Still must I hear?—shall hoarse FITZGERALD bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch Reviews
Should dub me scribbler, and denounce my Muse?
Prepare for rhyme—I’ll publish, right or wrong:
Fools are my theme, let Satire be my song.

  Oh! Nature’s noblest gift—my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoomed to aid the mental throes
Of brains that labour, big with Verse or Prose;
Though Nymphs forsake, and Critics may deride,
The Lover’s solace, and the Author’s pride.
What Wits! what Poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemned at length to be forgotten quite,
With all the pages which ’twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet’s shall be free;
Though spurned by others, yet beloved by me:
Then let us soar to-day; no common theme,
No Eastern vision, no distempered dream
Inspires—our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

  When Vice triumphant holds her sov’reign sway,
Obey’d by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every Clime;
When knaves and fools combined o’er all prevail,
And weigh their Justice in a Golden Scale;
E’en then the boldest start from public sneers,
Afraid of Shame, unknown to other fears,
More darkly sin, by Satire kept in awe,
And shrink from Ridicule, though not from Law.

  Such is the force of Wit! I but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.
Still there are follies, e’en for me to chase,
And yield at least amusement in the race:
Laugh when I laugh, I seek no other fame,
The cry is up, and scribblers are my game:
Speed, Pegasus!—ye strains of great and small,
Ode! Epic! Elegy!—have at you all!
I, too, can scrawl, and once upon a time
I poured along the town a flood of rhyme,
A schoolboy freak, unworthy praise or blame;
I printed—older children do the same.
’Tis pleasant, sure, to see one’s name in print;
A Book’s a Book, altho’ there’s nothing in’t.
Not that a Title’s sounding charm can save
Or scrawl or scribbler from an equal grave:
This LAMB must own, since his patrician name
Failed to preserve the spurious Farce from shame.
No matter, GEORGE continues still to write,
Tho’ now the name is veiled from public sight.
Moved by the great example, I pursue
The self-same road, but make my own review:
Not seek great JEFFREY’S, yet like him will be
Self-constituted Judge of Poesy.

  A man must serve his time to every trade
Save Censure—Critics all are ready made.
Take hackneyed jokes from MILLER, got by rote,
With just enough of learning to misquote;
A man well skilled to find, or forge a fault;
A turn for punning—call it Attic salt;
To JEFFREY go, be silent and discreet,
His pay is just ten sterling pounds per sheet:
Fear not to lie,’twill seem a sharper hit;
Shrink not from blasphemy, ’twill pass for wit;
Care not for feeling—pass your proper jest,
And stand a Critic, hated yet caress’d.

And shall we own such judgment? no—as soon
Seek roses in December—ice in June;
Hope constancy in wind, or corn in chaff,
Believe a woman or an epitaph,
Or any other thing that’s false, before
You trust in Critics, who themselves are sore;
Or yield one single thought to be misled
By JEFFREY’S heart, or LAMB’S Boeotian head.
To these young tyrants, by themselves misplaced,
Combined usurpers on the Throne of Taste;
To these, when Authors bend in humble awe,
And hail their voice as Truth, their word as Law;
While these are Censors, ’twould be sin to spare;
While such are Critics, why should I forbear?
But yet, so near all modern worthies run,
’Tis doubtful whom to seek, or whom to shun;
Nor know we when to spare, or where to strike,
Our Bards and Censors are so much alike.
Then should you ask me, why I venture o’er
The path which POPE and GIFFORD trod before;
If not yet sickened, you can still proceed;
Go on; my rhyme will tell you as you read.
“But hold!” exclaims a friend,—”here’s some neglect:
This—that—and t’other line seem incorrect.”
What then? the self-same blunder Pope has got,
And careless Dryden—”Aye, but Pye has not:”—
Indeed!—’tis granted, faith!—but what care I?
Better to err with POPE, than shine with PYE.

  Time was, ere yet in these degenerate days
Ignoble themes obtained mistaken praise,
When Sense and Wit with Poesy allied,
No fabled Graces, flourished side by side,
From the same fount their inspiration drew,
And, reared by Taste, bloomed fairer as they grew.
Then, in this happy Isle, a POPE’S pure strain
Sought the rapt soul to charm, nor sought in vain;
A polished nation’s praise aspired to claim,
And raised the people’s, as the poet’s fame.
Like him great DRYDEN poured the tide of song,
In stream less smooth, indeed, yet doubly strong.
Then CONGREVE’S scenes could cheer, or OTWAY’S melt;
For Nature then an English audience felt—
But why these names, or greater still, retrace,
When all to feebler Bards resign their place?
Yet to such times our lingering looks are cast,
When taste and reason with those times are past.
Now look around, and turn each trifling page,
Survey the precious works that please the age;
This truth at least let Satire’s self allow,
No dearth of Bards can be complained of now.
The loaded Press beneath her labour groans,
And Printers’ devils shake their weary bones;
While SOUTHEY’S Epics cram the creaking shelves,
And LITTLE’S Lyrics shine in hot-pressed twelves.
Thus saith the Preacher: “Nought beneath the sun
Is new,” yet still from change to change we run.
What varied wonders tempt us as they pass!
The Cow-pox, Tractors, Galvanism, and Gas,
In turns appear, to make the ****** stare,
Till the swoln bubble bursts—and all is air!
Nor less new schools of Poetry arise,
Where dull pretenders grapple for the prize:
O’er Taste awhile these Pseudo-bards prevail;
Each country Book-club bows the knee to Baal,
And, hurling lawful Genius from the throne,
Erects a shrine and idol of its own;
Some leaden calf—but whom it matters not,
From soaring SOUTHEY, down to groveling STOTT.

  Behold! in various throngs the scribbling crew,
For notice eager, pass in long review:
Each spurs his jaded Pegasus apace,
And Rhyme and Blank maintain an equal race;
Sonnets on sonnets crowd, and ode on ode;
And Tales of Terror jostle on the road;
Immeasurable measures move along;
For simpering Folly loves a varied song,
To strange, mysterious Dulness still the friend,
Admires the strain she cannot comprehend.
Thus Lays of Minstrels—may they be the last!—
On half-strung harps whine mournful to the blast.
While mountain spirits prate to river sprites,
That dames may listen to the sound at nights;
And goblin brats, of Gilpin Horner’s brood
Decoy young Border-nobles through the wood,
And skip at every step, Lord knows how high,
And frighten foolish babes, the Lord knows why;
While high-born ladies in their magic cell,
Forbidding Knights to read who cannot spell,
Despatch a courier to a wizard’s grave,
And fight with honest men to shield a knave.

  Next view in state, proud prancing on his roan,
The golden-crested haughty Marmion,
Now forging scrolls, now foremost in the fight,
Not quite a Felon, yet but half a Knight.
The gibbet or the field prepared to grace;
A mighty mixture of the great and base.
And think’st thou, SCOTT! by vain conceit perchance,
On public taste to foist thy stale romance,
Though MURRAY with his MILLER may combine
To yield thy muse just half-a-crown per line?
No! when the sons of song descend to trade,
Their bays are sear, their former laurels fade,
Let such forego the poet’s sacred name,
Who rack their brains for lucre, not for fame:
Still for stern Mammon may they toil in vain!
And sadly gaze on Gold they cannot gain!
Such be their meed, such still the just reward
Of prostituted Muse and hireling bard!
For this we spurn Apollo’s venal son,
And bid a long “good night to Marmion.”

