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  Nov 2023 Poetoftheway
Nat Lipstadt
an all purpose cleaner response to the

how-ya-doing-question,

as my vibe unmistakable;
the hatred in the world directed at
MY PEOPLE,
is inexplicable, beyond reason,
a hatred raw and pure in the
tiny places we humans hide it, lest
our ancient linkage to an unreasoned,
embarrassing emotion, be revealed

but now revealed it is reveled,
as the freedom to despise is a
valued thing

is an ancient scar, now freshly wounded
and the two thousand year old accumulated, callused,
surrounding wafer thin, layered upon layer of
tissue,
wiped away
in utter disbelief
cleansed,
a different kind of impure clean,
“like” an ethnic cleansing,
traceless, whisked away in a wink of moment,
a goner.

like hope, prior sentient optimism
sentenced to life imprisonment and
this sentence, and this very sentence!
written finally understanding that it is
a punishment
far worse than the quick relief of death.

c’mon, how about a few “fukk you jew”
cri de coeur, heartfelt, genuine, pointless
hate

no, not I, no, not me,
spare me the pithy comments,
the pointless sympathy, glistening
like evaporating water droplets
before disappearing, I ask myself,
not
why they hate, why it persists,
for this I understand and accept
the foulness of what we are capable of is,

beloved,

as a secret pleasure, now secreted in torrents.

no, I ask myself,

why do I write poetry,

for it is as pointless as
the hatred directed at me,
from birth, till death,
and ever after,
the humanity of poetry
just another fraud

another reason
why this man cries in the bathroom,^
not from any shape of shame,

because poetry is pointless
in times of hatred, and now we
know, recognize, it is always
somewhere, nearby, always
present and prescient,
pointless hatred,
itching to be pointed at me,
makes for
pointless poetry.


To whom shall I point my poetry?
  Nov 2023 Poetoftheway
Nat Lipstadt
Hey Yalie, Diurnal Rituals Yield the Best Poetry

A Yalie jogs before dawn, her senses being exercised,
semi-aware there’s layered poetry out there and it must
be retrieved, for the eyes observe the diurnal arousing of the day,
and this too, must be recorded, part of the ordered duties of living, as the skin cells shed sweat droplets and
words of living, parcels of breathing, a diary of notations,
to educate the brain in ways and things that
professors cannot teach…

every sense operative, interactive, sound off neurotic synapses,
are acrackling, as you lay out the day ahead, calendar and
assignment checks, but the senses don’t care
about that
trivial minutiae of living

nope
the words are now coming fast and you hope your best that
you will retain, retrain the memory to savor save, those
combos of images encapsulated in new word combinations,
that are yours alone, unique, proving to no one but
yourself, that education, science et. al. is a seeded embryo &
you the valedictorian of birth commencement ceremony

so put them trainers on,
and by dawning daylight you are awondering,
now becoming a pondering, and the
question never spoke aloud but oft posed,
is this, this is,
this is why I exist,
and
my identity?

I am an institution in my own right,
in my own write.


Saturday Nov 4
8:01am
nyc
  Nov 2023 Poetoftheway
Alaina Moore
What a lonely place it is when the grace of a pause is not given.

Between patients and rationality- all the filters that each data point wiggles through. To calculate how to disarm the bomb, without sacrificing myself.

What a waste, all this energy spent to go unrealized, and not truly appreciated.
A thousand apologies nor gratitude wishes can equate to the power a single breath, a pause, can make.
~
November 2023
HP Poet: Lori Jones McCaffery
Age: 84
Country: USA


Question 1: We welcome you to the HP Spotlight, Lori. Please tell us about your background?

