Balance;
Balance is what we want
Balance is what we believe we want
Balance is what I believe we want because
Balance is what sows what we call imbalance
Imbalance is what we believe we hate
Imbalance is what we need though;
Balance is the writing
Imbalance is the highlighter
One can exist without the other
While the other’s reliance is desperate and sporadic;
Balance in its own right is imbalance
Imbalance is bred from balance
Imbalance is bred because we realize:
Imbalance is what we want
Balance is what we need
Both are interchangeable
Both create the never ending cycle that we call life;
Without imbalance, balance would be boring. And without balance, imbalance would cease to exist.

An unfamiliar imbalance has sunken into the very being of my existence
Sluggish and slow, the twenty-four hour days repeat themselves
and I feel the imbalance continue to grow...

Creativity and emotions bubble to the surface of my mind
whirlwinds of interlacing thoughts and ideas yet to be formed into stories
worlds exist within my mind,
slowly evolving, growing, living, breathing on their own

But tethered am I to the world of imbalance
where red skies and black ground damper the life within
concrete creations and false purposes that provides printed success

Tethered am I to the world of imbalance
where greedy pigs squeal and splash until they get their way
evolved to wear suits, and leave the squalor to the poor

Tethered am I to the world of imbalance
where a false savior excused future sins
but offers no solace to those whom the sinners wronged

But,
against a darkness wearing my own face
against tyrants who control my life
against every defeat wrought by my mistakes

I still stand, a legacy of lessons at my back, and an immeasurable amount of teachers ahead

Despite the mud in which I travel so slowly through
my feet carry me forward, the weight of my world on my shoulders
This is my journey, an epic told by whimsical poems
my face is not one of a crowd
but a symbol at the forefront of the army that is my passion
soldiers brought to life by the stroke of a key that fight for me

Words are my weapon and I will not be silenced.

c.d.l.
8/20/13

first step

when he looks at a woman he searches for qualities that attract him because he wants to desire her yet this tendency creates an imbalance or disadvantage he is rendered weak to a woman’s beauty or whatever traits he idealizes self-realizing this propensity he looks away from women years of disappointment neglect change him he becomes afraid of women gynophobic

2

when she looks at a man she searches for qualities she is critical of because she wants to be impervious to his power she is suspicious of all men their upper body strength penchant to be in control misperception of women as property misogyny emotional immaturity neediness to be mommyed selfishness insensitivity or over-sensitivity depending she wants to be treated with equal respect a loving nurturing relationship she is suspicious of all people their alternate realities passive aggressive behavior co-dependence craziness

3

he sees her then looks away she suspiciously notices nothing happens they go back to their separate homes alone always home alone grown calm in resignation yet disbelieving of this destiny saddened by this fate both worry about future she looks at her face naked body in mirror her stomach churns feels sad sickening remembers time when she was more carefree he puts one foot in front of other then walks tries to remember who taught him to walk how many times did he fall who taught him to laugh where did his sense of humor go

4

he sees her thinks she is lovely resists the urge to turn away he smiles says hello she notices nervously smiles her shaky voice articulates louder than a whisper hi

Tucson 2-step

they are standing in line at a café on 4th avenue he is directly behind her she is lanky wearing white background faded colors patterned summer dress thin straps over bare shoulders long brown hair few gray strands small unfinished tattoo on left calf leather slip-ons 1 inch heals he is at a complete loss for words thinks to make remark about the weather decides not to overhead fan stirs hot humid July air barista girl asks what she would like her eyes scan blackboard menu behind counter she hesitates remarks help him i need an extra moment to decide he steps up to counter money in hand orders small to go Arnold Palmer half black current lays $3 on counter mentions change goes in tip jar thank you barista girl moves fast he lifts cup from counter glances at woman still deciding then at barista girl says have a wonderful day turns walks out door dawns on him woman grows hair under her arms his 2nd most compelling female physique adornment fetish oh god he thinks to himself should i wait for her to make up her mind then approach try to craft conversation at least find out her name no i’m too weak in this moment she is so lovely let her go

2

she orders double Americana in small cup to go room for soy milk thinks to herself he did greet her perhaps their paths will cross on street why did he run off so fast she glances toward front of café notices window seat changes her mind instructs barista ******* 2nd thought make it for here digs through purse realizes she left wallet in truck explains to barista girl she needs to run out to her vehicle to retrieve wallet forgotten under front seat the air on the street is heavy dense she smells her own perspiration looks north then south does not see him walks to truck feels exhausted appetiteless almost nauseous wishes she did not order a drink thinks to get behind wheel drive home go to sleep

Tucson 3-step tango

she feels disappointment by her recent writings as if she is reaching a more sophisticated audience and setting a higher standard for her work yet she is not living up to her ambitions her recent writings smell of her past writings too emotional the damaged woman wounded child she wants to write more introspectively with detached humor that only comes from keener intelligence she slams her laptop shut decides to go to Club Congress for a ****** mary or margarita but Club Congress is haunted with small town cretins losers wannabes she considers Maynard’s decides Maynard’s is too safe suburban yuppyish finally gives in to thought of glass of pinot noir at Plush next comes what to wear jeans in mid-July desert heat is unacceptable perhaps loose fitting thin cotton white summer dress thin leather belt ankle high indian moccasins hair in ponytail no pigtail braids no ponytail no makeup maybe little ylang ylang oil no she thinks about her recent writings

2

i am one breath away from crying in every moment one breath away from flying m.i.a. in every moment one breath away from destroying everything there is beauty in ugliness beauty in decrepitude disease beauty in harm hurt suffering beauty in greed injustice betrayal beauty in corruption contamination pollution beauty in hate cruelty ignorance beauty in death we spend our whole lives searching for a good death we spend our whole lives searching for eternal love this modern world is too much for me over my head the horrors of this place are beyond words unspeakable voice inside maybe mom yells quit your whining or dad hollers stop complaining i am trying to smile through tears one breath away from giving in one breath away from becoming stranger to myself winter spring winter spring there is beauty in nothingness we spend our whole lives searching for ourselves learning who we are not finding grasping secrets from dark paths light trails winter spring winter spring i am one breath away

3

she sits alone at bar at Plush glass of pinot noir glass of ice water in front of her 2 bearded older men eye her from other end of bar she ignores them glances at her wristwatch tries to look like she is waiting for someone music from speakers antiquated rock standard it is early friday hours from dusk moderate middle aged crowd mingle wait for local jazz trio to begin she thinks about her recent writings wonders is it too late for love considers lesbian affair from 5 different perspectives 5 woman’s voices each describing same lesbian affair in 5 opposing accounts hmmm she sips dark red wine from glass chases it with ice water she considers a story about a gang of female bikers who ride south to Mexico

4

the Americans came through here last night crossing border illegally climbing over our fences digging tunnels beneath our barrier walls littering along their trail they travel in packs of every skin color carry guns knives explosives wear leather boots some are shirtless tattoos dyed hair mischievously smiling conceitedly stealing when in question murdering they rob our homes slaughter our chickens ransack gardens loot our harvest you can still smell the stink of their fast food breaths

5

she swallows the last dark red wine from glass chases it with ice water local jazz trio begins to play as bar fills with more people she decides to walk home one foot in front of other wonders who taught her how to walk how many times did she fall she laughs to herself

Tucson square dance

TPD 10-18 unconfirmed data report

7 post-University of Arizona female graduates go to Cactus Moon for several drinks and dancing then drive to Bashful Bandit for more drinks and dancing 2 women get into scuffle victim Brittany Garner female 23 years of age race #5 (Native American, Eskimo, Middle -Eastern, Other) 5’ 2” long black hair cut-off blue jean shorts clingy light blue top falls hits head on side of bar dies of fatal blow to skull forensics report crushed occipital lobe assailant Stacy Won female 31 years of age race #4 (Asian) 5’6” black jeans black leather jacket red helmet Honda motorcycle still at large

witness accounts

Jess Delaney female 33 years of age race #2 (White) 6’ tight black pencil skirt white sleeveless undershirt no bra 3” heels blond ponytail “that squirting little **** deserves everything she got she lied told Stacy i’m a ***** i never cheated on Brittany i don’t understand we were all having a good time getting buzzed and dancing we should never have left Cactus Moon **** Kerrie thought some biker dude might be hanging around the Bandit hell maybe the Bandit was a biker bar once but now it’s just a college sink hole full of drunken frat boys when Monique flashed a little *** they went crazy cheering and buying us shots it just got out of hand never should have happened the way it happened Stacy didn’t mean to **** Brittany it’s ****** up i want to go home please let me go home”

Sabrina Starn female 29 years of age race #2 (White) 5’8” trendy corporate gray suit black pumps red shoulder length hair “i have to be at work at 8 AM Stacy was drunk out of control she gets crazy when she drinks Brittany was trash talking pushing all Stacy’s buttons then Stacy accused Brittany of sleeping with Monique and all hell broke loose i didn’t see what happened i was in the powder room it’s a terrible tragedy unfortunate accident can i please be released i need to sleep this is madness”

Kerrie Angeles female 27 years of age race #1 (Hispanic) 5’ 6” black pants white shirt black hair cut stylishly short silver crucifix around neck red fingernails “when we got to the Bashful Bandit i was ***** soaking between my legs thinking about a cowgirl at Cactus Moon ready to **** anyone i saw fantasized pulling a train with those frat boys Monique had been kind of quiet at Cactus Moon but when we got to the Bashful Bandit she lit up dancing wild unbuttoning her top jacket Sabrina went to the ladies room to snort coke with biker dude Kerrie wanted but he wasn’t into her then Brittany started saying crazy stuff accusing Stacy of stealing Monique from Jess Jessie goes through women heartlessly she doesn’t give a **** about Monique Jessie knows if she wants Monique back she can simply fiddle a finger my guess is Stacy is half way to Argentina she never meant to **** Brittany i’m going to miss her real bad she was a good kid”

