As I'm awoken
to the sweet melodic
tune
of the waves,
stress-free,
I turn around
to the most
angelic sight:
Her.
Caressing her cheek
with the back
of my hand,
admiring,
cherishing,
every single bit
of her
existence.
And as her eyes
open with such ease,
I fall deeply more
for those
crystal-magnetic
blue eyes of hers.
Our white covers
complementing
her perfect
porcelain skin,
gracefully
keepin' her warm
while I fill her entire body
with burning,
yet sincere kisses.

My antidepressants don't work
the way I want them to.
I tried to imagine watching each film
with anyone but you.

Your flickering eyes,
they project the world.
Hidden reels
inside your soul.
There's too many people
inside your bones.
You don't have to be
in your theatre alone.

I forgot how to sleep
under the same ceiling.
I watch movies in the dark
to remember the feeling
that made me confide in her.
My eighties film.
My Winona Ryder.

There's too many people
inside your bones.
You don't have to
be in your theatre alone.

Five after dawn
and your movie's still on.
Christian, **** the popular kids,
because they don't understand
how her brain works,
how her glances steal,
how each death
can't make her feel.

Your flickering eyes,
they project the world.
I watch movies in the dark
to remember the feeling
that made me confide in you.
My eighties film.
My Winona Ryder,
let me forget you.

Maybe you're crazy
with your cleaner.
Maybe each swing of the mallet
made you meaner.
Maybe reality bites because of Heather.
Maybe it scared you that we were in love, together.

Maybe it scared you to stay together.
Maybe it scared you to stay together.

I tried crushing each memory like a shortening cigarette, but it's easier to allow yourself to die than to forget.

I stood in front of the mirror-the wall behind me scribbled in green-and I watched myself shave the weathered, brunette hairs off my cheeks, chin, lips, and jawline that you found so attractive and wrapped your lips around like a future reunion of, "Hi. I'm sorry for goodbye. I'm glad I met you again before I thought I would die."

And, in my head, I watched you approach my lips with yours.
And, in my head, I took a step back and started to tear up.
You asked me to kiss you, in my head.
And I shook my head, in my head.
You said you were sorry and got help, in my head.
You were better, in my head.
You were healthy, in my head.
But I'm aware some things may only live and die and say goodbye in my head.

I sat on the edge of my bed, no longer in my head, watching "Good Morning, Vietnam", and I remembered where I was when I learned that Robin Williams died. I remembered poking your thigh, in Starbucks, and wondering how long it'd take you to feel my finger or if you'd try to ignore the feeling, like most feelings. Your lips were red and your pants were black and on white, were black cats. And you were afraid to ask for your coffee. And once you sipped on your coffee, you left a red stain and it still appears in my head. And I relive every thing while being dissacioiated with my current life. And every kiss is a red stain in my head. Oh, great, we're back in my head. I guess we never left.

And I remembered when I knew you were dying and leaving and when I knew you had died and left. But I drowned those memories in ***** and suffocated them with smoke, until my body collapsed and until my lungs learned the cursive in every exhale.

In my head.
In my head.
In my head.
In my head.

Here I sit in the dark, watching 80's films. Because thirty years ago, there was no you and there was no me. I imagine it was a simpler time for the both of us.

A time where we never met.
But I'm glad I met you.
A time where we never kissed.
But I'm glad I kissed you.
A time where I didn't say,
"It's okay.
It's okay and it's always going to be okay
because I love you too."

It's not okay. It's not okay. Itsnotokay.itsnotokayitsnotokayitsnotokayitsnotokay

Tomorrow I will wake up, put on a t-shirt, boxers, socks, jeans, worn out Nikes, and a beat up flannel. I'll check my pulse, as I do my vitals, and I'll take my medications. I'll look at my bank account and determine how much money it'll take to forget you and how much more I wish I had so I could help you.

Is there a simpler way of saying I love you, or should I continue writing this album?

I fell asleep after "Good Morning, Vietnam":

I can feel it all, in your hair.
Under trees.
Flying above the stratosphere.
My arms extended.
The skin burning off my torso-
struggling to breathe,
with a smile on my face.

(Canned laughter)

You're in a living room.
You are me.

I dug into my chest and petted my heart.
Groaning, the blood swam around my hands
and ate it's way up my forearm,
to my elbow,
to my neck,
to my chin,
to my lips.
"I can ******* blood,"
an internal piece of dialogue.

She whispers in your ear,
"I know who you are."
I am you.

I cut my voice on the air, calling out for her.

Why'd you abandon me?
I love you so ******* much.

Why'd you abandon me?
I love you so ******* much.

(Canned laughter)

Why'd you abandon me?
I love you so *******-

You are in my room.
I am you.
We are everything,
and we are nothing.

That's my mirror.
It's shattered.

Hey, there I am on the ground.

There's a brunette, mediocre poet.
It's shattered.

And on my hand are specs of heated sand,
sleeping in my skin-
a glass garden.

How can one find schizophrenic kisses
in a reflection.

(Canned laughter)

I said, "How can one find-"

We're twenty-one and we shouldn't be.
We make love like there's jealousy-
We hide in reflections because we
assume we'll live forever.
There's a hotel inside of our eyes,
where we live in a disintegrating atmosphere-
people are seasons,
as the cars gather in front of what used to be here.
I didn't know we were old,
until I watched the skin fall
off your bones
and onto my body.

We can tell them to *******,
and to believe in you and me.
Tell them we're twenty-one,
and I loved you
despite every time you'd cheat.
Can I tell them that you're not a hotel
and that my stay can be more fleeting-
Why do they say that
I'm terrified of what you'd hide
and that you're the one that's leaving?

Fringe-love superstar,
I loved you so much that it left a scar.
Elephant memories,
get away from me.
The Hotel Lauren is for making love
out of jealousy-
Tell them to *******
and to believe in you and me.
I want to tell them that I'm different.
I want to tell them that my love is pure.
I want to tell them that I'm different.
I want to tell them that I'm more.

There are pleas
that disguise themselves
in trees
that whisper in the dark-
Like a crinkle in a kiss,
or the words that you'll miss;
too late for meds,
too late for sleep
this time.

We ride on the beaches
with cool kids and leeches.
We **** blow off the ground
because there are times you feel,
and some you fake
when everyone is around.
The bodies in red
that you leave in your head.

The trees tesellate
into nooses and goodbyes.
And I swear this isn't the first time
that you've loved me
like it's the last time;
when I've been something to lose.
The love you have
is the love you refuse.

Your cries are milk-
I wish your cancer was mine.
To be a mistake.
To be left behind.

You tell me it doesn't have to be this way
I can have it any way
And I say, if I can have it my way then so can you
If we both want it two different ways, what will we do?

I'm so happy-
I've masturbated until I can't feel
and that's okay.
My hair is brittle;
the water's iron and so are you-
your love's a mess.
God is angry
because he doesn't have to exist
to be real.

Hipsters ruined liking Wes Anderson-
Bill Hicks was brilliant
and everyone is an intellectual.
Your ideas aren't yours-
your words are mine
and mine are yours.
Writing to be antidepressed,
because singing is for the shore,
for your shore.

Let's pick each other's psychology,
like we're removing clothes
or missing ads,
and get lost in each other's darkness,
because, "I love you,
I suppose.
I suppose."