Lori: "I was born Loretta Yvonne Spring in a tarpaper shack on Lone Oak Road, Longview Washington, on New Years Day in 1939. That means I’ll soon turn 85. In high School a boyfriend changed my first name to Lori and I kept it. At 29 I married and became Lori Spring Jones. (I signed poems “lsj”) I had one child, a daughter, and when 20 years later I divorced, I kept the Jones name. I married again, in 1988 and became Lori Jones McCaffery, sometimes with a hyphen, sometimes not. I’m still married to that Brit named Colin and I speak “Brit” fluently. I sign everything I write “ljm” (lower case). I didn’t know about handles when I joined HP, so I just used my whole name and then felt I may have seemed uppity for using all of it. If I had a handle, it would likely be POGO. Short for Pogo stick. Long Story. I have an older sister and a younger brother. Both hate my poetry. My parents divorced when I was 12. My mother’s family was originally from No. Carolina. I’m proud of my Hillbilly blood. I went to college on a scholarship. Worked at various jobs since I was in high school. Moved to Los Angeles in 1960 just in time to join the Hippy/summer-of-love/sunset-strip-scene, which I was heavy into until I married. I read my stuff at the now legendary Venice West and Gas House in Venice Beach during that period. I’ve been an Ins. Claims examiner, executive secretary, Spec typist, Detective’s Girl Friday, Bikini Barmaid, Gameshow Contestant Co-ordinator, Folk Club manager, organizational chef, and long time Wedding Director. (I’ve sent 3,300 Brides down the aisle) "


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Lori: "I wrote my first poem in the 5th grade and never stopped. I had an awakening in 1957 when I worked at a resort during school break and met another poet, who unleashed a need to write that I’ve never been able to quell. I joined Hello Poetry in 2015, I think. Seems like I’ve always been here. I tend to comment on everything I read here. I’ve received no encouragement from my family so I feel compelled to encourage my “family” here. I do consider a large number of fellow writers friends, and value the brief exchanges we have. I don’t know if Eliot intended HP to be a social club but among us regulars, it kind of has been, and I love that."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Lori: "Living inspires me. The intricacies of relationships, and the unpredictability of navigating society. A news story often does it. A song may stir words. Other poetry often sets me off on a quest of my own. I write very well to deadlines and prompts. I adore BLT’s word game and played it a lot in the beginning. Seeing the wonderful job Anais Vionet does with them shamed me away. I have hundreds of yellow lined pages with a few lines of the ‘world’s greatest poem’ on each, all left unfinished because I’m great at starts and not so great on endings. Some day, I tell myself….some day."


Question 4: What does poetry mean to you?

Lori: "Poetry has been a large part of my life as long as I can remember. I would feel amputated without it. I recited the entire “Raven” from memory in Jr. High School. I still remember most of it. More recently I memorized “The Cremation of Sam McGee” Poetry is my refuge - with words I can bandage my hurts, comfort my pain and loss, share my opinions and assure myself that I have value. It is where I laugh and also wail. I would like to think it builds bridges."


Question 5: Who are your favorite poets?

Lori: "My favorite poets include Edgar Allen Poe, Robert W Service, Amy Lowell (I read ‘Patterns’ in a speech contest once), Robert Frost, Shel Silverstein, and Lewis Carroll."


Question 6: What other interests do you have?

Lori: "I’m a collector. Whippet items, vintage everything, I read voraciously: 15 magazine subs, speculative fiction (SF) and anything else with words written on it. I try to read everything every day on HP. I watch Survivor religiously and keep scorecards. Ditto for Dancing with the Stars. I’m a practicing Christian with a devilish side and involved heavily in Methodist church work, which includes cooking for crowds and planning events."


Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, dear Lori! It is an honor to include you in this series!”

Lori: "Thank you so much for this very undeserved honor. This is a wonderful thing you are doing. I know I write with a different voice than many, and it is empowering to be accepted for this recognition. I apologize for being so verbose in answering your questions. When you get to my age you just have so many stories to tell."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Lori better. I learned so much. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez & Mrs. Timetable

We will post Spotlight #10 in December!

~
Poetoftheway Oct 2023
Some -
thus not all. Not even the majority of all but the minority.
Not counting schools, where one has to,
and the poets themselves,
there might be two people per thousand.

Like -
but one also likes chicken soup with noodles,
one likes compliments and the color blue,
one likes an old scarf,
one likes having the upper hand,
one likes stroking a dog.

Poetry -
but what is poetry.
Many shaky answers
have been given to this question.
But I don't know and don't know and hold on to it
like to a sustaining railing.

