MY FROG MASTERS

How thoughtful were the rainfalls
To water our gardens and flowers
The flowers spread wide garments
To celebrate their terminal beauty

The joyful frogs occupied my pond
To orchestrate their vocal prowess
They taught me to take blind leaps
Like lightning bouncing in the skies

Squatted, stretched, beeped down
I was a millstone on the pond floor
My slippery pond mates wondered
How soft I was in the maritime arts

Mortally rescued in a muddy mood
The clouds sent in rescuing showers
To confirm my firm loss to the frogs
Like a grain of salt cast into the seas


673. MONEY BAGS IN THEIR BODY BAGS

The money bags shopping for their body bags
Waggled through the makeshift supermarkets

Their ancestral homes they plotted modernity
Like the general gathering fine forces together

To the villages they made to return with pride
Like pregnant elephants caught up in the mud

Their desolate villages are deep and sickening
Glowing flamingly in the crucibles of local gins

The dusty and gravy pathways are like furnace
Burning the leather off from their frozen souls

Traditional birth attendants cut off their cords
And zipped the money bags in their body bags

674. A GLORIOUS DAY

The new day spoke powerfully
Like a war making superpower
And his voice roared forcefully
Like the skies forced to shower

The sunrays came dynamically
Like love responding to silence
Beauty crawled in submissively
Like the mixed arts and science

One eagle soared energetically
Like lions feuding in the colony
Far clouds relocated peacefully
Like souls betrayed to harmony

The breeze sighed thoughtfully
Like horses galloping on the lea
Inspiration unfolded thankfully
Crowns monuments with a pea

675.  THE FOG BANK

The sun had gone to pay our bill in the fog bank
The world foggily crawled into the strong rooms
Darkness demonstrated her strong mindfulness
Provided for the strong gale with lurking shrieks

The black paint billers snowballed to our dreams
With the bill of exchange for wild sunny excesses
Ghostly bats emerged with the bill of indictment
In demonstration of our acrophobic dispositions

We packaged the sunrays for our folk memories
To reassure the day of our eternal followerships
We cherish our follow-throughs in our dark beat
To usher the sunlight out of the hollow fog bank

676. THE PROTRACTED INTERNECINE FEUD

These things had happened before we were born
Like sulphur deep into our fresh hearts they burn
Now we stumble on the bumpy terrains in horror
Like one frightened by ghosts in a standing mirror

The internecine feud has razed our men of valour
With their carcasses dumped in their cold parlour
Our community cattle graze in the barren pasture
Like the unrepentant sinners awaiting the rapture

For our plight the once glorious sky is grown pale
Like the ***** fetching territorial waters with pail
The storms have rolled off the catalogues for rain
All our efforts to mop up the mess end up in vain



677. THE AREA LEADERS

They cracked coconuts on the heads for the crown
And embraced our days with their castaway pollen
Sadness and sorrow have dyed our garment brown
With the strongest song sung when night has fallen

These are the blinding dusts from our barn’s grains
They breed cunning serpents in the soft pasturages
They are failed cargoes on our broad societal trains
They dedicate our common committee to outrages

Now our days seek deliverance from their tentacles
Like the colourful fields immersed in gloomy beauty
They play our eyeballs with the stenciled spectacles
With our consciences to sight and found us off duty

To rescue us the colossal clouds were born gadarene
Our communal life was willed to pageants of gaieties
Then moonlight stories held us for a larger gathering
Now all the objects we sight dress up like cold deities

678. THE LAST DESCENDANTS

The rapacious thunderstorms ***** the skies for their tears
The hot embers were born to glow mourning the late forest
The moon crawled out of the blue like a great grandmother
Cuddling her descendants wrapped up in her ancient shawls

The wild waves were weird weavers weaving withering wails
The captioned wigs gyrated on stunning shoes upon auctions
The little creatures crouched in primeval baskets of the night
To gnaw at the generational tubers in the creative farmlands

The dazzling specimens of dentitions relaxed in water basins
Like bright red artistic architectures on potent ocean boards
Golden hearts glow in the threatening prisms of the furnace
As beautiful sunset defines her beauties in her nightly corset

It had been a sweet pill for the past descendants to swallow
Depending on the colonial masters for loaves, lore and lures
Our creativity had been packaged in their mortal depravities
Like the tranquil days resting sorrowfully upon the dark oars

The centenarian thunders downgraded our minute whispers
We had been kept upon our toes by the eternally sworn foes
At last our worthy artworks have worn their wormy catwalks
The refreshed dawns greet our easting days in their greenery



