Submit your work, meet writers and drop the ads. Become a member
The white ****'s tail
Tosses in the wind.
The turkey-****'s tail
Glitters in the sun.

Water in the fields.
The wind pours down.
The feathers flare
And bluster in the wind.

Remus, blow your horn!
I'm ploughing on Sunday,
Ploughing North America.
Blow your horn!

Tum-ti-tum,
Ti-tum-tum-tum!
The turkey-****'s tail
Spreads to the sun.

The white ****'s tail
Streams to the moon.
Water in the fields.
The wind pours down.
As I watch’d the ploughman ploughing,
Or the sower sowing in the fields—or the harvester harvesting,
I saw there too, O life and death, your analogies:
(Life, life is the tillage, and Death is the harvest according.)
Ploughing the land--
not even a bird singing
in the mountain's shadow.
"Is my team ploughing,
That I was used to drive
And hear the harness jingle
When I was man alive?"

Ay, the horses trample,
The harness jingles now;
No change though you lie under
The land you used to plough.

"Is football playing
Along the river shore,
With lads to chase the leather,
Now I stand up no more?"

Ay, the ball is flying,
The lads play heart and soul;
The goal stands up, the keeper
Stands up to keep the goal.

"Is my girl happy,
That I thought hard to leave,
And has she tired of weeping
As she lies down at eve?"

Ay, she lies down lightly,
She lies not down to weep,
Your girl is well contented.
Be still, my lad, and sleep.

"Is my friend hearty,
Now I am thin and pine,
And has he found to sleep in
A better bed than mine?"

Yes, lad, I lie easy,
I lie as lads would choose;
I cheer a dead man's sweetheart,
Never ask me whose.
Come in summer
Taste "Rabri"sweet n sour
Enjoy daytime sleeps for sure
Lunch with green sangri,
fofliya and rayata cups
with amazing bajra cakes
Dinner with dish of
" Moth-Bajra kheech"
with a lot of cheese
See how "Rohida" flowers rocks
amidst hot air strokes

Come in rain
Sketch on beautiful brown sand
by your fingers using as pen
engrave your foot prints for fun
and smell heart touching scent
of this warriors mother-land
Eat" gurrhvani churma" with
Ker-sangri, fofliya taste of
this  wonderland
And see camel ploughing fields
Walking in their full speeds

Come in "shishir"
Taste Matira, Kakar
And ber seasonal fruits
Chew roasted bajra grains
for checking teeth roots

Come in winter
Eat buffalo milk curd full of bowls
Taste "Kachar - Fali "veggies
Dal- Baati- Churma sweet dishes
Have  fair n festival funfares
and traditional marriages cheers
wearing colouful wears
singing folk songs
n lots of chances
of rocking in ghumar dances

Come in spring
Rock and roll in" Holi"fest airs
and visit  lovely" Gangour" fairs
Eat " kheer-dhokla "layers
Visit black buck sanctuary
to see animal cares.
Mateuš Conrad Apr 2016
perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ
:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -
Ploughing

The farmer has ploughed the land around the almond trees
the earth is rust red I took up a handful it was lumpy, full
of dead plants and still warm from the sun.
A breeze was blowing shaking dust of trees and upending
parasols in gardens of those who do not till this land, but
want to be a part of the rustic idyll, tend rose bushes with
gloved hands to avoid callouses on hands used to type on
a word processor, where they try and fail to share the peace
they have found among small farmers travail.

I have the camera with me, but use it not how does
one shoot a picture of the wind or branches of a tree
moving rhythmically as the second dancer at a Bolshoi
performance attended by the prime minister.
Think I will leave the wind to a painter friend of mine.
Mateuš Conrad Feb 2016
the concept of money, a dualism of value and devaluation, was based upon the worth of what darwinism could say about that monkey statement: you scratch my back, i scratch your. darwinism is a failure in terms of economics, that great human get-together, let's congregate, and instead of a stampede of buffalo we'll have ourselves a revolution... the failure of the monetary system: an invisible shining of gold is the fact that gold was once valued and now is devalued, money is a very serious virus, it requires something new to make it an asset, and something old to make it devalue it (a non-asset)... money is also a way to say: you be a plumber for me, while i be your middle-classed opinion making machine paying you, there's no monkey scratches another monkey's back in this story... money is the only invisible object that wants to intertwine so many others in its spider-web...  just so it can make itself visible, money added to gold will only be seen via the madness of thrór (throor).*

for now most of us are literate,
and by literacy
we are told to plough
the great genetically modified
fields of vegetables...
we've been made literate
but by the same acquisition
of literacy, the old powers
which once laid sway to this
monopoly have left its powers,
and instead of those to tend to
arable land we are left with
poets... we have become
straitjacket bound to the blank
pages... once the expression
of the mountain of muscles
which left us thoughtless...
now the work be eased,
and our body's harsh expression
of mandibles b forgotten...
and how we search for the same
expression of labour...
to have thought labour be exchanged
into equal labour of thought...
like muslims favouring
the elemental intoxication via the
element of air and its burned weeds,
discriminating with the element of
water and alcohol...
but we have been deceived in
being given such sudden literacy,
when literacy monopolised for so
long a status of power...
and because there's no field to plough
and live naturally, exhausted,
we've seen to be living by a new plough,
bishops and knights of the new order,
the legions of psychiatrists...
the stiff air of rooms with brimming
sulphur awaiting... no free air
of the field and strength of ploughing...
for ploughing can be quantified
with eager hands and hungry and emptied
bellies... but how quantify thought?
why... you'll only quantify thought
by a failing... and leave the quality of thought
to the ones reigning the quantification of it,
and the quantification of it
leads to nonsense or nothing,
akin to the ones qualified to
think, not the ones quantified
to do so in think-tanks
and political parties:
why then gollum invisible and sauron visible
wearing the ring in the narrated depiction?
well... apparently, the question aside:
we're not qualified to think,
because our "thought" is quantifiable
as soldier, baker, banker, spy...
but it's qualified to be an expectation
of a non-quantifiable thinking
which de-qualifies it from an original
intention, the intended quantifiable,
which leaves the existence of quantum physics
the deity of two humanisms arguing
on the simpler geographic, i.e. spelling:
quantity v. quality: both qua (as being),
far far away from what i said to an
anaesthetist having my wisdom teeth pulled out,
saying: quo vadis?
i guess it would make sense to have simply said:
qua quo non vadis esse omnis verax
(as being, as going, nowhere to be honest,
in all honesty).
ryn Oct 2014
Perhaps I'm encased in a box
made out of two-way glass.
A biased one-way mirror...
Mutual vision doesn't meet nor pass.
When you look at me,
you only see,
yourself for all that you care...
Me? Just a faint suggestion that I'm even there.
   Maybe that's why...
      you ask about my life,
      about my strife.
      When I'm about to unload my
      head,
      I end up having to hear about yours
      instead.

Perhaps at times I travel around
in a bubble of frosted glass.
Only a blurred version of me...
Clumsily ploughing through the mass.
Incoherent, misunderstood and unclear.
Unintelligible muffles of hopes and fear.
   Maybe that's why...
      My words are just perceived as
      playful rhymes.
      Never keeping up with the times.
      Words regurgitated but no one
      realises what's coming undone...

Perhaps what I need
is an armour of bulletproof glass.
One of unique quality...
One ahead of its class.
You can do and say what you want.
A shell that would bear most of the brunt.
     I'll be impervious.
          I'll be protected.
               I can be indifferent.
                    I can be jaded.

   Maybe that's all I need...
           A shocking stunt.
                 A fresh perspective.
                      A new plan.
                           Revised objectives.

   Maybe a different name to start all
   over...
      To tie the binds and thoughts that
      scatter...
      Hoping of holding everything
      together...

Come morning, all will be
      forgotten...
Maybe I'd still be beaten.

   So for a chance that's,
     fat as hell
           or
     thin just a sliver...
Truth is of the three, I have neither...
So...

    *what I've said doesn't really matter.
Pennsylvania, 1948-1949

The garden of Nature opens.
The grass at the threshold is green.
And an almond tree begins to bloom.

Sunt mihi Dei Acherontis propitii!
Valeat numen triplex Jehovae!
Ignis, aeris, aquae, terrae spiritus,
Salvete!—says the entering guest.

Ariel lives in the palace of an apple tree,
But will not appear, vibrating like a wasp’s wing,
And Mephistopheles, disguised as an abbot
Of the Dominicans or the Franciscans,
Will not descend from a mulberry bush
Onto a pentagram drawn in the black loam of the path.


But a rhododendron walks among the rocks
Shod in leathery leaves and ringing a pink bell.
A hummingbird, a child’s top in the air,
Hovers in one spot, the beating heart of motion.
Impaled on the nail of a black thorn, a grasshopper
Leaks brown fluid from its twitching snout.
And what can he do, the phantom-in-chief,
As he’s been called, more than a magician,
The Socrates of snails, as he’s been called,
Musician of pears, arbiter of orioles, man?
In sculptures and canvases our individuality
Manages to survive. In Nature it perishes.
Let him accompany the coffin of the woodsman
Pushed from a cliff by a mountain demon,
The he-goat with its jutting curl of horn.
Let him visit the graveyard of the whalers
Who drove spears into the flesh of leviathan
And looked for the secret in guts and blubber.
The thrashing subsided, quieted to waves.
Let him unroll the textbooks of alchemists
Who almost found the cipher, thus the scepter.
Then passed away without hands, eyes, or elixir.


Here there is sun. And whoever, as a child,
Believed he could break the repeatable pattern
Of things, if only he understood the pattern,
Is cast down, rots in the skin of others,
Looks with wonder at the colors of the butterfly,
Inexpressible wonder, formless, hostile to art.


To keep the oars from squeaking in their locks,
He binds them with a handkerchief. The dark
Had rushed east from the Rocky Mountains
And settled in the forests of the continent:
Sky full of embers reflected in a cloud,
Flight of herons, trees above a marsh,
The dry stalks in water, livid, black. My boat
Divides the aerial utopias of the mosquitoes
Which rebuild their glowing castles instantly.
A water lily sinks, fizzing, under the boat’s bow.


Now it is night only. The water is ash-gray.
Play, music, but inaudibly! I wait an hour
In the silence, senses tuned to a ******’s lodge.
Then suddenly, a crease in the water, a beast’s
black moon, rounded, ploughing up quickly
from the pond-dark, from the bubbling methanes.
I am not immaterial and never will be.
My scent in the air, my animal smell,
Spreads, rainbow-like, scares the ******:
A sudden splat.
I remained where I was
In the high, soft coffer of the night’s velvet,
Mastering what had come to my senses:
How the four-toed paws worked, how the hair
Shook off water in the muddy tunnel.
It does not know time, hasn’t heard of death,
Is submitted to me because I know I’ll die.


I remember everything. That wedding in Basel,
A touch to the strings of a viola and fruit
In silver bowls. As was the custom in Savoy,
An overturned cup for three pairs of lips,
And the wine spilled. The flames of the candles
Wavery and frail in a breeze from the Rhine.
Her fingers, bones shining through the skin,
Felt out the hooks and clasps of the silk
And the dress opened like a nutshell,
Fell from the turned graininess of the belly.
A chain for the neck rustled without epoch,
In pits where the arms of various creeds
Mingle with bird cries and the red hair of caesars.


Perhaps this is only my own love speaking
Beyond the seventh river. Grit of subjectivity,
Obsession, bar the way to it.
Until a window shutter, dogs in the cold garden,
The whistle of a train, an owl in the firs
Are spared the distortions of memory.
And the grass says: how it was I don’t know.


Splash of a ****** in the American night.
The memory grows larger than my life.
A tin plate, dropped on the irregular red bricks
Of a floor, rattles tinnily forever.
Belinda of the big foot, Julia, Thaïs,
The tufts of their *** shadowed by ribbon.


Peace to the princesses under the tamarisks.
Desert winds beat against their painted eyelids.
Before the body was wrapped in bandelettes,
Before wheat fell asleep in the tomb,
Before stone fell silent, and there was only pity.


Yesterday a snake crossed the road at dusk.
Crushed by a tire, it writhed on the asphalt.
We are both the snake and the wheel.
There are two dimensions. Here is the unattainable
Truth of being, here, at the edge of lasting
and not lasting. Where the parallel lines intersect,
Time lifted above time by time.


Before the butterfly and its color, he, numb,
Formless, feels his fear, he, unattainable.
For what is a butterfly without Julia and Thaïs?
And what is Julia without a butterfly’s down
In her eyes, her hair, the smooth grain of her belly?
The kingdom, you say. We do not belong to it,
And still, in the same instant, we belong.
For how long will a nonsensical Poland
Where poets write of their emotions as if
They had a contract of limited liability
Suffice? I want not poetry, but a new diction,
Because only it might allow us to express
A new tenderness and save us from a law
That is not our law, from necessity
Which is not ours, even if we take its name.