  These are the themes that claim our plaudits now;
These are the Bards to whom the Muse must bow;
While MILTON, DRYDEN, POPE, alike forgot,
Resign their hallowed Bays to WALTER SCOTT.

  The time has been, when yet the Muse was young,
When HOMER swept the lyre, and MARO sung,
An Epic scarce ten centuries could claim,
While awe-struck nations hailed the magic name:
The work of each immortal Bard appears
The single wonder of a thousand years.
Empires have mouldered from the face of earth,
Tongues have expired with those who gave them birth,
Without the glory such a strain can give,
As even in ruin bids the language live.
Not so with us, though minor Bards, content,
On one great work a life of labour spent:
With eagle pinion soaring to the skies,
Behold the Ballad-monger SOUTHEY rise!
To him let CAMOËNS, MILTON, TASSO yield,
Whose annual strains, like armies, take the field.
First in the ranks see Joan of Arc advance,
The scourge of England and the boast of France!
Though burnt by wicked BEDFORD for a witch,
Behold her statue placed in Glory’s niche;
Her fetters burst, and just released from prison,
A ****** Phoenix from her ashes risen.
Next see tremendous Thalaba come on,
Arabia’s monstrous, wild, and wond’rous son;
Domdaniel’s dread destroyer, who o’erthrew
More mad magicians than the world e’er knew.
Immortal Hero! all thy foes o’ercome,
For ever reign—the rival of Tom Thumb!
Since startled Metre fled before thy face,
Well wert thou doomed the last of all thy race!
Well might triumphant Genii bear thee hence,
Illustrious conqueror of common sense!
Now, last and greatest, Madoc spreads his sails,
Cacique in Mexico, and Prince in Wales;
Tells us strange tales, as other travellers do,
More old than Mandeville’s, and not so true.
Oh, SOUTHEY! SOUTHEY! cease thy varied song!
A bard may chaunt too often and too long:
As thou art strong in verse, in mercy, spare!
A fourth, alas! were more than we could bear.
But if, in spite of all the world can say,
Thou still wilt verseward plod thy weary way;
If still in Berkeley-Ballads most uncivil,
Thou wilt devote old women to the devil,
The babe unborn thy dread intent may rue:
“God help thee,” SOUTHEY, and thy readers too.

  Next comes the dull disciple of thy school,
That mild apostate from poetic rule,
The simple WORDSWORTH, framer of a lay
As soft as evening in his favourite May,
Who warns his friend “to shake off toil and trouble,
And quit his books, for fear of growing double;”
Who, both by precept and example, shows
That prose is verse, and verse is merely prose;
Convincing all, by demonstration plain,
Poetic souls delight in prose insane;
And Christmas stories tortured into rhyme
Contain the essence of the true sublime.
Thus, when he tells the tale of Betty Foy,
The idiot mother of “an idiot Boy;”
A moon-struck, silly lad, who lost his way,
And, like his bard, confounded night with day
So close on each pathetic part he dwells,
And each adventure so sublimely tells,
That all who view the “idiot in his glory”
Conceive the Bard the hero of the story.

  Shall gentle COLERIDGE pass unnoticed here,
To turgid ode and tumid stanza dear?
Though themes of innocence amuse him best,
Yet still Obscurity’s a welcome guest.
If Inspiration should her aid refuse
To him who takes a Pixy for a muse,
Yet none in lofty numbers can surpass
The bard who soars to elegize an ***:
So well the subject suits his noble mind,
He brays, the Laureate of the long-eared kind.

Oh! wonder-working LEWIS! Monk, or Bard,
Who fain would make Parnassus a church-yard!
Lo! wreaths of yew, not laurel, bind thy brow,
Thy Muse a Sprite, Apollo’s sexton thou!
Whether on ancient tombs thou tak’st thy stand,
By gibb’ring spectres hailed, thy kindred band;
Or tracest chaste descriptions on thy page,
To please the females of our modest age;
All hail, M.P.! from whose infernal brain
Thin-sheeted phantoms glide, a grisly train;
At whose command “grim women” throng in crowds,
And kings of fire, of water, and of clouds,
With “small grey men,”—”wild yagers,” and what not,
To crown with honour thee and WALTER SCOTT:
Again, all hail! if tales like thine may please,
St. Luke alone can vanquish the disease:
Even Satan’s self with thee might dread to dwell,
And in thy skull discern a deeper Hell.

Who in soft guise, surrounded by a choir
Of virgins melting, not to Vesta’s fire,
With sparkling eyes, and cheek by passion flushed
Strikes his wild lyre, whilst listening dames are hushed?
’Tis LITTLE! young Catullus of his day,
As sweet, but as immoral, in his Lay!
Grieved to condemn, the Muse must still be just,
Nor spare melodious advocates of lust.
Pure is the flame which o’er her altar burns;
From grosser incense with disgust she turns
Yet kind to youth, this expiation o’er,
She bids thee “mend thy line, and sin no more.”

For thee, translator of the tinsel song,
To whom such glittering ornaments belong,
Hibernian STRANGFORD! with thine eyes of blue,
And boasted locks of red or auburn hue,
Whose plaintive strain each love-sick Miss admires,
And o’er harmonious fustian half expires,
Learn, if thou canst, to yield thine author’s sense,
Nor vend thy sonnets on a false pretence.
Think’st thou to gain thy verse a higher place,
By dressing Camoëns in a suit of lace?
Mend, STRANGFORD! mend thy morals and thy taste;
Be warm, but pure; be amorous, but be chaste:
Cease to deceive; thy pilfered harp restore,
Nor teach the Lusian Bard to copy MOORE.

Behold—Ye Tarts!—one moment spare the text!—
HAYLEY’S last work, and worst—until his next;
Whether he spin poor couplets into plays,
Or **** the dead with purgatorial praise,
His style in youth or age is still the same,
For ever feeble and for ever tame.
Triumphant first see “Temper’s Triumphs” shine!
At least I’m sure they triumphed over mine.
Of “Music’s Triumphs,” all who read may swear
That luckless Music never triumph’d there.

Moravians, rise! bestow some meet reward
On dull devotion—Lo! the Sabbath Bard,
Sepulchral GRAHAME, pours his notes sublime
In mangled prose, nor e’en aspires to rhyme;
Breaks into blank the Gospel of St. Luke,
And boldly pilfers from the Pentateuch;
And, undisturbed by conscientious qualms,
Perverts the Prophets, and purloins the Psalms.