679. VICTIMS IN THE VALLEY

The victims in the dark rally
Caged, dried and browning
Therein their meanings tally
With waves born drowning

In the depth of a cold valley
Horrible nobles are cultures
Like pilgrims in the dark alley
Willed to ravenous vultures

The victims all robed in tears
With hearts like potter’s clay
For pains they have no fears
Only mimed games they play

For victory awaits the victims
Alien to a blind mimed game
Glorious are eternal rhythms
For death Christ died to tame

680. THE GIANT SCARS

These are our giant threatening scars
Engraved on our demonstrative heads
Our sympathies crawled on superstars
Weeping for us on their moonlit beds

They threatened us with nasal sounds
Like thunderclouds seasoned to burst
For us their galleries are out of bounds
Behind the iron bars plagued with rust

Our patience passed their wildest tests
Like the lions roaring in the thick jungle
On the heart of the Lord our faith rests
Like numbers posted on the right angle

681.  A LADY

In a lady’s handbag
Is her hidden hunchback
Stuffed with her heart ache
For the pains relieving groom

In a lady’s tender smile
Is hidden miles of similitude
Marked with the zebra crossings
For the ever winning marathoner

In a tender lady’s heart
Is hidden her cowboy’s hat
Soaring within the white clouds
To soothe the earth with the latter rains

682. BRING BACK OUR GIRLS

Bring back our homesick girls
Their vacant cradles are bleeding
Bring back our innocent girls
On the chariots of fire descending

Bring back our suckling girls
Their feeding bottles are weeping
Bring back our infant girls
Their mothers’ ******* are heavy

Bring back our harmless girls
The united universe is thundering
Bring back our dewy girls
In the sharp sun rising in the skies

Bring back our beautiful girls
Like light plucked from darkness
Bring back our glorious girls
Aboard the shore-bound waves

Bring back our worthy girls
On their fresh faces our lights seek to glow
Bring back our living girls
Our fountains of joy are bubbling to burst

For our returned girls the skies shall bear
Roaring rivers, singing seas, chiming clouds
With gongs and songs, pianos and praises
Dulcet dulcimers and documentable dances
With healthy hymns and eloquent embraces
All nations shall into a common cathedral flow

683. ****** GENEOLOGIES

They electrify their demonic high tables with old fears
Only their ****** genealogies are bookmarked to reign
The sight of their portables whetted our eyes to tears
We are reinforced by the clouds born to the later rain

Our skins have renovated the sickening cattle wagons
With our dreams flying upon huge smokes in the skies
Beneath their tables we abridge their creaking jargons
Upon their floors with our generational landmark tiles

The dew drops dropped like old crops upon our brows
To soften the veils falling to the flaming edged swords
The flaming hearted sword of the penetrating sunrays
Born to pluck us alive from our hotly bandaged bruises

684. LET US SPEAK UP

The light is climbing downstairs
And danger is sprouting abroad
Our feet are listening for a word
Let us speak up lest they go deaf

The light is melted on the glades
And terror grazing our eyelashes
Our feet are listening for a word
Let us speak up lest they go deaf

The light is late and lately buried
The mourners are on danger list
Our feet are listening for a word
Let us speak up lest they go deaf

The light has divorced the grave
Her grave clothes are dew dyed
Our feet are listening for a word
Let us speak up lest they go deaf

Silence is a forgotten tombstone
Lost in the din of cold morticians
Our feet are listening for a word
Let us speak up lest they go deaf

685.  THE SUN

The sun smiles on all prescriptively
Like the waves spreading on shores
The green grass glows descriptively
Like the full moon upon dark sores

The sun is a tailor fixing the buttons
Preparing the sky for incoming stars
Like the weaverbird weaving cottons
To conceal the day’s damnable scars

The sun is a marker on diurnal pages
Tall grace he bestows on the flowers
The sun retains his graces for all ages
Bees and butterflies are his followers

Our common laughter is endangered
When sun bows down in big setbacks
All mortals have the starlets fingered
When the night comes on drawbacks

686. UNTIL HERE

(For Lou Lenart and his team)

Their floods came seeking Jewish bloods
Like streams they roared for our dreams
They emerged as columns of soldier ants
Like whirlwinds they zoomed towards us

Until here we were crumbs for the reptiles
Until here we were like airborne cloudlets
But here the sudden change unveiled to us
From here the elusive victory embraced us

With skeletal jets we fought like bold lions
Soared like eagles and spoke like thunders
We conquered columns of invading armies
The bleeding armies turned back and blank

From here we turned from victims to victors
From here enemies’ defeat our greatest feat
Upon this memorable bridge it all happened
Victories leapt upon our pool like joyful frogs

