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Daksh Jun 2021
Metaphors; nested, unconncected.

High order entaglements due to a damaged brain.

Fulfiled, Afraid, confused, dreams make you petrified.

Ask yourself those questions.

Conceptualised, formulated and executed
in a damaged brain.

Tremendous courage and steady blood flow through my veins
clamp your fists and hold on tightly

I will make it through sane
on both my feet
even if I have to strain.

If its you who love me, I shall dream of you
and write about you,
from a damaged brain.
Mateuš Conrad Dec 2017
the universality of relativity has already
already occurred, far beyond the scope
of the physically simplified
  time = space via the epsilon =
             μ and "kappa" squared...
what's the equation with "kappa"
                                  cubed?
but it's beyond speaking relative
language,
            when the study of time,
i.e. history, is only left with an absolutist
"morality"...
                     the grand theory of
relativity killed off all considerations
of a moral relativism...
                         and what's hard to grasp
is not the theory of relativity,
but the enacting of moral absolutism...
   at this point relative languge
is otherwise the focus on nuance...
what is required is absolute language:
there's only one book worth burning,
and it's the thesaurus...
              red is relative to crimson,
blue is relative to azure...
      the otherwise reprimands of shades...
red = crimson = red, at the end of it...
         but how can we live
in a time or space where time = space
without having a historical
stalemate, a status quo, a congestion?
the only answer comes with how
space is effected,
  this current isolationism...
this quasi solipsism...
                    at the precise point
were time & space coincide comes
the time of the great unravelling...
           time becomes a constipation,
while space becomes a claustrophobia...
  no more history is written with
authenticity in mind, merely a parody of
a repeated narrative...
space? space become a single man,
occupying a ******* universe!
              even the god Atlas fell
to his knees trying to balance act
a supra-geometrical "shape"...
      the convergence of space and time
surmounts any deliberation of the "ultimate"
evil...
the evil is inconsequential when
the apparent good serves an ultimatum...
you either obey my laws,
or shut up, completely!
         the re-convergence of time from
space, a divorce, a disparity can only
be achieved when the speed of light
is conceptualised as cubic, stationary...
           via the notion of anti-matter
i.e. anti-mass...
       E is reserved as the equilibrium mediator,
a buffer zone... the pH 7...
what concerns equals (=)...
            but when time and space
collided there were too many
sycophants that didn't understand the science!
for god's sake you've create a vacuous medium
whereby history is a congestion,
and space a zoological realm of study
beginning with chimps and ending
with man!
               the reason why most people
perceive history as not actually
occurring,
        is that Einstein reversed the
Copernican discovery...
   the earth has once more,
began tp stand still..
                                  24h news reels
have ensured that the earth is
standing still, i am aware of the facts,
but perceptively it's not actually moving...
it's waiting for a dawn, akin
to the burning down of the library of
Alexandria...
                        however i put it already,
time is congesting,
      space is isolating...
                         upon a convergence,
there comes a divergence...
  what we're experiencing is the divergence
of what came to be a space-time
convergence...
    it will take more than a few decades
to unravel the pivot...
    that balanced time with equal
satiety of space...
             at this point we're heavily
inclined to fathom space,
science fiction, space travel -
if not fathom, then become satiated by it
being explored, hence our historical neurosis
and ease at having un-lived past experiences...
our historical: kindergarten "reminiscence"
or therefore: lack of respect / seriousness...
to match but one requisite of a respect
for time, there must come a death of being
fascinated by the fiction surrounding space...
and come the reality of:
the non-fiction encompassed by time;
for time is but a contracting force,
given the mortal frame,
with space expanding, time contracts.
Mateuš Conrad Oct 2016
this feeds me: http://tinyurl.com/hvz44mr - sure, when you see flowers pollinate more frequently, and pigs slaughtered more so, you begin to wonder: this gentlemanly approach to things is really paying off... sure is... oh well, why are they born to necessitate such matrimony kindred to sadism? why?! by now i'm in the refugee camp: i really don't care, just get me off this orbital **** of pathos.

