How would I draw me?
In pencil on time stained paper?
On the canvas of future so dreamy?
Or on a mirror with brushstrokes much braver?
Certainly not in cyberspace even thinner
Where there's everything but real stars that glimmer
Cause to me, you see, fellow maverick,
All that is pure we can't draw and wear like a fabric
It's lived breathed and loved
It's etched into your senses and leaves you for dead
For you to rise again like the morning sun
With a painting to show to your darling young ones,
Without form, style and genre,
So take the water and gulp then go sculpt nothing
And leave to go discover in the romance of mystery.

Words are like sharks’ teeth—
rows upon rows of them
sitting like pews in an empty cathedral—
the light playing through the stained-glass windows of the gill slits—
glinting through the busy, flitting motes
of plankton dust.

Words are like sharks’ teeth—
endlessly guarded,
but easily discarded,
flipping like coins in an Italian fountain—
sinking into the cerulean abyss
of the Adriatic Sea.

Words are like sharks’ teeth—
a fatal phalanx
oft dismembered,
seldom remembered
except as but an evolutionary assemblage—
a prehistoric assembly line.

O, but
words are like sharks’ teeth!

The edge takes,
the point drives home—
the carnal hunger of the gums
resonates throughout the jaw,
compelling the incisors
to test their power
against the defenseless tautness
of the prey’s flesh.

The eyes roll back,
the neck jerks.
The water fills with a crimson miasma—
a hemoglobin ecstasy—

a feeling of God
flowing through the machine.

Words are like sharks’ teeth.