Ann Skyler female 28 years of age race  #2 (White) 4’ 11’’ green white red Mexican peasant skirt black t-shirt black high-tops hair in messy bun “i’m confused i saw them dancing laughing grinding up against each other Rage Against the Machine came on then Nine Inch Nails the room felt quaking dizzy claustrophobic then they were pushing each other shoving yelling frat boys cheering the next thing i knew Brittany was supine on the floor blood pouring out maybe she just slipped hit her head i don’t know what to think i feel real sad confused sick to my stomach scared”

Monique Smithson female 24 years of age race # 3 (Black) 5’ 9” blue jeans jean jacket cowboy boots nose ring braided pigtails “Stacy had it in for Brittany from the start i saw it in her eyes at Cactus Moon she made several clever toxic remarks they snapped at each other i never thought it would escalate to ****** poor sweet Brittany was always so susceptible i was looking down adjusting my jeans over my boots when it happened i heard felt a big thump glanced up Brittany was lying there lifeless blood spilling everywhere Stacy ran out fast i heard her bike engine take off in a hurry”

Rodeo Drive Tucson

matt’s hats tom’s tools & tobacco lou’s liquors fred’s beds frank’s planks bill’s drills jane’s drains & panes chuck’s check cashing cheryl’s barrels hank’s tanks tina’s trucks & tractors walt’s asphalt sean’s pawn rick’s rifles mom’s guns terry’s tires charlie’s harleys rhonda’s hondas jim’s rims art’s parts gus’s gasoline mike’s bikes frank’s feed gwen’s pens ann’s cans nancy’s nursery joes‘s clothes jess’s dresses bert’s skirts steve’s sleeves paul’s shawls michelle’s shells & bells al’s pails & snails sam’s hams & jams patty’s pancakes phil’s chili don’s donuts betty’s spaghetti bob’s burgers alycia’s quiches jean’s beans jerry’s berries anna’s bananas andy’s candies cathy’s taffies tony’s ponies roy’s toys kim’s whims marty’s parties jill’s pills rick’s tricks alice’s palace debbie’s disposal dave’s graves

Quinta Waltz de Tucson

she is definitely displeased profoundly disappointed in her latest literary efforts she dreams aches to create deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration instead she writes paperback television trash stupid inadequate answers to solemn questions she wonders if she is too scratched dented to find love her ******* are definitely changing she is deeply disturbed not ready for menopause too young for menopause she wants to remain a fertile woman with smooth skin wet ******

2

her neighbor Leslie awoke to horrible morning Leslie’s 6 chickens were assaulted overnight precious Mabel dragged off feathers everywhere trail down the street other hens cowering slumped together with wilted necks 3 of them with puncture wounds Leslie carried them one by one inside washed their wounds hugged them cried who did this terrible act a neglected abusive neighborhood cat or some desert predator why didn’t Leslie wake to sounds of savage marauding now this creature knows hen’s whereabouts when will it return for more massacre what modifications need to be enforced to ensure their coup before nightfall

3

she wants to remain a hen keep producing eggs does not want is not ready to enter the next **** stage of this **** existence it was fun being pretty for men inspiring them to say do whacky things she wants to remain a hen she is definitely displeased profoundly disappointed in her latest literary attempts “Tucson square dance” (self-referential) ****** bit about Americans came through here last night in “Tucson 3-step” ****** "Rodeo Drive" tepid perhaps the pinot noir lowered her standards everything is becoming nothing she cannot sleep tosses turns thrashes sheets in humid heat of her lonesome bed is she is too scratched dented to find love she worries for Leslie

4

tomorrow is another day they say the rain will come last year’s monsoon never came the baking sun smothered her garden died one by one sleepless she will miss tomorrow’s pilates class the infrequent delightful chatty breakfast afterwards she dreams aches of deeper discourse higher insight with detached humor that only comes from keener intelligence more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration she crossed the line tonight her ******* are definitely changing

Tucson 666

he decides to shave eighth to quarter inch length salt and pepper beard a.k.a. unshaven look he has worn for years and grow full mustache the whiskers on his upper lip are darker with sparse gray at first no one notices after weeks the mustache gradually fills evoking many contrasting remarks several women loath it several men admire it girl at grocery store suggests he grow Fu Manchu so she can tug on it shopgirl says he looks like Charlie Chaplin downstairs neighbor from Turkey explains most Turkish men traditionally wear mustaches he read mustaches masculinize and empower men especially men in authoritative positions he thinks back to the 1960’s when many hippie males grew mustaches then in the 70’s gay men fashioned mustaches then in the 80’s cops adopted mustaches he wonders why a swatch of hair beneath nose is so provoking examines his visage in mirror discerns the mustache confers a Pepé le Pew quality or European accent to his appearance he remembers when he was young hippie with many amorous episodes how his mustache preserved the scent of a woman but there are no women in his life for many years do post-menopausal women possess scent? he feels indecisive whether to retain it or be rid of it

2

she observes her figure in mirror thinks to herself maybe her ******* are not changing perhaps it’s all in her head she inspects the little lines forming near her eyelids studies her features for signs of aging hardly any silver strands in long brown hair she examines neck ******* arms elbows fingers tummy hips pelvic region thighs knees shins calves ankles feet detects subtle changes thinks to herself my ******* are possibly slightly changing turned 40 in March married briefly in late teens no children a 15 year old dog beginning to suffer veterinarian promises to warn her when the time comes she wonders why it is so difficult finding fitting mate men sleep with her several times then move on maybe she is not such a great lover perhaps she would be better if one of them stuck around perhaps she is a lesbian the whole ide

I.

One night at the Troubadour I spotted this extraordinary girl.

So I asked who she was.

‘A professional,’

That was my introduction that on a scale of one to ten

there were women who were fifteens—beautiful, bright, witty, and

oh, by the way, they worked.

Once I became aware,

I saw these women everywhere.

And I came to learn that most of them were connected to Alex



II.

She had a printer engrave a calling card

that featured a bird of paradise

borrowed from a Tiffany silver pattern

and,
under it,

Alex’s Aviary,

Beautiful and Exotic birds.



A few were women you’d see lunching at Le Dôme:

pampered arm pieces with expensive tastes

and a hint of a delicious but remote sexuality.

Many more were fresh-faced, athletic, tanned, freckled

the quintessential California girl

That you’d take for sorority queens or future BMW owners.





III.

The mechanism of Alex’s sudden notoriety is byzantine,

as these things always are.

One of her girls took up with a rotter,

the couple had a fight,

he went to the police,

the police had an undercover detective visit

(who just happened to be an attractive woman)

and ask to work for her,

she all but embraced her

—and by April of 1988 the district attorney had enough evidence

to charge her with two counts of pandering

and one of pimping.

For Alex, who is fifty-six

and has a heart condition and diabetes,

the stakes may be high.

A conviction carries the guarantee of incarceration.

For the forces of law and order,

the stakes may be higher.

Alex has let it be known that she will subpoena

every cop she’s ever met to testify at her trial.

And the revelations this might produce

—perhaps that Alex compromised policemen

by making girls available to them,

—perhaps that Alex had a deal with the police to provide information

in exchange for their blind eye to her activities

—could be hugely embarrassing to the police and the district attorney.

For Alex’s socially correct clients and friends,

for the socially correct wives of her clients and friends

and for a handful of movie and television executives

who have no idea they are dating or

married to former Alex girls,

the stakes are highest of all.



IV.

Alex’s black book is said to be a catalogue of
Le Tout Los Angeles.

In her head are the ****** secrets

of many of the city’s most important men,

to say nothing of visiting businessmen and Arab princes.

If she decides to warble,

either at her trial or in a book,

her song will shatter more than glass.





V.

A decade ago, I went to lunch at Ma Maison,

There were supposed to have been ten people there,

but only four came.

One of them was a short woman

who called me a few days later and invited me to lunch.

When I arrived, the table was set for two.

I didn’t know who Alex was or what she did,

but she knew the important facts of my situation:

I was getting divorced from a very wealthy man

and doing the legal work myself

to avail lawyers who wanted to get a big settlement for me.


Occasionally, she said, I get a call for a tall, dark-haired,

slender, flat-chested woman

—and I don’t have any.

It wouldn’t be a frequent thing.

There’d be weekends away, sometimes in Palm Springs,

sometimes in Europe.

The men will be elegant,

you’ll have your own room

—there would be no outward signs of impropriety.

And you’d get $10,000 to $20,000 for a weekend.





VI.

The tall, slender, flat-chested brunette

didn’t think it was right for her.

Alex handed her a business card

and suggested that she think about it.

To her surprise, she did

—for an entire week.

This was 1978, and $20,000 then

was like $40,000 now,

I knew it was hooking,

but Alex had never mentioned ***.



Our whole conversation seemed to be about something else.



VII.

I was born in Manila

to a Spanish-Filipina mother and German father,

and when I was twelve

a Japanese soldier came into our house

with his bayonet pointed at us,

ready to do us in.

He locked us in and set the house on fire.

I haven’t been scared by much since that.



My mother always struck me as goofy,

so I jumped on a bus and ran away,

I got off in Oakland,

saw a help-wanted sign on a parish house,

and went in.

I got $200 a month for taking care of four priests.

I spent all the money on pastries for the parish house.

But I didn’t care.

It felt safe.

And the priests sparked my interest in the domestic arts

—in linen, in crystal.



A new priest arrived.

He was unpleasant,

so on a vacation in Los Angeles I took a pedestrian job,

still a teenager,

married a scientist.