when bass and drums merge,
and soon overpowered rhythm guitars
all long gone...
                                    i don't have to be right,
or wrong,
                      Sacha Baron Cohen and the Cohen
brothers (albeit distinctive) and
     Mel Brooks still understand comedy:
has to do about something concerning genitalia,
but feel the rhythm,
                      it's slightly dangerous,
it's thematic according to a rheumatic
piston sharpening to pulverise you into
a state of being brain dead, that's dangerous,
skin-heads aplenty, with the fake dodo-extinction
of the left leaves the right ripe and open
to invigorate itself... just like
Urban the 2nd launched the crusades during
the first crusade... my ethnic cousins were not involved,
we waited for the Teutons, then the Mongols,
what a magical ethnic diversity,
                         you end up discarding English
media, even if or whenever they come up with a story
akin to *all the king's men
- whoop d d'ah:
               helium filled balloons...
                      because what you're speaking is: i'm not
discovering as a legitimate differentiation
basis for either Lenin or Lennon -
                            shoot the dummy,
well: you're all Clinton and California is orange...
                         you see, techno punk is vague...
i'm vague...
                     i loved being in brothels,
they told me about black boys with elephants *****
and tried to get me angry,
         hell, i passed the test when one ******* stole
my bank card and the **** showed me an *** array of
stolen cards in his plagiarism wallet...
                                many more examples...
why did i retire my youth and beauty to
encounter prostitutes?
                ever tried courting an English girl?
i dare say, gnarl?
                                             you'd sooner find a *******
leprechaun than **** an English girl...
                               the bony **** of my own extensive limb
curled got boring, university wasn't the 1960s,
               i didn't want to ****...
i didn't want a Clinton reputation...
                 what's the answer? am i gay? no!
brothel 999.
                          well: if you're not going to **** me,
and i'm tired of yanking the doodle and saying
*** is actually Switzerland, where am i to go?
          the only way is brothel-land.
                                  **** a nippy chicken off a supermarket
shelf? is that your idea of currency?
                  oh i heard, two guys drugged a girl
***** her then impaled her like a Polish-Lithuanian
          Commonwealth baron speaking Ukrainian
in Argentina... then the street protests...
           i'm convict for rightfully paying for ***,
paying an extra £10 for eating the genitals out,
         making a Jewish joke akin to Balaam -
getting what i want,
                                    telling the British girls:
oh here comes the Pakistanis, curry kebab dab in that?
sure!
               whey hey!
                                   Sinjit's your uncle!
why the **** would you wonder why i designate
myself as being misogynist?
                                   i conceptualised the idea by
splitting the Cartesian Siamese distraction
into two: ergo doesn't necessarily precipitate into
the arithmetic...
                    i coordinate otherwise...
                                        going to the brothel liberated
me from dating culture,
                          from dating apps,
                                  from that i call pork trimmings.
easy to say you're an atheist but have no atheistic
thought to back it up... and few hardly do:
    because it's easy to assume you are something
but have no agreeable thought to manage the throttling
being as such.
                  a man can masquerade his delving
into lost genital interaction for only so long,
but when you live in a society where women are deaf
and blind, and prefer the company of perverts...
hey **! the ****** are parading and knocking on your
front-doors...
                      because they can, and because they will...
            what, you want to date?
                       is that eating a date while breaking
the Raamadam fasting month?
                      you got to be ******* kidding me...
don't bother...
                                      you'll die a *******-load of
squatting ***** exercises that's politically merely a
handshake... if the English girl don't give to a man:
        then let the perverts come -
i'm done.... Bulgarian ****** taught me all i need to know,
and i even decided to pay an extra £10 to slurp up that
excess of Isaac's necktie on the altar of Abraham -
funny how the Aztecs built pyramids but where not
interrupted: 'cos they were palaces of capital punishment
not trivial tombs!
                                  they taught me more than
i could have ever learned...
             when it comes to dating these days?
i can't be bothered, should i be bothered? probably no.
well, there's that case of drugging a girl, ****** her
and then impaling her in Argentina...
                       with so many insects roaming the place,
you're bound to feel a desire to ****,
  and when not gratified and not interested in games,
you go the source of your woes and
                    desire to buy salt,
and you buy salt,
                 and oh god, it's so impersonal
and yourself so intact,  and then you leave,
                                      and then you have very or merely
little concern for keeping certain things memorable.
Realeboga M Apr 2020
You’re the one the I need.
You’re the one that I wanted.
You’re the one I get hurt for
You’re the one that I lean on.

