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jack of spades Aug 2016
i’ve been photoshopping old memories in attempts to bring back color to over-faded, twice-forgotten black-and-whites
tried dodge and burn but that’s too close to what happened
you dodged so i burned like a stack of photographs and albums in a house fire started by christmas lights
maybe if i crop myself out you’ll turn bright again
until your whole face washes out and i can feel like you’re a stranger again
replace all your blues with harsh reds and sharpen all of my blurred edges
for a while things felt like polaroids,
instant results
but then i realized that i was just wasting film by taking one photo per roll at a time
i was ruining prints of thirty five other potential moments
we were never digital
but we were only ever digitalized,
conversations only spent on snapchat and half-second smiles in hallways
i’ll layer all of our photographs
because we sure as hell never had layers then
your smile is the same in every single one of them, but my expression is always off and my eyes are never quite the same level of jaded
somewhere along the line i’ve realized that no photographic evidence was ever taken of our life
i’m just looking at bad sketches with too many filters
i don’t even remember the sound of your voice
i’m writing poetry about strangers again,
people who have never existed outside of my head
maybe that’s just a bad coping mechanism, pretending that you’re just pretend
but i’ve been struggling with hallucinations lately
because photographs and light and sound is so **** easy to bend into whatever shapes you want memories to take
i haven’t trusted myself for three years now and i’m not about to start
overconfidence leads to the edges of cliffs
and i’m all too familiar with the steep drop of the ravine
when did photographs of you become a foreign language to me?
when did i stop recognizing either of us? why can’t i look myself in the eye anymore?
photoshop steals the life from my laptop battery
and reminiscing on things that may or may not have actually happened steals energy from me
so i’ll try to see if we can forcefully power down this crooked old machine
unplug me
i don’t want these memories saved anymore
delete everything
delete everything
unplug me
delete me
delete me
i stopped missing you a few months ago. i've never felt more free.
jack of spades Jul 2016
long hugs* like anchors to keep me steady out on turbulent seas
2. dance music that beats my heart to basslines injected with adrenaline
3. warm weather that holds me close with gentle breezes and sunshine kisses
4. bright colors like neon signs in dark rooms and old toys and cartoons
5. love songs for strangers with deep smiles across crowded rooms
6. stained glass windows of churches because God gave humans eyes for beauty
7. long drives with good music and good imagination for good thoughts/good talks
8. bath bombs that color me beautiful, perfumes and pinks and blues
9. tomato soup + grilled cheese that melt in mouths and keep cold hands toasty
10. heavy summer rain drenching everything without chilling bones to the marrow
11. reading for hours on end with the steady mantra "one more chapter, one more..."
12. slam poetry that reaches out to souls and empathy, connecting melodies to bodies
13. holding hands, fingers tucked between so skin sticks with affectionate friction
14. purring cats that keep away all the depressive episodes
15. round stones like lost dragon eggs waiting to be furnaced into new life
16. fresh laundry with warm hoodies and the simple motion of folding clothes
17. the moon and her pale smile, a reminder that the sun is still there
18. swing sets in any setting, ghosts of children of memories on worn ropes
19. fresh flowers that sit in grocery stores waiting to be the highlight of a day
20. hot leather car seats that stick to sweaty thighs on sweltering summer days

*21. one-line poems written in the belly of nighttime on too-hot summer nights, counting down the days and counting up the stars, crossing fingers in 'x's over slowly-beating hearts.
jack of spades Jun 2016
writing poetry in second person is easier
because then you don't have to face your own fears.
writing poetry in second person is easier
because then you don't have to face your own feelings.

your basement is haunted with more than just your own soul
the lights flicker every time you forget
to remind the monsters under your bed
that you get a 10 second head-start after the lights are turned off.

you keep track of the moon's phases because you know
that somewhere out there, she's staring up at the same sky
and you want to close your eyes and picture how moonlight
reflects off of her moonlight hair, stars in her midday eyes.

you haven't looked yourself in the eye for a very long time now,
unable to bring yourself to take in more than
the fleeting moment of a mirror reflection. nothing is worse
than a dark phone screen. unintentional observation of what you want to forget.

you want to forget.
you're so terrified of the thought of spending eighty- to
one hundred-K for four years of college that you can't even begin to
imagine what exactly you would dedicate a degree to.
is anything worth that much? you change your mind so easily.

you want to tuck her hair behind her ears,
but she always wears it tied back. the same shade of brown as her eyes.
she's so unattainable that you've settled for just being friends with her,
being in the same space as her, listening to her talk about her home
and wishing that you had the same kind of place for your heart to go.

you're scared of the dark.
you're scared of commitment.
you're scared of the future.
you're scared of the past.
you're scared of your own reflection.
you're scared of your own eyes.
you're scared of never feeling comfortable in your own skin.
it has never felt like your own.
you have never known comfort in your own bones.
they've been the construction crew of too many
of the skeletons in your closet, tucked between stuffed animals and long sleeves.

