⰀ - fir /
                              jodła tree)

see, i can't solve crossword puzzles...
      i don't know where i would begin,
fathoming this sort of "plaything" thesaurus...
i can play a solitaire mahjong,
i can solve you a su doku puzzle
without wanting to compensate myself
by competing...
                  
   but i do know...
                    what conjured the atom,
the letter?
  what conjured the atom, the letter,
and subsequently, the alphabet?
        noun...
                  the cipher conceptualißation
of making a name, smaller,
so small, in fact...
that letter emerged, and names were
no longer indicative...
of a meaning...
  so much so, that units were
formed, fathomed...
and when merely giving names
to these units, akin to the greeks,
alpha...
        which had to become a-lpha...
and beta had to become b-eta...
          well... only thanks to the latin men...
they became songs...
sing-alongs...
   very much thanks for the H vowel
catcher of the hebrew god...
ah... said the castrato...
  b'eeh sang the castrato...
           em...
  obviously the devil managed to keep
some of the letters...
z'ed...
                 it's still bewildering...
how the latin men "reinterpreted"
the northern runes...
   as the greek men "reinterpreted"
the north eastern glagolitic script...
and to think! to think!
    Ⱃ = R = ρ = rho...
         but what happened, "elsewhere"?
ᚱ = R... but... but... where's the trill?
R, as a letter, looks like it's about
to hide a leg... and start rolling...
ripping apart all other onomatopeias
associated with the rattle of a rattlesnake,
or the sound it could make,
to associate itself with the sound
of water boiling... where did that "go"?
with the french hark "innovation",
and the english tongue...
being bitten and left numb by
a tarantula?!
                      
  point being... i never imagined myself
much of an archeologist...
i always found:
  if you state your "necessary" freedom
to speak?
you're a tongue inside one cranium,
at a particular time, in a universal space...
but, like kierkegaard,
you care more about a freedom to think?
i'm "here", i'm "there", i'm "i'm"
like heidegger might state...
                  using this very modern
language that's english...
          but then sliding back into...
an obscure region of history...
      in two places at once...
        at a universal moment in time,
in a particular space...
                   talking exhausts me,
whenever i start speaking for more than
ten minutes,
there is a cotton mouth infestation,
my tongue turns into a serpent about
to shed a layer of its skin,
and, if i'm lucky,
i will not swollow the tongue...

                    and why wouldn't the runes
be more protected, but currently under
siege -
             both the latin text and the greek
text (respectively),
had the ambition of performing an
x-ray on the runes and the glagolitic texts,
treating them as pseudo-hieroglyphics...

but they found similarities,
   which made this foreign phonetic
encoding systems relateable...

ᚠ = F
                ᚢ = U         (copernican "up-side-down")
ᚨ = A (strange sort of arithmetic, / \
                                              )
               ­ ᚱ = R (d'uh)
   ᚺ = H...
           ᛁ = I
               ᛋ = s
                ᛏ = t (what's with the "bending knee",
so much for the supposed: "arrow"),
               ᛒ = B...
           ᛖ = Σ = E...
                   ᛗ = M...
                   ᛚ = L...
                  ᛟ = o - crude version of circle...

so? the latin men had an easier way to
fathom the runes, and ingest them
into the x-ray vision of post-latin...
   the greeks with the glagolitic script?
much harder...

         Ⱂ = Π = P = ρ (rho)
                 Ⰰ = A = ᛉ = Z...
             Ⱇ = φ = ᚦ = θ...
                             Ѡ = ω...
                Ⱑ = A...
                          Ⱔ = ε....
                                            Ⱚ = θ...

but i agree... you couldn't get "our"
peoples to where we are now,
with these pseudo-hieroglyphics...
   after all: Ⰿ (M) is a beautiful letter...
in glagolitic terms...
          but... it's too complicated for us,
at this moment in time...
it might have had all the necessary
practicality in its necessary time...
that it was allocated to...
but... given people these days
are looking at X-|ɔ\
                              / \ /_ / ?
                            how ******* hard must
it have been, when,
the phonetic encoding,
was as hard as it, to now, us,
it seems?!
                   so... whatever is happening
in sweden, right now?
       i'm not bemaoning it,
   i have a tattoo... it reads: Sienkiewicz...
the swedish deluge of 1626–29... a.d.,
          **** it, ban the runes...
i've "just" discovered the gagolitic phonetic
encoding, the sort of **** that
st. cyril and methodius had to work with,
and it wasn't as easy as translating /
incorporating the runes...

                     oh sure, i'm waiting...
                 first they ban the runes...
   then they'll have to learn something akin
to the glagolitic script...
             returning back to their x-ray
latin lettering...
                       i still can't believe that
james joyce got away with writing finnegans
wake... without ever employing a single
diacritical marker...
spewing out... what became the modern
english grafitti spreschen...
   e.g.: lolz...
                              und: L8ER...
it's like: the worst of the worst of what
already is the worst in the form
of the h'american demands for acronyms.          