I sit outside contemplating if I’ll ever have the right words to fully orchestrate the greatest love song.
Pondering on the ideology behind each symphony and melody.
Trying to figure out if I can truly compensate for each octave. After all I’m no singer.

I stand before a very large crowd. All eyes on me. I hear each murmur from the background. It would seem they are all waiting on me.
Dressed and draped in black, my hands begin to shiver, sweat trickling down my forehead.
I don’t have the voice for this. How on earth do I put on the greatest show.

Deep breath, inhale, exhale. I tell myself. If it’s all for a love like no other.
Surely I can make this work. Somehow I can. Because if it’s for her. Then I need to become the greatest showman to date.

I want to say things like “I’ve never believed in fate and that every fibre in me believes there’s no destiny. That I always sought love to be superficial or more of a fantasy.”
However I’ve always been a sucker for romance.
And I always believed that love could enhance every bit of our surrounding. And in saying so. I am stating to you that you’re my comfort in ending. And I hope that having a knowledge of this is profound. Because at the end of the day, you’re the only love I need and have found.

I stare in awe at the crowd. At first lost for words. But to the thought of you, I’ve found inspiration. At the sight of you, my confidence sky rockets. I don’t know if you know but you’re my motivation. And for as long as I can imagine, all that I want and need is within you.

I’m a victim of love.
I have stood before Cupid and allowed for him to take a mugshot of me love drunk.
I’ve been in a position whereby I fought love and thought it was love.
But my reality always pulled me out of this dream. Dragged by gravity. I realised it was all idealised, conceptualised misunderstandings of what I thought was what my heart needed.
Because at the end of the day. The love I had given out was never reciprocated. It made me feel as if I was doomed.
As if I was to be consumed by the world and to be hastily chewed up and spit by the people that took my heart only to decide that it wasn’t good enough.

Feeling like you’re not good enough and being put in that situation is painful. I remember fully telling myself that I cannot be that again. I need love that is not only healthy but will help me grow and become better and be in a case of “Finally, I feel at home”

When you walked and came into my life. I never expected that.
I know I was wholly curious about you.
I know I wanted to know more, I wanted to know what makes you smile, what makes you laugh, what makes you happy, sad, confused, confident, what ticks you off, what angers you, what makes you. So you.
And how can I be apart of your life. How can I see that smile everyday and make you laugh and make you see the world the way I see it in your eyes.

And it’s weird. I know.
But when i heard your name for the first time.
It felt like my heart finally found its other half.
I love you.
Mateuš Conrad Apr 2017
in germany it's called a sharp s (ß)... in poland it's just called an acute s (ś)... in english it's a revival of the original germanic intention of quasi-interpolation that the other name for ß is intended for, to suggest: es und zee; as showecased by the example that's the title... the english have this "competence" riddled into them... they can interpolate the s with the z, and the z with the s... as long at the two letters are lodged deep enough in words, i.e. not as heads (primarily, since i do not know of any words ending with a -z)... e.g. zebra... saber... sophisticated... zero.

but in all honesty, it's not about that... even though that
stated, can become relevant some day, or other...