687.  JOY UNLIMITED

The fledging sun offers its rays
And the rays offer golden trays
For our joy a platform to spray
Rowdy paratroops like thunder
To scoop roses from pure oasis

Our joy is ripe upon celebrations
Our celebrations with decorations
Decorations with documentations
Documentations for all generations
Generations in our joyful habitations

688. ANOTER RAINING DAY

The dark clouds are wandering river basins
Spiral bounded by breakable outer casings
The rivers and the seas display empty cups
For the swift blessings descending the tops

The rains come as defense troops’ missiles
And the drowning lands look like imbeciles
Now we are groaning in the watered claws
With the liberated scales marking our flaws

The retreating clouds crawl away in a belch
Dumping the missing cargoes on the beach
The winds bow in a state of shock in a cord
Praying and fasting for a visit from the Lord

689. GRANDMOTHER

Grandmother, please wake and get up
The sky is quarreling with her husband
Soon they will spill their freezing sweat
On our bodies for us to catch dead cold

Grandmother, please sneeze not louder
The sky and her husband are quarreling
Soon they will send old floods like gales
To sweep mankind away from the world

Grandmother, you are everything I have
My moon, my sun and my morning stars
Provoke not the couples with your cough
Lest they refill their greasily wraths again

Grandmother, the big reptiles have come
With their lethal grandchildren following
They are laced with secret burial shrouds
With sympathetic tears tearing their eyes

Grandmother, I kiss you a shaky goodbye
With broken pains roaring within my soul
Grandmother, where are your groundnuts
To conduct my solo heart as you sing away

690.  A NIGHT WALK THROUGH THE FOREST

Lured away on an alluring dream by fables
I trudged along the grassy paths with fears
Upon my steps spilling the prevailing dews
The shadows bowed their heads in silence
Like the soul issued with a death sentence

The night crawlers emerged above boards
Throwing light upon contrary communities
In their hearts and eyes were painful tears
Crawling down their exaggerated eye *****
Like a handbag filled with rotten cosmetics

The shadows were bold animators’ shelves
Stage managing the horror motion pictures
In the ghostly commodities I met wild hosts
Lifeworks evaporated from my fresh breath
Like foreign tragedies in common comedies

The sorrowful shadows cast away their veils
Like the candles letting go of the weird wax
Sadly I sat in the sack for conflicting fetuses
Another sun appeared like a serial divorcee
Counting the testicles of another naked day

691.  SUBJECTIVE SUBJECTS

The sad sun descended upon her haunting melodies
Reeling from mysterious layers for electoral riggings
To harden the flowerbed for flower girls born tender
Disenfranchised voters came weeping in barren polls
Dressing the blank nest for the fat electoral parodies
With the mourners the faulty bells they came ringing
Like the angry water castigating a ****** port fender
And the smokes climbed upon their wide aerial poles
Arching over the emptied shelves with liberal singing
They subjected their subjective subjects to all objects

A clown with a frown was talking to a king with a crown, when a mime happened by, and mimed to them, “What’s the quickest way out of town?”

The king said to the mime “To catch a train, be on time.” And the clown laughed at the king, and it began to rain

The mime grabbed his bags and looked at the king, and the clown, and mimed “Thanks, I’ve got to run.”

“Was the mime on time to catch the train?” said the king to the clown. “I don’t know.” Said the clown, and again says, “Do we really need all this rain?”

And now we see the singularity
of the artist, wrists spread bare on
mimed canvas, finally we see
his consistency.
Lazarus is dead on the first day.
Gold background, rocky outcrop,
sense of cluttered space.
Do you see the decay?
Can you sympathize, or do you notice?

I cannot sympathize with Duccio,
I am too vain to admit his Maestá
survives while my brain rots from
alcohol. But I remember Duccio is
at least fifty years old when his Maestá
preeminently destroys my career
as a visual artist. I do not mind.

Lazarus is dead on the second day.
Duccio had many pupils, among them
Simone Martini, whose Annunciation
is a cropped rehash of Byzantine/Gothic
flopped with Duccio's handy flair,
a pious reverence and virtue.
It sweeps and moves. Or attempts.
Lazarus is no longer sleeping.

I have never been to the city of Florence,
not now nor the 1300s, so I need not
explain my lack of comprehension.
Lazarus has risen now,
but it is different than I remember.
Lazarus is all alone, and
Lazarus is alive,
doomed to walk in mortal Hellfire
a second time over.

I can't speak for the others
I can only reflect on my own thoughts and the heat of discomfort.