Wislawa Szymborska

Translated by Regina Grol
Wisława Szymborska
Well-known in her native Poland, Wisława Szymborska received international recognition when she won the Nobel Prize for Literature in 1996. In awarding the prize, the Academy praised her “poetry that with ironic precision allows the historical and biological context to come to light in fragments of human reality.” Collections of her poems that have been translated into English include People on a Bridge (1990), View with a Grain of Sand: Selected Poems (1995), Miracle Fair (2001), and Monologue of a Dog (2005).

Readers of Szymborska’s poetry have often noted its wit, irony, and deceptive simplicity. Her poetry examines domestic details and occasions, playing these against the backdrop of history. In the poem “The End and the Beginning,” Szymborska writes, “After every war / someone’s got to tidy up.”

In the New York Times Book Review, Stanislaw Baranczak wrote, “The typical lyrical situation on which a Szymborska poem is founded is the confrontation between the directly stated or implied opinion on an issue and the question that raises doubt about its validity. The opinion not only reflects some widely shared belief or is representative of some widespread mind-set, but also, as a rule, has a certain doctrinaire ring to it: the philosophy behind it is usually speculative, anti-empirical, prone to hasty generalizations, collectivist, dogmatic and intolerant.”

Szymborska lived most of her life in Krakow; she studied Polish literature and society at Jagiellonian University and worked as an editor and columnist. A selection of her reviews was published in English under the title Nonrequired Reading: Prose Pieces (2002). She received the Polish PEN Club prize, the Goethe Prize, and the Herder Prize.
Poetoftheway Sep 2023
“But I am old and you are young,
And I speak a barbarous tongue.”

“To a Child Dancing in the Wind” by William Butler Yeats

<|>
saw this poem on the site,
and it ripped a tear in my warp,
shredded edges rubbing each other,
violently, volubly, saying be wary child,

for what we don’t tell the children well
in advance of their sad discovery
that the world is not the perfection  and
that good night moon story world
is not as it purport does if
it really exists,

and I am bitter that all warning asunder,
inutile, wasted, going unbelieved till time
is they must discover in their own pain,
their own sorrow that our world and words,
are imperfect, and that I am sordid saddened
that there is little one can do to protect them,
other than,
speak in a barbarous tongue


”But I am old and you are young,
And I speak a barbarous tongue.”

Yeats

~~~

https://hellopoetry.com/poem/4756146/to-a-child-dancing-in-the-wind-by-william-butler-yeats/
weeping
  Jul 2023 Poetoftheway
Where Shelter
Where Is Shelter?

depends on the location of the storm…

so oft have I queried the gods and you?

Where is Shelter?

to which, my response, while surrounded so well (!)
within
my moated island circumferences redoubt,
always was a simple:

“Here, Here is shelter!

But so human, thus so prone to delimited vision,
always, we scan the skies outward, fearful of
the hurricane and storm that approach,
from without, appearing, and the brewing
sky’s danger is visceral~visible to the naked eyes,
when,
it is disguised within the chambers of the
body, festering, until it is pestering, and
shelter, sadly, is not injectable, transferable,
easy remedial, and the hunkering down
with four walls not the solution, for the walls
themselves are damaged by decades of
waves of innocuous gently lapping that
still
erode igneous granite(1) and fissure the self,
this secretive, enemy insidious…


so it comes to be, that my own daggers have
pivoted, the pointy dangers pointed outwards,
well entrenched in their own defenses, now targeting
the whole of me, my outer walls breached, and
fired upon by cannons of cells, a treacherous
attack, bombardement par l'artillerie et les drones,
of the Fifth Column (2)…

so once more, say no more, but ask the brief of demand,

Where is Shelter?

the answer is as of yet to be decided,
but the forces
arrayed for and against
are equally determined!

W.S.
https://hellopoetry.com/poem/3094276/the-unthinkable-is-our-specialty/

(1)
Granite is hard enough to resist abrasion, strong enough to bear significant weight, inert enough to resist weathering,

(2)
Clandestine fifth column activities can involve acts of sabotage, disinformation, espionage, and/or terrorism executed within defense lines by secret sympathizers with an external force
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