   it's more about su doku, no. 8966...
                as the categorißation clearly indicates,
a tough ******* to crack open into a complete
solution...
                 ha ha... if they won't bend with zeppelins
or messerschmitts, or a yunkers yu (yew) 390 -
tackle them with a ß.
                                         anyway, back to the su doku...
back to no. 8966... ******* is difficult,
he's not budging, so i resort to writing something,
        relaxing my eyes on letters, rather than,
something equivalent to what the chinese would
call the 4th book of the torah (book of numbers) -
               but what i'm playing at is...
                 the fourth dimension allusion...
          su doku isn't a pain-of-fact      x, y, z
conceptualisation...
                                          ­     it was conceptualised
by asians... no wonder you can become a bit cuckoo
solving the puzzle...
                                        or at least i do...
    i do have a blind-spot for super-fiendish
     and fiendish and even difficult puzzles...
                        but then i like to relax, and i'm not
going to allow my brain - which is fat -
              become invaded by killer-proteins of alzheimer -
in the same way i won't be told that my brain
     requires flexing... like a killer protein would like
it to flex, to then invade the plump and delicate *****...
ah yes!
             the conceptualisation schematic!
                                     it's based on coordination....
       \ | /
     _   9 _                                 so it starts off like that...
        / | \

   but then ***** off and does this:

      
     (5, 5) > (5, 6) < (5, 7) << (5, 1) <<< (5, 9) <<<< (5, 4) etc.

     (it's about positions, coordinates!
                         you're not talking x, y, z style graphs,
  you're talking x, y, z, g        graphs....
                              )       i.e. the worth of having two fivers
on the graph is good... by comparison having a fiver
and a six doesn't bring you closer to the solution,
      and the rest is just:       < less than << even more less
    <<< even even more less    <<<< les dennis?

in reverse?
     oh you mean the upper part of the spectrum?
in summary it's sorta like:
      the algebra of xxxxxxxxx
             and the punctuation <<<<<<<<<
      or yyyyyyyyy and >>>>>>>>>

and it goes likes this:

     (5, 5, 5, 5, 5, 5) > (5, 5, 5, 5, 5) > (5, 5, 5, 5) > (5, 5, 5) > (5, 5)

the difference is obvious... because it just is...
you don't apply the addition emphasis of the < or > mark...
because it's ****** obvious that you're adding the same
****** number to the su doku graph:

