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 Nov 2015 Meenu Syriac
r
Dark pools
 Nov 2015 Meenu Syriac
r
I like her black dress,
the way it pools at her feet.
How she walks to the bed,
spilling over my sheets.
I drown in the depth
of her eyes.
 Nov 2015 Meenu Syriac
r
I feel like a foreigner
standing on a pier
waiting for word from a lover
across the blue water of tears.
A sad day. We stand with France.
 Jul 2015 Meenu Syriac
Sourodeep
In depths we dive
the sun we trust
till we hit the rocks
and get shattered to dust

holding our breath
the pressure gets worst
this mighty sea has never
quenched anyone's thirst
I had for my winter evening walk—
No one at all with whom to talk,
But I had the cottages in a row
Up to their shining eyes in snow.

And I thought I had the folk within:
I had the sound of a violin;
I had a glimpse through curtain laces
Of youthful forms and youthful faces.

I had such company outward bound.
I went till there were no cottages found.
I turned and repented, but coming back
I saw no window but that was black.

Over the snow my creaking feet
Disturbed the slumbering village street
Like profanation, by your leave,
At ten o’clock of a winter eve.
The air is brittle this ominous, wintry night.

The slivers of a life you used to know still haunt you, as surely as you have permitted them to be a haunt to others.

Without question, it is those memories that spur your ruminations; that cause your copious circumlocutions; which compell you to stand on this somber boulevard in front of this crumbling, but once stately manor that now is a languid presence with the solitary purpose of looming over the vast grounds.

It is obligatory that you proceed along the avenue that used to split the yards that are now overgrown and chocoblock with twisted vines, and thistles.

You pause, to gather your strength.
One deep inhailation and then you hold your breath as you grip the tarnished handle and lock leaver.

With a perfect degree of strength your thumb recalls, the mechanism is undone.

Your arm pushes forward.

The silence is disturbed by a warbling creak as the heavy door is slowly opened.

You exhale, then before you lose your nerve you quickly pass through the ingress and enter into the foyer,
which is instantly familiar in the dim, flickering light and the long, slender adumbrations effected by the gossamer encaked voltives jutting from the dusty walls.

Though it has remaned unchanged  
throughout all the time that has passed, standing in the ornate room affirms that the warmth with which you used to be recieved here has been abandoned to a frigidity.

You feel as if this room remembers you.

This is as far as I dare go with you, my friend, though I know you must continue.

I have listened to your stories, so
I know you have many rooms to search.

The closier that you seek is in a matter that is not my own.

I will depart upon rendering these words of warning:

When visiting the past,

As you daringly explore these often haralded halways,
Be careful what you leave behind.
Take caution not to lose yourself,
For a shadow lingers in the Suite Sublime.
This work is new. I wanted to write something thematic that could be comparable to the tones I encounter when I read Poe or Lovecraft. Trepidation when seeking closier can be one of the most eerie experienses one may have to face. Everybody has their ghosts. That is what this piece, constructed as an experimental hybrid of traditional narrative and poetry, is about.The title is that of a novel I am writing.
And with the first showers
Comes the kind of sadness
Which only half loved lovers
Can feel.
 Jul 2015 Meenu Syriac
Chris
-

Behind the thick crimson and gold thread curtains
he stands listening to the din of the audience
searching their seats for popcorn crumbs
while roaming hands brush against the legs
of those sitting closest

The young girls get the winks
and free drinks as the old men
vie for position, straightening their hair
and flashing thick wallets
from stretched out back pockets

He peeks through the slit in the
fancy brocade drapes to find a full house,
everyone is here, the self imposed mayor
wearing a handmade campaign button
shakes hands and seeks signatures

Mrs. Broadmore assigns seats in her row
as the little people gather around, telling her
how beautiful she is while hoping for a glimpse
of the diamond crusted gin filled flask she keeps
tucked away in her left garter

The lights dim as the depressed sulk to their seats in the balcony,
broken hearts fill the back rows closest to the bar,
cheerleaders in pink lipstick and short skirts, the football team
all ****** out of their minds and the debate club collect in the center
while the pretty people, the wealthy pose in the front rows

He gets the signal as the curtain slowly lifts
to the ceiling on well oiled pulleys
There is not a sound as he makes his way
to the microphone at center stage, dead silence
but he reads his poem anyway

It is obvious he is no Leonard Cohen
but he does his best as he recites the verses
he has penned especially for this evening
Upon finishing he stares out as two people
clap their approval and the others whisper and look away

His shoulders drop as he leaves the stage,
head hung low, crumbling the paper he had read from
and tossing it in the trash as he wonders aloud, “why, why do I do it?”
A janitor sweeping near the exit door hears him
and shaking his head replies, “Because you’re a poet, that’s why”
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