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The red maple tree
was a chord you set down
planted at the edge of the lawn
when I was born

you said it was
for the butterfly catcher
who will grow up
to gather up the cosmos

I disappointed
by staying low, a shrub no taller than your irises
Your granddaughter
inherited your songs instead
understands tempo
that shapeless country
of time signatures that counts ideas in seeds
She rambles across sheet music
turns that scattering
into the glitter of song

You've crossed the bridge of night
now you are lost in the stars,

You add to the Milky Way
your off-beat insights
still singing poetry
with Kurt Weil, Lenya, and Lees

your words traveling through
the heavens with Mackie Messer
who knifes the mysteries

You give it all verse
counting inspiration in the deep
your genius out there
where the moon's white mask
appears on stage each night
with requiems and prayers
giving stage directions
to the earth below.
©marywinslow2016 all rights reserved. This is also a re-post. I've been going through my poems and re-posting some, deleting others. I miss my father every day. He was the quality and brilliance in life.
Grey and sodden clouds cry
From my north-western sky
Where I used to fly with satellites
Before I was stuck at traffic lights

I'm pretending that I'm sane
With a bandage around my brain
Pretending that I'm whole
With sutures in my soul

Tight and screaming reins
Hold the prophets in my veins
Aquarius turns again
Again and yet again

                                  By Phil Roberts
Andi Balise combined a half page of a short story, “Thanks Going Without Saying” by Liz Balise, with half a page of an essay by Klee, “On Modern Art”, from a book called Modern Artists on Art, 10 Unabridged Essays, edited by Robert L. Herbert. With some small edits and line-breaks comes this miracle of a poem:

Painting a Function Different

I peek out over the railing of reality’s magic
Beyond the porch-floor
Minerva hangs her wash
making the invisible visible
Eighty two and three quarters deaf
she doesn’t notice  
But this is, in fact, reality
Has always been this way—
Bent and bird-like existence  
Balanced on two twigs—always busy—

Her task, is the ******* of space  
Cutting coupons, crushing aluminum cans, ironing
The three phenomena which I must....

Things no one notices—
climbing on the abstract surface of a picture
Switching the curtains  
God! I wish from the infinity of space..she wouldn’t…!

It figures that—
Rusty, her cat, is weaving in fortune or misfortune  
I try to fix them—
Her ankles now
And she curses at accidental quality
from the corner of her mouth
which has only one form
Clothespin or cigarette?  
Long johns and animals and men in heaven
and bureau scarf and sheets—all, non-infinite deities
surround us translucent, contained
  
I decide what to get for her birthday—

We are good friends
through painting a function different

For me?
Predestined necessity.

Minerva?
forgets her manners
and eats like a survivor—

Thanks going without saying.
Thank you to my friend, Minerva for those years we shared living by the river.  And thanks, to my daughter, Andi, for seeing this poem in an academic assignment.

Art is what it is, imploring us to touch its experience.... It asks no approval.  It seldom gives reasons.
Raise the hammock-

Beware the coco-nut-
Monkey twisting fruit
To land.

I shall praise the utter
Beauty and efficacy

Of non-doing.

Sen me to the mountain!
Who is the one
In lonely.

From fifty years
All that first love.

Sniff
Just like the warm sun
or pouring rain , poetry
is all we weather
Dishes served full are well laid on the table
prawns are glittering adornments
though only yesterday
their tentacles were tasting the river
not knowing they would be in another water
in the river of saliva
grinded and pulped for a tasty moksha.

The rain falls unabated from last night.

Who'll go out to feed?, asks a voice.

Does never being hungry feel the same stress
as being hungry most of the time?

The answer is in the clouded eyes
watching the eyes
joyful for one more chance.
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