  obviously until you get to (5, 5, 5, 5, 5, 5, 5, 5, 5) -

   if you're serious about drinking, as i am, and you do
one of these puzzles?
                            the world of colour disappears....
and you're stuck on a ******* carousel -
                     and you're thinking:
      what are these l.s.d. junkies on about
                  trying to see more colour than necessary?
try this!
                          it's a bit like a nostalgia
                    for black & white cinema...
                                                      s­ilent movies?
n'ah... that's going too far back.
Mateuš Conrad Mar 2017
you read a saturday article, you gain insight into the void,
and then you attempt a su doku...
i couldn't finish of no. 8902 (difficult)...
i attempted no. 8903 (fiendish)
and lost the plot at square-to-linear
interchange with the number 1...
        all the while not really concentrating
on the puzzle, or trying to master
the craft to a competitor's level
of expertease...
  it became a game of trying to find the origin...
summarised by the words: not here, not here,
                  but here.
the crux of no. 8903? only one 2 on the "palette".
        and two ones. i reached the point where
a square of the 9 and a linear completion didn't
correlate... exactly... a misplaced 1.
                   so then i conceptualised:
1, 2, 3, 4, 5, 6, 7, 8, 9
                             1, 2, 1, 2, 3, 2, 3, 4, (3?) 5....
         iocus numero similis prior cataracta;
a case of parity...
               coordination e.g. (9, 9)            (9)
elsewhere...
                                the dynamic soon
shifted into
              (1, 2, 1) through to (2, 1, 2), then into
(1, 2, 1, 2)... (2, 3, 2, 3), (3, 4, 3, 4), (4, 5, 4, 5),
         (5, 6, 5, 6), (6, 7, 6, 7), (7, 8, 7, 8),
                        (8, 9, 8, 9); and that equals?
the encompassing void of 0.
                  ',  ,'           (or the collpasing effect) /
implosion.
           just as much to distract me as an article
about mayte garcia / the first wife of prince...
    *****, ms. pepsi and the windowsill and the night...
yesterday's antics: a decapitated daffodil
a fiołek (violet) head... pinched rosemary and pinched mint...
     laid down on a kitchen counter...
            a cat... and "someone" talking about
scents...
                       3 sharpened kitchen knives in the garden,
on a stone that oozed off dust (as the knives were
sharpened with such verocity)...
    and now today... more ms. pepsi with vladimir vod
           of the excess of thus stated opinion: ruling,
unchallenged; because who the **** would
take sober opinions, seriously?
Mateuš Conrad Jul 2017
to me, it's very hard to explain something to a woman, without having to invoke the concept, prior, and subsequently dwindle in what's actually being explained; personally? i think that the grand genuis of woman conceptualised the idea of money, after all, if man is the tribal facet to the whole story, the inventive spirit of group-mentality, of ethnicity, of nationalism, of whatever propels the vector of history toward its never seemingly ending agitation, well... only a woman could have conjured the concept of money, what with prostitution being the base profession requiring money... if ever there be an alchemy of the transvaluation of "values", then the commoner's stone is the idea of money... why is it that in his living wake, van gogh was a pauper, but as history states, he's by now a ******* millionaire? money can even transcend death, and evaluate a second glance in its post-mortem stare: worthless as alive, glorified as dead; in times of war, money becomes rationing, in times of peace, an unfair dispensation of values / worth.

and is that not why there's this apparent
disgrace of woman
within the critique of feminism?
    it worked like magic,
the first original idea by a woman:
   money...
                    but how is modern woman
expecting an equally respectable idea
to be digested, when it stages
   itself via feminism -
              yes, woman conjured money,
man failed in his alchemy,
  so instead started pampering people
with shampoos, toothpaste and the likes...
it's enough that woman gave us
money, but it's another to congest
and sardine pack the philosophies ranging
from ancient greece to modern day,
in the sardine-can of feminism,
and every other -ism...
                          sure, aristotle was ******
when it came to arithmetic and ivory -
but then again: maybe that was just
a joke back in ancient greece,
                        regarding giving *******?
money i can understand, but feminism
and its attempt to allow itself a shortcut
into every aspect of masculine thinking?
ah! i heard this one before,
scientists call it: the theory of everything...
look! feminists already proprose that
feminism is: that grand theory of everything!

i can't stress it enough...
   how can you digest a book of philosophy?
i can't stress it enough:
   solve a sudoku while reading a book
of the apparent content...

and some do say, drifting between
the waking-hour, and the hours-of-nox -
well... if we call the former words,
we can call the latter numbers -
     and isn't that a great comparison -
it's like seeing colour in black & white -
what with how letters are arranged
and how numbers are arranged -

   we can even begin calling
equations                   words -
for example e = m c squared
           to imply arranging a, b, c, d, e, f...
   into the word relativity -
interchangeable properties of energy
and matter...

            while 0 - 9 stress an automaton
process of the body -
               the unconscious -
  letters a - z stress the sporadic eventualities
of speech mingling with thought -
      the conscious -
           and in between these two:
images, or the evolution of / disarming of
hieroglyphics - stripping said unsaid:
to mere bone...    to the skeletal now apparent.

how would one begin crafting an image
of thought?
            sooner than one might think to begin:
the soul is already portrayed as a breath
of etheral form, loosely matched to imply
a human body,
     as a monkey is: **** similis -
                          and sure enough:
   something out of disney tale -
   bound in the entranced eyes of hades,
          like blotches in a flux of a lava lamp.