I can't speak for the woman who wept beside her oversized suitcases on the Piccadilly Line to Heathrow, I can only consider her tears and what they did to my own heartache.

I didn't speak, but I reached over after several minutes of communal silence and placed a tissue (clean and unused) on her lap.  Before I was back in my seat, she had taken it and covered her face in her grief and the tears came again.

The grandmother across from me got up next and placed a red stripped mint on the woman's skirt.

The dad who stood in the doorway, dressed for the beach, followed, leaving an offering of a capri-sun.

The child in the pram looked up at his mother and she smiled encouragement to him, as he offered his Spider-Man, pressing it to the woman's hand

and as she unveiled her face and saw the offerings, she laughed, brief and wet, but with a smile that stayed.  She hugged Spider-Man, nodded and then with a sensibility to a child's needs, handed it back with thanks.

After a moment she found my eyes, and mimed a request for a fresh tissue and then in the silence she settled for her journey as we all looked away, dutifully silent.

inside of me there is a cry no1 hears,
inside of me there is a guy that i must fear;
deep deep inside there is shout for help, every now and then it pips,
deep deep inside it hurts but dies down till it reaches my lips;

its a barren land inside of me, all dry and creep,A
where the trees have no leaves and the animals all weep;
the sun never rises, the moon is nowhere to be seen,
the rugged land and roads give it a mighty blinding sheen;
its the only source of light i've ever had,
the hope i derive from it, is all hollow and sad;
my soul wanders to its depths to seek company but in dismay,
every road i walked, every sea i swam but its all dark and gray;
where is it that the sun has gone, is the moon on a holiday..
its a barren land inside of me and all i have to say.....

inside of me there is a cry no1 hears,
inside of me there is a guy that i must fear;
deep deep inside there is shout for help, ever now and then it pips,
deep deep inside it hurts but dies down till it reaches my lips;

my spirit wanders in search, but its got no spirit left,
i'm tryin to resurface and i must count on every breath;
the vultures of fear await my death and sit in their perch n wait,
the bird of prey is hungry and it looks like m already too late;
is it time for me to let go, is it the time for me to fall,
i feel like crumbling but till my end i will slowly crawl;
the past is clouding and the future is lost in a mist,
my last goodbye to all must be a beautiful gift;
i don want people cryin, i doubt they even will,
the vulture i will call upon to save my burial bill;
nither do i belive in god, nor i ever did,
but the life wasn't worth livin, it was a sea so turbid;
so i dont pray to god to set my soul free,
oh lord let it wander, let my memory live, let all remember me;
there was a lot to be done, a lot to be conveyed,
i tried all my life, the voice got buried in a silence so widespread;
there were some thoughts in me, some heard and some said,
all i did was to shriek n wallow till i dropped dead....

inside of me there is a cry no1 hears,
inside of me there is a guy that i must fear;
deep deep inside there is shout for help, ever now and then it pips,
deep deep inside it hurts but dies down till it reaches my lips;

i was boy in a man's world, i was weak among strong foes,
i was dreamer in the land of reality and here the truth goes......

i was wrapped up
i was strapped up
i was blocked out i was closed,
i was mistaken
i was broken
i was shakin, out to the island i was rowed,
i was taken
i was tried
with a million charges i was blamed,
i was tortured
i was questioned
i was mimed and i was lamed,

here i lie now, my lord before you, a million queries now u'l ask,
here i see now in your eyes, you're to tired now, its the final task;
so i wont say what you dont ask, i will give you what you want,
before i close my eyes the last time, i will tell what you'll grant;
i am guilty, the charges accepted, **** this *******, set him free,
dont you hang me, dont you bury me, dont you lay your hands on me,
the vulture's waiting, my energy oozes, i accept it arms widespread,
you cannot **** me, m immortal, you cant **** who's already dead...
the vulture's waiting, my energy oozes, i accept it arms widespread,
you cannot **** me, m immortal, you cant **** who's already dead...

One day our spines’ll tesselate under sage soft duvets as storms sweep across us and no one will cry;
not one noise shall slip from tongues
‘cos strength comes from keeping quiet
or carrying on.

You’re a now realised kindness that doesn’t know what breath is
or how the north circular works in festive rush hours home,
but I’ll kiss the answers upon your tender carbon tapered chest and hope the toner never runs low
(your dad would’ve handcrafted every thing he knew in semaphore if he’d have pulled through,
but you’ll learn in time, too, that time does not ruin fewer experiences than being).