  Hail, Sympathy! thy soft idea brings”
A thousand visions of a thousand things,
And shows, still whimpering thro’ threescore of years,
The maudlin prince of mournful sonneteers.
And art thou not their prince, harmonious Bowles!
Thou first, great oracle of tender souls?
Whether them sing’st with equal ease, and grief,
The fall of empires, or a yellow leaf;
Whether thy muse most lamentably tells
What merry sounds proceed from Oxford bells,
Or, still in bells delighting, finds a friend
In every chime that jingled from Ostend;
Ah! how much juster were thy Muse’s hap,
If to thy bells thou would’st but add a cap!
Delightful BOWLES! still blessing and still blest,
All love thy strain, but children like it best.
’Tis thine, with gentle LITTLE’S moral song,
To soothe the mania of the amorous throng!
With thee our nursery damsels shed their tears,
Ere Miss as yet completes her infant years:
But in her teens thy whining powers are vain;
She quits poor BOWLES for LITTLE’S purer strain.
Now to soft themes thou scornest to confine
The lofty numbers of a harp like thine;
“Awake a louder and a loftier strain,”
Such as none heard before, or will again!
Where all discoveries jumbled from the flood,
Since first the leaky ark reposed in mud,
By more or less, are sung in every book,
From Captain Noah down to Captain Cook.
Nor this alone—but, pausing on the road,
The Bard sighs forth a gentle episode,
And gravely tells—attend, each beauteous Miss!—
When first Madeira trembled to a kiss.
Bowles! in thy memory let this precept dwell,
Stick to thy Sonnets, Man!—at least they sell.
But if some new-born whim, or larger bribe,
Prompt thy crude brain, and claim thee for a scribe:
If ‘chance some bard, though once by dunces feared,
Now, prone in dust, can only be revered;
If Pope, whose fame and genius, from the first,
Have foiled the best of critics, needs the worst,
Do thou essay: each fault, each failing scan;
The first of poets

We were young, we smelt like pixy sticks and hope.
Ran through the meadows getting our dresses ***** without a s i n g l e care in the world
We'd laugh until our bellies hurt, and laugh even more
Smile so big the whole world could see it
Until you turned 13
Never saw that breath-taking smile again
Never laughed til you cried
All you did was just cry
Never came out your room
Til that day we found you
Hanging from the ceiling

Children grow up
with jump ropes
barbie dolls
and suckers tangled in their hair

Children grow up
in daddy's shoes
and mommy's dresses
and Pixy Stix sugar in their laps

Children grow up
feeling the boom of fireworks
wading in the cold pool water
and pop rocks dancing on their tongue

Children grow up
with secrets kept from them
and told to them
and pockets filled with smarties wrappers as bribes

Children grow up
with dirt under their nails
and rain water soaking their clothes
and taffy between their teeth

Children grow up
with the wonders and horrors of the world
all on a sugar high
so they never learn the difference

remember the melding
of gilmore and bing
the springfield gates
and desmond ring

remember the trojans
and fools in the pack
sea fair jeans
and corkscrew flat

remember the cabin
and *****’s garage
the gary point dunes
and moncton mirage

remember the warehouse
the water logged seats
tin foil caps
and simple retreats

remember the cave
and turn on the cut
emery’s mini
and hamilton’s hut

remember the burger
and shake in the air
bubs in the back
with little despair

remember the valley
and 66 ford
burgundy lips
and samworth’s chord

remember the plainsman
a 7 inch log
the ***** old frenchmen
and bore-*** hog

remember the javelin
and mushay’s wheels
beaumont’s baggie
and jennifer beals

remember tough charlie
tossing brad rand
the belyae roundhouse
and beer in the sand

remember park polo
and scaling of firs
sleeping in rafters
at 8 bucks per

remember the mayflower
and brothers von grant
the max air follies
and chivalrous rant

remember the flipper
the floyd and the clap
banana boat sunday
and pemberton trap

remember the purples
the rasp in the street
the oliver jokers
and shady retreat

remember the gators
and brick house café
a flash in the pan
and crib cult stay

remember the church
and talbs on the bridge
goofy’s memoirs
and cypress ridge

remember smaldino
whom perry cut short
***** and a ****
and moria’s port

remember the zuker
and gilligan’s isle
the pep chew bust
and 8 tooth smile

remember the action
at blundell and one
the nauseous fumes
and pump house run

remember the canyon
and rock on the cliff
a tourniquet bind
that kept us adrift

remember lake skaha
and jvc tunes
the j bain query
and peach fest goons

remember the irons
and broad entry beads
the alexander boys
we must pay heed

remember the gates
the 12 hole stare
the hospital bed
and ky affair

remember the farmhouse
an open air deck
the john deere tractor
and cowboy neck

remember the wheat field
and jimmy crack corn
the burlington plaza
and fraser street ****

remember the pincers
and wee ***** white
the concubine fractures
and strong overbite

remember the carving
portrayed at the scene
the billy goat battles
a young man’s dream

remember lord brezhnev
and moby the ****
the second beach sun
and paper bag trick

remember the screening
the silver light show
banshee boots
and phipps’s throw

remember the epic
and baby oil block
trash can brassieres
and window rock

remember the law
jack rabbit in may
an 8 track mix
on alpine way

remember the dunes
a pig on the spit
the underarm hair
and corn bull-****

remember old frankie
and bursey head post
the koa leaves
and tiki shore host

remember b taupin
the lyrics he left
cold muddy waters
an odd treble clef

remember street regent
the trips in the night
the trailer park cap
and lightheart fight

remember kits causeway
mortimer and beaks
jk's cabin
and muscle bound freaks

remember glen cheesy
and billy the less
the frozen puke patties
and borkum mess

remember the catfish
and pickerel rock
the emerald meadows
and rainbow dock

remember port dover
with fish on a stick
wayne in a bunker
holding his ****

remember the ironside
limes in a tree
the usc campus
came with a fee

remember the duster
an arrow in heart
the frog man bug
that would not start

remember the zimmer
the ram air hood
a family wagon
with panels of wood

remember peace portal
the 33 back
the power built drive
and dangerous tack

remember the reds
the blues and the greens
the furry point island
and country book scene

remember the springs
and i 95
a lone state trooper
with blood in his eye

remember may’s cabin
and stuff in between
the frame and the picture
and morning snow scene

remember the boss
with a 302 scoop
the diamond tuft console
and back seat coupe

remember ioco
the **** and the spit
the skid road race
and hurst floor kit

remember the shore
and tents in the park
a campfire roast
and kerosene bark

remember the hooger’s
kit kat club
the colvin’s and setter’s
a man called bub

remember the creature
with silk strand hair
and afternoon flask
with little despair

remember quilchena
and robbie the mac
the rice stead box
and tap on the back

remember miss williams
a pilgrim’s salute
the fairmont sister
with all of her loot

remember port ludlow
a scotman on dock
the everett street bridge
and single leg sock

remember the masters
and all of the roar
the faldo follies
at norman’s door

remember jeff samson
tied in a tree
the robertson fastback
with white leather seats

remember the balance
and pulling of 4's
the moncton warehouse
and hollywood ******

remember the hospice
with carter in wear
the power of gospel
and magic in prayer

remember the mini
counting the crows
aberdeen villa
where all of it grows

remember the ballroom
the battle of bands
the buccaneer bikers
and front row stands