From broken armor, from eyes stricken
By the command of time and taken back
Into the jurisdiction of mold and fermentation,
We draw our hope. Yes, to gather in an image
The furriness of the ******, the smell of rushes,
And the wrinkles of a hand holding a pitcher
From which wine trickles. Why cry out
That a sense of history destroys our substance
If it, precisely, is offered to our powers,
A muse of our gray-haired father, Herodotus,
As our arm and our instrument, though
It is not easy to use it, to strengthen it
So that, like a plumb with a pure gold center,
It will serve again to rescue human beings.


With such reflections I pushed a rowboat,
In the middle of the continent, through tangled stalks,
In my mind an image of the waves of two oceans
And the slow rocking of a guard-ship’s lantern.
Aware that at this moment I—and not only I—
Keep, as in a seed, the unnamed future.
And then a rhythmic appeal composed itself,
Alien to the moth with its whirring of silk:


O City, O Society, O Capital,
We have seen your steaming entrails.
You will no longer be what you have been.
Your songs no longer gratify our hearts.


Steel, cement, lime, law, ordinance,
We have worshipped you too long,
You were for us a goal and a defense,
Ours was your glory and your shame.


And where was the covenant broken?
Was it in the fires of war, the incandescent sky?
Or at twilight, as the towers fly past, when one looked
From the train across a desert of tracks

To a window out past the maneuvering locomotives
Where a girl examines her narrow, moody face
In a mirror and ties a ribbon to her hair
Pierced by the sparks of curling papers?


Those walls of yours are shadows of walls,
And your light disappeared forever.
Not the world's monument anymore, an oeuvre of your own
Stands beneath the sun in an altered space.


From stucco and mirrors, glass and paintings,
Tearing aside curtains of silver and cotton,
Comes man, naked and mortal,
Ready for truth, for speech, for wings.


Lament, Republic! Fall to your knees!
The loudspeaker’s spell is discontinued.
Listen! You can hear the clocks ticking.
Your death approaches by his hand.


An oar over my shoulder, I walked from the woods.
A porcupine scolded from the fork of a tree,
A horned owl, not changed by the century,
Not changed by place or time, looked down.
Bubo maximus, from the work of Linnaeus.


America for me has the pelt of a raccoon,
Its eyes are a raccoon’s black binoculars.
A chipmunk flickers in a litter of dry bark
Where ivy and vines tangle in the red soil
At the roots of an arcade of tulip trees.
America’s wings are the color of a cardinal,
Its beak is half-open and a mockingbird trills
From a leafy bush in the sweat-bath of the air.
Its line is the wavy body of a water moccasin
Crossing a river with a grass-like motion,
A rattlesnake, a rubble of dots and speckles,
Coiling under the bloom of a yucca plant.


America is for me the illustrated version
Of childhood tales about the heart of tanglewood,
Told in the evening to the spinning wheel’s hum.
And a violin, shivvying up a square dance,
Plays the fiddles of Lithuania or Flanders.
My dancing partner’s name is Birute Swenson.
She married a Swede, but was born in Kaunas.
Then from the night window a moth flies in
As big as the joined palms of the hands,
With a hue like the transparency of emeralds.


Why not establish a home in the neon heat
Of Nature? Is it not enough, the labor of autumn,
Of winter and spring and withering summer?
You will hear not one word spoken of the court
of Sigismund Augustus on the banks of the Delaware River.
The Dismissal of the Greek Envoys is not needed.
Herodotus will repose on his shelf, uncut.
And the rose only, a ****** symbol,
Symbol of love and superterrestrial beauty,
Will open a chasm deeper than your knowledge.
About it we find a song in a dream:


Inside the rose
Are houses of gold,
black isobars, streams of cold.
Dawn touches her finger to the edge of the Alps
And evening streams down to the bays of the sea.


If anyone dies inside the rose,
They carry him down the purple-red road
In a procession of clocks all wrapped in folds.
They light up the petals of grottoes with torches.
They bury him there where color begins,
At the source of the sighing,
Inside the rose.


Let names of months mean only what they mean.
Let the Aurora’s cannons be heard in none
Of them, or the tread of young rebels marching.
We might, at best, keep some kind of souvenir,
Preserved like a fan in a garret. Why not
Sit down at a rough country table and compose
An ode in the old manner, as in the old times
Chasing a beetle with the nib of our pen?
Poetic T Jun 2014
I ploughed the field
Back and forth,
I was good at it
Till that time,
It hit the stone
I nearly broke it.

Nearly bend it,
The pain It would have caused.

But I carried on,
And  the field was ploughed.

Then I slept
As I had finished the job,
The satisfaction
On my face lasted
The night
As I slept sound
All night.
:)
And Ulysses answered, “King Alcinous, it is a good thing to hear a
bard with such a divine voice as this man has. There is nothing better
or more delightful than when a whole people make merry together,
with the guests sitting orderly to listen, while the table is loaded
with bread and meats, and the cup-bearer draws wine and fills his
cup for every man. This is indeed as fair a sight as a man can see.
Now, however, since you are inclined to ask the story of my sorrows,
and rekindle my own sad memories in respect of them, I do not know how
to begin, nor yet how to continue and conclude my tale, for the hand
of heaven has been laid heavily upon me.
  “Firstly, then, I will tell you my name that you too may know it,
and one day, if I outlive this time of sorrow, may become my there
guests though I live so far away from all of you. I am Ulysses son
of Laertes, reknowned among mankind for all manner of subtlety, so
that my fame ascends to heaven. I live in Ithaca, where there is a
high mountain called Neritum, covered with forests; and not far from
it there is a group of islands very near to one another—Dulichium,
Same, and the wooded island of Zacynthus. It lies squat on the
horizon, all highest up in the sea towards the sunset, while the
others lie away from it towards dawn. It is a rugged island, but it
breeds brave men, and my eyes know none that they better love to
look upon. The goddess Calypso kept me with her in her cave, and
wanted me to marry her, as did also the cunning Aeaean goddess
Circe; but they could neither of them persuade me, for there is
nothing dearer to a man than his own country and his parents, and
however splendid a home he may have in a foreign country, if it be far
from father or mother, he does not care about it. Now, however, I will
tell you of the many hazardous adventures which by Jove’s will I met
with on my return from Troy.
  “When I had set sail thence the wind took me first to Ismarus, which
is the city of the Cicons. There I sacked the town and put the
people to the sword. We took their wives and also much *****, which we
divided equitably amongst us, so that none might have reason to
complain. I then said that we had better make off at once, but my
men very foolishly would not obey me, so they stayed there drinking
much wine and killing great numbers of sheep and oxen on the sea
shore. Meanwhile the Cicons cried out for help to other Cicons who
lived inland. These were more in number, and stronger, and they were
more skilled in the art of war, for they could fight, either from
chariots or on foot as the occasion served; in the morning, therefore,
they came as thick as leaves and bloom in summer, and the hand of
heaven was against us, so that we were hard pressed. They set the
battle in array near the ships, and the hosts aimed their
bronze-shod spears at one another. So long as the day waxed and it was
still morning, we held our own against them, though they were more
in number than we; but as the sun went down, towards the time when men
loose their oxen, the Cicons got the better of us, and we lost half
a dozen men from every ship we had; so we got away with those that
were left.
  “Thence we sailed onward with sorrow in our hearts, but glad to have
escaped death though we had lost our comrades, nor did we leave till
we had thrice invoked each one of the poor fellows who had perished by
the hands of the Cicons. Then Jove raised the North wind against us
till it blew a hurricane, so that land and sky were hidden in thick
clouds, and night sprang forth out of the heavens. We let the ships
run before the gale, but the force of the wind tore our sails to
tatters, so we took them down for fear of shipwreck, and rowed our
hardest towards the land. There we lay two days and two nights
suffering much alike from toil and distress of mind, but on the
morning of the third day we again raised our masts, set sail, and took
our places, letting the wind and steersmen direct our ship. I should
have got home at that time unharmed had not the North wind and the
currents been against me as I was doubling Cape Malea, and set me
off my course hard by the island of Cythera.
  “I was driven thence by foul winds for a space of nine days upon the
sea, but on the tenth day we reached the land of the Lotus-eater,
who live on a food that comes from a kind of flower. Here we landed to
take in fresh water, and our crews got their mid-day meal on the shore
near the ships. When they had eaten and drunk I sent two of my company
to see what manner of men the people of the place might be, and they
had a third man under them. They started at once, and went about among
the Lotus-eaters, who did them no hurt, but gave them to eat of the
lotus, which was so delicious that those who ate of it left off caring
about home, and did not even want to go back and say what had happened
to them, but were for staying and munching lotus with the
Lotus-eater without thinking further of their return; nevertheless,
though they wept bitterly I forced them back to the ships and made
them fast under the benches. Then I told the rest to go on board at
once, lest any of them should taste of the lotus and leave off wanting
to get home, so they took their places and smote the grey sea with
their oars.
  “We sailed hence, always in much distress, till we came to the
land of the lawless and inhuman Cyclopes. Now the Cyclopes neither
plant nor plough, but trust in providence, and live on such wheat,
barley, and grapes as grow wild without any kind of tillage, and their
wild grapes yield them wine as the sun and the rain may grow them.
They have no laws nor assemblies of the people, but live in caves on
the tops of high mountains; each is lord and master in his family, and
they take no account of their neighbours.
  “Now off their harbour there lies a wooded and fertile island not
quite close to the land of the Cyclopes, but still not far. It is
overrun with wild goats, that breed there in great numbers and are
never disturbed by foot of man; for sportsmen—who as a rule will
suffer so much hardship in forest or among mountain precipices—do not
go there, nor yet again is it ever ploughed or fed down, but it lies a
wilderness untilled and unsown from year to year, and has no living
thing upon it but only goats. For the Cyclopes have no ships, nor
yet shipwrights who could make ships for them; they cannot therefore
go from city to city, or sail over the sea to one another’s country as
people who have ships can do; if they had had these they would have
colonized the island, for it is a very good one, and would yield
everything in due season. There are meadows that in some places come
right down to the sea shore, well watered and full of luscious
grass; grapes would do there excellently; there is level land for
ploughing, and it would always yield heavily at harvest time, for
the soil is deep. There is a good harbour where no cables are
wanted, nor yet anchors, nor need a ship be moored, but all one has to
do is to beach one’s vessel and stay there till the wind becomes
fair for putting out to sea again. At the head of the harbour there is
a spring of clear water coming out of a cave, and there are poplars
growing all round it.
  “Here we entered, but so dark was the night that some god must
have brought us in, for there was nothing whatever to be seen. A thick
mist hung all round our ships; the moon was hidden behind a mass of
clouds so that no one could have seen the island if he had looked
for it, nor were there any breakers to tell us we were close in
shore before we found ourselves upon the land itself; when, however,
we had beached the ships, we took down the sails, went ashore and
camped upon the beach till daybreak.
  “When the child of morning, rosy-fingered Dawn, appeared, we admired
the island and wandered all over it, while the nymphs Jove’s daughters
roused the wild goats that we might get some meat for our dinner. On
this we fetched our spears and bows and arrows from the ships, and
dividing ourselves into three bands began to shoot the goats. Heaven
sent us excellent sport; I had twelve ships with me, and each ship got
nine goats, while my own ship had ten; thus through the livelong day
to the going down of the sun we ate and drank our fill,—and we had
plenty of wine left, for each one of us had taken many jars full
when we sacked the city of the Cicons, and this had not yet run out.
While we were feasting we kept turning our eyes towards the land of
the Cyclopes, which was hard by, and saw the smoke of their stubble
fires. We could almost fancy we heard their voices and the bleating of
their sheep and goats, but when the sun went down and it came on dark,
we camped down upon the beach, and next morning I called a council.
  “‘Stay here, my brave fellows,’ said I, ‘all the rest of you,
while I go with my ship and exploit these people myself: I want to see
if they are uncivilized savages, or a hospitable and humane race.’
  “I went on board, bidding my men to do so also and loose the
hawsers; so they took their places and smote the grey sea with their
oars. When we got to the land, which was not far, there, on the face
of a cliff near the sea, we saw a great cave overhung with laurels. It
was a station for a great many sheep and goats, and outside there
was a large yard, with a high wall round it made of stones built
into the ground and of trees both pine and oak. This was the abode
of a huge monster who was then away from home shepherding his
flocks. He would have nothing to do with other people, but led the
life of an outlaw. He was a horrid creature, not like a human being at
all, but resembling rather some crag that stands out boldly against
the sky on the top of a high mountain.
  “I told my men to draw the ship ashore, and stay where they were,
all but the twelve best among them, who were to go along with
myself. I also took a goatskin of sweet black wine which had been
given me by Maron, Apollo son of Euanthes, who was priest of Apollo
the patron god of Ismarus, and lived within the wooded precincts of
the temple. When we were sacking the city we respected him, and spared
his life, as also his wife and child; so he made me some presents of
great value—seven talents of fine gold, and a bowl of silver, with
twelve jars of sweet wine, unblended, and of the most exquisite
flavour. Not a man nor maid in the house knew about it, but only
himself, his wife, and one housekeeper: when he drank it he mixed
twenty parts of water to one of wine, and yet the fragrance from the
mixing-bowl was so exquisite that it was impossible to refrain from
drinking. I filled a large skin with this wine, and took a wallet full
of provisions with me, for my mind misgave me that I might have to
deal with some savage who would be of great strength, and would
respect neither right nor law.
  “We soon reached his cave, but he was out shepherding, so we went
inside and took stock of all that we could see. His cheese-racks
were loaded with cheeses, and he had more lambs and kids than his pens
could hold. They were kept in separate flocks; first there were the
hoggets, then the oldest of the younger lambs and lastly the very
young ones all kept apart from one another; as for his dairy, all
the vessels, bowls, and milk pails into which he milked, were swimming
with whey. When they saw all this, my men begged me to let them
first steal some cheeses, and make off with them to the ship; they
would then return, drive down the lambs and kids, put them on board
and sail away with them. It would have been indeed better if we had
done so but I would not listen to them, for I wanted to see the
owner himself, in the hope that he might give me a present. When,
however, we saw him my poor men found him ill to deal with.
  “We lit a fire, offered some of the cheeses in sacrifice, ate others
of them, and then sat waiting till the Cyclops should come in with his
sheep. When he came, he brought in with him a huge load of dry
firewood to light the fire for his supper, and this he flung with such
a noise on to the floor of his cave that we hid ourselves for fear
at the far end of the cavern. Meanwhile he drove all the ewes
inside, as well as the she-goats that he was going to milk, leaving
the males, both rams and he-goats, outside in the yards. Then he
rolled a huge stone to the mouth of the cave—so huge that two and
twenty strong four-wheeled waggons would not be enough to draw it from
its place against the doorway. When he had so done he sat down and
milked his ewes and goats, all in due course, and then let each of
them have her own young. He curdled half the milk and set it aside
in wicker strainers, but the other half he poured into bowls that he
might drink it for his supper. When he had got through with all his
work, he lit the fire, and then caught sight of us, whereon he said:
  “‘Strangers, who are you? Where do sail from? Are you traders, or do
you sail the as rovers, with your hands against every man, and every
man’s hand against you?’
  “We were frightened out of our senses by his loud voice and
monstrous form, but I managed to say, ‘We are Achaeans on our way home
from Troy, but by the will of Jove, and stress of weather, we have
been driven far out of our course. We are the people of Agamemnon, son
of Atreus, who has won infinite renown throughout the whole world,
by sacking so great a city and killing so many people. We therefore
humbly pray you to show us some hospitality, and otherwise make us
such presents as visitors may reasonably expect. May your excellency
fear the wrath of heaven, for we are your suppliants, and Jove takes
all respectable travellers under his protection, for he is the avenger
of all suppliants and foreigners in distress.’
  “To this he gave me but a pitiless answer, ‘Stranger,’ said he, ‘you
are a fool, or else you know nothing of this country. Talk to me,
indeed, about fearing the gods or shunning their anger? We Cyclopes do
not care about Jove or any of your blessed gods, for we are ever so
much stronger than they. I shall not spare either yourself or your
companions out of any regard for Jove, unless I am in the humour for
doing so. And now tell me where you made your ship fast when you
came on shore. Was it round the point, or is she lying straight off
the land?’
  “He said this to draw me out, but I was too cunning to be caught
in that way, so I answered with a lie; ‘Neptune,’ said I, ’sent my
ship on to the rocks at the far end of your country, and wrecked it.
We were driven on to them from the open sea, but I and those who are
with me escaped the jaws of death.’
  “The cruel wretch vouchsafed me not one word of answer, but with a
sudden clutch he gripped up two of my men at once and dashed them down
upon the ground as though they had been puppies. Their brains were
shed upon the ground, and the earth was wet with their blood. Then
he tore them limb from limb and supped upon them. He gobbled them up
like a lion in the wilderness, flesh, bones, marrow, and entrails,
without leaving anything uneaten. As for us, we wept and lifted up our
hands to heaven on seeing such a horrid sight, for we did not know
what else to do; but when the Cyclops had filled his huge paunch,
and had washed down his meal of human flesh with a drink of neat milk,
he stretched himself full length upon the ground among his sheep,
and went to sleep. I was at first inclined to seize my sword, draw it,
and drive it into his vitals, but I reflected that if I did we
should all certainly be lost, for we should never be able to shift the
stone which the monster had put in front of the door. So we stayed
sobbing and sighing where we were till morning came.
  “When the child of morning, rosy-fingered Dawn, appeared, he again
lit his fire, milked his goats and ewes, all quite rightly, and then
let each have her own young one; as soon as he had got through with
all his work, he clutched up two more of my men, and began eating them
for his morning’s meal. Presently, with the utmost ease, he rolled the
stone away from the door and drove out his sheep, but he at once put
it back again—as easily as though he were merely clapping the lid
on to a
Ploughing
                      I have been ploughing
The field of nothingness
A furrow at a time,
With an elderly mule that farts a lot.
The soil is unyielding
It is cabbage and carrots
I want
You can't eat flowers.
I have the carcass
Of a goat
But needs vegs
To go with it
All I need is for you
To see
I can cook a good meal of words
So far I have two
Who are willing?
To partaking
But my table has a place
For twelve
So I will wait
Till I find
Someone who likes
Cabbage
And never mind
The flowers
Desperado Dan
Is a man with a plan
To cash in a bit of Kensington
On some high grade *****
Cos right now he's got a couple of scores
But not a great deal more to loose