We separated eight years later,

he took our two sons to another state

threatened to keep them if I didn’t agree to a divorce.

Keep them I said and hung up.

It’s not that I don’t have a maternal instinct

—though I don’t,

I just hate to be manipulated.



My second husband,

an alcoholic,

had Frank Sinatra blue eyes, and possibly

—I never knew for sure—

had a big career in the underworld

as a contract killer.

Years before we got serious,

he was going out with a famous L.A. ******,

She and her friends were so elegant

that I started spending time with them in beauty salons.

They were so fancy,

so smart

—and they knew incredible people,

like the millionaire who sat in his suite all day

just writing $5,000 checks to girls.



VIII.

I was a florist.

We got to talking.

She was a madam from England

who wanted to sell her book and go home.

I bought it for $5,000.

My husband thought it was cute.

Now you’re getting your feet wet.

Three months later,

he died.

After eleven years of marriage,

just like that.

And of the names in the book

it turned out

that half of the men were also dead.

When I began the men were old and the women were ugly.



IX.

It was like a lunch party you or I would give,

Great food Alex had cooked herself.

Major giggles with old pals.

And then,

instead of chocolate After Eight,

she served three women After Three



This man has seen a bit of life

beyond Los Angeles,

so I asked him how Alex’s stable

compared with that of Madam Claude,

the legendary Parisian procuress.

Oh, these aren’t at all like Claude’s girls,

A Claude girl was perfectly dressed and multilingual

—you could take her to the opera

and she’d understand it.





He told me that when she was 40

she looked at herself in the mirror

and said

Disgusting.

People over 40

should not have ***.

But She Was Clear That She Never Liked It

even when she was young.

Besides, she saw all the street business

go to the tall,

beautiful girls.

She thought that she never had a chance

competing against them.

Instead,

she would take their money by managing them.





X.

Going to a ****** was not looked down upon then.

It was before the pill;

Girls weren’t giving it away.

Claude specialized in

failed models and actresses,

ones who just missed the cut.

But just because they failed

in those impossible professions

didn’t mean they weren’t beautiful,

fabulous.



Like Avis

in those days,

those girls tried harder.

Her place was off the Champs,

just above a branch of the Rothschild bank, where I had an account.

Once I met her,

I was constantly making withdrawals and heading upstairs.





XI.

We took the lift

and Claude greeted us at the door.

My impression was that of the director

of an haute couture house,

very subdued,

beige and gray, very little makeup.

She took us into a lounge and made us drinks,

Whiskey,

Cognac.

There was no maid.

We made small talk for 15 minutes.

How was the weekend?

What’s the weather like in Deauville?

Then she made the segue. ‘I understand you’d like to see some jeunes filles?’

She always used ‘jeunes filles.’

This was Claude’s polite way of saying 18 to 25.

She left and soon returned

with two very tall

jeunes filles,

One was blonde.

This is Eva from Austria.

She’s here studying painting.

And a brunette,

very different,

but also very fine.

This is Claudia from Germany.

She’s a dancer.

She took the girls back into the apartment and returned by herself.

I gave my English guest first choice.

He picked the blonde.

And wasn’t disappointed.

Each bedroom had its own bidet.

There was some nice

polite conversation, and then



It was slightly formal,

but it was high-quality.

He paid Claude

200 francs,

not to the girls

In 1965, 200 francs was about $40.

Pretty girls on Rue Saint-Denis

could be had for 40 francs

so you can see the premium.

Still, it wasn’t out of reach for mere mortals.

You didn’t have to be J. Paul Getty.





XII.

A lot of them

were models at

Christian Dior

or other couture houses.

She liked Scandinavians.

That was the look then

—cold, tall, perfect.

It was cheap for the quality.

They all used her.

The best people wanted

the best women.

Elementary supply and demand.



XIII.

She had a camp number tattooed on her wrist. I saw it.

She showed it to me and Rubi.

She was proud she had survived.

We talked about the camp for hours.

It was even more fascinating than the girls.



She was Jewish

I’m certain of that.

She was horrified at the Jewish collaborators

at the camp who herded

their fellow Jews

into the gas chambers.

That was the greatest betrayal in her life.



XIV.

She was this sad,

lonely little woman.

Later, Patrick told me who she was.

I was bowled over.

It was like meeting Al Capone.

I met two of the girls

who worked for her.

One was what you would expect

Tall

Blonde

Model.

But the other looked like a Rat

Then one night

she came out

all dressed up,

I didn’t even recognize her.

She was even better than the first girl.

Claude liked to transform women like that.

That was her art.

It was very odd,

my cousin told me.

There was not much furniture

and an awful lot of telephones.

“Allô oui,”



XV.

I had so many lunches

with Claude at Ma Maison

She was vicious.

One day,

Margaux Hemingway,

at the height of her beauty, walked by.

Une bonne

—the French for maid

was how Claude cut her dead.

She reduced

the entire world

to rich men wanting *** and

poor women wanting money.

She’d love to page through Vogue and see someone

and say,

When I met her

she was called

Marlene

and she had a hideous nose

and now she’s a princess.

Or she’d see someone and say

Let’s see if she kisses me or not.

It was like

I made her,

and I can destroy her.

She was obsessed

with “fixing” people

—with Saint Laurent clothes,

with Cartier watches,

with Winston jewels,

with Vuitton luggage,

with plastic surgeons.



XVI.

Her prison number was

888

which was good luck in China

but not in California.

‘Ocho ocho ocho,’ she liked to repeat

Even in jail, she was always working,

always recruiting stunning women.

She had a beautiful Mexican cellmate

and gave her Robert Evans’s number

as the first person she should call

when she was released.



XVII.

Never have *** on the first date.



XVIII.

There will always be prostitution,

The prostitution of misery.

And the prostitution of bourgeois luxury.

They will both go on forever.



“Allô oui,”



It was so exciting to hear a millionaire

or a head of state ask,

in a little boy’s voice,

for the one thing

that only you could provide

It's not how beautiful you are, it's how you relate

--it's mostly dialogue.



She was tiny, blond, perfectly coiffed and Chanel-clad.

The French Woman: The Arab Prince, the Japanese Diplomat, the Greek Tycoon, the C.I.A. Bureau Chief — She Possessed Them All!



XIX.

She was like a slave driver in the American South

Once she took a *******,

the makeover put the girl in debt,

because Claude paid all the bills to

Dior,

Vuitton,

to the hairdressers,

to the doctors,

and the girls had to work to pay them off.

It was ****** indentured servitude.



My Swans.



It reached the point

where if you walked into a room

in London

or Rome

as much as Paris

because the girls were transportable,

and saw a girl who was

better-dressed,

better-looking,

and more distinguished than the others

you presumed

it was a girl from Claude.

It was, without doubt,

the finest *** operation ever run in the history of mankind.



**.

The girl had to be

exactly what was needed

so I had to teach her everything she didn’t know.

I played a little the role of Pygmalion.

There were basic things that absolutely had to be done.

It consisted

at the start

of the physical aspect

“surgical intervention”

to give this way of being

that was different from other girls.

Often they had to be transformed

into dream creatures

because at the start

they were not at all



Often I had to teach them how to dress.

Often they needed help

to repair

what nature had given them

which was not so beautiful.

At first they had to be tall,

with pretty gestures,

good manners.

I had lots of noses done,

chins,

teeth,

*******.

There was a lot to do.



Eight times out of ten

I had to teach them how to behave in society.

There were official dinners, suppers, weekends,

and they needed to have conversation.

I insisted they learn to speak English,

read

certain books.

I interrogated them on what they read.

It wasn’t easy.

Each time something wasn’t working,

I was obliged to say so.



You were very demanding?

I was ferocious.



It’s difficult

to teach a girl how to walk into Maxim’s

without looking

ill at ease

when they’ve never been there,

to go into an airport,

to go to the Ritz,

or the Crillon

or the Dorchester.

To find yourself

in front of a king,

three princes,

four ministers,

and five ambassadors at an official dinner.

There were the wives of those people!

Day after day

one had to explain,

explain again,

start again.

It took about two years.

There would always be a man

who would then say of her,

‘But she’s absolutely exceptional. What is that girl doing here?’ ”





XXI.

A New York publisher who visited

the Palace Hotel

in Saint Moritz

in the early seventies told me,

I met a whole bunch of them there.

They were lovely.

The johns wanted everyone to know who they were.

I remember it being said

Giovanni’s Madame Claude girl is going to be there.

You asked them where they came from and they all said

Neuilly.

Claude liked girls from good families.

More to the point she had invented their backgrounds.



I have known,

because of what I did,

some exceptional and fascinating men.

I’ve known some exceptional women too,

but that was less interesting

because I made them myself.



Ah, this question of the handbag.

You would be amazed by how much dust accumulates.

Or how often women’s shoe heels are scuffed.





XXII.

She would examine their teeth and finally she would make them undress.



That was a difficult moment

When they arrived they were very shy,

a bit frightened.

At the beginning when I take a look,

it’s a question of seeing if the silhouette

and the gestures are pretty.

Then there was a disagreeable moment.

I said,

I’m sorry about this unpleasantness,

but I have to ask you to get undressed,

because I can’t talk about you unless I see you.

Believe me, I was embarrassed,

just as they were,

but it had to be done,

not out of voyeurism, not at all

—I don’t like les dames horizontales.



It was very funny

because there were always two reactions.

A young girl,

very sure of herself,

very beautiful,

très bien,

would say

Yes,

Get up, and get undressed.

There was nothing to hide, everything was perfect.



There were those who

would start timidly

to take off their dress

and I would say

I knew already.

The rest is not sadism, but nearly.