I lean in. Whisper this (above) across your one body,
three eighths the size of a coffee table hardback book:
the result of patience pined for
that I mimed along to motherhood the best I could for nine months
and now, here, I lift the hood and work out what to do next       in this rush to settle down and sit,
sip until you snooze off into silence.
Here I carry you and do not notice the weight,
stare at the gape of you, my newly framed little one held in the palm of my hand,
squat full four pinter named after someone we knew.
You landed lunar surface side up,
smoothed new to the toes
and I wonder how I’ll meet you
I wonder how this goes.

Magic is a lost art form
It crawls through your mind like a worm
So many papers written about it for the end of the term
All striving for once single goal to learn learn learn
It might make you get a perm
Causing a riot and making you turn
Give that monkey a new bread crumb
Or he'll succumb to being obnoxiously dumb
But it will probably happen anyway
Because the monkey listens to the fray

While his mother goes home to pray
That his father doesn't travel far away
From his family or his favorite friends
But on his job it all depends
On which locations are best for him
Going by the name of Edward Tim
Who use to frequent his home gym
He Crushed on hot girls named  Kim
Kim loved to crash Tim's wonderful parties
Shooting up with a pack of Smarties
Tim wanted her to be a lady

Tim wanted her to be a lady
Because she was pregnant with Tim's baby
Although her mother wanted her to give it up maybe
However Kim wanted to name her baby Sadie.

Tim wanted to name it after his mother.
Kim wanted to name it after her brother.
Both of decided because of each other that it was getting quite dim
With such fuss between Tim and Kim they settled on a name that was another
And prayed that their son would not be dumb
Then he wouldn't be any fun for Kim or Tim

The fat rat sat flat on may's bat
While the sun shined you'll find some fun before the day is done said the trees which they mimed and chimed

Ill be your lingering cigar smoke if youll be my quivering nostalgia,
jumping at any chance to reminisce of the days when our steel frame
would test its infallibilities to the sound of our anguish

of course, were versed in this dance of discourse, this

arrhythmic,

energetic,

emotional banter.

We have performed these parts to a silent audience,
and recieved a deafening ovation.

For we own the stage,
commanding our mimed patrons respect and attention.
We astound them with our vigor and voracity as we
dance our unparalleled folly, tangled in the valleys of our eyes.

The dance will outlast our bodies, for the dance is more than we can ever be.

Mr Cutler had passed away
the room was cleared and ready
for the next resident
clean sheets

pillowcase
fresh blankets
the curtains taken down
and washed and dried

and put up again
but that didn't stop Sophia
penning you in
standing with her back

to the door
blocking your escape
he is dead now?
this Mr Cutler?

yes died the other day
you said
nice bed
she said

you looked at
the candlewick bed spread
blue and smooth
yes guess so

you replied
you gazed at her
with her blonde hair
tied in a pony tail

her ice blue eyes
focused on you
her Polish English words
harsh yet also soft

you could **** me there
she breathed
rather than said
too risky

you said
more exciting
she uttered
her Polish tongue

brutalizing
the English
who will see?
the old man dead

who else
will come in here?
some old boy might
come in by mistake

you said
an audience
will add to the fun
she breathed out

the words
you could smell
their sensuality
no I can't

I have baths to do
you uttered
looking at the door
behind her back

they can wait
she said
or you could
bath me first

she said smiling
I've got to go
you said
someone might need me

I need you
she uttered
here on the bed
I can't

you said
if you try to leave
the room I will scream
she said

I will say you try
to touch me up
as you lot say
she put one hand on a hip

and the other
against the door
they wouldn't believe you
you said

let's try
if I scream loud enough
and cry they will
she said

she mimed opening
her mouth and screaming
ok
you said

no need to scream
she smiled
good boy
I like you

she said
moving away
from the door
and unbuttoning

her blue overall coat
revealing her tight
short dress
her ******* pressing out

the top
she dropped her overall
on a chair by the window
and drew the curtains

that's better no?
it made the room darker
the shadowy light
made the moment surreal

come on
she said
mustn't waste time
and she began to undress

and you stood there
open mouthed
and doomed
when someone

called your name
down the passageway
Mr Elks needs you
where are you?

oh ****
Sophia said
dressing quickly
and standing

by the sink
out of sight
of the door way
sorry

you said
maybe another time
and you opened the door
and closed it behind you

as Matron arrived
ah there you are
Mr Elks has been
calling for you

I think he needs to go
to the bathroom
o right
you said

just been making sure
the place is ready
nodding back
at late Mr Cutler's room

ok
she nodded
and gave the door
a quick look

and then went on ahead
leaving Sophia dressing
and forsaken
no ****

for her today
and followed Matron
with no
more to say.

