Eroding brick wall
all that remains
refracted, fading
fishermen shadow
red dawn’s early light

brackish still water
shocked violent green
seeps from the desert
to be subsumed
by an unrelenting sea

restless dreamers rise
muscle sturdy pangas
into the churning tide
seeking quicksilver
at the continental edges

returning boats ride low
the shrinking horizon
race to safe harbor
cold beer on ice
under palm palapas

in the restaurant
a young man
shows off tuna
half as tall as he is
to admiring tourists

like me, seeking
the deep, slow burn
salt, jalapeno, lime
a fitting end to this
unraveling dream

Pueblo Mágico
of “no bad days”
walls of contention
in a fractured land
will never separate us

one margarita, two
another raised in defiance
of those who would try
to confine and define
free-range spirits

the Pacific touches
this contiguous shore
from equator to pole
we could catch
a clockwise current

follow Polaris up North
arrive transformed
magnetically charged
disparate souls fused
together bound

~

he knew the hour had come,
to keep a promise he had made.
the time to settle up,
and now a note that must be paid.
the price he’d never argued,
the terms... oh, these were clear;
but he’d not imagined this,
the cost of giving up
his freedom he held dear.
in retrospect he could have run,
he surely wouldn’t be the first;
but it was something in her eyes
that said, “boy, this ain't your worst
nightmare!  trust me hon,
to leave would be a downward slide.
best stay and walk this aisle, love,
it don't pay to leave behind your bride.
my brother’s worn his runnin’ boots,
and daddy brought his gun;
his hound dog knows your scent,
try runnin’ boy, you might be done.
if i were you i’d weigh the odds,
and besides...
is it me you fancy on your arm?
or would you wish instead
the jaws of daddy’s dog?”

~

*post script.

not my story, just my wild imagination running down the street. the thought of it made me smile and when i read it to my sweet wife she chuckled aloud. so if you did too, i will consider my work here to be done!  enjoy, my friends!!
(: Steve

I never got to love the girl
she spreads wide her rainbow net
where the sky plunges on crystal river
tides swell to hide her shame
ebb to fill her bag of catch

I never got to love the girl
her hairs in the wind
my dreams spawn
a flower rising from the riverbed
she grants a love in my head
spreads wide her rainbow net
thru the long night of blue moonshine
her frock fills up with sparkling life

I never got to love the girl
could no way be the right match.

Forest inquires:

How do you decide, choose your design, find its guise,
give it a face, surrender to the poem's own
vanity,
        and choose the poem's alignment?


                                                  an­ answer forms:

this alignment idea,
you think it simple,
everybody understands
what your inquiry means

alignment -  the appropriate relative position

we live in relative position to each other, our poems too, for they are but written synapses of our close captioned interactions, seemingly random, but assuredly not, as we invest in ourselves, seeking the mysterious appropriate answer
                                                                ­                        from the Theory of Poetic Relativity

                                                   ­             i love your question;                              hold it to my nostrils,          
                                             ­             smell the coffee aroma wake up blast inherent;
                                                                ­      
 kiss its robust childlike cheeks for the simple   soulfulness essential arousal;
for you see sir you have found
the appropriate position that relates us, our mindful words;

                                 answer no good, wholly insufficient?
                                        perfect.
                          as i close this quick cooked to perfection laboratory solution, take note

                              
                            ­                        the earth has moved
                                our hearts have beaten a measly thousand times
                                    time and space have appropriated our prior
                                          
relativity

when you return years hence this poem's shape will perforce have moved. for words are weathered flux constant and yet inherently unchanged except for the part of us that changes with every re-reading  

and what was


**right before has left and the center has moved again