You see, our Dan is a master of the modern day quill
He works an open office, clocking in and out at will
But after reading all the greats from his and every bygone age
He lives in a time where the mp3 subverts the written page

So night and day he hums away
Searching for that hit chorus
And he knows you can't cut corners
When it comes to tanking up on creative juices

A Desperado is larger beer spiked with tequila
Some say it's for scoundrels to make charming girls easier
But our Dan's quest is noble.
He has a dream we'd all like to believe in
He simply wants to do his whole life’s work in just one evening
And a Desperado seems to conjure all six hats within one head
So if two minds are better than one...well, nuff said

He dilutes them at first, pulling the wool over his own eyes
Until, catching reflections on the glass, he sees through the disguise.
And before long you'll find him chugging straight from the bottle
Then, in a blur of paper and pen, Dan writes like there's no tomorrow.

He writes and writes and writes some more
a couplet, a bridge, an underscore
Ploughing verses like trenches through the ****** white paper
Dropping napalms just to see what pops it's head above the wreckage.

Then, surveying the new landscape, he quarries in every direction…

Linearly; because it's most straightforward like that
Circularly; because they used to think the world was flat

Logically; because... Well duh!
Laterally; which gives the brain a stir

Diagonally; some kinda a + b = c rap from back in the day
In reverse; because sometimes we unknowingly face the wrong way

Unapologetically
Down dead ends
Just to see the view

He picks up clichés and looks under them for clues

Desperado Dan
Calls for desperate measures
As the evening wears on
He indulges all his earthly pleasures

And down they go with a Yo ** **
What a ***** desperado!
***** I say! Now he's mixing with ***
Still his pencil flies with a blistered thumb

'E starts to drop 'is H's
And forgets to cross his l's...sorry t's
He paces back and forwards
An he talks like mushy peas

Rummaging frantically through chaotic pockets
Conjunctives falling to the floor
He can't find the word he's after, but who cares? There’s plenty more!
He begins to vengefully split infinitives in two
And hurl metaphors across the kitchen
Sending mountains of ******* up ***** of paper flying
Like snowballs after the thaw
Which slowly melt into puddles of lonely vowels and consonants.
Long after he has gone.

----------------------------------------------------------­---------------------------------

But all that was before the "Doodley Dee"
And his dream came true with a change of key
The song which people can't help to hum
From OAPs to the I-generation
And people hummed it all over
And in all sorts of weather
Until someone decided we should hum it forever.
And they paid Desperado Dan for every hum
Not bad work for a blistered thumb

So now our Dan seems a lot less desperate.
From time to time he evens finds an hour or two to rest a bit
Sitting on the veranda of his studio in the south of France.
Applying the finishing touches to another comedy romance.
Sipping a very fine Sauvignon, no Desperado in sight.

They're all safely packed away in the cellar

Just in case he gets the urge

Late at night.
SG Holter Apr 2014
They're burning the stubbles of yesteryear's fields
Before ploughing.
Walls of fire around every farm.
Smoke blends with the smell of pig's furtilizing manure,
And whenever my nose wrinkles up
I remember my father's words:

It's the result of millennia of agricultural tradition.
It's the smell of money.
It's the smell of soil to bread.
It's the smell of something far more important
Than nasal comfort.


He had me at
-Where he should have said-
*Organic.
Toby Lucas Jul 2016
Prowling through the undergrowth
In our barging juggernaut,
Ploughing the rolling hills of water,
Which crease as the narrowboat sluggishly gliding past,
Brushes the bulrushes like a tiger in the reeds.

For four intrepid days
Our film and photographs are empty to show,
No sign, only missed whispers,
Of the hummingbird blue blur.

A darting flash cresting the morning chill,
Regal turquoise stealthily steals
Our attention, our focus, and our tiller
Noses toward the bank hugger.

And we have him.

Small amber-royal fisherman,
Eclipsing his heron heralds
And the swans silent vigil
In majestic lapis lazuli.
Swift and sure he graces the water,
Fisher King,
Which bends beneath his dive.
Resurfacing, his golden breast
Mottled with silver minnow.

There recluse in his exclusive spot,
Fish foundering still in the ******,
The kingfisher's poise frames his catch
Aperture, shutter, captured shot.
Spotting a kingfisher from a canal boat - Summer 2016
David Beresford Oct 2011
As the warm days of summer give way to chill, and shadows grow longer as days shed their hours.
High winds and rain storms scrub the tired landscape down.
Colours are changing from rich green to gold, from yellow to red and orange to brown.

The grain has been gathered, wheat, barley and oats, cut and collected, sifted and sorted and put into store.
Grown by God, and by man with machine and by effort of hand.
Poppies and stalks now mark the spot, of the return for their labour. The wealth of the land.

Birds follow the tractor, rising and falling, swirling and soaring they move like a cloud.
The farmer is out and turning the stubble into the ground.
Rooks and crows, gulls and wood pigeons, starlings and magpies follow him round.

Hay long since mown is now bailed and in barns, or rolled up and bagged, ferments now in high silage towers.
The countryside has yielded reward for all Adam’s toil.
Work done in rhythm with the seasons, sowing, growing, reaping, ploughing and tilling the soil.

Gathering goodness, from garden, and greenhouse, carrots and courgettes, tomatoes in bunches.
Fresher than any you can get in the shops.
Picking the bounty gleaned from the hedgerow. Rosehips and cobnuts, damsons and hops.

Elder and sorrel, mushrooms and puffballs, sour green crab apples, and brambles in tangles.
Sloes that were missed by the late winter frost.
Not all are pleasant and some really can hurt you, pick only those that you know and trust.

Take full advantage of God’s generosity, share it with gladness, with thanks, there is plenty for all.
Sticky syrups and cider, wines, cordial and beer.
Pies, puddings, sorbets and ice creams, jam, jelly, and chutney and enough pickles to last into next year.