I knew what I was going to find.

I would say,

Maybe you should take off your bra,

and I knew it wasn’t going to be

beautiful.

Because otherwise she would have taken it off easily.

No problem.

There were damages that could be mended.

There were some ******* that could be redone,

some not

Sometimes it can be deceptive,

you know,

you see a pretty girl,

a pretty face,

all elegant and slim,

well dressed,

and when you see her naked

it is a catastrophe.



I could judge their physical qualities,

I could judge if she was pretty, intelligent, and cultivated,

but I didn’t know how she was in bed.

So I had some boys,

good friends,

who told me exactly.

I would ring them up and say,

There’s a new one.

And afterwards they’d ring back and say,

Not bad,

Could be better, or

Nulle.



Or,

on the contrary,

She’s perfect.

And I would sometimes have to tell the girls

what they didn’t know.

A pleasant assignment?

No.

They paid.



XXIII.

Often at the beginning

they had an ami de coeur

in other words,

oh,

a journalist, a photographer, a type like that,

someone in the cinema,

an actor, not very well known.

As time went by

It became difficult

because they didn’t have a lot of time for him.

The fact of physically changing,

becoming prettier,

changing mentally to live with millionaires,

produced a certain imbalance

between them

and the little boyfriend

who had not evolved

and had stayed in his milieu.

At the end of a certain time

she would say,

I’m so much better than him. Why am I with this boy?

And they would break up by themselves.



Remember,

this was instant elevation.

For most of them it was a dream existence,

provided they liked the ***,

and those that didn’t never lasted long.

A lot of the clients were young,

and didn’t treat them like tarts but like someone from their own class.

They would buy you presents,

take you on trips.



XXIV.

For me, *** was something very accessoire

I think after a certain age

there are certain spectacles one should not give to others

Now I have a penchant for solitude.

Love, it’s a complete destroyer,

It’s impossible,

a horror,

l’angoisse.

It’s the only time in my life I was jealous.

I’m not a jealous person, but I was épouvantable.

He was jealous too.

We broke plates over each other’s heads;

we became jealous about each other’s pasts.

I said one day

It’s finished.

Sometimes I look at myself in the mirror and say:

Break my legs,

give me scarlet fever,

an attack of TB, but never that.

Not that.



XXV.

I called her into my office

Let us not exaggerate,

I sent her away.

She came back looking for employment,

but was fired again, this time for drugs.

She made menacing phone calls.

Then she arrived at the Rue de Boulainvilliers with a gun.

She shot three bullets

I was dressed in the fashion of Courrèges at this moment

He did very padded things.

I had a padded dress with a little jacket on top.

The bullet

—merci, Monsieur Courrèges

—stuck in the padding.

I was thrown forward onto the telephone.

I had one thought which went through my head:

I will die like Kennedy.

I turned round and put my hand up in a reflex.

The second bullet went through my hand.

I have two dead fingers.

It’s most useful for removing bottle tops.

In the corridor I was saved from the third bullet

because she was very tall

and I am quite petite, so it passed over my head.



XXVI.

There were men

who could decapitate,

****, and bomb their rivals

who would be frightened of me.

I would ask them how was the girl,

and they’d say

Not bad

and then

But I’m not complaining.

I was a little sadistic to them sometimes.

Some women have known powerful men because they’re their lover.

But I’ve known them all.

I had them all

here.



She will take many state secrets with her.



XXVI.

I don’t like ugly people

probably because when I was young

I wasn’t beautiful at all.

I was ugly and I suffered for it,

although not to the point of obsession.

Now that I’m an old woman,

I’m not so bad.

And that’s why

I’ve always been surrounded by people

Who

were

beautiful.

And the best way to have beautiful people around me

was to make them.

I made them very pretty.





XXVII.

I wouldn’t call what Alex gives you

‘advice,’

She spares you Nothing.

She makes a list of what she wants done,

and she really gets into it

I mean, she wants you to get your arms waxed.

She gives you names of people who do good facials.

She tells you what to buy at Neiman Marcus.

She’s put off by anything flashy,

and if you don’t dress conservatively, she’s got no problem telling you,

in front of an audience,

You look like a cheap *****!

I used to wear what I wanted when I went out

then change in the car into a frumpy sweater

when I went to give her the money she’d always go,

Oh, you look beautiful!



Marry your boyfriend,

It’s better than going to prison.

When you go out with her,

she’ll buy you a present; she’s incredibly generous that way.

And she’ll always tell you to save money and get out.

It’s frustrating to her when girls call at the end of the month

and say they need rent money.

She wants to see you do well.





We had a schedule, with cards that indicated a client’s name,

what he liked,

the names of the girls he’d seen,

and how long he’d been with them.

And I only hired girls who had another career

—if my clients had a choice between drop-dead-gorgeous

and beautiful-and-interesting,

they’d tend to take beautiful-and-interesting.

These men wanted to talk.

If they spent two hours with a girl,

they usually spent only five or ten minutes in bed.



I get the feeling that in Los Angeles, men are more concerned with looks.



XXVIII.

That was my big idea

Not to expand the book by aggressive marketing

but to make sure that nobody

mistook my girls for run-of-the-mill hookers.

And I kept my roster fresh.

This was not a business where you peddle your ***,

get exploited,

and then are cast off.

I screen clients. I’ve never sent girls to weirdos.

I let the men know:

no violence,

no costumes,

no fudge-packing.

And I talked to my girls. I’d tell them:

Two and a half years and you’re burned out.

Save your money.

This is like a hangar

—you come in, refuel, and take off.

It’s not a vacation, it’s not a goof.

This buys the singing lessons,

the dancing lessons,

the glossies.

This is to help you pay for what your parents couldn’t provide.

It’s an honorable way station—a lot of stars did this.



XXIX.

To say someone was a Claude girl is an honour, not a slur.



Une femme terrible.

She despised men and women alike.

Men were wallets. Women were holes.



By the 80s,

if you were a brunette,

the sky was the limit.

The Saudis

They’d call for half a dozen of Alex’s finest,

ignore them all evening while they

chatted,

ate,

and played cards,

and then, around midnight,

take the women inside for a fast few minutes of ***.



They’d order women up like pizza.



Since my second husband died,

I only met one man who was right for me,

He was a sheikh.

I visited him in Europe

twenty-eight times

in the five years I knew him

and I never slept with him.

He’d say

I think you fly all the way here just to tease me,

but he introduced me

by phone

to all his powerful friends.

When I was in Los Angeles, he called me twice a day.

That’s why I never went out

he would have been disappointed.



***.

Listen to me

This is a woman’s business.

When a woman does it, it’s fun

there’s a giggle in it

when a man’s involved,

he’s ******,

he’s a ****.

He may know how to keep girls in line,

and he may make money,

but he doesn’t know what I do.

I tell guys: You’re getting a nice girl.

She’s young,

She’s pleasant,

She can do things

she can certainly make love.

She’s not a rocket scientist, but she’s everything else.



The world’s richest and most powerful men, the announcer teased.

An income “in the millions,” said the arresting officer.

Pina Colapinto

A petite call girl,

who once slid between the sheets of royalty,

a green-eyed blonde helped the police get the indictment.

They really dolled her up

She looks great.

Never!

What I told her was: ‘Wash that ******.’





XXXI.

Madam Alex died at 7 p.m.

Saturday at Cedars-Sinai Medical Center,

where she had been in intensive care after recent open heart surgery

We all held her hand when they took her off the life support

This was the passing of a legend.

Because she was the mother superior of prostitution.

She was one of the richest women on earth.

The world came to her.

She never had to leave the house.

She was like Hugh Hefner in that way.


It's like losing a friend

In all the years we played cat and mouse,

she never once tried to corrupt me.

We had a lot of fun.


To those who knew her

she was as constant

as she was colorful

always ready with a good tidbit of gossip

and a gourmet lunch for two.

She entertained, even after her conviction on pandering charges,

from the comfy depths of her blue four-poster bed at her home near Doheny Drive,

surrounded by knickknacks and meowing cats,

which she fed fresh shrimp from blue china plates.



XXXII.

She stole my business,

my books,

my girls,

my guys.

I had a good run.

My creatures.

Make Mommy happy

Oh! He is the most enchanting cat that I have ever known.



She was, how can I say it,

classy.

When she first hired me

she thought I was too young to take her case.

I was 43.

I'm going to give you some gray hairs by the time this is over.

She was right.





XXXIII.

I was fond of Heidi

But she has a streak that is so vindictive.



If there is pure evil, it is Madame Alex.





XXXIV.

I was born and raised in L.A.

My dad was a famous pediatrician.

When he died, they donated a bench to him at the Griffith Park Observatory.



I think that Heidi wanted to try her wings

pretty early,

and I think that she met some people

who sort of took all her potential

and gave it a sharp turn



She knew nothing.

She was like a little parrot who repeated what she was supposed to say.



Alex and I had a very intense relationship;

I was kind of like the daughter she loved and hated,

so she was abusive and loving at the same time.



Look, I know Madam Alex was great at what she did

but it's like this:

What took her years to build,

I built in one.

The high end is the high end,

and no one has a higher end than me.

In this business, no one steals clients.

There's just better service.



XXXV.

You were not allowed to have long hair

You were not allowed to be too pretty

You were not allowed to wear too much makeup or be too glamorous

Because someone would fall in love with you and take you away.

And then she loses the business



XXXVI.

I was pursued because

come on

in our lifetime,

we will never see another girl of my age

who lived the way I did,

who did what I did so quickly,

I made so many enemies.

Some people had been in this line of business

for their whole lives, 30 or 40 years,

and I came in and cornered the market.

Men don't like that.

Women don't like that.

No one liked it.