The first night that they slept apart
-I think because he had a cough-
He grabbed his pillow from their bed
Mimed a kiss and then was off.

Their separation lingered on
like cancer growing in a womb
Days into weeks turned into years
each spouse in their separate room.


Anniversaries came apace
To the separate cells wherein they dwell
All marveled at “togetherness.”
None could glimpse their private hell
.
No kiss, no glance, no warm embrace
As would ward off a winter’s chills
No passionate heat or casual lust
Not that either needed pills

And then one day he failed to wake
Cool to her touch, she felt his arm
Detachedly she looked upon
Her love, long dead, now gone

She lay down on the bed once shared
And swallowed pills enough and more
To join her fellow in that sleep
They’d share together evermore.

No longer do tears rain down but blood that bitterly flows inside the tear drained eyes.
Holding thee as one can; an embrace of a, hope/loss, enigma.
The wounds, all too great to heal, of the last breath taken together.
Carrying on in a daze shuttering and cursing life itself.
"No!" The mind cries out to make sense.
This unfair sight of watching the broken body wither.
Black fills the air. But death does not pity nor spare sorrow.
Mocking the only value held so tight.
The clasp grows tighter, as if to squeeze the life back in, but to no avail.
Death does not undo. Solitude surrounds with it's mimed walls of truth and destruction.
As forever passes itself through, what most would call, moments the gaze becomes fixed upon absence. Blood runs down the cheeks as hell burns and sings the ****** lullaby of serenity.

capture this fleeting joy
and bind them in memories.
not knowing what despair awaits
this morose forthcoming dependency.
condition my cold shell.

twas freedom that ached
for another day of rest.
lolling to the minutes of apathy,
sanctioned sadness ensues.

now. here. the voices play tricks.

ferrying me beyond sanctity
without appetite or stomach.
phantasm; blinding apprehension
with wisps of blackness.

hardened by sorrow
the tinker’s bells are mimed in spite
upon me, ceasing feeling.
Below, the sands drain wildly
into oceans roaring. still,
the screams of drowning souls
can be heard, similar to my own
cries, swallowing suffering
with hopes to be rid of it,
no one cares.

resigning to defeat
the weight of memories bearing heavy,
in these final few moments of quiet,
sink; down to the bottom patiently

As I read a poem,
Imagination begins to bloom.
Thoughts are portrayed,
In lines of rhyme.
Reality begins to fray,
Only to be mimed.
Dreams sent forth,
To make a souls worth,
Test one’s self-pity.
How the far the mind bends,  
Through one simple metaphor.
As the words come to an end,
I hunger for more and more.
Then reality sits back in...
These thoughts dare to fade.

You, blue-eyed boy with a once heavy-metal heart,
Who mimed slitting the throats of boys we now deem heartless,
Who suffocated under thick blankets of smoke in hot-boxed rooms,
Who gave beds and beer and ancient guitar picks to all who you loved

Who have you become?

You, once so full of joy,
have left your old heart behind,
crafted a new one out of felt,
and it is your darling who creates its cavities

Have you given up?

You, the boy with sad eyes,
shedding angel tears,
Who cares not for himself,
Who runs for his love,
Who dispenses coins from his mouth,
Who knows not the meaning of courage,
Whose friends left him like milk teeth

Sometimes I think I may pity you
But then I remember there's an exit door not far away
But you pass it by every Friday

And if I have one thing left to say,
It's that my heart is made from felt too,
Only I never let anyone tear it apart

Fluid flamboyancy swam from his mouth, much to the dismay of the listener
This will not do, this can't be you, learn quick, think fast, be swifter
Concepts cloaked in foreign shadows, spoken obliviously against, total defense, these creatures should be sent to the gallows...No Offense??

The young mind, so bent, squeezed and mimed,
Soon comes to see,
That for Himself,
His ultimate goal,
The freedom he stole,
Always belonged to me

My shadow passed me.
He pulled the thin laces
Attaching him to my feet,
and disintegrated
as curtly as he tugged.

It would be one thing
if he ran a little ahead
skipping merrily in view.
But, my shadow
being nothing
more than my own,
became smoke in the fog,
tickling my impatient cheeks
and joined sky's fireworks.

I should be alright in his absence.
After all whats the purpose of a shadow?
He is nothing more than earths black mirror
a natural reflection of action.
He is the other account which
attests as truthfully as I
to the lies of an evening,
a sunrise, and the dimly lit
greys of the night.

I have been long without him.
And he mails me chills sometimes,
like the static of a flannel nest
down my bare skinned spine,
because my colorless mimed companion
grew taller than my
monotonous motions,
provoking my dark puppet to
seek more than I can provide.
While I wander in the lights
searching for him.