As the warm days of summer give way to chill, and shadows grow longer as days shed their hours.
High winds and rain storms scrub the tired landscape down.
Colours are changing from rich green to gold, from yellow to red and orange to brown.
This was written in a hurry as a commissioned item - a poem to be read out at the harvest festival the following week.
Reading it requires pauses, for effect, and to cover the variations in timing.
Much of it was inspired by what I saw while out running along the Hoton ridge on the Notts. Leics. border.
Thus did he speak, and they all held their peace throughout the
covered cloister, enthralled by the charm of his story, till presently
Alcinous began to speak.
  “Ulysses,” said he, “now that you have reached my house I doubt
not you will get home without further misadventure no matter how
much you have suffered in the past. To you others, however, who come
here night after night to drink my choicest wine and listen to my
bard, I would insist as follows. Our guest has already packed up the
clothes, wrought gold, and other valuables which you have brought
for his acceptance; let us now, therefore, present him further, each
one of us, with a large tripod and a cauldron. We will recoup
ourselves by the levy of a general rate; for private individuals
cannot be expected to bear the burden of such a handsome present.”
  Every one approved of this, and then they went home to bed each in
his own abode. When the child of morning, rosy-fingered Dawn,
appeared, they hurried down to the ship and brought their cauldrons
with them. Alcinous went on board and saw everything so securely
stowed under the ship’s benches that nothing could break adrift and
injure the rowers. Then they went to the house of Alcinous to get
dinner, and he sacrificed a bull for them in honour of Jove who is the
lord of all. They set the steaks to grill and made an excellent
dinner, after which the inspired bard, Demodocus, who was a
favourite with every one, sang to them; but Ulysses kept on turning
his eyes towards the sun, as though to hasten his setting, for he
was longing to be on his way. As one who has been all day ploughing
a fallow field with a couple of oxen keeps thinking about his supper
and is glad when night comes that he may go and get it, for it is
all his legs can do to carry him, even so did Ulysses rejoice when the
sun went down, and he at once said to the Phaecians, addressing
himself more particularly to King Alcinous:
  “Sir, and all of you, farewell. Make your drink-offerings and send
me on my way rejoicing, for you have fulfilled my heart’s desire by
giving me an escort, and making me presents, which heaven grant that I
may turn to good account; may I find my admirable wife living in peace
among friends, and may you whom I leave behind me give satisfaction to
your wives and children; may heaven vouchsafe you every good grace,
and may no evil thing come among your people.”
  Thus did he speak. His hearers all of them approved his saying and
agreed that he should have his escort inasmuch as he had spoken
reasonably. Alcinous therefore said to his servant, “Pontonous, mix
some wine and hand it round to everybody, that we may offer a prayer
to father Jove, and speed our guest upon his way.”
  Pontonous mixed the wine and handed it to every one in turn; the
others each from his own seat made a drink-offering to the blessed
gods that live in heaven, but Ulysses rose and placed the double cup
in the hands of queen Arete.
  “Farewell, queen,” said he, “henceforward and for ever, till age and
death, the common lot of mankind, lay their hands upon you. I now take
my leave; be happy in this house with your children, your people,
and with king Alcinous.”
  As he spoke he crossed the threshold, and Alcinous sent a man to
conduct him to his ship and to the sea shore. Arete also sent some
maid servants with him—one with a clean shirt and cloak, another to
carry his strong-box, and a third with corn and wine. When they got to
the water side the crew took these things and put them on board,
with all the meat and drink; but for Ulysses they spread a rug and a
linen sheet on deck that he might sleep soundly in the stern of the
ship. Then he too went on board and lay down without a word, but the
crew took every man his place and loosed the hawser from the pierced
stone to which it had been bound. Thereon, when they began rowing
out to sea, Ulysses fell into a deep, sweet, and almost deathlike
slumber.
  The ship bounded forward on her way as a four in hand chariot
flies over the course when the horses feel the whip. Her prow curveted
as it were the neck of a stallion, and a great wave of dark blue water
seethed in her wake. She held steadily on her course, and even a
falcon, swiftest of all birds, could not have kept pace with her.
Thus, then, she cut her way through the water. carrying one who was as
cunning as the gods, but who was now sleeping peacefully, forgetful of
all that he had suffered both on the field of battle and by the
waves of the weary sea.
  When the bright star that heralds the approach of dawn began to
show. the ship drew near to land. Now there is in Ithaca a haven of
the old merman Phorcys, which lies between two points that break the
line of the sea and shut the harbour in. These shelter it from the
storms of wind and sea that rage outside, so that, when once within
it, a ship may lie without being even moored. At the head of this
harbour there is a large olive tree, and at no distance a fine
overarching cavern sacred to the nymphs who are called Naiads. There
are mixing-bowls within it and wine-jars of stone, and the bees hive
there. Moreover, there are great looms of stone on which the nymphs
weave their robes of sea purple—very curious to see—and at all times
there is water within it. It has two entrances, one facing North by
which mortals can go down into the cave, while the other comes from
the South and is more mysterious; mortals cannot possibly get in by
it, it is the way taken by the gods.
  Into this harbour, then, they took their ship, for they knew the
place, She had so much way upon her that she ran half her own length
on to the shore; when, however, they had landed, the first thing
they did was to lift Ulysses with his rug and linen sheet out of the
ship, and lay him down upon the sand still fast asleep. Then they took
out the presents which Minerva had persuaded the Phaeacians to give
him when he was setting out on his voyage homewards. They put these
all together by the root of the olive tree, away from the road, for
fear some passer by might come and steal them before Ulysses awoke;
and then they made the best of their way home again.
  But Neptune did not forget the threats with which he had already
threatened Ulysses, so he took counsel with Jove. “Father Jove,”
said he, “I shall no longer be held in any sort of respect among you
gods, if mortals like the Phaeacians, who are my own flesh and
blood, show such small regard for me. I said I would Ulysses get
home when he had suffered sufficiently. I did not say that he should
never get home at all, for I knew you had already nodded your head
about it, and promised that he should do so; but now they have brought
him in a ship fast asleep and have landed him in Ithaca after
loading him with more magnificent presents of bronze, gold, and
raiment than he would ever have brought back from Troy, if he had
had his share of the spoil and got home without misadventure.”
  And Jove answered, “What, O Lord of the Earthquake, are you
talking about? The gods are by no means wanting in respect for you. It
would be monstrous were they to insult one so old and honoured as
you are. As regards mortals, however, if any of them is indulging in
insolence and treating you disrespectfully, it will always rest with
yourself to deal with him as you may think proper, so do just as you
please.”
  “I should have done so at once,” replied Neptune, “if I were not
anxious to avoid anything that might displease you; now, therefore,
I should like to wreck the Phaecian ship as it is returning from its
escort. This will stop them from escorting people in future; and I
should also like to bury their city under a huge mountain.”
  “My good friend,” answered Jove, “I should recommend you at the very
moment when the people from the city are watching the ship on her way,
to turn it into a rock near the land and looking like a ship. This
will astonish everybody, and you can then bury their city under the
mountain.”
  When earth-encircling Neptune heard this he went to Scheria where
the Phaecians live, and stayed there till the ship, which was making
rapid way, had got close-in. Then he went up to it, turned it into
stone, and drove it down with the flat of his hand so as to root it in
the ground. After this he went away.
  The Phaeacians then began talking among themselves, and one would
turn towards his neighbour, saying, “Bless my heart, who is it that
can have rooted the ship in the sea just as she was getting into port?
We could see the whole of her only moment ago.”
  This was how they talked, but they knew nothing about it; and
Alcinous said, “I remember now the old prophecy of my father. He
said that Neptune would be angry with us for taking every one so
safely over the sea, and would one day wreck a Phaeacian ship as it
was returning from an escort, and bury our city under a high mountain.
This was what my old father used to say, and now it is all coming
true. Now therefore let us all do as I say; in the first place we must
leave off giving people escorts when they come here, and in the next
let us sacrifice twelve picked bulls to Neptune that he may have mercy
upon us, and not bury our city under the high mountain.” When the
people heard this they were afraid and got ready the bulls.
  Thus did the chiefs and rulers of the Phaecians to king Neptune,
standing round his altar; and at the same time Ulysses woke up once
more upon his own soil. He had been so long away that he did not
know it again; moreover, Jove’s daughter Minerva had made it a foggy
day, so that people might not know of his having come, and that she
might tell him everything without either his wife or his fellow
citizens and friends recognizing him until he had taken his revenge
upon the wicked suitors. Everything, therefore, seemed quite different
to him—the long straight tracks, the harbours, the precipices, and
the goodly trees, appeared all changed as he started up and looked
upon his native land. So he smote his thighs with the flat of his
hands and cried aloud despairingly.
  “Alas,” he exclaimed, “among what manner of people am I fallen?
Are they savage and uncivilized or hospitable and humane? Where
shall I put all this treasure, and which way shall I go? I wish I
had stayed over there with the Phaeacians; or I could have gone to
some other great chief who would have been good to me and given me
an escort. As it is I do not know where to put my treasure, and I
cannot leave it here for fear somebody else should get hold of it.
In good truth the chiefs and rulers of the Phaeacians have not been
dealing fairly by me, and have left me in the wrong country; they said
they would take me back to Ithaca and they have not done so: may
Jove the protector of suppliants chastise them, for he watches over
everybody and punishes those who do wrong. Still, I suppose I must
count my goods and see if the crew have gone off with any of them.”
  He counted his goodly coppers and cauldrons, his gold and all his
clothes, but there was nothing missing; still he kept grieving about
not being in his own country, and wandered up and down by the shore of
the sounding sea bewailing his hard fate. Then Minerva came up to
him disguised as a young shepherd of delicate and princely mien,
with a good cloak folded double about her shoulders; she had sandals
on her comely feet and held a javelin in her hand. Ulysses was glad
when he saw her, and went straight up to her.
  “My friend,” said he, “you are the first person whom I have met with
in this country; I salute you, therefore, and beg you to be will
disposed towards me. Protect these my goods, and myself too, for I
embrace your knees and pray to you as though you were a god. Tell
me, then, and tell me truly, what land and country is this? Who are
its inhabitants? Am I on an island, or is this the sea board of some
continent?”
  Minerva answered, “Stranger, you must be very simple, or must have
come from somewhere a long way off, not to know what country this
is. It is a very celebrated place, and everybody knows it East and
West. It is rugged and not a good driving country, but it is by no
means a bid island for what there is of it. It grows any quantity of
corn and also wine, for it is watered both by rain and dew; it
breeds cattle also and goats; all kinds of timber grow here, and there
are watering places where the water never runs dry; so, sir, the
name of Ithaca is known even as far as Troy, which I understand to
be a long way off from this Achaean country.”
  Ulysses was glad at finding himself, as Minerva told him, in his own
country, and he began to answer, but he did not speak the truth, and
made up a lying story in the instinctive wiliness of his heart.
  “I heard of Ithaca,” said he, “when I was in Crete beyond the
seas, and now it seems I have reached it with all these treasures. I
have left as much more behind me for my children, but am flying
because I killed Orsilochus son of Idomeneus, the fleetest runner in
Crete. I killed him because he wanted to rob me of the spoils I had
got from Troy with so much trouble and danger both on the field of
battle and by the waves of the weary sea; he said I had not served his
father loyally at Troy as vassal, but had set myself up as an
independent ruler, so I lay in wait for him and with one of my
followers by the road side, and speared him as he was coming into town
from the country. my It was a very dark night and nobody saw us; it
was not known, therefore, that I had killed him, but as soon as I
had done so I went to a ship and besought the owners, who were
Phoenicians, to take me on board and set me in Pylos or in Elis
where the Epeans rule, giving them as much spoil as satisfied them.
They meant no guile, but the wind drove them off their course, and
we sailed on till we came hither by night. It was all we could do to
get inside the harbour, and none of us said a word about supper though
we wanted it badly, but we all went on shore and lay down just as we
were. I was very tired and fell asleep directly, so they took my goods
out of the ship, and placed them beside me where I was lying upon
the sand. Then they sailed away to Sidonia, and I was left here in
great distress of mind.”
  Such was his story, but Minerva smiled and caressed him with her
hand. Then she took the form of a woman, fair, stately, and wise,
“He must be indeed a shifty lying fellow,” said she, “who could
surpass you in all manner of craft even though you had a god for
your antagonist. Dare-devil that you are, full of guile, unwearying in
deceit, can you not drop your tricks and your instinctive falsehood,
even now that you are in your own country again? We will say no
more, however, about this, for we can both of us deceive upon
occasion—you are the most accomplished counsellor and orator among
all mankind, while I for diplomacy and subtlety have no equal among
the gods. Did you not know Jove’s daughter Minerva—me, who have
been ever with you, who kept watch over you in all your troubles,
and who made the Phaeacians take so great a liking to you? And now,
again, I am come here to talk things over with you, and help you to
hide the treasure I made the Phaeacians give you; I want to tell you
about the troubles that await you in your own house; you have got to
face them, but tell no one, neither man nor woman, that you have
come home again. Bear everything, and put up with every man’s
insolence, without a word.”
  And Ulysses answered, “A man, goddess, may know a great deal, but
you are so constantly changing your appearance that when he meets
you it is a hard matter for him to know whether it is you or not. This
much, however, I know exceedingly well; you were very kind to me as
long as we Achaeans were fighting before Troy, but from the day on
which we went on board ship after having sacked the city of Priam, and
heaven dispersed us—from that day, Minerva, I saw no more of you, and
cannot ever remember your coming to my ship to help me in a
difficulty; I had to wander on sick and sorry till the gods
delivered me from evil and I reached the city of the Phaeacians, where
you en
Fled foam underneath us, and round us, a wandering and milky smoke,
High as the Saddle-girth, covering away from our glances the tide;
And those that fled, and that followed, from the foam-pale distance broke;
The immortal desire of Immortals we saw in their faces, and sighed.