remember the steely
and 50 odd pulls
the crook in the cranny
and pilsner bulls

remember the mustang
tb paul
the ****** shack sergeant
was missing a ball

remember dear kevin
head first in the pool
a sheik in a minefield
and ****** gas fool

remember the rumble
and bats in the night
an old lady screaming
to a young man’s delight

remember cliff olsen
that sick little ****
who will be in shackles
on lucifer’s truck

remember the bumpers
and cutting in line
the mice on the ****
and bo in the pine

remember the law
stabbing the corn
a bucket of ammo
and mekong horn

remember s boras
the piercing of yes
the color line paper
sikosie at rest

remember the pinto
and seven road plants
mother’s fine pizza
a trial lawyer’s rant

remember the kennedys
with ***** painted black
a pond in the shadows
where monty looked back

remember von husen
the sea to sky test
a farm hands daughter
was one of the best

remember mr pither
and mao sae tung
helena the cougar
and egg foo young

remember the cinder
and frances road bake
***** the whitehead
would make no mistake

remember the quan
and mental mix
the java hut sister
with pixy sticks

remember j rosie
banging his head
in a moment of dr
we thought he was dead

remember the hammer
discussions caught short
siddrich and roger
and monty’s abort

remember 6 nations
and KOA
the pool hall fight
when everyone stayed

remember the skinners
and tommy the med
the lost tough china
and bubs in the shed

remember the doobies
zeppelin and cars
floyd and the *****
and shankar’s sitar

remember old dustys
the blue and red chair
the cypress hill caves
and mullet cut hair

remember the promise
and vows that we made
on the 2 road stairs
in goodman’s brigade

remember those moments
and handle with care
for the garamond stamp
will always be there…

"OH, when I was a little Ghost,
A merry time had we!
Each seated on his favourite post,
We chumped and chawed the buttered toast
They gave us for our tea."

"That story is in print!" I cried.
"Don't say it's not, because
It's known as well as Bradshaw's Guide!"
(The Ghost uneasily replied
He hardly thought it was).

"It's not in Nursery Rhymes? And yet
I almost think it is -
'Three little Ghosteses' were set
'On posteses,' you know, and ate
Their 'buttered toasteses.'

"I have the book; so if you doubt it - "
I turned to search the shelf.
"Don't stir!" he cried. "We'll do without it:
I now remember all about it;
I wrote the thing myself.

"It came out in a 'Monthly,' or
At least my agent said it did:
Some literary swell, who saw
It, thought it seemed adapted for
The Magazine he edited.

"My father was a Brownie, Sir;
My mother was a Fairy.
The notion had occurred to her,
The children would be happier,
If they were taught to vary.

"The notion soon became a craze;
And, when it once began, she
Brought us all out in different ways -
One was a Pixy, two were Fays,
Another was a Banshee;

"The Fetch and Kelpie went to school
And gave a lot of trouble;
Next came a Poltergeist and Ghoul,
And then two Trolls (which broke the rule),
A Goblin, and a Double -

"(If that's a *****-box on the shelf,"
He added with a yawn,
"I'll take a pinch) - next came an Elf,
And then a Phantom (that's myself),
And last, a Leprechaun.

"One day, some Spectres chanced to call,
Dressed in the usual white:
I stood and watched them in the hall,
And couldn't make them out at all,
They seemed so strange a sight.

"I wondered what on earth they were,
That looked all head and sack;
But Mother told me not to stare,
And then she twitched me by the hair,
And punched me in the back.

"Since then I've often wished that I
Had been a Spectre born.
But what's the use?" (He heaved a sigh.)
"THEY are the ghost-nobility,
And look on US with scorn.

"My phantom-life was soon begun:
When I was barely six,
I went out with an older one -
And just at first I thought it fun,
And learned a lot of tricks.

"I've haunted dungeons, castles, towers -
Wherever I was sent:
I've often sat and howled for hours,
Drenched to the skin with driving showers,
Upon a battlement.

"It's quite old-fashioned now to groan
When you begin to speak:
This is the newest thing in tone - "
And here (it chilled me to the bone)
He gave an AWFUL squeak.

"Perhaps," he added, "to YOUR ear
That sounds an easy thing?
Try it yourself, my little dear!
It took ME something like a year,
With constant practising.

"And when you've learned to squeak, my man,
And caught the double sob,
You're pretty much where you began:
Just try and gibber if you can!
That's something LIKE a job!

"I'VE tried it, and can only say
I'm sure you couldn't do it, e-
ven if you practised night and day,
Unless you have a turn that way,
And natural ingenuity.

"Shakspeare I think it is who treats
Of Ghosts, in days of old,
Who 'gibbered in the Roman streets,'
Dressed, if you recollect, in sheets -
They must have found it cold.

"I've often spent ten pounds on stuff,
In dressing as a Double;
But, though it answers as a puff,
It never has effect enough
To make it worth the trouble.

"Long bills soon quenched the little thirst
I had for being funny.
The setting-up is always worst:
Such heaps of things you want at first,
One must be made of money!

"For instance, take a Haunted Tower,
With skull, cross-bones, and sheet;
Blue lights to burn (say) two an hour,
Condensing lens of extra power,
And set of chains complete:

"What with the things you have to hire -
The fitting on the robe -
And testing all the coloured fire -
The outfit of itself would tire
The patience of a Job!

"And then they're so fastidious,
The Haunted-House Committee:
I've often known them make a fuss
Because a Ghost was French, or Russ,
Or even from the City!

"Some dialects are objected to -
For one, the IRISH brogue is:
And then, for all you have to do,
One pound a week they offer you,
And find yourself in Bogies!

Delicate as you were our love was cast away like wilson. I ate the fruit and basked in joy as ploys were set to feel some, kind of arbitrary. The way we rose to crash and fall was quite unnecessary.  Your soul infests me barely.

It used to make me whole, Used to sooth my mind. Used to to pay no tolls, Used to have you here. Used to have no fear, I used to love you endlessly and now the end is here.

Never thought we'd die. My mind was always lost because your presence got me high, My shine was always tossed because id rather be in yours. I loved you like iv never loved anyone before.

it's a common theme, a pastoral even... a sing-along with the words: when i was in Rotherham... i was never in England... when i was a Rotherham i was never going to imagine myself eating falafel. yes, it's that ****** ugly, which is why i'm hardly a premature ejaculator into assembling myself as bulldog Brit - use the language: well, obviously... but assemble the other bits and bobs? can't happen... it's like asking: tell a Jew to not be a Jew by sitting in one place for a long period of time... the nomad in him will evidently counter that proposal and say: **** it! see you on Mars! and to think that i could have actually invested my life into a diameter that's Poland... people still find it a bit odd: oh, wait, are they back on the map? that's us, Jews of the north... can't believe we're being blamed for the failure of the treaty of Rome: all because the English stopped flirting with the idea of Turkey being in the union: even though they dabble in a lamb kebab after binging on *****... but hey, no one want to be a hypocrite these days... that's of course provisional given your Jose Mourinho relationship: is as special as you suppose with the lady and the trump; someone tell Disney to stop writing those ****** scripts! how thoughtful of a prophet-merchant (merchant of Mecca, Shakespeare should have written that one) to have encouraged the sigma-bleaching-project: one world, one book, one something or other: either the telescope or the microscope answers: otherwise evolving into ****-naked baboons and elsewhere furry Gucci to strut the feline ****; it's not like i want to go back to the past, but i certainly don't want to experience a Monday in the year 2086 either.