it's easier to write poetry in second person,
because sometimes i like to pretend like i'm not the one feeling things.
it's easier to write poetry in second person,
because sometimes i'm not sure if i'm ever actually feeling anything.
jack of spades Jun 2016
it’s the first day of a fresh new school year when
one of your teachers looks you dead in the eye and says,
“introduce yourself.”
your classmates,
familiar to you yet all somehow strangers,
scramble for some short snippet of a way to encompass everything they
have spent the past sixteen to eighteen years accumulating.
when it’s your turn and every eye turns upon you in anticipation for you to “introduce yourself,”
you taste iron in your gums and say,
“i’m not sure yet.”
and every last one of your peers agrees.
see, for the past three years every time someone asks me how old i am,
i start to tell them “fifteen”
and i don’t think that i’m the only one when it comes to this whole crisis of identity.
see, for the past three years i look back on who i used to be
and sneer at past versions of myself,
a babushka doll of self-loathing as i once saw it so eloquently put.
how am i supposed to introduce myself
if i’m going to hate what i see looking back in probably three months?

it’s some kind of family event or holiday when
one of your relatives, or friend of a parent, friend of a friend of a friend of a coworker,
looks you dead in the eye and asks,
“what are you doing with your life?”
your cousins are all too much older, family and yet strangers,
staring wide-eyed because they remember the horror of
getting asked this by every other adult in sight.
you take two short breaths and taste iron in your gums and you say,
“i’m not sure yet.”
and everyone rushes to assure you that it’s fine not to have decided yet,
as though anyone ever actually sticks to the career path they choose when they are just
eighteen, seventeen, sixteen, fifteen, fourteen, thirteen.
when i was thirteen, twelve, eleven, ten,
took every single interaction as an attack upon my person.
i was selfish and self-absorbed and, quite frankly,
one of the most problematic kids that i know.
not in the “scene kid who won’t stop talking about anime” kind of jokingly problematic
but the kind of problematic where i thought it was okay to
repeatedly ignore a gay friend’s request to stop throwing around the word “******.”
how am i supposed to tell you what i’m doing with my life
when less than a decade ago i was everything that i have now come to completely
and utterly hate?

it’s a social event full of friend-of-a-friends,
people who are complete and utter strangers,
meeting you for the first time so of course
they’ll look you dead in the eye and ask you,
“what’s your name?”
suddenly your heart is in your throat because there is power in names,
power that you will never shake,
and to be quite honest you have too many names to pick just one.
in a split second decision you have to assign this new person as a peer, an acquaintance,
figure out who you are mutually in contact with.
when the silence stretches a beat too long,
you taste iron in your gums and say,
“i’m not sure yet.”
maybe this time it’s not as appropriate of an answer,
and all your friends are looking at you strangely.
see, everyone i know has a different name to call me.
my best friend calls me ‘jack’ and my mother calls me ‘claire.’
my teachers struggle to figure out which one i prefer.
see, once upon a time i read an essay about how names have power.
you summon spirits by their names.
you control demons by knowing their names.
an angel’s song is its name.
i tried to divide myself into tiny pieces so that no one could ever have full control over me.
i have accepted a handful of aliases and nicknames that i respond to
sooner than the one on my birth certificate
so that no one may ever own me.

i write a lot of poetry about not knowing where i’m going.
the problem with dwelling on these things is that i am still going,
going,
going with still no destination determined.
how long can a train go in a straight line before it derails itself?
how far can a train go before it runs out of fuel?

hi, my name is jack. i like
outer space and poetry,
physics and creative writing.
hi, my name is jack. i am
not an earthling-- my home is in the stars,
somewhere far away for which i am still searching.
the marrow of my bones whispers for me to just go go go go go--
but i can’t drive on the highway without inducing anxiety,
and i don’t think i’m quite smart enough to become a rocket scientist.
i’ve just got to cross my fingers and pray
that somehow they’ll pick me to revisit the moon someday.
jack of spades May 2016
SET ON REVENGE
BLOOD ON OUR HANDS
PRECISION
ASSASSINATION
THEY WILL STAY OUT
OUT OF OUR HEADS
WE ARE THE LOOSE ENDS
THAT THEY ARE LEARNING
NOT TO FORGET
TAKE MY KNIFE
TAKE MY GUN
NOTCH AN ARROW
LET FISTS FLY
WE ARE NIGHTMARES
(THEY MADE US)
WE ARE NIGHTMARES
(THEY GAVE THEM TO US)
WE ARE NIGHTMARES
WE ARE WEAPONS
WE WERE HUMAN ONCE
jack of spades May 2016
when you click your heels and wish for home, where exactly is it that you go? i packed away all my ambition in manilla envelopes of faded dreams and sent them away to coral reefs so schools of fish a generation after me could learn from my mistakes. start saving for college when you’re six, a year for every digit, because if you want a higher education then you can’t afford the things that make you happy. (maybe that’s why nemo’s dad didn’t want him to go to school.) sew your stories into the patchwork quilt of your backpack slung across your shoulders and never trust someone that you can’t touch with the tips of your eyelashes.