I mused on the chase with the Fenians, and Bran, Sceolan, Lomair,
And never a song sang Niamh, and over my finger-tips
Came now the sliding of tears and sweeping of mist-cold hair,
And now the warmth of sighs, and after the quiver of lips.

Were we days long or hours long in riding, when, rolled in a grisly peace,
An isle lay level before us, with dripping hazel and oak?
And we stood on a sea's edge we saw not; for whiter than new-washed fleece
Fled foam underneath us, and round us, a wandering and milky smoke.

And we rode on the plains of the sea's edge; the sea's edge barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away,
Like an army of old men longing for rest from the moan of the seas.

But the trees grew taller and closer, immense in their wrinkling bark;
Dropping; a murmurous dropping; old silence and that one sound;
For no live creatures lived there, no weasels moved in the dark:
Long sighs arose in our spirits, beneath us bubbled the ground.

And the ears of the horse went sinking away in the hollow night,
For, as drift from a sailor slow drowning the gleams of the world and the sun,
Ceased on our hands and our faces, on hazel and oak leaf, the light,
And the stars were blotted above us, and the whole of the world was one.

Till the horse gave a whinny; for, cumbrous with stems of the hazel and oak,
A valley flowed down from his hoofs, and there in the long grass lay,
Under the starlight and shadow, a monstrous slumbering folk,
Their naked and gleaming bodies poured out and heaped in the way.

And by them were arrow and war-axe, arrow and shield and blade;
And dew-blanched horns, in whose hollow a child of three years old
Could sleep on a couch of rushes, and all inwrought and inlaid,
And more comely than man can make them with bronze and silver and gold.

And each of the huge white creatures was huger than fourscore men;
The tops of their ears were feathered, their hands were the claws of birds,
And, shaking the plumes of the grasses and the leaves of the mural glen,
The breathing came from those bodies, long warless, grown whiter than curds.

The wood was so Spacious above them, that He who has stars for His flocks
Could ****** the leaves with His fingers, nor go from His dew-cumbered skies;
So long were they sleeping, the owls had builded their nests in their locks,
Filling the fibrous dimness with long generations of eyes.

And over the limbs and the valley the slow owls wandered and came,
Now in a place of star-fire, and now in a shadow-place wide;
And the chief of the huge white creatures, his knees in the soft star-flame,
Lay loose in a place of shadow:  we drew the reins by his side.

Golden the nails of his bird-clawS, flung loosely along the dim ground;
In one was a branch soft-shining with bells more many than sighs
In midst of an old man's *****; owls ruffling and pacing around
Sidled their bodies against him, filling the shade with their eyes.

And my gaze was thronged with the sleepers; no, not since the world began,
In realms where the handsome were many, nor in glamours by demons flung,
Have faces alive with such beauty been known to the salt eye of man,
Yet weary with passions that faded when the sevenfold seas were young.

And I gazed on the bell-branch, sleep's forebear, far sung by the Sennachies.
I saw how those slumbererS, grown weary, there camping in grasses deep,
Of wars with the wide world and pacing the shores of the wandering seas,
Laid hands on the bell-branch and swayed it, and fed of unhuman sleep.

Snatching the horn of Niamh, I blew a long lingering note.
Came sound from those monstrous sleepers, a sound like the stirring of flies.
He, shaking the fold of his lips, and heaving the pillar of his throat,
Watched me with mournful wonder out of the wells of his eyes.

I cried, 'Come out of the shadow, king of the nails of gold!
And tell of your goodly household and the goodly works of your hands,
That we may muse in the starlight and talk of the battles of old;
Your questioner, Oisin, is worthy, he comes from the ****** lands.'

Half open his eyes were, and held me, dull with the smoke of their dreams;
His lips moved slowly in answer, no answer out of them came;
Then he swayed in his fingers the bell-branch, slow dropping a sound in faint streams
Softer than snow-flakes in April and piercing the marrow like flame.

Wrapt in the wave of that music, with weariness more than of earth,
The moil of my centuries filled me; and gone like a sea-covered stone
Were the memories of the whole of my sorrow and the memories of the whole of my mirth,
And a softness came from the starlight and filled me full to the bone.

In the roots of the grasses, the sorrels, I laid my body as low;
And the pearl-pale Niamh lay by me, her brow on the midst of my breast;
And the horse was gone in the distance, and years after years 'gan flow;
Square leaves of the ivy moved over us, binding us down to our rest.

And, man of the many white croziers, a century there I forgot
How the fetlocks drip blocd in the battle, when the fallen on fallen lie rolled;
How the falconer follows the falcon in the weeds of the heron's plot,
And the name of the demon whose hammer made Conchubar's sword-blade of old.

And, man of the many white croziers, a century there I forgot
That the spear-shaft is made out of ashwood, the shield out of osier and hide;
How the hammers spring on the anvil, on the spearhead's burning spot;
How the slow, blue-eyed oxen of Finn low sadly at evening tide.

But in dreams, mild man of the croziers, driving the dust with their throngs,
Moved round me, of ****** or landsmen, all who are winter tales;
Came by me the kings of the Red Branch, with roaring of laughter and songs,
Or moved as they moved once, love-making or piercing the tempest with sails.

Came Blanid, Mac Nessa, tall Fergus who feastward of old time slunk,
Cook Barach, the traitor; and warward, the spittle on his beard never dry,
Dark Balor, as old as a forest, car-borne, his mighty head sunk
Helpless, men lifting the lids of his weary and death making eye.

And by me, in soft red raiment, the Fenians moved in loud streams,
And Grania, walking and smiling, sewed with her needle of bone.
So lived I and lived not, so wrought I and wrought not, with creatures of dreams,
In a long iron sleep, as a fish in the water goes dumb as a stone.

At times our slumber was lightened.  When the sun was on silver or gold;
When brushed with the wings of the owls, in the dimness they love going by;
When a glow-worm was green on a grass-leaf, lured from his lair in the mould;
Half wakening, we lifted our eyelids, and gazed on the grass with a sigh.

So watched I when, man of the croziers, at the heel of a century fell,
Weak, in the midst of the meadow, from his miles in the midst of the air,
A starling like them that forgathered 'neath a moon waking white as a shell
When the Fenians made foray at morning with Bran, Sceolan, Lomair.

I awoke:  the strange horse without summons out of the distance ran,
Thrusting his nose to my shoulder; he knew in his ***** deep
That once more moved in my ***** the ancient sadness of man,
And that I would leave the Immortals, their dimness, their dews dropping sleep.

O, had you seen beautiful Niamh grow white as the waters are white,
Lord of the croziers, you even had lifted your hands and wept:
But, the bird in my fingers, I mounted, remembering alone that delight
Of twilight and slumber were gone, and that hoofs impatiently stept.

I died, 'O Niamh! O white one! if only a twelve-houred day,
I must gaze on the beard of Finn, and move where the old men and young
In the Fenians' dwellings of wattle lean on the chessboards and play,
Ah, sweet to me now were even bald Conan's slanderous tongue!

'Like me were some galley forsaken far off in Meridian isle,
Remembering its long-oared companions, sails turning to threadbare rags;
No more to crawl on the seas with long oars mile after mile,
But to be amid shooting of flies and flowering of rushes and flags.'

Their motionless eyeballs of spirits grown mild with mysterious thought,
Watched her those seamless faces from the valley's glimmering girth;
As she murmured, 'O wandering Oisin, the strength of the bell-branch is naught,
For there moves alive in your fingers the fluttering sadness of earth.

'Then go through the lands in the saddle and see what the mortals do,
And softly come to your Niamh over the tops of the tide;
But weep for your Niamh, O Oisin, weep; for if only your shoe
Brush lightly as haymouse earth's pebbles, you will come no more to my side.

'O flaming lion of the world, O when will you turn to your rest?'
I saw from a distant saddle; from the earth she made her moan:
'I would die like a small withered leaf in the autumn, for breast unto breast
We shall mingle no more, nor our gazes empty their sweetness lone

'In the isles of the farthest seas where only the spirits come.
Were the winds less soft than the breath of a pigeon who sleeps on her nest,
Nor lost in the star-fires and odours the sound of the sea's vague drum?
O flaming lion of the world, O when will you turn to your rest?'

The wailing grew distant; I rode by the woods of the wrinkling bark,
Where ever is murmurous dropping, old silence and that one sound;
For no live creatures live there, no weasels move in the dark:
In a reverie forgetful of all things, over the bubbling' ground.

And I rode by the plains of the sea's edge, where all is barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away',
Like an army of old men longing for rest from the moan of the seas.

And the winds made the sands on the sea's edge turning and turning go,
As my mind made the names of the Fenians.  Far from the hazel and oak,
I rode away on the surges, where, high aS the saddle-bow,
Fled foam underneath me, and round me, a wandering and milky smoke.

Long fled the foam-flakes around me, the winds fled out of the vast,
Snatching the bird in secret; nor knew I, embosomed apart,
When they froze the cloth on my body like armour riveted fast,
For Remembrance, lifting her leanness, keened in the gates of my heart.

Till, fattening the winds of the morning, an odour of new-mown hay
Came, and my forehead fell low, and my tears like berries fell down;
Later a sound came, half lost in the sound of a shore far away,
From the great grass-barnacle calling, and later the shore-weeds brown.

If I were as I once was, the strong hoofs crushing the sand and the shells,
Coming out of the sea as the dawn comes, a chaunt of love on my lips,
Not coughing, my head on my knees, and praying, and wroth with the bells,
I would leave no saint's head on his body from Rachlin to Bera of ships.

Making way from the kindling surges, I rode on a bridle-path
Much wondering to see upon all hands, of wattles and woodwork made,
Your bell-mounted churches, and guardless the sacred cairn and the mth,
And a small and a feeble populace stooping with mattock and *****,

Or weeding or ploughing with faces a-shining with much-toil wet;
While in this place and that place, with bodies unglorious, their chieftains stood,
Awaiting in patience the straw-death, croziered one, caught in your net:
Went the laughter of scorn from my mouth like the roaring of wind in a wood.

And before I went by them so huge and so speedy with eyes so bright,
Came after the hard gaze of youth, or an old man lifted his head:
And I rode and I rode, and I cried out, 'The Fenians hunt wolves in the night,
So sleep thee by daytime.' A voice cried, 'The Fenians a long time are dead.'

A whitebeard stood hushed on the pathway, the flesh of his face as dried grass,
And in folds round his eyes and his mouth, he sad as a child without milk-
And the dreams of the islands were gone, and I knew how men sorrow and pass,
And their hound, and their horse, and their love, and their eyes that glimmer like silk.

And wrapping my face in my hair, I murmured, 'In old age they ceased';
And my tears were larger than berries, and I murmured, 'Where white clouds lie spread
On Crevroe or broad Knockfefin, with many of old they feast
On the floors of the gods.' He cried, 'No, the gods a long time are dead.'

And lonely and longing for Niamh, I shivered and turned me about,
The heart in me longing to leap like a grasshopper into her heart;
I turned and rode to the westward, and followed the sea's old shout
Till I saw where Maeve lies sleeping till starlight and midnight part.

And there at the foot of the mountain, two carried a sack full of sand,
They bore it with staggering and sweating, but fell with their burden at length.
Leaning down from the gem-studded saddle, I flung it five yards with my hand,
With a sob for men waxing so weakly, a sob for the Fenians' old strength.

The rest you have heard of, O croziered man; how, when divided the girth,
I fell on the path, and the horse went away like a summer fly;
And my years three hundred fell on me, and I rose, and walked on the earth,
A creeping old man, full of sleep, with the spittle on his beard never dry'.

How the men of the sand-sack showed me a church with its belfry in air;
Sorry place, where for swing of the war-axe in my dim eyes the crozier gleams;
What place have Caoilte and Conan, and Bran, Sceolan, Lomair?
Speak, you too are old with your memories, an old man surrounded with dreams.

S.  Patrick. Where the flesh of the footsole clingeth on the burning stones is their place;
Where the demons whip them with wires on the burning stones of wide Hell,
Watching the blessed ones move far off, and the smile on God's face,
Between them a gateway of brass, and the howl of the angels who fell.

Oisin. Put the staff in my hands; for I go to the Fenians, O cleric, to chaunt
The war-songs that roused them of old; they will rise, making clouds with their Breath,
Innumerable, singing, exultant; the clay underneath them shall pant,
And demons be broken in pieces, and trampled beneath them in death.