(NaPoWriMo Challenge: April 2, 2019)

What is it we’re doing among parodies and spoofs,
gardening statements and occupational gloom,
pickling our scorn and passive reproofs
around tables in dreary workrooms?
What is it we’re trying at the end of the day
before we climb into our sports cars and utility vans?
We don’t care a whit anyway
for the scopes and the archives and the myriad plans,
for dependents and despondents who pay us no rent,
for the annual declarations we mostly mimed.
The paycheck is dwindling and mostly spent.
The spirit has already been fined.
We are twisting ourselves around hemispheres.
What are we doing here?

A maker of verses is the refined poet, he does find
Emotional thoughts sublime, inserting some formulae,
Or enigmas that are behind each sustained line, each I

Tell wilt unwind, then that rhyme to be mimed,
The lowest crime in our kingdom mounted up on high.

So if in thy cheerless failure ye seek intense success,
Because ye  subjectsto listlessness of the bodiless
Mind's distress, I request ye give no such inference

It's egress or reappearance from the darkest eclipse
In this; but rather by keenest innovations do impress

-And that protects a poets wisdom from the nuisance.

Letting go through space and time

Over standing how this is only part

Valuing the lessons I’ve learned and mimed

Everything between our agreement, art

A friend of mine
died some years back
while trying to do a U-turn
and I found out secondhand
through gossip
"Did you hear that she died?"
"Why is everyone saying RIP
about her on Facebook, what happened?"
and I will never forget the smirk
that you had when you told me.
Was it the juicy gossip that had you excited?
Was it the exposure to death?
All you had to say to me in the aftermath
was
"Oh I heard there were drugs in her system"
as you mimed out the action
of smoking a joint
as though being high
and wanting to dull your senses
for pleasure
meant that the accident
was somehow deserved
as punishment from above
and I'm not sure about heaven
but I know Hell was living with you.

I couldn't even cry at her funeral
because you were there.
I cried for her when another friend
died three weeks later.

Its 1983 and I'm home from school sitting cross legged on the carpet in my perfect place, where I could sky watch all night long, and the autumn sun rays shone through the branches of our front garden blossom tree, into our living room, illuminating a patch of carpet where I believed a whole other world existed. Call me crazy, a lot of people do, but I used to truly believe there were other tiny worlds on each carpet strand. Complete with microscopic creatures or miniscule humans like Fairies. All living in fluffy homes with pets and pretty clothes.

A wide sunbeam would light up the specks of dust giving a brown sipea tinge, and I would try to catch each one in my tiny hands whilst I sat counting until you came home each evening.
My older brother told me that dust is just old human skin, mainly from the dead, in his attempt for me to stop breathing, but it just made me want it more. I wanted to breathe in each person's history as a part of me - maybe then I wouldn't feel so alone.

The scent of our old sofa, the glass corner that housed your whisky and Café Creme cigars. I'd trace the pattern for hours of the embroidered vines, their flowers and leaves that were immortalised under the pane. Destined to remain as the day of manufacture. Dark green, homely, comforting.
The surrounding fabric that faded with the daylight and all the New Years Eve parties that my parents threw, filling my sunken heart with a helium like euphoria
Those that I tried but failed to count down the days for
Where the adults would age backwards
Just for a few hours
Forget they had husbands, wives and young children
And my brain would fizz with an uncapped frenzied elation, from the smoke filled lights and music, that would bewray my constant sadness

The turntable blaring out ABBA, Billy Joel, Meatloaf, sounds of the sixties and all the music I now associate with happiness.
Our mothers swaying to Dancing Queen, nostalgic sadness seeping from their white wine eyes and aging skin. But oh they were so beautiful.

Me and my best friend would creep down from my bedroom and hide under the party table which was clothed in a long, crisp white Christmas fabric. We'd steel nuts, sausage rolls, fizzy pop and half eaten pork pies.
Dressed as Mickey and Minney mouse in our reversible sweat tops so indicative of the 80s

I knew right then, that my life would be altered by substances and acquaintances of the night
How I adored the chaos, the energy, the laughter and looseness of it all. Everyone smoked back then, completely care free and drank whatever was lying around, blissfully unaware that it would catch up with them one day, everything always does, in the end.
Our liquor cabinet had the most intoxicating scent.
When no one was around, I'd stick my head in and sit with my face pressed up against the bottles. I loved all the bright labels and colours. I would pick up the crystal glasses one by one and pretend to sip all ladylike the way they did in films, my little finger held out as i mimed imaginary conversations.
"How do you do?"
"Yes I enjoyed the show immensely"
"I'd just love to host next year's party, do come" 
I felt so grown up.