i wouldn't have been one of them, their services required
a nobility, which i can partially claim,
but partially discredit as:
a family squabble, where the Eden
project would have flourished -
because of the lies -
         but you know, no biggie,
or the notorious -
one part of my family actually did
settle in america with my seven
tongued great-grandfather *sprechen güt
it's necessarily applied here:
hence it's not gút: miracles!
                     who would have thought
that trigonometry bit into the *****
of those pixy, foxy whatever clot in the
English department....
that's the thing with immigration and
integration and ethnic cleansing:
when i write,
    the desk is as rickety as a bed when
i **** a *******
and she tells me i'm a decent chap -
and says a variant of awe because i paid
£10 extra to pucker her floral arrangement
and she feels ashamed at having had
an ******: and all the feminists are
out there, in the cold, with their banter
     slogans that reach Zeno via
turtle, as snail, to compete with Achilles:
yeah, that hurt, because you enjoyed it
on the hobnob you call a job.
******* pretty enough for you now?
   well: two ***** and a smoking ****** later:
it better be!
               people think that you can just
"integrate" into a foreign land...
they coerce a foretfulfulnes that you
sometimes practice etymology -
        and find yourself a bit like a Jew
but more of a Slav, feeling at most romantic about
the land that is cleft to your ***** in terms
of language patriotism still leech-like,
because you can't forget the asking
that's already there: from the Baltic Sea
toward the Black Sea: our commonwealth was,
and could have been!
          globalisation is so Emi ******* M -
you bleach throughout, and so suddenly,
people get bothered -
         like a Cluedo but unlike who did it?
who's who?
             i write this on a rickety table,
like i might **** an Amsterdam dame of the credo
in all that's left: red -
       baby, that brickwork with your chub
layers does it for me: always a Puerto Rican to
have a laugh with...
20+ years in England and the roses are still
roses, but nettles in some obscure Greece island
designated for offshore debauchery -
hey, no one is a saint: but give a little -
   have at least the remote humanity in you
to breed the ******* Beatles rather than an antiquated
variation of Breivik.
                obviously not to be.
i payed because i wasn't getting any:
hands up, sycamore! so scythe so more -
i just feel uprooted and Jew -
  dispositioned like i have to have an inferiority
complex tattooed on my **** designated for
halal butchers -
           there's a problem though...
i have patriotism with regards to the tongue:
but to the people? a true Conrad (minus the Joseph)
would sell you out, like you already
have: to the highest Saudi bidder -
           ethnicity reemerges - strangely enough:
even after all that ethnic cleansing that's politely
called globalisation: because English cultural
emphasis is plain said: ****!
                      a bunch of fairies say i can't feel
a certain way because it will hardly become economised
and benefit an inbreeding:
so i outsourced you there,
   Dover Monsieur without his Turk and Mongol
invaders -
                   you could call it romantic:
but i'm not writing from an ivory tower within
framework of the land that needs tilling by
a familiar hand,
                 the last time i spoke to a Pollack -
it was in a shady alley at night, debating the clues
to making a living on Ebay -
                  so much for the romantics -
fair game in learning the tongue, but to attack
ethnicity? you have to be ******* me...
they call it the exotica in England:
all that coconut milk went to their heads -
   Baltic coconuts? sure... once you start eating
the pickled herrings like us: quasi-Scandi devils.
     so ******* twinned with Israel:
they said Amsterdam was the Venice of the north
they said Edinburgh was the Athens of the north
they might as well call it Tel Aviv Warsaw
and Jerusalem Krakow - too little to be said
otherwise.
             you could say Moscow and St. Petersburg:
oh sure, seen a bit of the world: ought to be
a *******...           really?
       does the world need another Golgotha
congregation? i just don't see why i require
to give more than linguistic acumen -
i'd never sing god save the queen
because i'd probably sing queen save the taxman...
and it really is a shame i can't engage in
any sort of nationalism - whether over there
or over here, it's a true shame...
           well i do have a grand history to aspire to,
variously interpreted with what gets my heart
thumping:
          ogniem i mieczem - hussaria ginie
(with fire and with sword - winged hussars die) /
          krzesimir dębski:
which i also translate in feeling within
the framework of Górecki's (3rd symphony?
fun-*******-tastic reassembling jazz's double
base, or bees, or other variations of humming
drones: anti-thesis of the crescendo)
three olden pieces, no. ii -
and yes: without cinema classical music would
be dead... the only classical music these days
is cinematic transcript -
                 the complexity of a Liszt or a Chopin
is frowned at, what has remained and endured
is a Satie yawn - a brushing of a piano like
a dustmaid: a sort of accenting the silence -
nothing with a technical claustrophobia of
smug finger litanies of the abacus:
that swamp women's feelings with eerie ahs
and yesses in would be marriage proposals.
   i wish i could be a lazy Welshman
or a Scot that forgot Celtic in order to glorify
a Glaswegian idiosyncratic-syllabalisation
    of wee, as in small: high off my rockers
on the Afghani thought train that's *****.
  i wish i were that ****** lazy...
  as to simply let go of where i was and where
i wasn't...
       as someone in Cardiff once said:
never been to London -
or as someone in Glasgow once said:
           a banch of ****** all with the Edinburgh
Judases.
              i don't think i could ever
have enough lost self-respect to not play the ethnic
joker card without a romantic agitation -
but it's still the piano that truly survives in
the modern world of pop **** trance i-wish-i-were-shot,
any other name from american beauty -
once again: the minimalism is self-explanatory.
no, i don't think i could ever fully integrate:
and happy are those who have their
lives filled with the existentially trivial:
never moved home, never descended a class below
or rise a class above their parent's status -
what a grand scheme of lotto!
                    i love these squamish pixies -
i love them so much that i experience nausea when
hearing about their lot in life...
  after which i turn to a lullaby, handpicked,
christopher young's - something to think about
from the hellraiser franchise, or as i like to call it:
i like these sort of tracks, these life infuriating
   chattering:
              like throwing yourself into either
nouns or onomatopoeias:
                           and yes, art is difficult:
because it's supposedly lazy -
                   oh the plumber in me that never was,
oh the roofer of industrial sized roofs in me that
somehow was, but then wasn't...
            the part of me that writes like Joseph Conrad
but actually wants to scream:
                       zzé skury odrzeć! (variant: ob-      +
-drzec)    to strip the skin.
                 a z tym: nadać ducha gniew alter solo
wbrew temu co mówi, czyli: razem;
                    nawet katedra św. piotra nie jest
                   minimalizm zwany: Golgota.
              (and with this: give the ghost's anger
alter solo, against that, which says,
namely: together; even st. peter's cathedral
                 isn't the minimalism of Golgotha).