And demons afraid in their darkness; deep horror of eyes and of wings,
Afraid, their ears on the earth laid, shall listen and rise up and weep;
Hearing the shaking of shields and the quiver of stretched bowstrings,
Hearing Hell loud with a murmur, as shouting and mocking we sweep.

We will tear out the flaming stones, and batter the gateway of brass
And enter, and none sayeth 'No' when there enters the strongly armed guest;
Make clean as a broom cleans, and march on as oxen move over young grass;
Then feast, making converse of wars, and of old wounds, and turn to our rest.

S.  Patrick. On the flaming stones, without refuge, the limbs of the Fenians are tost;
None war on the masters of Hell, who could break up the world in their rage;
But kneel and wear out the flags and pray for your soul that is lost
Through the demon love of its youth and its godless and passionate age.

Oisin. Ah me! to be Shaken with coughing and broken with old age and pain,
Without laughter, a show unto children, alone with remembrance and fear;
All emptied of purple hours as a beggar's cloak in the rain,
As a hay-**** out on the flood, or a wolf ****** under a weir.

It were sad to gaze on the blessed and no man I loved of old there;
I throw down the chain of small stones! when life in my body has ceased,
I will go to Caoilte, and Conan, and Bran, Sceolan, Lomair,
And dwell in the house of the Fenians, be they in flames or at feast.
Dawnstar Jan 2019
they ride along
the mountain road:
kashgar and
the heron girl
crane their necks
to the shaman's haze,
ploughing out
the humpback’s trail.

with a slow hup-hup, up
down powder trot,
a boombox laugh
and a slapstrum knot;
walking the lake,
talking of the bay,
savor the night:
hear what they say!

bronze battalions
beat the prince,
hide the sambas
inside of their hats;
a summer tent,
a sterling pearl:
kashgar and
the heron girl.

they rode along
the mountain road,
past water cranes
and lily haze;
roaming slow
the worldshell snail,
ploughing out
the humpback trail.
Marshal Gebbie Mar 2011
As a maddened beast it charges
Emanating with expanse
Brute techtonic plate reaction
From the epicentre’s stance.
Huge concentric rings diverge
Expanding at horrific rate
Black, titanic, towering waters
Ploughing to a deadly fate.

Kneeling in her bed of roses
Pollinating bees abound,
Morning sunbeams kiss her shoulders
Peaceful garden bliss surrounds.


Surging to the coastal shelf
The black gigantis rears on high
Claws toward the placid beach
Seabirds scatter to the sky.
Tide receds to bare the reef
Stranded mackerel whitely leap,
Enormously the massive wave
Attacks the land and they who sleep.

Death comes fast to they who loiter
Violence in the tangled purge,
Massive pressures, crushing debris
Broken buildings in the surge.
Ships and cars are tossed asunder
Inexorably it slams
Far inland to slay those fleeing
Locked in highway traffic jams.

Strange roar at the garden wall
Terrified, she finds her feet,
Roses, bees, sweet girl engulfed
As black entombedment swamps the street.


Far inland the chaos flows
Wreaking death's destructive bands,
Halted now by highland hills
Where souls in horror, wring their hands.
Slow retraction leaving ruin
Desolation far and wide,
The smell of new death in the air,
Heartbreak in the countryside.


Marshalg
For Nippon
18 March 2011
There was Dai Puw. He was no good.
They put him in the fields to dock swedes,
And took the knife from him, when he came home
At late evening with a grin
Like the slash of a knife on his face.

There was Llew Puw, and he was no good.
Every evening after the ploughing
With the big tractor he would sit in his chair,
And stare into the tangled fire garden,
Opening his slow lips like a snail.

There was Huw Puw, too. What shall I say?
I have heard him whistling in the hedges
On and on, as though winter
Would never again leave those fields,
And all the trees were deformed.

And lastly there was the girl:
Beauty under some spell of the beast.
Her pale face was the lantern
By which they read in life's dark book
The shrill sentence: God is love.
So still she lies
Sleeping.
A cold room
Cold thoughts.  
Under cover of cotton and linen.        

A cold lonely wind
Cries outside
Longing to find solace
In the warmth of our home
But finding only that it devourers
By its own devices
What it so desperately desires.

Pain in my brow
Forged with hers.
Sharing breaks
Up the pain--
Comfort of depression's transitory end.

Why do you hurt the ones you love
When you want only peace?
A lover of the land?
Must plough the earth for yield
Break the ground in fury
To prepare it for seed.

This pain awaits our company
Like a bottle to the drunkard          
Or a needle to the ******.

Comfort is pain
Pain is comfort

In this violent serenity
As the calm peaceful sea
?Can in one moment  
Turn into a tumultuous gale.

Is love for the using
Can a person justify
Putting lines of age on the face
And gray hairs on the head
Of the one they love?

So many carry this burden.
Love shares common ground--
Seasons for ploughing and planting
And harvest,
The season of closure.?

So still she lies beside me.?
A cold room
Warmer thoughts.?
Under cover of cotton and linen.

Under cover of compassion
And understanding.

         --Daniel Irwin Tucker
You gotta keep working at it through the years.
tumelo mogomotsi May 2018
I SIT HERE DRENCHED IN THE
BLOOD OF ONE OF THE NATIVES.
WE CAPTURED THE LAND AND
HIS MIND WITH OUR ALTERED
EDUCATION, IT WORKED LIKE
AN ANAESTHETIC, OR BETTER,
A SEDATIVE. HE PONDERED ON
WHETHER OR NOT HE IS HUMAN
WHILE WE BEGAN PLOUGHING
HIS SOIL. HE AWOKE FROM HIS
DAYDREAM, TO OUR AMAZEMENT,
WE THOUGHT WE HAD HIM FOILED.
HE RALLIED HIS MEN, THEY DID NOT
HESITATE. I WILL GIVE IT TO THEM,
THEY ARE ARMOURED WITH THE BRAVERY
AND THE STRENGTH OF A THOUSAND APES.
BUT IT WAS TOO LATE, WE SLAUGHTERED
THEM FROM A DISTANCE, AND TOOK CONTROL
OF THEIR CHILDREN, WIVES AND MAIDS.
SPEAKING OF CHILDREN, HOW GOES OUR
SWEET DAUGHTER ROSE? I MISS HER
DEARLY AND I LOOK FORWARD TO
EMBRACING HER WITH FATHERLY
LOVE WHEN THIS WAR COMES TO A CLOSE.

UNTIL WE MEET,
__

- t.m
(1869)
The freighter loomed from the darkness
Its shadow high on our port,
And Jenny screamed at the starkness
Of the fate the freighter brought,
Its bow wave flowed right over the prow
Of our tiny little yacht,
We knew that we couldn’t ride it out
So whether to swim, or not?

The sea was luckily clear and warm
It had been a perfect day,
As we had lazily sailed along
The length of Innotto Bay,
As night had fallen the breeze had too
And it left us quite becalmed,
So when the freighter came ploughing through
It had seen us both alarmed.

It rose above us, this rusty hulk
That had seen much better days,
The bridge was lit, could they see us sit
Where their bow cut through the waves?
The yacht was rocked by the turbulence
That its mighty hull displaced,
And suddenly we were swamped out there
As the sea rose to my waist.

The yacht had foundered, was going down
Crushed by the mighty bow,
And we fell into the sea where we
Clung on to each other, now.
It ****** us in as it glided past
And we heard the turgid roar,
As the giant props left a wake of froth
That would **** us in, for sure.

And Jenny panicked to stay afloat
As I clung on to her arm,
But down we went as our strength was spent
Where the props would do us harm,
We saw them thrash as we sank on down
And a dull throb filled our ears,
The blades would slice like a guillotine
Was the source of both our fears.

But the violent thrash of the water there
Sent currents beneath the stern,
And we were violently ****** on down
Where the props had ceased to churn,
And when we bobbed to the surface, we
Saw the freighter disappear,
Ploughing into the distance while
We lay in the bay, to cheer.

We were only a mile beyond the reef
And beyond that lay the land,
So struck out together in relief
And I held her by the hand,
We’ll never forget that rusty hulk
As it passed, I caught it’s name,
Riven with old corruption it
Was called, ‘The Devil’s Game!’

David Lewis Paget
When smoke stood up from Ludlow,
And mist blew off from Teme,
And blithe afield to ploughing
Against the morning beam
I strode beside my team,

The blackbird in the coppice
Looked out to see me stride,
And hearkened as I whistled
The trampling team beside,
And fluted and replied:

"Lie down, lie down, young yeoman;
What use to rise and rise?
Rise man a thousand mornings
Yet down at last he lies,
And then the man is wise."

I heard the tune he sang me,
And spied his yellow bill;
I picked a stone and aimed it
And threw it with a will:
Then the bird was still.

Then my soul within me
Took up the blackbird's strain,
And still beside the horses
Along the dewy lane
It sang the song again:

"Lie down, lie down, young yeoman;
The sun moves always west;
The road one treads to labour
Will lead one home to rest,
And that will be the best."
Storygiver Jun 2017
Do green fingers still pull triggers?
Or do they only till the fields of hair?
Ploughing furrows of worry through thinning follicles,
Tangled knots of concern, snarling their path from the true.
Or can they only point accusingly,
Trembling fists beneath pointed judgements?
Hoping the directions sought by those lost,
Do not lead them down the garden path of violence.
This is for a man who takes nurturing into his hands.
A man who believes that the Kingdom of God can be found on earth.
A man who is determined to labour here in this the city of his birth
To cultivate the hope that springs eternal.
Changes part of the faith in his dreams to piece together his reality;
A world without violence.
These hopes are sleep sent for certain.
But his hands are sandstone
So when he rubs the rest from his eyes
He's only shaping his wishes into something less fleeting
For sure, his resting place is a flower bed
cos he wakes plants from their sleeping.

For each shoot that doesn't fire and grow
And each root that doesn't take hold and show
Each colour he knows they're capable of,
feels like a personal blow to all the effort he's put in.

This is the last gardener of Aleppo
His name is Abu *** and he is sick of watching his city fall apart
Ash Shabbah – the city of white soil and pale marble
Now  the white of ash, pale of face and fearful.
Once sanctuary against war,
Now this may as well be the last garden in the world.

He tells us “flowers help the world and there is no greater beauty than flowers”
And so for years, as his city suffers pallid,sickly but not bloodless,
He makes bouquets by roadsides for those who chose to stay
or have nowhere else to go,
or have left but their bodies remain,
And whose only beauty is ribcage grown

He wreathes his arm around the world
Turns our world into a garden of funeral tributes,
appreciated only now
In stark contrast to the destruction that never ceases.

He tends to carry on conversations with the dead
Motionless beneath the surface.
Friends or strangers
Rubble roused and fleeing, now their journey ended
Escaped as best they could, holding flowers in hands
 as he tends his garden still.

It’s a losing battle, lost
How only weeds grow through the cracks that civilization left .
Lichens lasting forever whenever they find the surface to hold onto long enough in this turmoil.
Though he pines for lillies;
 White crocus and daisies grow best in rebel held streets.
No matter.
He makes the dinner he deserves
fragrant with rosebay willow herb
And sage for remembering
But he can’t help but develop a bad taste in his mouth .
He has no taste for retribution
And he has nothing to cleanse the palate,
Of the pungency of despair,
The starvation of the soul.

The desert creeps further into his domain every year
Tendrils of havoc pushed like weeds wicked fingers by fertile bullets
Planted with no thought for the cruel blooms that unknown casualties assume know best
Brush strokes of red lichen, grace pocked walls carelessly evident of lives now past.
For every gravestone reminder of fertile soil
He knows each harvest relies on the last.
Cultivating only goodness in his heart,
the last gardener opposes the law of abandoned places:
That only rot will grow in the spaces left by humanity’s neglect
With agriculture he fights the ravages of the faithless. Torn turning this place into nothingness,
Looking for any hope this last chance leaves in a forest fresh of despair
So he tells us he’s heard from God that
“This tree will live and we will live despite everything.”
And he believes that the timbre of his voice would drown out the violence as he kneels in prayer,
As everything he loves splinters around him.

And he believes that even against the decrepit disrepair
That He can make this place an Eden again,
An oasis of calm during conflict.

