Apr 2021
~
In her sulking-place
alone and naked
framed in soft sepia
—the vintage, harlequin hue
at this supposed faded hour
she sits looking back on memory
she sits and stares
into the boudoir mirror
at herself
at her embonpoint
yes, at these *******
—at their landscape
how they fall
(like Niagara)
where they point
(like a compass)
what they tell (so fondly)
when pressed together
about their time
—their work and play
towers on the precipice
of judgment
both callous and
uncharitable
if the mirror
truly be her reflection
her vision is turned around
as illusion
—a study of tonality and tolerance
for one's own flesh
the room
an invitation
or perhaps
a lockaway
where she even keeps secrets
from herself
~
In her sulking-place
alone and naked
framed in soft sepia
—the vintage, harlequin hue
at this supposed faded hour
she sits looking back on memory
she sits and stares
into the boudoir mirror
at herself
at her embonpoint
yes, at these *******
—at their landscape
how they fall
(like Niagara)
where they point
(like a compass)
what they tell (so fondly)
when pressed together
about their time
—their work and play
towers on the precipice
of judgment
both callous and
uncharitable
if the mirror
truly be her reflection
her vision is turned around
as illusion
—a study of tonality and tolerance
for one's own flesh
the room
an invitation
or perhaps
a lockaway
where she even keeps secrets
from herself
~
avenoir - n. the desire that memory could flow backward
(54/M/The Exclusion Zone)
Please log in to view and add comments on poems