But an average evening saw me sat upon your knee, swinging my 7 year old legs, blissfully happy and loving you as fiercely as I feared you. You'd make my puppets come alive and i really believed.
I still do.
You were magic to me. I adored you.

It's a Wednesday night, which was MAS*H night and in 1983 the final episode played with 105.9 million watching. Too young in years to appreciate the tear in your eye, I watched blissfully unaware, just so happy to be sat up late with the adults.
I'd give anything to go back to that night, just for a few minutes. I'd warn you that in just a few years everything would end. That both our worlds would dissolve and within the sediment, a great heartbreak would settle in and live unwanted forever.
That we needed to spend every second together making memories.
Oh the innocence of it.

I'm sitting here  now, thinking about that night, about my fears, about our sofa and about you.
As Hawkeye and the Korean war fills my screen night after night, my eyes fill with you.
What happened to us?
Why did you let go of my hand?
The saddest day of my entire life

But I never stopped loving you, not for a single heart beat and I'm grateful for these memories that fill my pages, meaningless to anyone else, but meaning the world to me.
Some say you don't deserve my love.
They say you were less than a father.
They're wrong.
I'm ashamed to say that i don't often defend you.
But I declare it here, now.
On this page right this second
That you were everything I could've dreamed of
That the first eleven years of my life were so much more than I can ever articulate.
And how much I thank you for being my daddy...
I missed you
I miss you still.

(RIP 01/12/2018)

Home

The taste of granite flushed her mouth,
Felt like brittle sand between her teeth,
And she grimaced harshly,
Blaming the crust on her teeth for her situation.
Her knuckles cracked as she pulled her hands into fighting fists,
Her heart beat sung cruelly in her ears as she stared,
Black eyes dancing in unanswered danger,
At the large looming presence in front of her.

She could die,
Truly die, splat, gone, disappeared,
Wind howling with her absence,
Never to be seen again.
And she didn't know how to feel about that,
Was undecided,
Twisted and curled and gnarled in darkened thoughts,
Couldn't quite wrap her fragile mind around reality.

She was walking,
Back and force, pacing with side stepped tracked expectancy,
Eyelashes swaying like whiskers in the wind,
Cold eyes opened and ready to see the end, the coast to her city.
Her feet clacked like a horse's hoof beneath her,
Her shoes, never cleaned, smelt quite similar to a horse too,
Musty, sweaty, *****, filled with unleashed stench,
But she did not plug her nose.

The smell was hers to disgust on,
She embraced it.

She tucked stray hairs behind her angled and alert ears,
Letting calloused and shredded hands do such a gentle action seemed wrong,
As if they only mimed the part they were meant to fit,
Even though they had been her hands for as long as her hands existed.
Her eyes raised slowly, in key with the slow moving sunrise,
She gazed in mesmerised and petrified wonder,
At the unveiling scene of terrified beauty before her,
It didn't seem real.

She dropped her arms in shock and amazement,
The two falling tactlessly beside her sides with the agility of a ragdoll,
She found herself walking on slightly bent legs,
Towards the glorious picture.
A child, no older than four,
Demon eyes the colour of the blood,
And silver hair the colour of the moon's reflection on the sea,
Lifted out a curious arm with gentle innocence.

The child was not normal,
Though neither was she with her black eyes and doomed expression,
They fitted together, their palms folding like two clashing pieces, and slotted seamlessly,
She had thought her hands would fall off if they ever touched another.

Why was this boy so special,
And why did she not hate him for it?

She lifted him into her arms with a maternal grace she had never understood,
Tugged him close until his small plump face rested on her clothed chest,
Could hear his gentle and fragile heartbeat thumping softly against her squished torso,
Banging harmlessly against her ribcage.
She felt tiny hands play with her straight locks of hair,
Running fingers through the tragic art of her style,
Sniffing the smell of unwashed hair,
Of unbathed pale skin exposed to the elements.

The little boy's nose did not wrinkle as expected,
He did not appear to think she smelt of horse like her shoes.

The little boy smelt of woodchips, of forests, cooked chicken, and clean air,
He was far too precious for her to be holding,
But she couldn't seem to let go,
Not once she had him.
He brought his butterfly soft lips to her ear,
Gently brushing hair away from the opening,
And whispered softly, as if he had no idea how glorious the words were,
Against her shoulder and into her heart.

“I'm home, right?”

He rolled the words over his tongue,
Tasting them like fine wine,
As if he could not believe them himself,
And she could only hold him tighter.