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Amber Grey Jul 2013
The summer I interned in New York, I fell in love with someone I'd only seen from a balcony window.

I'd fallen in love with strangers before, on buses and in lines, watching their shoulders straighten and their faces grimace in half-sunlight. I fell in love with these people the way you could fall in love with a poem, finding personality in the way that their eyes flicker nervously from left to right, tiny instances where their stanzas throw you into a daze. But this time was different. For once, I wished to know a stranger without the brim of my sunglasses, for once I felt something when I knew I'd never see him again.

His apartment was cluttered, bottles of water and the empty cans of energy drinks piled in a corner where a conscious person would have fit them in a bin. There were clothes on the floor, and although I knew his high rise box was laid out just as mine, he must have used the expected closet space for something else - his clothes were everywhere, crumpled in heaps on the floor that were too erratically placed to not have some sort of lingering system. Posters of people were taped to the wall, covering the matte eggshell white, edges falling occasionally to show signs that he wouldn’t always live there. I hoped that if he ever owned a home, that those staring portraits would be stapled or pasted thick to his walls, just because he would be the sort of person who wouldn’t change his mind about what he liked or what he wanted.

I would watch him from the same eggshell white room of mine, with nothing on the walls and not a scrap of anything on the floor. From my blow up mattress to my suitcase of clothes, kitchen stocked of single servings and a solitary set of dishware. I had no curtains and no carpets, no television or pictures of friends huddled in an unexpected embrace. For all anyone knew, I could have been squatting. I would look out at him from the window spanning the entire north facing wall, aware that if he ever looked out, if his eyes ever darted south, he would see me cross legged on the tiled marble floor, hovering over an overheated laptop and cardboard coffee.

I would get home at seven forty-five, shower in the New York water that tasted like dust and gin, and towel off, walking to the balcony. He, just like I, had a long, narrow balcony spanning about four feet on the right edge of his loft, and I would lean on the edge of the concrete slab, smelling the foul city air, taxi music floating from the lumpy yellow marsh below. That was when he would unlock his door suddenly, sometime between eight and eight-ten. He would step with his entire body and move into his crowded room and stand still for a moment, as if to collect himself; restrain from tearing faces off the walls and pummeling fabric into the floor. Sometimes he'd shut the door closed with a twitch of his foot, untying the half apron around his waist with one hand and pulling the red tie strapped flat onto a black dress shirt loose with the other. Once, he did all that in succession and proceeded to slide against the shut door until he hit the ground, falling into himself like a dropped jack's ladder and rubbing his fingers from his jawline to his eyes, up into his hair and back over.

But most of the time, he would just force off his shoes, never untying the laces, and move to the balcony just as I did. He would go out to the balcony too, but he would always keep going, moving to sit on the edge of the short wall, socked feet dangling over the city. His legs would be splayed wide, hands placed right in front of him, flat on the ledge. He would look down at the golden sea below, and when he was done with it, spit a flickering cigarette into the glittering bank.

He would also smoke when he woke up. He got up at six, like clockwork, and would stumble back out into the smogged pilot's seat in a plaid bathrobe, hazy faced and staring down. I don’t think he was ever late. He would get dressed slowly and fix himself in the mirror for a good half hour at the left of his room, until finally turning around just to watch the door for a moment. Sometimes I could swear that he watched for so long that he must have thought it would up and race away.

He slept with the lights on. He never came home late. He didn’t go out at night, never blundered in at two in the morning with a lithe model girl, long hair framing icicle eyes. On weekends he would sleep all day, rising every few hours to go back on the edge of his balcony and smoke. He would stare at the faces on his walls, the callouses on his palms, the murmur below; but never, ever at the empty loft across the way, dotted with a blue plastic bed and a speck of a person.

I left New York in September, on a red eye flight vastly cheaper than the rest. I put my toothbrush and toothpaste into the front pocket of my luggage, squeezed the air out of my mattress, and left. I hadn't left a trace in that home of mine, and it didn’t leave any on me either. When I left New York, I felt nothing. It was almost like I had never set foot in the city, forgetting to socialize with the locals the way someone could leave their hat at a bar.

I never knew if the man across the canyon hated coming home to a loft like I did. I wondered if it bothered him too, the lack of walls or rooms to compartmentalize the space. I wondered if he didn’t like to eat at home, if he felt sick when he watched the sunrise. I wondered if when he looked at the tidepooled city, if he also saw salvation. If he wondered every day from eight to eight-ten about what a dangly thing of a human would seem like to the loft across if it was spit from the edge of a narrow, four foot balcony.
A bit long, I suppose. Thought I'd post some prose.
Brad Lambert Sep 2013
How about that gasoline
in Autumn rain puddles?