What surmounts the best of best
What surpasses excellence,
Where resides the wherewithal
To top the prize of prescience?
How to master that which hurts
The song which wears you down?
Limitations splendour son
The fool who fools the clown.
To climb the bleak forbidden peak
To sleep with guts and gore,
Endure a cancer's world of pain
Where moments shut the door.
Resurrect a broken life
When love has fled the room,
Found the strength to seek again
And find light in the gloom.
Hold an old man's withered hand
And listen to his tale
Of life's travails and hardship
Where broken dreams prevail.
Take that cute kid on your arm
And kiss her with a hug,
Treat her like a Pixy Queen
And cuddle dolly snug.
What surmounts the best around
What surpasses all,
Where resides the wherewithal
To claim the prize recalled?
How to master songs of joy
Tunes which wear the crown?
Limitations laughter son
The fool who fools the clown.
Capture magic's glow around
Make each moment ring,
Fling confusions net away
To let your heartstrings sing.
Smooch a mountain maiden
Cry for great things done
Celebrate your life my friend
For it's a fact.... We've Won!

Marshalg
In Sweet Celebration.
27 February 2013

© 2013 Marshal Gebbie

Abigail Turnman walked along the same sidewalk she did every morning before she had to work. She had the same breakfast from the same dive as she did the morning before.

As she was sweetening her coffee she looked up and into two very dazzling blue eyes, belonging to a young man seated at the table across from hers. She looked down quickly, sweetening her coffee, while she blushed.
She usually didn't get flustered like this and she hated that she was just because some dumb boy was looking at her. She looked back up and he smiled at her, revealing a mouth of uneven, yet not horribly uneven, stained, yet not horribly stained teeth. She blushed again, this time she smiled back.

"Are you Abigail Turner?" The young man asked in a voice that sounded as if it didn't get much sleep the night before. While he was asking this Abigail noticed his hair, a dark shade of brown, lighter and shorter on the sides, as if it had months before belonged to a military man.
"No," Abigail responded humorously, "My name is Abigail Turnman." She blushed again, at the stupidness of her joke. God, how she hated that this young man was making her blush this way. As if in response to her stupid joke or in embarrassment in having gotten her name wrong the young boy laughed and blushed, but not as much as she had.
He had only a coffee on his table and so she asked him if he would like to join her for breakfast. The young man smiled again before standing up. As he did, his hair fell into his eyes, which he quickly brushed out of the way before nodding and sitting down, across from her, coffee in hand.
"How did you almost know my name?"
Again, the young man laughed.
"Mark, uhh Callahan. He said he cleans up at your office and that I should speak with you."
Oh, Mark. There's a sweetheart if she ever knew one.

And in that instant she knew she could grow to love how this young man made her blush. Instead of hating it she would prize and cherish and she would include characters modeled after him in all her novels.
She didn't even know his name.

"So, you're a friend of Mark's huh?"
She asked this in a more confrontational way then she meant to and the young man seemed to recoil before he saw her blushing again, knowing that she had not intended to ask it in such a way.
"Yes, Mark is a friend of mine. Since high school actually. Uhh, my name is Henry, but uhh," he laughed softly, "my friends call me Hank."
"Well Mark is a sweetheart. So, if I'm not mistaken, you must be native here? At least since high school."
"Yes, I was actually born here, but uhh, if I'm not mistaken, you're from uhh New York, right? The city?"
As much as a sweetheart Mark was, he sure was talkative as hell.
Before she had a chance to say anything, Hank began talking again.
"So, uhh," he laughed softly, nervously almost, "I uhh, I hope this isn't too upfront, but I was hoping, uhh wondering actually, if you were doing anything tonight. My band and I are playing at the Stonehouse, it's a uhh, a charity show for Jonathan, our drummer, uhh his mom. She's fighting cancer, uhh, her condition has been improving but she still needs money for bills and stuff. I mean, you don't even have to pay, you know, I could ahh, I could sneak you in the back or whatever, I mean, uhh, it woudn't technically be.."
She cut him off,
"Yeah, sure I'll go. What time is it?"
He smiled even wider than he had the whole conversation,
"It starts at 8, uhh, it's at the Stonehouse, uhh, ****, I already said that. Oh ****- oh, sorry, pardon my language."
She pulled a pen out of her purse and began writing the address to her apartment on a napkin. Hank continued talking, mumbling, uhh-ing, but he trailed off as she handed the napkin to him.
"Pick me up at 7," she said, "We can go get some dinner before the show, you probably half to be there early right?" He nodded, "Okay, make it 6:30. This is the only diner I know, I've only been here since the start of summer, maybe you could show me some nice place to eat?"
He nodded, smiling and blushing and pushing the hair out of his eyes and scratching his arm and shifting in his seat anxiously.
"Now, it was lovely meeting you Hank, but if I don't leave now, I will be late walking to work, I'll see you at 6:30"
"Yeah, I'll uhh, I'll see you at 6:30"
She stood up and so did he. She was halfway across the diner before Hank kicked himself for being so stupid.
"Hey, do you need a ride to work? I mean, it's uhh, it's no trouble."
"Thank you, Hank, but I'll walk. I'll see you at 6:30, okay?"
She smiled a dazzling smile of white teeth, framed by golden hair, cut short, almost short enough to be considered a pixy cut.
She was out the door as Hank mumbled something stupid.

Like an outcasted stoop kid,
I sat glass-backed, bar-assed ten
feet away from the main streets
waiting.      Waiting
for some leaves to fall off treewires.
I waited for inspiration in the bitter
November chill biting at my ankles.
And I got funny looks from football
cap colleagues on this dressed-down
Thursday. The trees were practically
naked. Scarce blossoms and partridge
leaves crisped by the stagnant air.

The door'srustedhinges-aircrack-
waking ends a four hour sleep
short. I found out she was a lesbian,
and allergic to ****.

My mouth tastes like plain Pixy Stix
and I can only swallow in short bursts
like a camera or pool water over-
whelming the filter hole. It's like
untreated brine that I'm swimming
around in, ******* in, trying to sweeten
it with my natural body oils,
but it's not working

because my pool is also a lesbian,
and allergic to ****.

Your brown eyes take me into flight
your grace in movement is spellbinding
your sweet smile brings tears
to your servant called me

On this sad island of fear we live
take my hand my love and lets leave
leave the bitterness and hatred
take my hand and lets fly away

You are a child of green liken to me
so I thinks you get some pixy dust
I so want you to fly, come
come fly, like I do

You are spell binding to me
with those wonderful windows
those windows to your soul
angelic are your brown eyes

You still hold that kingdom
the one of true hearts and kind minds
and I love you very much for that
my beautiful, beautiful brown eyes


By Christos Andreas Kourtis aka NeonSolaris

Pixies dance in rays of moonlight sprinkling magic dust across the veil. Mist rises the morning after and mushrooms tell the tale. Groupings of circles where pixy dust was thrown down last. Waiting to be harvested by industries gnomes, and carried away to their lairs. Each full moon the cycle begins anew. Fairies spreading their magic, in fairy land that is what they love to do.

Pixy snatches our lucrative dreams
Making a touch with a magical stick.
She gathers all these dream
And distributes among deprived dreamers.
Our dreams are their true story.