i don't day dream,
           i hardly ever dream -
                       enough of the nonsense bound
to a single day, than to drag even more
nonsense into the depths of nox -
   ah, but the rivers of the underworld:
from the river of tongues,
   to the river of sleep -
     of the styx we known -
                   how the dead speak to the living
within the confines of sleep -
   how else? how else can we conjure light
in the cranium, where no light can enter?
   if dreams are not how the dead speak to
the living while asleep, how else the binding
contract of mourning, and the annual
celebration *in memorandum
by the grave,
the laying of flowers, the candles that light
up the dark night of october eclipsed
that's all saint's day -
                  indeed, in memorandum
     of the stated born on & the died upon dates;
but the rivers of hades!
                    die zungefluss (the river of tongues) -
and indeed that mediating river
                        of nox -        die traumfluss...

ah, but if you want to see a literary bosphorus,
why didn't you ask?
                     you can see the hand of the west
(bertrand russell) shake hands with the east
     (władysław tatarkiewicz) -
   regarding the philosophy of history -
                    or interchanging: the history of -
probably the only pompous word in the english
language.
Mateuš Conrad May 2017
coming from the spatial, rather than the temporal position
of the reinvention of the cartesian
unit, i.e. res locus...
  the following can only be based in germanic:
dasien... i.e. there-being...
                   well, the english answer would sound
                             like the following:         there's being;
there, is, being;  **** me, that's seriously frankenstein like;
all it says though, is: there's existence
  to speak of... if it needs to be spoken of...
                    but the concept of res cogitans
   has to be replaced by something new...
   given the existentialists, esp. the germans,
it can only come about via heidegger's concept of dasein...
hence, me, at the bith of the 21st century...
   conceptualised as res locus equivalent
to expressing 24 / 7 news coverage...
     oh the thinking thing is relevant... but in the beginning
of the 21st century... you simply need to "locate" it...
you have to state the aversion to heidegger's dasien /
being there...       temporal...
            via                    there's being...     spatial;
             alternatively hand-in-hand with indiana jones
                 covering the happenings of, and in, the third *****.
Mateuš Conrad Nov 2017
having studied chemistry, i was already predisposed to write in the vein of philosophy, i could never manage to retain a pure humanism, of, say, a novel; how can one truly return to pure humanism of a novel once the shackles of science have been thrown onto a mind? at least philosophy allows a buffer zone between the sciences and the humanities; yet only in poetry is the most perfect depiction of man, in that poetry for all its woes, is but a pristine self-portrait of man: man, ex impromptu; and to add to this: lyricists are paupers in the poetry community, ever rigidity to write identifiable "poetry", as taught by english teachers, mindful of techniques and an arithmetic rigidity is a waste of time... a stake tartar is not a stake tartar if the meat has been cooked... the only poetry that is worth is seemingly mindless (madness, indeed, but there's method to it analogy), yet what it isn't is a rigid rubric; let us not be so predictable as to orientate our writing to be recited / studied in an english class, filled with 16 year olds.