Ibrahim lost his father
But maybe his memory can blossom and some beauty can bloom from the killing fields
Of the lily white city that can raise it’s own colours as a flag
And surrender itself to the will of the God of the Gardeners.
This was inspired by a channel 4 documentary of the same name.
You can watch it here: https://www.youtube.com/watch?v=lJGp3g93h6M

I know that it can be disingenuous to write a poem where you have no personal experience of the subject matter but my purpose was to be respectful and honour a human who lived. If you feel this has not been the case please feel free to contact me and make me aware - I would rather be called out.
Mateuš Conrad Oct 2015
that’s the thing with those trophy wife types,
never really mandible in *** like a jaw ought to be,
too stiff, too anorexic model type:
pooch pooch a handbag full of duck quack pouts of the lips.
i like mandible women, scary scarred women,
the types that will grow into fond babushkas
and cook you a broth.
ah all this crap with daddy longlegs walking into a paparazzi
web of flashes is ruining the red carpet,
i was about to frizz it up into cushion afro softness
that would be quicksand for high heels.
i need blotches i need survival skills that hold the skin together,
every wrinkle, every passing jest of “irrelevance,”
every amulet glow of feeling through the kaleidoscope of depression,
jet-lag i call it, although i rather call it trombone,
with the numbers it was bound to happen, leaving the mammalian
kingdom and entering the insect kingdom, it was bound to happen,
the lost identity tiling the earth, ploughing the eardrum for symphonies,
it was just waiting... just waiting... like a spider waiting
with the flies of the urbanisation of green & green...
can’t change my mind... blotches on skin and bulges of missing protein
on the hips... perfect girth for child rearing...
i don’t like perfect... it’s supposed to have an aesthetic aura of an art
gallery... instead it has an aesthetic aura of hygiene of a hospital;
i arrested all the beauticians while talking to the paediatricians
painting my nails with u.v. liquorice in this hospital of hygienic looks
but unhygienic romping pompoms that swayed man to chlamydia.
Mateuš Conrad Jul 2016
i never understood why poetry books were and are so expensive, there's Darwin lounging smoking a cigarette listening to some Victorian erich segal, e. l. james, diana gabaldon or a loretta chase - while imaging, well, you know, why the the Bayeux tapestry represents the Normans invasion with humanoids, hence the pressure on artists to follow-up with self-portraits, otherwise it ended up with two monkeys ******* in his head... but such writers are equivalent to manual labourers, they don't care if their books aren't finished, they are equivalent of bricklayers, ploughing the fields of blanks unearthing potatoes and more potatoes (words)... some Chinese poet-drunkard trying to escape Tibetan meditation writes a haiku... and that's about it, he says laughing at the moon: 'this is bothersome! for one thing our ancestors chose a ****** difficult phonetic encoding, maybe this was xenophobia in disguise, but the Ming dynasty project is nothing compared to how we write she and shin, no amount of labour will be as effective as our pictographs, some say this is a defence against invaders, and i believe them, they got as far as ***** trading with us, now we have cheap steel and Russian allies... forget the great wall, the real defence against invaders and accusations of xenophobia is in the encoding, which also means we can **** the mathematical encoding like an elephant ******* a chicken, with its trunk, blowing air into it so the chicken ends up flying, along with the ostrich'.

when i write crude i know i'm exhausting a poem,
or at least the introduction, to a poem,
but such are crude comparisons, they tell you when
to stop the flux of the unintended direction -
but i agree with him, western powers abuse
the haiku mechanism, back in the east the haiku
appears from blank, partly due to that Tibetan
baldy blubber in later age in India -
in the west we have the crown of myrrh, and due
to the overload of sensual stimulation with that,
and the lashing prior to the crucifixion,
an over-exited state of sensuality, meaning more
cognitive outpourings, hence not one haiku
in a year about some freckled salmon jumping
over the moon with a momentary diamond of snow
on its tail... but a whole list of them...
without any verbal tradition to remember either...
take the Tibetan lounging and the Hebrai hanging,
why did we ever take the latter up?
well, question answered, the west is quietly shunning
the church's influence, all you need is a Buddha
head in your living room and it's primo aprilis -
well, not it's Prima Aprilis, *Prima dies Aprilis
,
it's a jokers day in Poland, i experienced one myself,
you run around the town drenching each other in water,
or as i call it, baptising each other, for jokes,
buckets of water... in the west it's just a toys 'r' us
advert owning a water-gun, but you hardly see
children in western society, esp. in England,
they're exposed to overt-sexuality prematurely,
they're stiff on the monkey bars, stiff on bicycles,
stiff playing football, stiff climbing trees (if ever),
stiff or coffin like only ready to play the one game they
know best: bullying and make-up, and short-skirts,
and karaoke dreaming all the leaves are brown,
and the sky is grey, i've been for a walk, on a winter's day,
i'd be safe from walking, if i wasn't in L.A., california
dreaming, on such a winter's day
, it's only
outdoors if there's a prize involved, not the smell of grass
or cow ****... strap me up Scott'e, i'm about to venture
into the grand world wearing a ******... anyway,
you never write more than one haiku a year...
but before i do a Robert Frost as cited by Jack Spicer
"any ****** fool can get into a poem but it takes
a poet to get out of one"
, citation? helen: a revision
part of the San Francisco Renaissance mini movement.
but today's panorama show, about the exit vote,
Hilarious **** being investigated by the F.B.I., Trump
turned into a T-Rex in a children's book - tiny hands,
big quiff - and in a global community where slavery
is frowned at, piracy is not really, the vain hopes
of former glories, listening to old farts reminiscent of
the empire esp. in the north is like listening to a fake ******,
my grandparents could say the same ******* in Poland,
the loss of the steel industry, much due to the extinction
of communism in Europe, feminism and the soft-industry
jobs of primarily advertisements, the manly jobs?
they're all Chinese... why blame eastern europeans?
you like your ******* chicken chow mein you little *****?
well i'm certainly liking my korma chicken curry, eat it!
an economy that prizes only profit and not continuity
exporting everything to King Kong Mao will look for
scapegoats anywhere, i'm surprised it's not the Jews this
time, and it's so funny, i mean, born & prop'ah bred
Anglo, imported from Pakistan, oh yeah, "prop'ah",
now they're the best mates, once master and the slave,
now two masters, hand in hand, should be a joke
poster like the socialist fraternal kiss (the capitalist
fraternal kiss is - you guessed it! mouth kissing an ****!),
so you have to really trim the curtains of the ethnic
dress of King Abdullah bin Abdulaziz Al Saud to get
a selfie with Tony Blair and Bush Jr. getting stuck in -
at a time when no Londoner feels safe outside
of England, esp. in the north, perhaps in Scoot-land
(three years up there, i built up an affinity with
them against Jacky Uno and the flag,
right now i'm burning it in my head, ah, for scrap jokes);
and then they box in the idea that whoever earns money
can't do what the hell he wants with it... listen...
after not being given the Marshall Plan option, and instead
given an ideal like communism i think it's best some
of the money heads east to fund the post-Gorbachev plan
(why was Sweden included in the plan? Sweden
was neutral! they were the myth-machine generators
of ******'s late discovery of the ability to bleach your hair!),
and why would i spend my money in Southend anyway?
or Blackpool on candyfloss? community?
you want a community? how the hell is community going
to work... this ain't a village, this a globalised world...
plus, why associate yourself with vermin?
and all this is going around while the rats from
respective parties jump the boat and leave the public
to blame themselves... but that's how it is, in this
schizoid metaphor, bilingualism is extreme as much as
mono-lingual psychology, but less rooted and historic
and continuity biased... happy those who know only
one tongue or three and more... with bilingualism
you become a psychological mongrel, while others are mongrels
of the flesh, soul-mongrel breeding is harsh,
you're neither here, nor there, and your idea of heaven
becomes something like: wake me up again speaking
Norwegian, because at least i can identify in that region
something that isn't here or there - but being first
generation and remembering to speak the mother,
i wasn't going to do the solo ethnic cleansing and speak
only one tongue... if i did... you think i'd be speaking with
my father and his broken English? ha! *nie!
Prathipa Nair Jul 2016
Walked through the paddy fields
Following a brown dragonfly
Standing Scare crows made of hay in old clothes and a hat
Row of women working in the fields
White herons feeding from the shallow water
Looks like white pearls on a green necklace
Children chasing a calf with a loud cry
Folk songs of farming from the village are heard far away
Some fields getting ready for the cultivation
Men ploughing fields with white oxen
An old man guiding a flock of quacking ducks to their way
Waiting for them to cross the lane like nursery kids
Running with a bunch of paddy in my hands
With a pleasant smile of the dragonfly following me !
Brycical Apr 2015
nearly 200 years ago
which means my genetics have directly contributed
to the current system
that continues thrusting knees on the throats
of an entire race of brothers and sisters.  

Sick knots of frustration churn in my stomach
while fist and eyelids clench tight
burning razor tears slowly trickling down my face
at the very idea one of my ancestors--
part of my DNA
once treated a living, breathing woman of color
like a permanent maid meant only to labor inside and outside.  

I'm sharing this to admit and reveal my family's
complacency in a system
continuing to reap the so-called benefits
from a capitalist mindset
that has upgraded beyond physical cold metal shackles,
evolving into ball and chain conversation words
where people worry more about property damage from riots
instead of deaths at the hands of the fraternal order of timeout.  

I'm sharing this to continue conversations
for so long in America have been shuffled around, cast aside
as if it were an embarrassing high school phase
politely laughed away    
like on holidays when my family and I
would listen to grandparent's occasional choice phrases
that began "Well the blacks are just blah blah blah..."

Like a child caught ******* by parents,
our pale shame has made us bury the past below sea level
hoping nobody would notice.
But now, the skeletons are beginning to rise,
seeping through the ground  
along with fears of other dusty bones
buried under the red road.

Many of our ancestors
have been trying to dig deeper holes
with phrases like
"I don't understand, there was MLK and Honest Abe,
what more do
  they  want?"
ploughing ahead with fingers shoved in ears
singing "La la la let's just move on, it was a long time ago"
overlooking the equality and empathy  
that has been lacking up to the present.
Like two leaders could wave a magic wand overnight
erasing the dismissive dis-ease of white skinned superiority
we've been weaving into of our laws,
conditioning into our DNA,
evolving from slavery to segregation to target practice and tax brackets
despite singing "Land of the free"
even though there's a disparity
between rioters in inner cities  being called "thugs"
while rioters at sport events are "party goers."

The first step is acknowledgement,
unfortunately we can't force someone to understand,
but we can support and be there
for our brothers and sisters
with kind, encouraging words,
taking steps to pull out
of the land and people selling business,
instead investing in the new currency of presence and attention
unlike my ancestors.
almost 200 years ago.
Some say if you dig up the past, all you get is *****.

Tell that to archeologist constantly discovering new things or therapists guiding others through traumatic past events.
The beauty of life isn't captured in files nor profiles.
It's in a blink or a thought of a distant place.
It lies in emotions that reminice of a time not yet spent.
It is a few seconds in a multiple uncaptured frames.
It lies in the ignored existence of composure.
It influences the untapped recognitions of appreciation.

The beauty of life is not about me showing or telling.
It's only about a few thoughts that inspire ambitions.
A few dreams that elevate fantasies.

The beauty of life is about me in a second painting a picture of elegant brush strokes,
the motion of the eye that composes a visual symphony,
it is an organised cluster of sounds that co-ordinates the performances of all other senses.
It is about leaving open a beat of the heart, only to fill it with the energies of the living.

The beauty of life isn't about searching for joy,
but learning from memories of both depression and tranquility.
It is about the heart losing weight,
the smile gaining width and height.

The beauty of life is about the value of sorrow depreciating.

For me it's about ploughing joy from seeds of madness,
or overturning a frown into a thing of beauty.
It's about dreams that don't need me to sleep and nightmares that have no back up files.

The beauty of life...

As much as I try to define it,
the statements always have a questionmark at the end.

So forever I search, for the beauty of life...
B J Clement Jun 2014
The plough boy wends his merry way
and whistles up the sun today.
Yesterday he made it  rain,
and ploughing was postponed again!
Tomorrow if his notes are low
Perhaps we will be in for snow.
But if his tunes are all displeasing
Expect a bitter morn-with freezing!
Mitchell May 2011
North cornered near the glass ain't gonna' last
Cause the money is running out
It's running out fast
Nickel and dimed' burning money burning pride
With the liquor stores all closing and mother mary praying whispering
"Sarah, sarah, sarah..."
No names in these streets empty touched' defeat
The meat is getting angrier surlier burlier
The heat is getting heavier breathier and touchier
Blankets burn in the Connecticut sun mother mouths something
But I can't make it out
With these posters on these white walls falling for their own droll
Committed to the picnic that is not life at all
Putrid in these notes that sail through the air never fail
With the heart that once was held
By a women that I thought I'd take the time to know
But then the winds came with the side ways rain
All that pain that I couldn't bare or understand to stay
There was the window washing maniacs pinching pennies
Letting go of their soul for another side dish and entree of dough
Ploughing through their TV screens which falls through their skin like
Love used to do but in the blue hue there was nothing
They could bear to do
Bear man breaks open the skin flecked electro heart machine
Shocking every last one of us past the point of divinity
Already through the heart and mind and limb of man
Into the skin and the blood and the beating eye lids
Of a brother I never had, that man named CID
Jesus named me no name so I wander wherever my feet may carry
Never had no religion only long lesions through the seasons
Cut wound bleed break breakfast dinner bird
There was a glint in the sun
The way she gripped and held Her sword
Graining through pages of past history *******
Seeing visions of kaleidoscope faker ***** with their blisters
Gripping their panoramic sisters
Beauty in the eye of the hair that twists
In the mid-west chilling winds of the whisp
Forests burning boringly gripping the last hope of
Mother murdering herself just to stay alive
In a stride of elegance tides of benevolence
Roaring rewind curb side b-lines
And a mix-tape that spins and spins and spins
But plays nothing
No nothing
At all
DJ Goodwin Jun 2012
Death can come in the night
like a storm
or sometimes
in the form

of a 747
ploughing through your office window.