(start wearing mascara so that you can pretend that everyone you love is close enough.)

when you look up at the stars at night, tuck them into your lint-lined backpack pockets and keep the stardust there like secrets. (no one ever keeps secrets.) sprinkle those stars onto your shoes and hope that pixie dust flies you faster than Southwest or Spirit airlines. mailboxes don’t go in reverse, so everything that you’ve sent away doesn’t tend to come right back without being stamped in red. NO ONE LIVES THERE. ADDRESS NOT REAL. SANTA DIED IN THE SECOND GRADE. nemo, go home. nemo, go home.

(cross my heart and hope to die for i have lived a thousand lives each covered by a constellation that dot-dot-dots me right back to the deepest shades of blue. how different are astronomers from oceanographers anyway? we’re all searching for things that everyone else is scared of finding. we’re all searching for things that don’t exist but have to.)

destination: still figuring it out. destination: a desert built from a river that ran out a long time ago, from everyone that ran out a long time ago, a delta of broken dreams peppered with sandcastles of stories that never saw completion. destination: roswell, because i’ve always loved road trips and maybe UFOs will be more comfortable than the backseat of my carolla.

destination: home. maybe these heels will figure out what that means by the time i’ve finished counting: one (home), two (home), three--

(home).
jack of spades Apr 2016
i’ve found that i do the most learning during second semester.

for example, second semester of freshman year i learned that losing friends is a lot like losing a life,
that losing friends kind of usually makes you really want to die,
that losing friends is like a comet blasting its way through your heart--
it sets you ablaze for a moment,
but then by the time you notice its absence it’s already circling another planet.
losing friends is always hard.
keep a death toll if you have to, but adding a tally mark for yourself isn’t worth it.
learn the art of letting go.
learn the art of getting by.
it’s hard, and it sometimes feels impossible,
but don’t expect too much from anything.
don’t expect too much from anyone,
but god forbid you let yourself lose all feeling.
yes, feeling hurts, yes, feeling is hard,
but going numb and cold leads to frostbite
and you'll just end up amputating the limbs that you have left.

the second semester of sophomore year,
i learned what it was like to never feel at home in your own bones.
you’re always drifting, interstate international interstellar intergalactic.
it’s all the same thing.
it’s okay to let yourself wander,
and it’s okay if you find yourself kneeling on foreign bathroom floors clutching porcelain like it’s your last lifeline.
learn that home is where your heart is.
don’t invest your heart into anything.
learn that there are teenage boys out there who will spin galaxies into your spine when they hold you close,
but learn that romance is stigmatized.
learn that relationships don’t have to be forever,
that nothing is ever really forever.
learn that friends will last longer than lovers,
and learn to tell the difference between friends and lovers.
make plans to travel the world with your soulmate,
and make sure your soulmate is someone who wants to travel the world with you.
the second semester of sophomore year,
i learned that losing friends is a lot like losing a life,
only this time it was worse because this time i was built out of scar tissue
and scar tissue is tougher to tear through but they did it anyway.
i’m still learning the art of letting go.
i’m learning that it’s okay to write as much angry, heart-broken poetry as you need to in order to get over it
because friendships wrap tighter around your heart than any other kind of relationship.
learn that the blood of the covenant is thicker than the water of the womb.
but learn to be kind to your mother, because she is trying.

the second semester of junior year
i learned the names of every single person that i could pour my whole soul into,
and just because i don’t share everything with someone doesn’t mean we aren’t friends.
i’ve learned that i have friends.
just because we aren’t awake together at 3 a.m.
doesn’t mean that they don’t sit next to me in all the classes we’re both in,
it doesn’t mean that they don’t go driving with me at 3 p.m.
a friend doesn’t have to be someone you spend every waking moment with.
a friend can just be someone that you coexist with,
someone who makes you feel like you aren’t really all that alone.

the second semester of junior year i’ve learned that i am still learning.
i’m still figuring things out.
maybe by the second semester of senior year i’ll have learned something closer to, say, what i’m doing for the next four to six years,
or maybe i’ll finally master the art of letting go.

the second half of high school
i’ve learned that, yeah, scar tissue grows.
but scars fade.
and the concave space in your chest doesn’t have to keep on growing into a black hole,
that you can fill up your cracks and crevices with stardust and iron.
losing friends is like losing a life. but, god, when they come back--

it’s okay to feel things.
it’s okay to feel too much and all at once.
it’s okay to vent and rave and scream.
it’s okay to write bad poetry about sins that you’ve already forgiven and people you’ve already forgotten and places you’ve already left behind.
it’s okay.
it’s okay to hold onto your humanity.
make maps with your own freckles and follow your veins to your eyes.
make eye contact with your own reflection.
if you can’t teach yourself something,
then how is anyone else ever going to listen?
EVERYTHING WILL BE OKAY
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