They work on their dreams, we do business.
We sell them in Pataldanga Lane,
Sometimes wipes it out into a dustbin.
We think, they do. we fear, they roar
Our imagination is their success.

We fail to fight to get back our right
while they die to fly from daedalous labyrinth.

Edie, i failed miserably... thinking that ms amber and mr hector whiskers would get something profound out of me... no returns policy here... on writing like i used to (that is)

waking up to a choking sensation of hanging over
the gloom of societal ergonomics:

    even the historiological miasma
in the cinematic chain of the story of the Israelites
in Egypt:

   i worked in the construction industry
and i can vouch that: there was no clear, generational
misery attached to building towers:

i can't imagine the same attachment of grief
correlating to pyramids, although this is well
documented in movies...

zdrowie na budowie: health in a construction site...
no immediate misery from the strands
of sayings: more misery in the gym on a treadmill
than laying brick on brick...
a monstrous adventure of standing still
and erecting a noon shadow
upon time (of the desert)
          only to wait until the Eiffel tower to topple
such heights...

just like Big Ben (named after Benjamin Disraeli
i presume) was renamed the Elizabeth tower,
not Pugin's tower (the old ***** dragged everyone
into her gloriously inglorious age
of dismantling an empire)
the Eiffel tower should be renamed:
Napoleon's Giraffe!

the pale shade on the face of Oppenheimer's guilt,
rereading gregory corso like it's nothing...

at least the bomb H and bomb N (hiroshima, nagasaki)
dropped on a people with fathers mothers
children and the elders...

what pale comparison is the fear of the bomb
when, as they said about the Holocaust,
the terrible has already happened...

drop another! drop another!
what does it mean to the atomised recluse
and the crab bucket,

what is the Manhattan project Oppenheimer
et al
when simultaneously there was also
Goodwin Pincus!

the bomb the pill the bomb the pill the bomb the pill
the clown the mime the clown the mime
the wolf the wolf in sheeps' wool the wolf
the carcass - the mountains of carcasses:
a hubballoo of crustaceans on a beach

this bittersweet hangover of history and
the present day

the fear of touch instigated from grandmother
to a granddaughter when
a non-biological male has carousel fun ***
with the mother -
dearest of touches, through simply wearing
a gifted t-shirt

37 and childless is also like saying:
jeez... i'm surprised "we" shot ourselves in the foot
and there are no surprises that we're limping
with dyslexic pastors in new advent churches
prior to highly literate priests
with dyslexic pastors where once stood
proud literate priests
gatekeeping what, i ask? being persuaded
doubly dutch-blind?

reimagining a church where the pastors know
the 2nd literacy of coding in html,
>give /i
                  >>?/;?        $ banner
                                               like a melting igloo...
later... no rudeness implied by the native english
native european - i wonder what nickname they
have for us... if aboriginal and indian were
nicknames for the indigenous peoples of a people
in a land before and after no exodus...

Joropes - maybe i'll think of a nickname for
us ******* Yobropes who did some touristy stuff
in the 16th through to the 19th century
like the Silk Road was not an asiatic "thing"
like the white self-loathing is not something
born out of the pill rather than the bomb...

i need to salvage this energy of a hangover -
like i might care to not care or
to not care about caring...

a month spent on Kauai in what i dreamed of
ages ago with my mother's pedicurist
whenever she would come over with her toddler
and i would babysit for an hour or two...
but this was a month's worth of fatherhood
simulation with a 12 soon to be a 13 year old...

the joy i had from baking a cake with her mother
(my hot tub lover)
and all the tantrums and all the confusion
and all the arguments a teenager might have
with a mother and grandmother
and i was the one who somehow managed
to get the teen to sleep in her own bedroom
and not in her mother's bed...
i would too craving touch...
    
                     my ego should be my anchor
my thoughts: shoulders to lean on, no!
my thinking or unthinking should be a ship
the id the sea
and who said that creating the superego
would be a better cage to god
in the secular trinity

to write truths in science is one thing
but to write uncomfortable truths on matters
of being human
is another
theological crevices and humanistic escapades
to doodle over and dive into

a game in a swimming pool
playing dive and seek underwater
with a 13 year old girl,
this the least, no biological attachment,
no "self investment" in perpetuity, continuity,
no eyes of my own
no ears of my own
no nose of my own

but...

          the way i speak, my mannerisms,
my behaviour trans-translatable,
everywhere i go this trans- prefix...
trans-racial, trans-gender... trannies
and mommies and somewhat-daddies...
metaphysics should become meta-reality...
there is a meta-reality, given so many people
chose exodus from... reality...
in the trans-dimension...
creating a rift in reality
to create a meta-reality...
a metamorphosis of demonic smiles-allure...
Dante's Elysium or at least the telekinetic
spasm of thoughts-uplifting yet
words like blunder.... bubble blunder
with a pop... carousel...

daft grey... humpty dumpty on a fence
with a white sun and a black sky,
basically the night...
and come day... fake yellow fading white
if peered into, not at, the sun
is a vibration of ultra-violet dynamic
in my eye... a pulsating eye
compared to the stone-eye of moon...
a monstrous soul eating and illuminating
fascination...

we are heaving a woman a heaven in pregnancy,
Napoleon! Napoleon!
calls out Homer, anewed,
a time when tyrants didn't have telecommunication
and from bottom to top to bottom
like Napoleon, rising up,
rather than like ******: levelling:
from bottom to top to bottom to middle...
grey monsters grey hollow cause
hallow cause, holocaust,

building the pyramids like a dream-memory
compared to the concentration camp
conscious-reality... a pinch-thought...
because only Yids... Hebs... affected?
the nth, only people in existence...
you'd think Poland would be
the 2nd America... German genius spirited
on to the lazy *** Hebs?

ha ha ha ha ha
ha ha ha ha ha ha

probably...

new to making movies, hell is with me: i laughed
postmen brawling outside my window
how manic and evil
a laugh is without concept of body
in an empty hoѦ
   ** ** Halloween and Satan's Clause...
from the decrepit Mediterranean (my dyslexia too,
some words are an arithmetic impasse)

not to say the Ummah is 100 % sure..
0 topple 0 and how A gave birth to B
or E...
   how 0 came last
but was born first with the wheel,
the moon... no... the sun....
0 was the last number written down
wheel to 0
wheel to 0       Texan minus...
I II III IV V VI VII VIII IX X
1 2 3 4 5 6 7 8 9
where is the zero?

        billions of souls resisting the waves of
death, but relentless..
death like was and earth like life
crumbing morphic, yet sea de-morphic,
neutrality of a loaf of a deity in
the dynamic of space, vacuum...
time... immemory-demented-dyslexia
and self-closure discovered in old age
proof in protein, cannibalistic protein:
self-deletion... for a people
of mediocre morals and lived experiences...

people who invested in short term rewards
supposed extrovert opportunists...
Edie: me to you... depth of a craving
soul, FBI, CGSIE... those sounds of individual
letters comfort me, CGSIE...
I O         I O