I had this spiritual awakening watching an Oprah Winfrey video.

I was doing this 500-hour drug class

and one day the teacher showed us this video,

called something like Make It Happen.

Usually in class I would bring a notebook

and write a letter to my brother or my journal,

but all of a sudden this grabbed my attention

and I understood everything she said.

It hit me and it changed me a lot.

It made me feel,

Accept yourself for who you are.

I saw a deeper meaning in it

but who knows, I might have just been getting my period that day!



XXXVII.

Hello, Gina!

You movie star!

Yes you are!

Gina G!

Hello my friend,

Hello my friend,

Hello my movie star,

Ruby! Ruby Boobie!

Braaawk!

Except so many women say,

Come on, Heidi

you gotta do the brothel for us; don't let us down.

It would be kind of fun opening up an exclusive resort,

and I'll make it really nice,

like the Beverly Hills Hotel

It'll feel private; you'll have your own bungalow.

The only problem out here is the climate—it's so brutal.

Charles Manson was captured a half hour from Pahrump.



I said, Joe! What are you doing?

You gotta get, like,

a garter belt and encase it in something

and write,

This belonged to Suzette Whatever,

who entertained the Flying Tigers during World War II.

Get, like, some weird tools and write,

These were the first abortion tools in the brothel,

you know what I mean?

Just make some **** up!

So I came out here to do some research

And then I realized,

What am I doing?

I'm Heidi Fleiss. I don't need anyone.

I can do this.

When I was doing my research, in three months

I saw land go from 30 thousand an acre

to 50 thousand an acre,

and then it was going for 70K!

It's urban sprawl

—we're only one hour from Las Vegas.

Out here the casinos are only going to get bigger,

prostitution is legal, it's only getting better.





XXXVIII.

The truth is

deep down inside,

I just can't do business with him

He's the type of guy who buys Cup o' Noodles soup for three cents

and makes his hookers buy it back from him for $5.

It's not my style at all.

Who wants to be 75 and facing federal charges?

It was different at my age when I

at least...come on, I lived really well.

I was 22,

25 at the time?

It was fun then, but now I wouldn't want

to deal with all that *******

—the girls and blah blah blah.

But the money was really good.



I would've told someone they were out of their ******* mind

if they'd said in five years I'd be living with all these animals like this.

It's hard-core; how I live;

It's totally a nonfunctional atmosphere for me

It's hard to get anything done because

It’s so time-consuming.

I feel like they're good luck though....

I do feel that if I ever get rid of them,

I will be jinxed and cursed the rest of my life

and nothing I do will ever work again.



Guys kind of are a hindrance to me

Certainly I have no problem getting laid or anything.

But a man is not a priority in my life.

I mean, it's crazy, but I really have fun with my parrots.



XXXIX.

I started a babysitting circle when I wasn't much older than 9

And soon all the parents in the neighborhood

wanted me to watch over their children.

Even then I had an innate business sense.

I started farming out my friends

to meet the demand.

My mother showered me with love and my father,

a pediatrician,

would ask me at the dinner table,

What did you learn today?

I ran my neighborhood.

I just pick up a hustle really easily,

I was a waitress and I met an older guy who looked like Santa Claus.



Alex was a 5' 3" bald-headed Filipina

in a transparent muu muu.

We hit it off.

I didn't know at the time that I was there to pay off the guy's gambling debt.

It's in and out,

over and out.

Do you think some big-time producer

or actor is going to go to the clubs and hustle?



Columbia Pictures executive says:

I haven’t done anything that should cause any concern.

Jeez, it's like the Nixon enemies list.

I hope I'm on it.

If I'm not, it means I must not be big enough

for people to gossip about me.



That's right ladies and gentlemen.

I am an alleged madam and that is a $25 *****!

If you live out here,

you've got to hate people.

You've got to be pretty antisocial

How you gonna come out here with only 86 people?

That's Fred.

He's digging to China.

You look good.

Yeah, you too.

It's coming along here.

Yeah, it is.

I wanted to buy that lot there, but I guess it's gone?

That's mine, man! That's all me.

Really?

I thought there was a lot between us.

No. We're neighbors.



He's a cute guy

He's entertaining.

See, I kind of did do something shady to him.

I thought my property went all the way back

and butted up against his.

But there was one lot between us right there.

He said he was buying it,

but I saw the 'For Sale' sign still up there,

So I went and called the broker and said,

I'm an all-cash buyer.

So I really bought it out from under him.

But he's got plenty of room, and I need the space for my parrots.

Pahrump will always be Pahrump, but Crystal is going to be nice

All you need are four or five fancy houses and it'll flush everyone out

and it'll be a nice area.

They're all kind of weird here, but these people will go.

Like this guy here,

someone needs to **** him.

I was just saying to my dad that these parrots are born to a really ******-up world

He goes, Heidi, no, no; the world is a beautiful garden.

It's just, people are destroying it.

I’m looking into green building options

I don't want anything polluting,

I want a huge auditorium,

but it'll be like a jungle where my birds can really fly!

Where they can really do what they're supposed to do.

There were over 300 birds in there!

That lady,

She ran the exotic-birds department for the Tropicana Hotel,

which is a huge job.

She called me once at 3:30 in the morning

Come over here and help me feed this baby!

Some baby parrot.

And I ran over there in my pajamas

—I knew there was something else wrong

and she was like

Get me my oxygen!

Get me this, get me that.

I called my dad; he was like,

I don't know, honey, you better call the paramedics.

They ended up getting a helicopter.

And they were taking her away

in the wind with her IV and blood and everything

and she goes, Heidi, you take care of my birds.

And she dies the next day.

She was just a super-duper person.



XL.

I relate to the lifestyle she had before,

Now, I'm just a citizen.

I'm clean,

I'm sober,

I'm married,

I work at Wal-Mart.

I'm proud to say I know her. I look into her eyes

and we relate.





I got out in 2000,

so I've been sending her money for seven years

She was…whatever.

Girlfriend?

Yeah, maybe.

But ***, I tried like two times,

and I'm just not gay.

She gets out in about eight or nine months

and I told her I would get her a house.

But nowhere near me.

I didn't touch her,

but I'd be, like...

a funny story:

I told her,

Don't you ever ******* think

about contacting me in the real world.

I'm not a lesbian.

Then about two years ago, I got an e-mail from her,

or she called me and said, 'Google my name.'

So I Googled her name,

and she has this huge company.

Huge!

She won, like, Woman of the Year awards.

So I called her and I go,

Not bad.

She goes, 'Well, I did all that because you called me a loser.'

I go, '****, I should've called you more names

you probably would've found the cure for cancer by now.



XLI.

No person shall be employed by the licensee

who has ever been convicted of

a felony involving moral turpitude

But I qualify,

I mean, big deal, so I'm a convicted felon.

Being in the *** industry, you can't be so squeaky-clean.

You've got to be hustling.

Nighttime is really enchanting here

It's like a whole 'nother world out here, it really is

I’m so far removed from my social life and old surroundings.

Who was it, Oscar Wilde, I think, who said

people can adjust to anything.

I was perfectly adjusted in the penitentiary,

and I was perfectly adjusted to living in a château in France.



We had done those drug addiction shows together

Dr. Drew.

Afterward we were friendly

and he'd call me every now and then.

He'd act like he had his stuff together.

But it was all a lie.

Everything is a lie.

I brought him to a Humane Society event at Paramount Studios last year.

He was just such a mess.

So out of it.

He stole money from my purse.

He's such a drug addict because he's so afraid of being fat.

He liked horse ****, though. He did like horse ****.

This one woman that would have *** with a horse on the internet,

He told me that’s his favorite actress.

Better than Meryl Streep.



XLII.

The cops could see

why these women were taking over trade.

Girls with these looks charged upwards of $500 an hour.

The Russians had undercut them with a bargain rate of $150 an hour.

One thing they are not is lazy.

In the USSR

they grew up with no religion, no morality.

Prostitution is not considered a bad thing.

In fact, it’s considered a great way to make money.

That’s why it’s exploding here.

What we saw was just a tip of the iceberg.

These girls didn’t come over here expecting to be nannies.

They knew exactly what they wanted and what they were getting into.

The madam who organized this raid

was making $4 million a year,

laundered through Russian-owned banks in New York City

These are brutal people.

They are all backstabbers.

They’re entrepreneurs.

They’re looking at $10,000 a month for turning tricks.

For them, that’s the American dream.



XLIII.

If you’re not into something,

don’t be into it

But,

if you want to take some whipped cream,

put it between your toes,

have your dog licking it up and,

at the same time,

have your girlfriend poke you in the eye,

then that’s fine.

That’s a little weird but we shouldn’t judge.



She was my best friend then

and I consider her one of my best friends now,

because when I was going through Riker’s

and everyone abandoned me,

including my boyfriend,

I was hysterical,

crying,

and she was the one that was there.

And, when somebody needed to step up to the plate,

that’s who did, and I have an immense amount of

loyalty, respect, and love for her.

And if she’s going to prison for eight years

—that’s what she’s sentenced for

—I’ll go there,

and I’ll go there every week,

for eight years.

That’s the type of person I am.

So, this was written to an unnamed ex a while ago. I ran across it the other day, and I might publish it in the collection I'm currently working on. To me, this is more than just a letter, it's a piece of prose. It's a pouring out of the soul in a way that few people take the time to do. Obviously written at a very rocky time in a previous relationship, I enjoy the clarity of thought that's displayed (not as an egotist, but as a stylist), and I enjoy the allusions and illustration. I'm proud of it, if not for the source or the outcome, then for the product of my turmoil. If I were to classify it? I'd label it, now, as a study of the mind. Enjoy it, and, as always, I welcome your comments and criticisms!