after watching an old couple walk
past me into the supermarket:
    or unlike the men climbing
           the matterhorn:
   which from postcards seems so
much more majestic in its formidable
shape than the goliath everest
    (from postcards) -
                 5 miles, a dark forest,
  and i can show you where english
druids chant: satanus in excelsior!
   and i thought i spoke bad english:
it's: in excelsis satanus...
       i would have approached them,
but then i was alone,
      and there was one idiot shouting
and about a crowd of twenty disciples:
you could hear the murmur
   adhering to the chant from a distance
of about 300 metres...
                    i only had beer on me,
no goat blood, no woad pigment...
                crash a party when they
were having a party in complete
darkness?
                     it's a good thing there was
a song change on my headphones
               and for a minute i picked it up...
wait a minute: i thought i owned
these woods, walking at night?
               ragnarök blood of Hvalba:
unfortunately the norse founded
kiev,
           so if they founded kiev,
                they must have past where
i made mark as: the land immune to
                                       the black death...
if i were an academic with a stipend,
   i'd write another boorish book on the matter
to attract moths...
          but the old couple, hand in hand,
shrinking but not exactly disappearing...
     in me the inherent conceptualisation
of a twin, like a limb missing,
  but with all my limbs intact...
              yet still a twin gleaming in my mind,
as the story i was told in my childhood
no echoes like a behemoth ghouling:
    they said to me:
   did you know that in this world there exists
a person that looks exactly like you?
         what? so i started looking,
      not leonardo, not brad,
                    can't compete -
            if i really am the stronger twin
                 who sent my twin to the plough
and the hearth... am i not to suddenly
    lick ash?
                  but the old couple:
   what a rarity to see, dwarfs,
                                  of former majestic
forms... elsewhere the single mother with
a baby in a buggy at 10 minutes to 11 during
the week, bewildered by reading
frozen foods labels...
           oh... about the supermarket...
grr... mein gott!
                    Surabhis! Surabhis everywhere!
the joy of walking into a supermarket
last, aisles as spacious as any king's
    lonely castle...
        but in the hours 12 in the afternoon
till about 5 in the afternoon?
        traffic jams!
                   zombified shoppers, women,
of course, children to boot...
                           how many times i might
have bumped into them...
      gaze lost, hazy eyed...
                 sometimes i had to walk down one
aisle, emerge from another, just to pass
  a woman standing fiddling with her
hair...
           the new meeting place, apparently,
but that's beside the point,
   the more i listen to radio,
  the more i learned that i'm far from
a music snob...
            take for example:
       free deejays's song
                            el amor es un party...
what? cuba not pretty any more?
              but there's a worthwhile observation
in there:
        only rich men have the chance
        to play a woman's game of "the chase"...
        only rich men get to "chase" women...
        the poor schmucks?
                          ****! have to live with them.  
****... i need to find that
    one exchange in ingmar bergman's
film wild strawberries:
            when the old man wakes from
a dream-memory in which he is
the ****** of a **** scene...
        where a woman is teasing a man
to the point, until he transcendes
                   a teasing woman,
                       and finds a Jezebel...
so upon waking...
                the "children" are picking
flowers in the rain...
                          and there's talk of
abortion...
       at this point it's gone beyond
castration...
                      the conversation invokes
the death-mask of man,
    or man as tomb, and woman as
the robber -
                         apparently once impregnated
man cannot ask for his ***** back,
and in some twisted way:
           and as much as i'd like to "cheat"
having found the screenplay online,
   i have the misfortune of owning the ****
movie...
        and how i like returning
to silent cinema, black & white, foreign,
with subtitles...
                     at this point,
because didn't place the subtitles: on top
of the screen, but at the bottom...
   well, **** me: am i looking for
Cindarella, because focusing back
on those faces means i seem them without
lips and merely eyes and noses,
   and perhaps a chance to spot
   a wriggling, morphed into an insect
st. peter's, if not van gogh's ear!
              or the lost "art" of handwriting...
Cinderella? my focus is so low from
      the action, that i might as well be
  watching, either a ballet, or a *******
riverdance!
             dr. isak borg (a)
marianne borg (b)
        dr. evald borg (d)

such a weird and heart-numbing thinking
went into writing this...
i have a history, a past:
regardless of having children and with
their existence: some sort of guarantee
for a future...
that i have a past, a history,
and it exists... outside of its current
written format,
that i can escape with or without having
children: that i would have probably
later ***** mentally...
having ingested all this third party
quasi-history propaganda
for the only history that's being
salvaged: the insect prone libido
of a status quo... well then...
let my "failure" be the patent for all future
success.