       ю

    ya U
      Y Δ

branches of a tree, the tongue of a serpent,
twins on a Siamese road,
apart yet together bound-       +      -less
like nothing with a cushion
a bubble and a tongue twist
and a marrow afternoon of grey and
England is this bearable...
ugly colour disruptor until
summer and cricket in rugby in football
base bull...        ****...
oh my gloom in the chaos
of a sea of id with a thinking rattled by thought
and not thinking
and ego an anchor in shrapnel
like vikings and the crows they brought
with their ships because crows
used to be petted like dogs and cats

borrowing from myths...
a cat and dog fight
islam the cat heb-dogs...
not my world... not a world on Kauai...
volcano riffs in drum          kit
ODETARI SUX
                       depeche mode groove... growl, even...

barricades of secular pop, clown bars,
prosecco gluttons
and journalistic amputees of the guillotine...
humanism at the highest...
newspapers like what is a rock
to barricade the tides... of passing...
happening... DASEIN...
newspapers became worse than bibles...
violation of animalistic privacy...
auto-suggestive insomnia

best lost in the mundane labour and the spontaneity
of thinking about thinking
pixy... thinking about thought... pin-point... exit...
exit... samuel beckett...
******* Irish literati.....

         funny... i want to be a father more than
i want to be a lover...
but i also want to be a lover...
fatherhood and the crucifix...
but i'm also a son... and that's ample
detail to remain a lover...
i... the birthday massacre - under your spell...
her freezing up in McDonald's more
aware to interacting with a computer
than an actual person...

it's cold... very cold...
the sun dies in winter... a seasaw...
the concrete of underground stations of Warsaw...
the house is a mess by my mother's
constraining standards...
i watched the Whale on my flights
from LAX to LHR...
i loved los angeles... at the airport...
funny... though... on the way to see you...
Seattle was... ha ha... indigenous...
i saw the wolves of the Twilight Saga...

i liked Seattle Airport... so welcoming...
day dream day out fly by...
Los Angeles was... Los Angeles...
i want to touch you like i touched you...
forgot to wander by myself, since now there's also you,
and your daughter and my sexuality
paradigm... paradox... a fatherhood-sexuality...
that's relieved released from the ****** TABOO!
which was once very French...
there's no incestual taboo in me!
thank 14 year old finding out about the Marquis...
sure... well... to be frank...
*******-accusation is a novelty....

what if i were to add that your mother is fuackble to?   O
forgot: too...            ?

zombie glutton... necrophilia to boot?
but there's no ******...
the fear of me waiting and somehow
outliving the present you and mother
and what? getting it on with Reyla?
what if i was simply conjuring a father-sexuality?
born of *** and not creation
or imagination: christ was imagined...
he wasn't ever born...
lived, experienced... sensed...
muhammad thought he would end
Chinese whispers... story-telling fallacies...
dream-fusions...
which is why i don't dream with images...
i can't allow any cinema in...
why i talk in my sleep...

jeez... Edie... i talk in my sleep!

not my life but the collective unconscious
flashed before my eyes
history
i'm not dead yet
but this is what it feels like having a daughter
feels like... a son would be easy,
that's what i meant by:
if you had a son... i wouldn't be talking to you...
i see my mother in your daughter
i apologised to the plumber
he's not coming today,
don't earn money at Caesar's
earn peanuts under God's roof with family,


i have cats,i don't have children,
but we both share having elders,
elf you
knew...
                       ᛖᛚᚠ:

elf... Miranda, Myrian, mirage,
     malicious, malevolent, sea born
not mountain or quake born
primo madonna... artifact of Samoan Siamese
          Conquistador
replenished "conqueror"

       better toys, better boys....
like you said... about not being attracted to island boys
and like me treating all girls on the island
like Filipino *****...

started eating chocolate, once bitter,
like onion and coriander,
then sweet.... like the potatoe vine that's a tomato....
knives and fingernails in the same
frying pan
added to the spices toasted... cumin seeds....
fennel... finicky inglorious she... thir-      + -teen

mother dearest, what are your concerns?
the clouds becoming foggiest?

i loved her belly funnily filled...
that steak sandwich with her yummy mummy
finger licking... ******..
i know she's asexual... but i've had *** with you...
that's a Chimpanzee crazy...
i tried to have *** in the Pacific...
pacific... pacifier
i forgot you don't have seas...
you have an ocean...

Edie... smooches....
i want to feel like this, open,
as if you're in public, on a train with me
for Agatha Christie to listen in on....
i forgot about writing...
i know i am, still....
but right now, i'm trying to recreate your smile
snapped for detail...
then made dynamic in agitated circumstances:

of circas... the measurement of life...
of approximations,
6ft2 vs 6ft3
             6ft2 vs 6ft3

perfect example... relativity...
   1h 1sex
    = half and approx
         a crc: circa... which is a new unit... of...
non-measurement... i'm painting... *******
not Beckett but the butler... holmes....
no Sherlock... Dionysus of watercolour...
the frustrations of lacklustre...
all **** and all that khaki diarrhoea
mustard acid spread
additionally meat-sour spread of
not-aging beef... cowering death chicken typos...
          
it was fleeting, yet i want the stones
and gravity to return...

              i love you Edie, Reyla, Lydia...
        i'm sort of... calling out McFardy
             and you snooze 3pm.......
          McReady... target autistic snub
of a health prof
     my McSure theatre of hips
and wild tight ***....

When I was single at forty
I was only eighteen,
If you knew what I implied
You would know what I mean.

I have always held the theory
Our age is frozen when we meet,
The one that we love
That one we hold so sweet;

And we move forward from that day
But chronologically, we don't change,
So really, I'm just forty-six now
Come now, this isn't so strange;

Because when I was forty-six
That sweet lady, she was ten years younger,
And just one look at her
Well, I was filled with a hunger

I didn't know that I was quite so famished
I guess my best friend, could have told me,
But at the time I was distracted
It didn't matter what she sold me.
Reality wasn't working for me
Too much makeup and perfume,
Enough scent in their detergent
To clear cockroaches from the room.

I was searching for a love
And the candidates were few,
I took so long to declare my interest
All they could say was, "who are you?",
So, why should I blame them
I needed something spontaneous,
Just seek an imaginary woman
And call it extemporaneous.

So now and forever
I'm only forty-six,
And the woman that I'm with?
She's prettier than pixy-sticks.

you claim that there is golden powder dripping from the edges of your fingertips like pixy dust,
you can make me beg for your touch,
but i try to resist
the man above is just a pretty delusion for us to hold on to something so bitter and sweet

i laugh at your tales
because in my mind, you will never curse me like you did those other girls with the pain or your love,
we're both immortal when we're together,
the devil and his mistress is what we should have been,
two angels that couldn't redeem well enough to see peace,

i like to think that i'm special to you,
like i am the only one you want,
the only one you look forward to seeing,
but we all know when you promise me something,
you giving me your airy words many time,
you have your fingers crossed behind your back,

i'm wondering if michaelangelo has finished the canvas painted on your body with ink, because my lipstick stains just don't do the trick anymore

your hands are not golden
they're charcoal
cold and dreading
and you're making me filthy with every touch so get your hands of me and leave.