-###-

                Before I say anything else, I want you to know that I love you deeply, and truly. I would give anything to make you happy, and I'd do anything you ever asked me to. I don't ever want to hurt you, and I don't ever want you to be unhappy.
                But I am unhappy. I sleep next to a woman I can't touch until she won't notice, who won't - or can't, I still can't figure out which - show me the affection I crave; and when I try to explain to her the physical and mental stress this puts me through, she doesn't understand or doesn't care (still can't pin that one, either).
                I once took a "Psychology of Affection" class. Evidently, the emotion we call "love" is a conglomeration of a number of different, smaller emotions. Chiefly among them are attention and affection. Attention was always defined by my professor as "the willingness of one to give their focus in degrees, and the blatantness with which they are willing to display that focus." He went on to explain that when one is willing to give their focus but not to display it, or willing to make a display but not to give it, then an imbalance is affected, and either one or both members of a relationship become unhappy. And degrees of happiness become apparent when degrees of willingness are shown.
                In our case, I think, I am both willing to give you my attention, and unafraid to do it regardless of place or time; therefore, I think I give you a very high degree of attention. How do you think you score? How do you think I'd score you?
                Affection works on the same principle: willingness to give, and the ability to do so in a way that is apparent to the other party. Along with these two, though, Affection has a third variable: frequency. The combination of these three and the balance that must be kept determines the amount of affection given, and received at an intellectual level.
                I am entirely certain that I have been willing to show you ample affection in any venue, I am quite capable of showing you my affection in a plethora of ways, and I have done so (in innumerable combinations) with staggering frequency, despite the lack of reciprocation that should have left me hopeless.
                Well, right about now, I'm starting to feel hopeless. Any relationship requires two very basic things, hon: cerebral and physical interaction. An intimate relationship, therefore, requires an amount of intimacy in both cerebral and physical interactions. In addition, any relationship, intimate or otherwise, requires equal participation in all areas to continue over any extended period of time.
                I have been trying for God knows how long, to make this explicitly clear to you: I do not receive enough affection or attention from you for me to stay happy.
                I've laid a foundation in a universal truth for you; you have the science of our interaction at your fingertips, now. You understand what I understand, so I'm going to be as forward as I can in addressing this situation.
                In order for me to stay satisfied with our relationship, the amount of affection and attention I get HAS to change. I am, currently, both mentally and physically distressed, and I am at a breaking point. I have tried multiple times to get you to change: I've tried being subtle and hinting at things I like you to do - things I'd like to see more frequently from you; I've tried being abrasive, being a **** - telling you what I don't like, and why; I've tried being manipulative - guilt-tripping you into thinking or acting differently; I've tried (God, have I tried!) to be truthful and sweet and kind - to tell you, up front, what pleases me and what doesn't in the un-charged air of plain discussion. Any, and all (!), of these methods have been met with selfish stubbornness. I have tried, very hard, to convince myself that it's just been me. That it's something I have, or haven't, been doing. That me flipping out so often is just me freaking out. That none of my state of mind has anything to do with you. I dread putting any of the blame on you because...I worship you, I don't want your flawless image tainted by these things! But, at this point, I've done so much, and tried so hard to get you to change, to open up to me, to act (just act!) like you want me in your head and heart and *****. But you've been stubborn and you refuse to change...and it is driving me away.
                I don't want you to drive me away. I know you love me; I'm convinced you think I improve your life. And I'm convinced you improve mine in so many ways. But there is an imbalance.... I've done as much as any man can be asked: I have been kind, gentle, sweet, gracious, caring, selfless, and loving; but I cannot be these things when you will neither receive them nor give them back. My emotion, my spirit, and my love are being swallowed up in a void, and I can feel the light in this relationship fading. I can't stay in this if I'm the only one showing how I feel. If you don't love me, anymore, tell me. But I can't stay here and not know. I can't give you so much of my heart, and not get anything in return. It's my turn to be selfish.
                I am banking on the hope that you want this to work, honey. I am praying to God, Almighty that you would rather change how you act than give me up.
                I have never given anyone I've been in a relationship with an ultimatum before. Maybe that's why I've been hurt so badly before. But I'm not going to sink this ship myself. I'm giving you an honest chance. I want this, more than anything. I want you more than anything! I don't care that we don't earn enough for food, yet. I don't care that you spend oodles of time with your friends; I don't care about anything you do with your life except this. This one thing will solve so many of our problems, you don't even realize!
                My peace...my serenity with our relationship and with you as my partner in life, depends, solely, on how you behave towards me. There aren't enough Josephine Collective concerts or pills, or parties in all the world that will make me feel like you love me more than you showing me your **** self. I NEED this. It is essential to my functioning as your lover and your friend; I can't love a stone. And I can guarantee you, right now, that if you can put aside your insecurities, put aside your "awkwardness" argument, put aside your doubt that I would ever, EVER, turn you away or leave you alone, and just show me every minute of every day that you love me, I would never worry again. Reassure me with a kiss. Say "hello" with a kiss. Warm up by scooting closer. Cool down by throwing off a blanket - not pushing me away. Act like you can't keep your hands off me. There will be no nights where I ask you distressing questions; there won't be times when I'm offended by your going somewhere without me; I will not get upset when plans get upset. If I knew in my heart of hearts that you loved me and you'd make sure I knew it when you saw me, then there wouldn't be room for doubt.
                But right now...I don't know whether you love me or whether you're just going through the motions. My thinking is "if she loved me, she'd show me." But you don't show me. You know this as well as I do! One passionate kiss every couple of weeks is not showing me. A wag of the hips a couple times a month doesn't show me. Part of the psychological validation for committing to a relationship is the fact that your partner's body is yours to use. And it should be a willing use! I am a male. Three-fourths of my interaction with society is conducted physically, or visually. I need to see and feel that you love me. And that's not very much to ask from you, is it? And it's not awkwardness. You've shown me plenty of times that you're not abnormally awkward. And it's not shyness; you've been perfectly happy to make a scene in front of others before. It's not ***, either. *** isn't what trips me up. I'm fine without *** as long as I know you'd give it if you could. If I was confident that you'd jump my bones before I ever suggested it, then it wouldn't be an issue. But I'm not confident. Hell, I could go another three months if I got a BJ now and then.... I'm tempted to say it's pure selfish stubbornness, but I know that's not true. I think you're afraid of something. Maybe of opening up - spilling your guts - for me. Maybe you've been hurt a lot worse than I realize? There are so many possibilities. But you're the only one that can let me in, baby.
                I know it's not your way. That's evident enough from all my failures. But this is beyond "my way versus your way," now. This is essential to our being together. I love you, selflessly and shamelessly; but if I am going to be happy with you, I need to know you love me back. This isn't an option, anymore, dearest. You have to change. I need to know on a daily, hourly, moment-to-moment basis that you prefer me over anything else...period. My heart is breaking because I can't tell if you love me back. So, I'm going to make this easy on you. I've brought this up to you before - multiple times, actually. Each one just as memorable as the next. Each one serious enough to tell you that something has to change. But you don't seem to get it. You don't understand that this is paramount to my happiness...essential to my functioning; and you don't get that yet. You've asked me to do multiple things differently; I have changed how I act - who I am - to cater to your peace and happiness, and I am happy to do so. I have asked this one thing of you and you won't do it? I have asked this one thing because it is the one thing that I need to change. I've told you that. But the day after, and the week after, and the month after I bring this up, nothing changes. I can't handle that. I can't handle that I can be so willing to make you happy...to change my thoughts and actions through my own will to make your life simpler, less worrisome, happier and easier; yet you are so unwilling to grab your own mind and make it behave as you choose to ease my mind and my heart and give me that little validation I need from you so I can tell myself that I am your whole world the way you're mine!
                I will always love you. Always.
                But I can't be with someone who can't show me they love me.
                This is your ultimatum: Change. Put me in your mind. Think about the things you do that make me happy, and do them. Physically connect with me. Touch me on a regular basis. Visually connect with me. Get my attention, and hold it every day. Act like you are my woman the way I try to be your man. And do it now. You do not get a week or a month or a year. I am out of time. I can't wait on this any longer. If you want me here, hold me here with your own two arms.
                If you can't hold me, then I won't stay.

-###-

read a thousand love stories,
pause, rest awhile,
read ten thousand more,
and then deny equality.

If you ask for no more than you can give,
you ask for not enough

love is imbalance not an equation,
with a single solution

love has both constants and variable factors

so you write of tribulations and tributes
so you write of lamentations and liftings

you think you are on the same page
perhaps
but do we not all read at different paces?

one of you is solid, one is dotted and dashed
one of you is straight, one is bent, forever curving

when you think you are
in balance
in the same place
in syncopation

perhaps you are for a moment
a calculus of one point on a trajectory

and you say I can only ask for what I give
and am given
and no more,
you have miscalculated

this flux
flummoxed
when the old terrain is flayed flat
but thru the windshield you see the
plateau ends, the geography unknown,

when you see unknown
when you seek the unknown
when you give from places you did not know
you had to give from
when you kiss a hand
for  twenty minutes more than than the one minute you intended
when you give more than is asked
when you ask for more than you can you think you can give
the imbalance is the only concert
the imbalance is the the only constant

how do I know this?
what are my credentials?
you are not a teenage girl,
what matters of what you know of these matters?

I am who I am
a diversity of man and manner
I am past prime and in decline
but this I know
for having failed ten thousand poem times
you must ask for more than one can give

but that's not fair!

silly one, still wretched confused,
even after one hundred
thousand poem times

you must ask of
yourself
more than you can give
and ask no less
demand no less

a body in emotion is not a body in rest
when the imbalance is too great or insufficient
then you write a poem
look in the mirror that cannot lie
and move
on
or
move
off

and begin to ask
yourself
to whom may I give myself
more than is asked
then you have finally asked
the correct solution to the
unsolvable equation

read a thousand love stories,
pause, rest awhile,
read ten thousand more,
and then deny equality.