it is strange to keep a memory of a thought,
but i have this most pristine bloom of
memory from a mere thought -
a question, what will be the last song i will
listen to, before i die?
  it was autumn, i just returned from
Ypres, and had just finished reading
dostoevsky's crime & punishment -
it was autumn, the fallen leaves were
scribbling themselves onto the pavement
with a rustic shuffle, while the wind played
the hand holding a quill -
          and that internalised question has
stuck with me, ever since,
i must have been in my teens.
          it must be noted, though,
he was right... art is degraded
                while science is overestimated -
which shows in pop culture -
           the popularisation of science is
abhorring, it's actually sickly -
a ******* gangrene on common sense...
        because these days,
no one will cite a milton, or an ezra pound,
what will be cited is
             a theory, without a name of
origin. i fear that the people who cite science
the most, who have to lean on
the crutch of science, are the least read
people in the world, i.e.
pompous barons of reading a blank page,
and now they want applause and
the word: encore! encore!
                  sure, they'll get an encore,
a baboon's **** and a camel spitting in their
faces.
           it would seem that when you
truly love, you only truly love:
               because you hate, with a passion.
- and a catholic apostate i am,
a catholic apostate i am, i am...
given the bureaucracy of the religion,
         i made my mind up,
confirmation? nope.
                      reading that book about
the gnostics (**** me i wish i stole that book
from the school library like i stole the quran)...
now we're into shrapnel talk, jiggy-jiggy,
        random noise, don't ask, don't know
where it came from...
           back in school we'd have trivia games,
who could name bands in rotation...
       then one day i was playing some music
and a friend asked: who's that?
   guess who.
               deep purple.
  no, guess who.
    creedence clearwater revival.
  no! guess who!
d'uh... american woman...
                 if there ever was a modern
movie i've fallen in with, it had to be
american beauty.
                       or take yesterday -
(by the way, i'm not in cabaret voltaire
pulling lines out of my *** and a white
rabbit from a top hat)
     all i said was:
well, at least he had a conscience -
unlike some sociopaths
         (cf. carl sargeant / weenershteen
an employer for former mossad spooks).
         - see, i don't like this idea,
the idea of a res cogitans,
it's too mathematical for me,
      it has a mathematician conceptualised
it, written all over it.
   to me: that's a ****** coordinate!
  - god? that's just a nudging to think...
i can't stress it enough,
praying feeds the vanity project of a god
in religion, his reply? probably a ****.
i rather think than pray,
less ornamental ******* and lying to yourself.
atheists? they prefer the talking version
of theism, whereby theism is the thinking
version of atheism.
   me? can't be bothered to talk,
talking means i have to engage in the outside
world, where, in the outside world
i'm met cold-shouldered by a res per se
(thing in itself) -
             or to put it technically in kantian
verbiage: noumenon.
               which is like a noun but it's non
   oscillating in M (sine)...
                            d'uh, W (cosine) -
                allah hell almighty -
                  one apostle two apostle three apostle
neunzig-neun luftballoooons...
                                hey, the fetish remains;
so soft, ooh, so soft, the german tongue
is silk, mmmm... i could almost wipe my ***
with it!
               (the degradation of art
and the over estimation of science?
   heidegger, he was right)
                so i propose an aversion of
the whole "thing" and "thought" -
i prefer the idea of movement, rather than
a cartesian fixation...
               after all *sum
and cogito are
quantum aspects,
              one precipitates into an outside
world, the other is invited into an inside world -
     i still fail to see how there's a ergo "continuum",
rainfall,
        how one materialises from the nether regions
into a conversation about the weather
over coffee...
                   i simply can't see an ergo
connection, akin to a +, x -, ÷...
                   worded, that's what is implied...
ok, ok...  let's go all fancy dress,
sleepover pyjama party mad: √.
                                i prefer the notion of
a continuum rather than a fixed posit,
    a coordinate -
                    after all no man ever was
considering a genesis, original,
within an "unoriginal" continuum -
   hey, buddy, you were born on a carousel,
it was moving before you were born,
it's going to move, and it will continue to
move after you're... what's that... "dead"?
         talk to the gene therapist -
    don't worry: you're recyclable material.
                       unless you have a different fetish
for a cul de sac existence?
                i do mind the res cogitans approach,
of a graph representation with coordinates
(0, 0, 0) -
                yes, i mind it...
  it's a static point of reference -
                    it's a existentia in stasis -
        an immovable "object" this cartesian
observation...
                              trust a frenchman to conjure
up an existential dead end trap...
     banging my ******* head against the wall...
when i should be headbanging at a heavy
metal concert with all the other meat-heads!
  how can cogito ergo sum ever reach
   a stasis?
                    a static point where everything
is simply ergo?
                          ah... the merging point
of the triad continuum:
                   ergo = the world
cogito = -1
                            sum = +1
      can't think of anything else,
the -1? ~catatonia.
                                      +1?
                                         the boring
   necessity of the cordial affairs of
                               yap yap yap
        in a supermarket.

— The End —