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From the pages of Peanuts came Linus
Neurotic but here to align us
From his blankie one learns
About coming to terms
Lest our character flaws should define us
Thinking about Lucy and her psychiatric booth in the Peanuts comics. Thought it was time to psychoanalyze Linus.
---

i

blue grey clouds
of crushed
velvet

sunlight
tears
the
seams


ii

embers of
delicate peach
ignite flames
of fuchsia

the orb of
sun burns colors
away to ashes

blown into floes
of white
mare's
tails


iii

tiny bird
settles restless
on the
highest
branch

flits
away


iv

wind
through
the weathered stones
cries then whispers

luring
the children
who lie within our ribs
to break free
and sing
songs
of
play


v

mamalaria
cactus
wears her
wreath
of
pale
lavender
flowers

sings to
her babes
clustered
below

saguaro
listens



soulsurvivor
(C) 9/13/2015
beautiful day rises up
out of the ashes
of a flaming
sunrise

---

To a special friend...
... thank you!
Better to be taciturn
Than babble through a tacky turn
And fail to hear enough to learn
In common conversation

Others may proclaim you shy
Or timid, mousy, terrified
Resist the urge to justify
Your ramble regulation

It doesn’t make you weak or mute
To take a minute to compute
A thought before you contribute
May optimise your speaking

Pause won’t hurt your cause unless
Your words are just a game of chess
To press, suppress, or to impress
Correcting or critiquing

Do you desire a partnership?
A sharing, caring, airing?

Or more of a dictator-grip?
A snaring, scaring, blaring?

Maybe you are silence-scared
Uncomfortable with empty air
And feel it is your job to bare
The sound continuation

Worry not my helpful friend
Your heavy duty at an end
More useful with an ear to lend
       Look kind toward the taciturn
       You may yet find a lot to learn
With still consideration
©2024

BLT Webster’s Word of the Day challenge (taciturn) date 14th October 2024. Taciturn is a formal word that describes someone who tends to be quiet or who tends to speak infrequently.

Greek Stoic philosopher, Epictetus, expressed ideas about the importance of listening and thinking more than speaking.
Why do we carry this language of blame
Describing our keys to survival?
Subsist and survive are not really the same
The latter complexion, more skin in the game
Not best-life but rest-life deprival

How can we cope in inflexible ways
When bad comes with real consequences?
Surely attaining more subsequent days
Shows that our coping is worthy of praise
Extended, effective defences

When can we grant ourselves residency
With normal societal backing?
Without the heretical hesitancy
But carrying coping more elegantly
Set free from self-tackling attacking

       Can we retell our histories
       Including the victories
       Earned by our damaged main actor?
       Are social consistencies
       Issuing injuries
       Skipping the benefit-factor?

Behaviours may surface inexorably
No use in my current rendition
But very successful in rescuing me
And thus, I will carry them generously
Admit that I needed them desperately
       But not in my present condition
Release them with grateful permission
©2024

BLT Webster’s Word of the Day challenge (rendition) date 15th October 2024. A rendition, simply put, is the act or result of rendering something. That thing may be a performance or interpretation, a depiction, or a translation.
Don’t worry yourself, purrs Negative Voice
I'm telling you this to protect you
No lead in your pencil
So pointless in fact
No person of worth would respect you

    Dear Negative Voice,
       I see what you mean
       But just a brief point for reflection
       I’m not sure I’m really an absolute waste
       Consider some minor correction?

It’s better for you, coos Negative Voice
To know that you’re practically useless
No rain in your storm cloud
So juiceless in fact
You’re toothless, inept, and excuseless

    Dear Negative Voice,
       A stirring reply
       Is this in totality truthful?
       I’m sure my ineptitude has measured bounds
       And even just sometimes, I’m useful

The beauty of living this version of truth
Is, you are at maximum harm
Nothing they’re possibly saying to you
Will add to your sense of alarm

Providing agreement to monster-y ones
Might also afford added aid
Appeasing and easing an excessive ego
May downgrade a wailing cascade

    Dear Negative Voice,
       Deep thanks for your thoughts
       A note of some gentle resistance
           I notice I’m having the thought that I’m worthless
           Historically helpful, but now with no purpose
       Distinct in my voice, yours holds limited purchase    
       So now I can give you some distance
           I humbly suggest
           This grateful request
       For inner, more peaceful existence
©2024
Mimosa pudica retreat
Humid glasshouse, rainy day
Pane-separated from the world
Exhaling foggy vagueness
Colours run wet
World through window walls,
a distorted Monet reproduction
Morphing, mixing, mushy
Each canvas exists for a sliding second
Glass and breath
Collaborating through condensation
Our fuzzy-haze masterwork

Panoramic gossamer lens
Magically softens
spiky, scratchy, sharp, crispness
into a smudgy simulacrum
A kind deceit
Frowns, scowls, growls,
and bared-toothy rage,
all smeared
Gently redacted
Calm, dreamy, pillowscape broadcast
Impressionist buffer
In muted pastels

Reality in artful disguise
Remoulded for ease of consumption
Sugary spoonful of subterfuge
Sifting, sorting, selective
Incomplete and fragmentary
Blur-clouded brain-break
Intermittent extra distance
Breath-focused,
soupy-warm,
momentary masterpiece
Just for me
Until my leaves unfurl
©2024

BLT Webster’s Word of the Day challenge (gossamer) date 4th October 2024. Very light or delicate.

Mimosa pudica is a small shrub, often referred to as the Sensitive Plant, the Shameful Plant, or the Touch-me-not Plant. The leaves curl up when touched.
In London’s solemn Poets’ Corner stands,
A stone of memories, carved by gentle hands.
Eighty-five years since its first debut,
Yet names were incomplete, a hidden rue.

Amidst the shadows of a war-torn night,
Charlotte, Emily, and Anne lost their light,
The dots above their names—a simple grace—
Forgotten in the haste, in that troubled space.

Sharon Wright, with keen and watchful eye,
Spotted the error, wondered why.
“Have they not earned this small tribute,
To mark their legacy, resolute?”

With a stonemason’s tap, the dots took form,
A celebration of sisters, in art reborn.
Painted with care, the correction shines,
Echoing the strength of their woven lines.

From Bradford’s heart, where their stories bloom,
Wright sought to banish the lingering gloom.
For every tale of love, loss, and strife,
Deserves to be honoured, enriched with life.

Now near Dickens and Austen, their names align,
In the warmth of remembrance, their spirits entwine.
Eighty-five years later, at last they belong,
A tribute to brilliance, a sweet, timeless song.
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