How about them cars that don't start,
can't start.

I just wanted to start.

Playing games like this never amused me much;
I guess I'm more of a reader than a writer than a toy-game-player.

I want the facts.

None of this horseshit media circus,
ignorance is neither knowing nor caring.

Nay bliss,

It was bliss on those cold winter nights,
night twilights pressed hard against the city-smogged sky
where the gases of sugar beets and petroleum reflect back down orange.

Orange on the snow and orange on snow drifts and snow flakes on your eyelashes.
Little orange dusts
(**** your lashes grow long)
dusts fallen halfheartedly like rain in the fall
and rain puddles shone red
and blue
and green
and orange, orange, orange...

Always orange.

Like gasoline in rain puddles,
gasoline in cars that won't start.

They can't start, don't start;
My engine must be misfiring.

(How about them metaphors for a heart?)

Will you call me when you get there?
Anastasia Webb Jul 2015
last time we made love.
   stagnant heat bitter night,
    the smell of petrol from the highway,
        the old wind out on the balcony,
              our open windows,
our thin white curtains,
    our industrial city,
      our smogged stars.
                               and then –
our fast breathing and oh gosh,
           when you slipped your skull against my mouth
         i swear i could taste the scene:
some romantic technicolour western
     we’d watch in our friend’s garage
                        on their old TV.
                            (years gone past)
your hand against my skeletal
       cheek; our wandering minds;
                    our palm tree resorts,
       our electric hollywood dream;
          the setted sun
               the golden beaches
                       the tangerine taste in my mouth
                            from your love,
           the smell of our skin.

two.

  alone.
Liz May 2014
The sky's lanterns shower powdered grapefruit in your eyes.
Lashed, mascara'd,
in doubt
The grapefruit turns to wine
And pours out the torn
pages.One by one
they disintegrate
Into the ashes 
smogged,
sogged,
at your
feet.
Victoria Jul 2020
take the express to 45th and step over the yellow
line and track and train uptown and downtown to mid
town to city sitting in aluminum carts as
the white collars fall asleep in sync
adjust the ties and breathe the cold
air fogged and smogged around
the tops of the buildings scraping skies

how complacent are the suited
up for sleeping in the dull talking and shuffling
up one stands to fill his seat
reserved by a backpack and briefcase
clattering against the aluminum
blur as the buildings mesh outside the window
pillow for his unbothered head
dreaming nonetheless
Nick Stiltner Oct 2019
top brain forward eyes severed diluted
down mind feared essence ignored
star gaze rays smogged polluted
connect connect widen the gap
flow flow hand meets ice-water
growing numbness crackling bones
crack sip sigh Relax

unattended, withering, left to rot
chime chime signs direct where
why lark fly vines hide
the corner
beads dangle I move them
and they fall back into
they fall back into
their places
stages lights tread lightly across
and bow be sure to bow they like that
humming bird wings on twilight canvas
blurs blurs the paints and hues
dreams and views dreams and views
severed sinews, unabled motion
crack sip sigh Relax
lean back rising tide blanket and jaw slack
Pictures of me as a baby, getting held up by my T-Lady,it's crazy,
How memories fade me, played me, back to the old scenery,
Hickory styles saw problems miles, away before, I had to dial,
Calls from the images brung, question, why jesus was hung,
On the cross, I'm stuck at a loss,  choices, off the coin toss,
Heads or tail, will freedoms prevail, only times of hell, will tell,
Can ya smell, my cologne still tryna cover the bones, stones,
Laid out, squeezing for a minor payout, stayed out,
Pass curfew only a few, broke the cavi, and cracked the brew,
Late night skool, fake jewels, breaking all, the house rules,
Cruise on the highway, the fly away, always see a better day,
Gotta make moves,before the next day, hands for the pray,
Hoping that God, favors my evens, against all odds, smogged,
From glory, in my early days always, splash the purple haze,
Renegade, lay it down like Johnny blaze, statures on a tase,
Amazed, keep the critics phased, no half way pays, worlds a stage,
Thoughts uncaged, let the lions out, see how many, grow in doubt,
Sean Hiroshige Mar 2020
-imported palms lean like red smoothie straws
-beaches loosely stitch sea and street together, creating coastlines for
      those trying to flee anxieties deeper than inner cities
-traffic has its own hour to host freeways smogged and gold,
      giving coffee-doused radios reports
            that’ll direct people away from their schedules

— The End —