Introduction:
What is *Preludium but a time to reflect on what it is we know;
What has gone before, and how it might shape those things to come?

Preludium, or, what has gone before:
An entire world,
A great big steaming musty living breathing screaming world and-
For all we know-
There’s but two souls that care to fill it:

Sly Squint, our latest hero,
Swinging through his city like t’were a steaming jungle
And him the proverbial Ape,
He crouches in shadows on rooftops,
Directing his lust, forceful! At all
That kneels before him.

Then there’s our mysterious wanderer-
One hell of a sorry, stinking, sulky sort is he.
No Name to claim yet garbed in rags aplenty
Travelling on an endless quest
Towards a dying dusk.

Yet we need to draw a Third.
See, in this strange place we find ourselves, riddled with danger and loss,
We need one who knows some things;
One who is up there;
Better yet, one who helped to shape this world.
Because for now we are clueless, vulnerable, shambling in darkness.
And that will simply not do.

So, with haste, dear reader, with haste,
Let us ride for the one with the answers;
The one with more Names than you can count, even if you had a lifetime in which to do so;

The one who holds all the strings.

Hobbling over rock and dust,
The Nameless winces with every weary step.
His soles scorched and torn
By the unaccustomed roughness underfoot
The jagged teeth of a prickly piping earth.

Alone he makes his way
With tiny treads towards the dying dusk.
Fatigue dragging at his limbs
Bowing his neck to leave eyes downcast
And unfocussed; seeing naught but blurs and
The swirling and swaying of the trembling past.

A city:
Grand buildings stretching as one toward the sky;
Great lions waking from their feast and basking
In the brilliance of noonday air.
The bustle of flesh coursing about their purpose
The tight press of bodies all around
And the chatter and the natter and the laughter and the anger.

And then the silence.
The fear and the glares.
The hunger
And a guilty aversion of one’s eyes.

The shattering of glass
The raising with fire and boot.
And the stealing of Names.

And now here he trudges.
With tiny treads and into naked night.

Oh, elegant verse-*
As one might stumble upon
Some striking thought or connection;
A comet fallen, burning hot as it strikes,
But cooling with each passing second.

As one stands transfixed,
Aware with every fibre that this cannot last for long,
It is you that captures the greatest of these moments.

For with the words that spring to mind
And twirl and morph and stick,
The meaning may change but
Burn bright still.

Reproduced to new form in every mind
That stumbles through the lines,
With some brighter still, than ever did descend
By nature’s hand alone.

Squint scurried.
From rooftop to rooftop,
He skipped and he flipped as he
Scrambled amongst the tiles,
The blur of slate was his domain,
As, through the haze of reckless speed,
The slowly revolving City
Did imprint upon his vision.
So that as his sly lids descended
Its outline he admired;
Its screaming centre he desired.

In the end even Squint cannot run forever.
So he will slow, and shade his eyes,
Catch his breath and gaze and sigh.

And when he’s had his fill of the sights and the smog.
Down he slides amongst the pipes
Of better folk; of harder folk,
Of those with Proper Names
Like ‘Welder’ and ‘Melder’
And ‘Roland’ and ‘Fairer’.
Names that came after a ‘Mr’,
A ‘Lord’ or a ‘Sister’.
Names that one Day he would have for his Own.
For in the Glass City, Names were always changin’ hands.

Squint.
Not much of a Name,
Even for one so young as he
It would seem he would deserve
A Name of much more worth
Than simple, humble ‘Squint’.

But Squint lived up to his Name.
He may look young and full of fun,
But crouch on a wall and you might just
Be appalled to see that not a moment after
Squint is left alone, his eyes will glitter.
And if any Man’s flesh could ever express such malicious scheming,
It was the writhing face of our humble Squint,
Once his eyeballs set to gleaming.

I want to write it all; all of it. Every last word, sentence, phrase, poem, story, tale, feeling, joke, song, garbled hunk of nonsense streaming from my mouth hole like from a tap until the whole world drowns in just what I want to say; to let them know that expression is here, in my mind, in theirs, whispering in the trees outside, singing from every atom that can bump and grind and make things feel or see or sigh.

I want to sit within friends late in the night heads bobbing nod nod nodding as we agree or disagree or pedigree our intellect as we refine the phrases that make us sound like we know. Cos when you sound like you know, that's when you get heard, and if anyone's gonna get heard, ain't no one better nor worse than us. Cos nobody really knows; no Oxbridge don could ever write the wind, measure my kiss on my darlin’s skin, capture what the rosy points of her cheeks do to my brain, my body, my soul, my Attachment to this world.

So Hear me, O merry gentlemen! For I am alive and feeling and that is all the PhD I need.- If only you could see what’s dancing around in my skull... but you don’t have to! Use your own ivory mug! Really stop and think and you’ll see more than in a million poems roar within an eyeblink. Know it and feel it and see it all; the whole stupid shining racing roaring- untameable- restlessness of it all! Put down your pen and paper and rush out in the air and rejoice truly in the warm company of lovers and friends, in the sweet hum of guitar strings and in the savage itch of the insect's bite. In loneliness and mourning. In boredom and steady working with clever hands. And love, never stop loving, or hating, or appreciating, or caring, or crying, as long as you are feeling. For sometimes it seems we should always be in pain from one thing or another, yet mostly from the bubbling exasperation of positive go-get-em ***** for life.

For we read this clunky tongue of ours and say it’s what should be but there is more! For life through all its prisms can impress upon your vision a beauty neverending, yet to sense it quivering within a page is a spectacular sight indeed. So let’s leave the rigid, the impersonal, the stymied words behind and let's form a new expression, devoid of convention, one that cries joyous face-first directly into our souls!

So, Cry, onwards! And let's weave this tender tongue of ours, golden! Let's stack this world full of less-than-sane streams of speech tangled images driving shards of true experience into each other’s minds, until we drop dead deep in our bones from exuberant exhaustion. Let’s follow Kerouac to the grave; cheering, and keeling and full of tender feeling and find a meaning in words that can transcend into being. Let’s **** and watch and listen and do and learn and laugh and notice laughter and mark it for the concentrated joy that it is. Let’s sit quietly and attend to those things around us and ruminate without ever forgetting our surrounding- which include, of course, the ever flipping ever spinning and unwinding tapestry of our mind and others'.

Let’s find joy, or the maker, or whatever, same-meaning trap clap-trap of a name he (or she) has in your sticks, in what we can touch and feel and see, and inside those we know and those we don’t. Let’s make language a human thing that radiates warmth for all, and bridges us to those around us so that none may feel alone or scared unless they long to for glorious masochism, or curiousness, or any things they so do please. Let us travel, and dance, and loose hope, and find it, and live it.

And write tenderness into this world.

isn't it odd
how we can know
human nature
well enough
to write poems
that move others
to tears
yet must hear
the words of others
to cry
alone
.