Or death can fall
from above,
from seemingly serene blue
with measured precision

on

families cowering in ruined remains.

Death could even
make your acquaintance
amid the dark, laser-lit world
of cocktails, bass and

****** pick-up lines

because someone has
finally found
something worth fighting for.
copyright 2012, Daid J. Goodwin
Jun 16th 2012
A Thomas Hawkins Aug 2010
I am but a simple fisherman
just out to catch one fish
Not nets have I when fishing
for just one will fill my dish

I am but a simple hunter
a single arrow's all I need
no quiver do I carry
one **** will my family feed

I am but a simple farmer
ploughing fields still by hand
I have grow enough and never more
lest it rot within the land

These simple ways have all but gone
replaced by corporate greed
where we take like no tomorrow
it doesn't matter what we need

One day the rivers will be empty
and the game will all be gone
and the land will be so tired
how did we let it go so wrong?
Mateuš Conrad Sep 2016
the man drops the package off at 6 a.m.,
he is a man, in that Harold Norse sense
of the word - he's a grafter -
he's been riding from Poland for god knows
how many hours, he was supposed to
be here for 3 a.m., but i'm not complaining,
i pay him £20 for delivering the package,
ask him whether he had a good journey,
then i wish him a good day, no reply -
i put the package in a room, unzip it and
take one of the copies out... strange...
just like Augustus commenting on the death
of Marcus Aurelius: the soup is hot, the soup
is cold... a piece of writing is printed, published,
a piece of writing isn't printed, nor published...
it's in my hand now, slim, literature's anorexia:
poetry... i can stash it in the library and
think about it for a while: no goosebumps,
no thrill... just this strange: apathy -
the sinking feeling of being at the bottom of a dung-heap
of civilisation - i'm sure it was different before
the internet: writers huddling in tiny rooms,
writing with a big dream to escape -
rejection after rejection, until the magpie was spotted
to actually be a peacock - the 21st century is
a lot different, it would appear,
after 9 years at it, there's no sense of relief -
it's all about the pixel glitz, the pixel paparazzi,
the pixel red carpet - the Beelzebub looking back
at you - an abhorring feeling in all honesty,
the quick-fix medical procedure - all done in an
instant: and the snobs out there who still
preserve the insistence: paper is authority -
paper is respect... on paper means authenticity -
paper solves everything... sure, most assuredly
a trip to the toilet.
i just don't recognise the person on these pages,
so many things have changed since then,
so much was given to the dwarfs to mine that
any man or elf in me, is... well... not even there
on the pages, or here, ploughing along.
back in the 20th century, someone must have thought:
books, a great commodity, keep them secret,
keep them safe... let's wait for the next buds of
capitalism's May - how the dynamic has changed,
and this is even with a critical introduction
by someone who obtained a PhD in literature -
a picture of me on the back cover:
yeah, because that will really sifter through the
demographic with more observable definitions
of who's to read what -
but it's just odd... i think of all that effort
put into printing a piece of work...
and i think of Salman Rushdie and the satanic
verses being burned...
                   i think of the wartburg säuberung:
and i find myself sitting alone like king
solomon - none the wiser,
                             all is vanity - and i know nothing -
because i was never taught to experience
something like this the second time:
                    the only thing to understand
   is the self that cannot comprehend experiences
given unto it... all that jack-in-the-noumenon stuff;
but i look at this little thing, these 115 pages
and wonder: so much? for so little?
   how fortunate, or unfortunate to be given this
spider-web... it always feels so glitzy,
   so: at the right place at the right time...
then the physical artefact appears...
                    and you go back to the syringe of
open access, and say: pressurised by the ever
changing circumstances...
                back in the 20th century a writer
was told to shut herself away in a tiny rented room
and become a clarice lispector: become
a hurricane simply by writing about good
first lines: the writer's aesthetic, typewriter or
ink blotches - or the blank page... and later
become sensational, hurricane-like -
i feel no nostalgia toward the 20th century in this
regard... i'm immersed in what has only
begun in 2006 - circa or no circa, whatever -
we can't rent rooms like that - or do things like
that, given the 24/7 society structure -
and i mean that in the least ****** sense
when i say, as Harold Norse did, without
a backdrop of homosexuality (even though
he was working out with arnold "the governor"
schwarzenegger at some point in his
autobiography: memoirs of a ******* angel) -
a cartoon fix: the book of life -
                        the man, and the man -
ah what fanciful trivialities that bind one man
to goofy ideals, and another to duties -
and only when an artist becomes successful does
he really become a *****... cocktail and *******
parties and Sid Vicious cameos -
all the Renaissance artists had it easy,
with the Pope their patron, they could be as
****** with their contempt for earthly privileges
and could get away with it -
              the days of a homosexual saying:
i am not a man...
                               the 20th century liberation
paved a way for the obsolete purpose of
the heterosexual man... apparently we have
grown a potential to grow ***** in
the laboratory - we are, quiet literally disposable
in that epitome of the Wrath of Eden:
just repeat after me: deluded by the mere
notion of reincarnation, deluded by the mere
notion of reincarnation - as constantly striving
to be the unique peacock among a *****-count
of peacocks without distinction on the
plateau of the living self-bound: you uniqueness
expired with the process of insemination:
you were once the one and only wriggly
                world record holder at the 100 metre sprint...
a natural dictator it would seem,
but apparently, the ones that didn't make it
now respond: me too! me too! me too!
or something like that.
                                           either through the eye
of the microscope or the telescope - cul de sacs either
end... because of the glue...
                       call it god, call it love, call it nothing...
it's still some sort of glue... sniff it, play with it,
             avoid it... it's still glue...
gravity is a glue, but it's not the glue that keeps
muscles bound to bone - yes, tendons are
the happy ******* children of that ******* union
of all things apparent...
   but in the sense that i keep repeating:
it's easily done - falling for the fake pixel glitz -
however official or unofficial it all is -
with or without advertisement on the pages -
it's the only junk that's out there these days...
if i were more of a man, i'd be chasing
the dream of a steady income, family and obligations...
can we call being a man a fool's errand?
i like to think of it as that... being man is synonymous
with a fool's errand -
                             no love transcend the grave,
no love can be engraved into epitaphs -
                  epitaphs and their respective soloists -
     it's not even out of bitterness -
not in this pixel desert where 10 years later
those of us who used this medium will become
exponentially out-dated: archaeological -
                              and it will be thus -
              Ouroboros Capitalism -
or back when communism and capitalism were
in competition, and somehow healed the 1st
half of the 20th century, and were indeed
the Caduceus - like the story of the cannibalistic
rats... what did the last rat eat in the pit-hole?
       back when capitalism had to compete,
and competed it did, and healed by competing,
after it supposedly overpowered its opponent...
it started to eat itself... as i see it:
   the transformation of the caduceus into
    ouroboros has taken shape... and we're still
only 16 years into the 21st: oh my god! it's the 21st
century! this is preposterous! not really... no...
                   the same was said in the 20th century...
and the 19th century...
                         the steady improvement in living standards
always fed these gimps to say the exact same words
while being gagged by being paid to say those words
    and doing the slosh-wash part of a *** ****:
Apache Vinnetou hail satan blah blah, V shaped ave,
   skull-and-bones secret handshake etc.
MereCat Dec 2014
There are two ‘Institutions for the Mentally Ill’ in my town
One is grimly Victorian. Lunatic Asylum.  
Forgotten by all but the pigeons and pylons
As it thrashes and wrangles and mangles the memories
Of the ghosts of the ghosts that lived out their non-lives there.
The other is a modern, glass, Christmas tree
A circus tent in brown and beige
Like sepia and coffee stains.
You aren’t Lunatics anymore, we got told
Like renaming a problem could diminish it.
You slip past us just a little too quickly
So that you don’t see the woman who smokes cheap cigarettes
Out the front
And who bites December like it was something that could be torn from the walls
And pressed out of sight somewhere
And the metaphors in her head get muddled in her oesophagus
And she speaks to a man who’s never been evicted from her right ear
And who’s never been born or been buried but has simply whispered
With meretricious comfort
Up the road you could pay to gawp at the carol singers
But why bother because she’s singing
Driving Home For Christmas
Like no-one ever wrote her a melody or an audience
Gives a nice festive atmosphere, our psychiatrist said
And I asked the car park if optimism had ever been so odious
And if the snow around our feet was ‘festive’ and ‘nice’
While a girl as papery as December
Tried to smother herself in it
She rolled it in her bare hands as if hoping there’d be nothing left of her
If she could only freezer her heart
And scrape back the whiteness of the snow and her skin to the ivory
That still lingered beneath
Unstable death trap, rigged scaffolding
Although it was threatening to slice its way out
From her shrinking face and arms and thighs.
She lay down and made a snow angel in the hope that she’d become one
If she could only riddle out a way to please Anorexia.
And did the car park see that no one cares that there’s a fourteen year old
Who’s hung a cigarette from his lips and is chewing on it
Because what more damage can be done
That isn’t already curdled and notched into the skin of his wrists?
And written into the lining of his skull
Or branded in each heckled vein or carved into his gums
By the lip piercing he’s worn since he was twelve.
He has pulled the arms of his sweater beyond his finger tips
And hugged them into him to stop the secrets
He’s stashed there from spilling in front of a car.
If only he could forget what he was.
And I kick my boots against the curled up world
And want to shout it out of my vision
And want to ask if I’m thinking ‘nice festive’ thoughts
Because I’m thinking about the snow I’m ploughing  
And the way that I’d like to tie fairy lights
Over my eyes until I can’t see anything but fairy tales
And I’m thinking about our parade of broken-bottle people
Wearing masks so empty that we don’t look human
Not to you
And I wonder if this is enough of a pantomime for you
That I’ve dressed my thoughts up in drag
And they’re telling you a ****** joke from a ****** Christmas *******
Thoughts rolled and congealed like the rims of strained bathtubs
Thoughts broken and fleeting and self-imploding like headphones
That got left to tangle beyond redemption in a back pocket
Too far gone to be saved
Thoughts that are forever curled back to the replay button
Re-destruct, re-punish, re-****
Pink Elephant thoughts that will never be sorted and thrown out
Cynical self-disposal
I’m on a retrieval mission that never knows what it’s trying to find
Because I’m a Chinese doll
And each face is cruller
And uglier
And blanker
Than the one before it
Until at the centre you find that the last doll is missing
And there are only a few jumbled messages where she’s supposed to be
And fairy lights
And maybe a memory of when Christmas meant stockings and fireside
Not carparks and frigidity
If only all my ******* repeats led to redemption.
Look;
We’ve built you a snowman, is that enough of a freak show for you?
Can you move on and join the carol singers in glorifying God
Safely out of Purgatory and back on holy ground
Or do you require something more?
The pitiful Christmas Dinner that’s currently being counted out in teaspoons?
The girls and the boy who’ll press their fingers across their lips
Like prison bars
And keep themselves under lock and key in their own
Lunatic Asylum
Prathipa Nair Jun 2016
Bullock carts moving forward
With the music of jingling bells
Women walking like a peahen
Balancing mud pots of water
On their head with a band
Women churning butter from
Milk with the churning rod
Men with their spades to fields
Ready for the ploughing
Boys,with their tool, catapult
Aiming at the juicy mangoes
Little girls running with laughter
To the call of a bangle-seller
Old men sitting in the verandah
Memorising their days of youth
Fruit selling woman calling out loud
Bananas,Apples,Mangoes
Smoke from the chimneys
Like an engine of a train
Red chillies, turmeric and coriander
Spread on sheets in the sunlight
Goats and calves crying out in
Search of their pet homes
Village full of greenery with
Gulmohars, Banyan and Neem
Busy with their daily duties
Happy with no disappointments
The villagers of olden days !

— The End —