If you ask for no more than you can give,
you ask for not enough

love is imbalance not an equation,
with a single solution

love has both constants and variable factors

so you write of tribulations and tributes
so you write of lamentations and liftings

you think you are on the same page
perhaps
but do we not all read at different paces?

one of you is solid, one is dotted and dashed
one of you is straight, one is bent, forever curving

when you think you are
in balance
in the same place
in syncopation

perhaps you are for a moment
a calculus of one point on a trajectory

and you say I can only ask for what I give
and am given
and no more,
you have miscalculated

this flux
flummoxed
when the old terrain is flayed flat
but thru the windshield you see the
plateau ends, the geography unknown,

when you see unknown
when you seek the unknown
when you give from places you did not know
you had to give from
when you kiss a hand
for  twenty minutes more than than the one minute you intended
when you give more than is asked
when you ask for more than you can you think you can give
the imbalance is the only concert
the imbalance is the the only constant

how do I know this?
what are my credentials?
you are not a teenage girl,
what matters of what you know of this matters?

I am who I am
a diversity of man and manner
I am past prime and in decline
but this I know
for having failed ten thousand poem times
you must ask for more than one can give

but that's not fair!

silly one, still wretched confused,
even after one hundred
thousand poem times

you must ask of
yourself
more than you can give
and ask no less
demand no less

a body in emotion is not a body in rest
when the imbalance is too great or insufficient
then you write a poem
look in the mirror that cannot lie
and move
on
or
move
off

and begin to ask
yourself
to whom may I give myself
more than is asked
then you have finally asked
the correct solution to the
unsolvable equation

The pains of reality justify the
Deep seated sorrow of man.

The vulture encircles me
Events surrounded by mystery
Enveloped in insanity
The human race is
Captivated by mystery
Doomed to repeat history

Collusion to bestow unmitigated
Sorrow upon my being

Simply put, I am
Damaged goods

Speak softly now
And choose your next thoughts
Carefully,
For the devil has called
My soul to dance

Reckless, unmitigated
Abandonment
Of mind, body, and soul
Fruitless searches
Forever numb
Longing to feel whole

Deep beneath the rolling waves
Lies serenity
Amongst sunken slaves
Deep inside my brain
The labyrinth of my mind
Memories that
I've left behind
Gone with the breeze
Above arid land
Somewhere lost in the desert
Where only shamans understand
Somewhere locked in the innocence
Of childhood frailty
Misplaced in the universe
Perpetuating reality
Walking alongside
All the gods of the ages
Bounding across time
In history's pages
Vacated with the morals
Of man
Lost in the seams of
Our lives
In the absence of the infinite
Shared hallucinogenic cries
Gone with the limbs of
The serpent
Ignored individuality dies
The reflection of man tainted,
For it is where the devil hides
Looming in the shadows
Of irresistible allure
No acquittal of our sins
A race ****** to remain
Impure
Violence surrounding our
Unequivocal, dastardly instincts
Perched in the forefront of our
Perceived selves
Selfish, devilish
Acts of kindness
The misfortune of the fortunate
Given all the amenities
Of a king's meal
Without the sensation of
Taste
Washed away with our
Dreams of betterment
Laying upon the chests
Of mythological beasts
Souls left rotting
Souring with ferment

Supreme consciousness
Arouses the senses
Invent my future with the
Myths of the past

You're stuck in a state of
Imaginary grace
Dream myself into
New bounds of transparency

Cryptic writings
Things left unsaid
Unsure of the real
Or the surreal
Life's slipping away
Once again
Paper in hand
Palms begin to sweat
Indulging into reality
Memories
I long to forget

It seems forever
Since I've been home
Trying to balance
This chemical imbalance
But always, I'm left here
Alone
Believing my dreams real
Realizing my world's surreal
Living with uncertainty
Imagining reality

Where do I go
To hide the pain?
Dual existence?
Acute psychosis?
Trapped inside my own
Brain
There's a place in my mind
I like to hide
Where all of my secrets
I do confide
There's a place I go
To bury the pain
A papered existence
Conducive synopsis,
Abstained

I begin to sweat
My heart screaming
From my chest
Let the feeling pass
Delve into the kingdom
Inability to
Repress
Take me away
To that far off place
Abscond into surreality
Amongst things I dare not
Confess

Drinking in divinity
Affixed on mortality
Will I die in this place?
Unable to resurface
Back in reality

Stuck running in circles
On a surface-less plane
Can't escape the shadows
Can't remove the pain
Simple design
Made up of
Over thought complexity
A universe separated
Removed from the modern mind
Inexorably

Amputation of
The mutation
That is the
Human race
Segregation of this
Charred realm
From other wordly
Space
We live
We die
And death begins it
Reinvent our minds
Ignite our passions

Drowning in a gene pool
Of degenerates
Souls thrashing
Wildly, forlorn
Plunged into unmitigated
Evil
Of a race that destroys
The unborn

Lachrymose gaze
Upon the living dead
A thin film of separation
Through which lies
Are fed
Understanding the weakness
Into which we are
******
For shed blood
Forces cries
Ripping from mother's eyes
Witnessing her own demise
As a piece of her
Slowly dies
For father's impenitent
Fantasies once dreamed
Torn away from aching
Fingers
Left ravaged,
Impotent

Gazing at you
Under the cloak of
Intrigue
Watching you struggle
In the tangled lies
You weave

Commanding the head
Of the serpent
Lilith forcing man's
Non-repent
Imposed upon our being
Righteous punishments
Such ramifications
Deemed astringent

Incomprehensible
Allure
Masochists of
Everything pure

Watch the world die
From afar
Irrevocable despair
Promising allegiance
To a life I cannot
Bear

Killing myself with
Indecision
On the perimeter
Of sanity
In the psychotropic prison
And psychotic affliction

Here it comes again
The voices, getting louder
It doesn't feel good anymore
How do I escape
Escaping?
Where do I go when my sanctum
Has been compromised?
Unable to quiet
The insurgents afoot
Incurable, incalculable
Indecision
Lost, finding my way home
Left in between existence
Alongside myself
Alone

The cold, inhuman ability
To sacrifice one's own mind
Hanging onto the coat tails
Of free thought
Journey we now,
Into the nightmare
Ignoring loss of
Comprehension
Vacated laws of
Apprehension
Arming latent illness
Plotting revenge
Beneath the surface

Here it comes again
I hear it getting louder
It doesn't feel good anymore
Who will save the lifeguard
When he's about to drown?

Can you see me?
Can you hear my cry out?
He looks to find
There's no one around

Searching indefinitely
For myself
Lost in another
Under the guise of
Someone else
Why does it matter?
Seemingly insignificant
In a moment of clarity
Just breathe for a moment
Shoved back in reality
"Am I dreaming," he asked
His reflection replied
The answer profound
Unknowingly died

I sold my soul to get here
On the periphery of realization
Stuck on the perimeter of reality
Reentry revoked
Forced to sit idly
As my life passes
Before my eyes

This is my letter
Unable to deliver
This is my life
Unable to decipher
This is my nightmare
That I've never dreamed before

Trapped in the prison
I've constructed on my own
Locked myself in four walls
Of uncertainty
Built in the center of being
Unnoticed by the proprietor
Frailty prevalent
Implosion of the mind
Leading to the ******* of
The insanity
I've come to find

Death looms at the end
Of the candlestick
Walk hand in hand
With me
Fellow traveler of
Uncharted paths
My fellow affliction
With the unknown
Unable to save myself
From the pain I know
Awaits me

Here it comes again
Inescapable, maniacal laughter
It doesn't feel good anymore
And all I ever wanted
Was your guiding hand
Complacent in lies
Forcing deafening cries,
For there will be
No reprise
As my soul flutters
And dies

Death for sale
Ten will take you away
Consumed by the thought of it
No more worry
No more being suppressed
This other kingdom
Unknowingly repressed
Delve deeper into the nightmare
We lie together
Naked
Unashamed
Open to the probing
Fingertips
Of the world
Unable to speak
Sleep paralysis,
Yet this is no dream
Wide eyed
Searching
Unable to scream

Incommunicable desires
No longer latent
Unsuppressed is the disease
Of your discontent
Insufferable, forcible pain
Towards the ones loved most
Catatonic, embryonic
Feeble mind
Please save me from myself

Forgive me, father
For I know not what I do
Forgive me, mother
For I do not blame you

Plastic state of being
Suspended in the viscous
Coagulant of stolen thought
And free will
Drowning in my
Own enjoyment
Of self suffering

How will you remember me?
A trembling voice
To read my eulogy?

Forget the things I should have said
This demoness I've brought to bed
Speaking in riddles
Bewilderment of the senses
Deeper appreciation
For the subjugation of man

War criminals in suits
Pretentious, cowardly vestiges of man
Surrounded by an air of
Undeserved arrogance
Getting fat on young girls
Sending their children to war
Safeguarded by a desk
And the allure of change
Obscene, disgusting animals
Consuming their weight daily
In the profit of drugs and
Devised disease
Profiteers of death
Politicians work the corners

And I fall,
Too weak to carry on
Can't escape my own
Lonely, cold, loveless
Gaze
Black holes in my head
Leading into the depths of
My soul
Emptiness pervading
Madness running rampant
Destroying who I once was
Tearing to pieces
My uniqueness
Stripped of self
Thrown back to march
Within the masses
Towards impending demise

Staring into the eyes
Of the serpent
Turned to stone
Numb to emotion
Numb to pain
I cry out for substance
I miss the person
I used to be
The person you loved
Before you met me

Relieve me now of sin
Unto re-birthing, begin
Relieve me now of this burden
Knowledge and shame
Relieve me now of myself
And self inflicted pain

There it goes again
Making me feel dour
It doesn't feel good anymore
Purge me of this dependency
Ancient, carnal need
Necessity of loathing the infinitesimal

I've met the devil in my dreams
She looked a lot like you
Dreaming in wakefulness
Awakened desire in dreams
What is my intention?

Do I provide a function
Or functionally provide?
Are you living in a nightmare?
Have you gone to sleep and died?

Synesthesia upon awakening
My sensory perceptions
The permutation of the
Infinite

Children of the wilderness
Remove us from the
Impurities of societal disorder
Relieve us of the blandishment
Of media driven fallacies
As the masses are hoarded,
Spoon fed their own flesh,
And directed onward
By the pusillanimous grave robbers
Awarded with the title of
Government official
Given diplomatic immunity
And free reign over
The direction of our lives

There lies a serenity
Beneath the quiet surface
Of the ocean
The ocean floor is vast,
Uninhabited promise

I have developed an acute prescience
For what will come

Man unknowingly conspires
Against himself,
For the good of man
Cannot overcome
The evils of mankind
Conquering in the name of
Worthless ideals
And fruitless endeavors

Conforming to nonconformity
You're only fooling yourself

Wandering about in a dreamy state
With unexplained expectations
For some sort of happy outcome
Welcome to my nightmare
My inescapable kismet
Defend me from myself
I have become
My own worst enemy
Just a hyena looking for
A lions share
More animalistic than
A starving predator

Morally ambivalent
Acting upon
Inconclusive notions
There is no stability
In this loose earth
Sinking ever deeper
Into life unbeknownst
To me
Quicksand enveloping
Sanity and conscience
Leaving behind
Only memories of
What we ought to have
Become

Been suppressing emotion
For so long
Seems like forever
Since I've gone
Numb to the heartache
Blind to the happiness
Rediscovered childhood
At the end of my life

The words become a
Flowing river
My pen cannot dance
Quickly enough
To capture my
Escaping tongue

Discovering escape
Through self sufficiency

Sanity is nomadic
Traveling from
Person to person
Mind to mind
At any given moment
We are all insane

You say doctors will
make the best poets.
They will search your emotions
by the skin; cutting open to reveal
and revel
with surgical precison.
They will play with
heavy drugs and blades--
nothing shall hide beneath
the armors of bone and muscle.
They know the anatomy
of the heart too well.
They will find the things
you have hidden in your chest.

I say
doctors will never be poets.
They are too mechanical,
too fast with their edges
and ridges.
They cannot see the pain
as pain but merely as an anomaly.
That sadness is black bile
not melancholia.
They cannot sing to you
but only clammer in medical jargon.

Poets will use their imperfect words,
and perfect rhymes
to find the secrets of your rib cage
with ease.
They will find every flaw
of your broken body
and make it the best story
you've never heard.

Doctors,
they will put love to define as
a momentary rush of adrenaline,
an arrythmia for another human
caused due to an imbalance of the heart rhythm.

Poets will tell you
that love is the first jolt
of life for them.
They will say love is a state of euphoria
that takes those irregular rhythms to perfect symphonies.

Doctors say that
veins carry blood
devout of oxygen.
I say that they carry your broken emotions
to their feelings factory
to mend it within its beautiful catacombs.

All those doctors
will find and fix you
with perfect solutions.

And these poets
will do their best
to be your perfect solution.

it was once called a beyond "good" and "evil"... as if the two were confused... i think the actual confusion comes by calling it: "beyond" good and evil - clearly we have a distinct understanding of the two, in how we treat them in the most extreme cases (as antonyms), and how we can't seem to comprehend them as antonyms: one's a ******* square, the other is a ******* triangle... in that we create a synonym siamese of the two... and how the good men squabble for an argument to contend against their "crimes", and the justice served against them... or this much came from creating Ed Gein into a romance... a fetish for artistic inspiration from Rob Zombie and the Silence of the Lambs... but no one bothers... ah... what's his name... Ted Bundy... no one wrote a song about him... no, he was clearly evil... this is what i find bewildering: the suggested "beyond".

oh, but it's only a game... there no etymology involved,
there's no looking back at words created
from the alphabetical cornflake bowl...
where cornflake-a floats about with cornflake-b
through to c, d, e... m n... l  o      p... and finally
rests with zed.... this is another type of game...
i don't mean it as a craft of etymology,
scouting the tongue prior, to say something
about the word in the tongue, now...
   it could be a raving lunatic using the word
  *δαιμων - and yes... before i make
the incission marks into the two syllables....
    i want to see how a "chiral"
aesthetic of: much the identical sound will give rise
to macron omicron ō = ω... just like like η = é,
   given the standard of epsilon
(ε) being the: quite distinct
measure of the sound suggested / intended.
but then, within a framework of bilingualism,
     made redundant as "schizophrenia" it's an absolutely
blunt statement to say: naturally, i am split mind...
i use two tongues... i can only imagine the horror
of being mono-lingual and having the symptom of
"hearing" "voices" in your case of dis- (negated)
-ease... that suffix needs not exfoliation...
but a game, there is, nonetheless! but it requires
the Caribbean tongue of patois... never know
why certain words sound better in the native tongue
than in the tongue acquired, but hell, they do...
    and to think my bilingualism became squandered on
    imitating a hellish encounter with schizophrenia...
   a condition so misunderstood and so exploited ("romanced")
that it makes no sense, unless if used in slandering someone:
not quiet 80, and actually in a degenerate state of having
lived a life... but i mean someone in their
20s, and embarking on a trip that completely obliterates
the boring tourist in them, along with the hope
of the father in them... and yes, if i wasn't bilingual
and merely monolingual i'd probably experience
the classic symptom: so many went down the route of
taking l.s.d. and so few never realised that the true
essence of horror is: music... people can't never fear what
they can or cannot see... it's what they hear,
or what others think that frightens the living-daylights out
of them! i mean: can you imagine a cultural
revolution when the drug made you
experience auditory-hallucinations
that's than optical variations in fluorescent
colours? i'd love to meet the man
who invented a drug that made you hallucinate
a Bach symphony... i really really would
love to meet such a man...
     meaning there's a bewilderment
about blind men and deaf men...
    sure, you can find them in
supermarket isle testifying that
   an elephant just ****** a donkey with
its trunk... while the donkey bellowed
out some jazzy impromptu...
  cos that **** would, just make sense.
how can anything make sense
when you already have five,
and given the sense of sight you turn
all revisionist and imagine things?
   it can't make sense, given the senses
are already given...
    it has to be the sense, turned into
a faculty: seeing-imagination
hearing-composure,
                           ­   poets are never compared
to musical composers...
my choice of vocab is a bit poor
at this moment...
             give me a tape recorder and i might
just be able to encrust my voice
like a cello in some symphony...
this isn't the game though...
i need patois and polish to play with
this word δαιμων...
     cut open: δαι-         / daj
  in polish means: give... a prompt, not: to give,
but: just give it, a basis of instruction...
   and now the patois... i.e. -μoν
    or man... aye aye mon, the drunken jammy-sailors
sung, drinking and swerving their dreads
    into puke-soaked sofas of the brothel...
so yes, we cheated a tad bit...
   we didn't write down: give me the moon,
we just said: give me man...
              and so pandemonium ruffled
a few feathers of man's peacock known as vanity...
and so the puppeteers said: enough
of strings! to the rook and bishop, pawn, king
queen and knight! suma summarum?
  only in england, could bilingualism ever be confused
with schizophrenia... oddly enough bilingualism
can deflate classical schizophrenic symptoms...
well: the symptom isn't exactly a pain...
     and they did suggest it to be a chemical imbalance...
which i found quiet funny...
given i have a chemistry degree from Edinburgh...
  i can't exactly state what a chemical imbalance is...
    not with the equilibrium theory...
   or any care to call phosphorus dipped in water
after having stored it oil to be an "imbalance"...
    surely we are talking about giving examples,
a bit like regurgitating facts...
but it would appear that there are no examples to
be given, as we are more interested in
simply regurgitating facts...
           i heard this one "dear" friend of mine call
my work a word salad... as if i hadn't heard that
phrase before... well great, coming from a man
who i remember unable to recite the ******* alphabet.
               god, how could i have become so
engrossed in these belittling narratives from past
or present, it's like i'm chewing on roast beef...
and i'm chewing, and i'm chewing, and i can never
even sniff the tulips of transcendence...
  every time i do, i just get dragged down onto
the plateau of being the common man...
             i just don't seem to value
will as my modus operandis -
    only a mere be - and **** me, with that there
are so many things optional...
                 i feel no river needing a travelling down
on in me, i feel no sea in need of
     a tide or a shipwreck...
               i feel no need for a mountain and
an avalanche...
            but whereas the will would guide me toward
overcoming the mountain,
  with each congestion of being bewildered by
a be injected into any thing real or imaginable,
along with that quasi-thing known as thought
that later becomes speech or writing or song,
      i can only state: without a will to overcome
a mountain, without a will to sail across a sea...
     i am both the mountain and the sea...
    in that i am being: set aside by both mountain
and sea in claiming a will over them,
           i am set aside by both mountain and sea:
for i know my own vanity,
            and as counter to res cogitans,
being a res vanus: i am of foremost concern to
fill that void with thought, rather than
   with sights of Eldorado across the sea...
    or a Tibetan monsestary, high in the mountains.