THE ENIGMA OF TIME IN VERSE: PART TWO
Dear Friends, having introduced ‘The Enigma of Time in Verse’ in Part One, along with few selected poetic quotes, I now mention what some of the important Philosophers thought about Time down the past centuries. But while doing so, I have tried my best to simplify some of those early concepts for better understanding and appreciation of my readers. If you like it, kindly re-post the poem. Thanks,  – Raj Nandy of New Delhi.

          THE ENIGMA OF TIME IN VERSE : PART TWO
   I commence by quoting Sonnet 60 of Shakespeare about Time,
   Hoping to seek some blessings for this Part Two composition of
   mine!
“Like as the waves make towards the pebbled shore,
  So do our minutes hasten to their end;
  Each changing place with that which goes before,
  In sequent toil all forwards do contend.
  Nativity, once in the main of light,
  Crawls to maturity, wherewith being crown’d,
  Crooked elipses ’gainst his glory fight,
  And Time that gave doth now his gift confound.
  Time doth transfix the flourish set on youth
  And delves the parallels in beauty’s brow,
  Feeds on the rarities of nature’s truth,
  And nothing stands but for his scythe to mow:
  And yet to times in hope my verse shall stand,
Praising thy worth, despite his cruel hand.”

              PHILOSOPHY OF TIME
Animals are said to live in a continuous present,
Since they have no temporal distinction of past, future,
or the present.
But our consciousness of time, becomes the most
distinguishing feature of mankind.
Though we are mostly obsessed with objective time, -
As the rotation of our Earth separates day from night.
With the swing of the pendulum and the ticking of clocks,
Which regulates our movements, while we try to beat the clock!
But the ancient theologians and philosophers of India and
Greece,
Who were among the first to ponder about the true nature
of all things,
Had wondered about the subjective nature of time;
Was time linear or cyclic, was time endless or finite?

GREEK PHILOSOPHERS ON TIME:
I begin with Heraclitus, the Pre-Socratic philosopher of 6th Century BC born in Ephesus.
He claimed that everything around us, is in a constant state of change and flux.
You cannot step into the same river twice Heraclitus had claimed,
Since water keeps flowing down the river all the while and never
remains the same.
This flow and change in Nature is a process which is ceaseless.
The only thing which remains permanent is impermanence!
Here is a quote from poet Shelley reflecting the same idea:
“World on world are rolling ever
  From creation to decay
  Like the bubbles on a river
  Sparkling, bursting, borne away.”

Now Heraclitus was refuted by Parmenides, born in the Greek colony of Elea,
On the western coast of Southern Italy, as his contemporary.
Parmenides said that our senses deceive us, since all changes are mere illusory!
True reality was only eternal and unchanging ‘Being’, which was both indivisible and continuous - filling up all space.
Zeno, a pupil of Parmenides, through his famous ‘Paradox of Achilles and the Tortoise’ had shown, that when the tortoise was given a head start,
Swift footed Achilles could never catch up with the tortoise,
Since the space between the two were infinitely divisible, resulting in the impossibility of movement and change in motion!
Now the Greeks were never comfortable with the Concept of Infinity.
They preferred to view the universe as continuous existing ‘Being’.  
However, unlike Heraclitus’ ‘world of change and flux’,
Both Parmenides and Zeno have presented us, with a static unchanging universe!
Thus from the above examples it becomes easy for us to derive,  
How those Ancient Greeks had viewed Time.
Time has been viewed as a forward moving changing entity;
And also as an illusory, continuous and indivisible Being!
To clarify this further I quote Bertrand Russell from his ‘History of Western Philosophy’;
“Creation out of nothing, which was taught in the Old Testament, was an idea wholly foreign to Greek philosophy. When Plato speaks of creation, he imagines a primitive matter, to which God gives form as an artificer.”

PLATO AND ARISTOTLE ON TIME:
For Plato, time was created by the Creator at the same instance when he had fashioned the heavens.
But Plato was more interested to contemplate on things which lay
beyond the sway of time and remained unchangeable and eternal;
Like absolute Truth, absolute Justice, the absolute form of Good and Beauty;
Which were eternal and unchangeable like the ‘Platonic Forms’, and were beyond the realm of Time as true reality.
Plato’s pupil Aristotle was the first Greek philosophers to contemplate on reality inside time, and provide a proper definition as we get to see.
He said, “Time is the number of movement in respect to before and after” - as a part of reality.
To measure time numerically, we must have a ‘before’ and an ‘after’, and also notice the difference objectively.
Therefore, time here becomes the change which we see and experience.
Time takes on a linear motion moving from the past to the present;
And to the unknown future like a moving arrow travelling straight.
Aristotle had developed a four step process to understand everything inside of Time and within human experience:
(a) Observe the world using our senses,
(b) Apply logical rules to these observations,
(c) To go back and consult past authorities, if your logic agrees with their logic,
(d) Then only you can come to a logical conclusion.

No wonder in our modern times, experiments conducted by the LDC or the Large Hadron Collider, located 100m underground near the French-Swiss border,
By going back in time simulates the ‘Big Bang’ conditions, that moment of our universe’s first creation.
The scientists thereby, study the evolution of our universe with time, which  resulted in the  finding of the Higgs Boson !  (On 4thJuly 2012)

NOTES :  All elementary particles interacting with the Higg's Field & obtain Mass, excepting for photons & gluons which do not interact with this field. Mass-less photons can travel at the
speed of light with a mind boggling 186,000 miles per second! Now this LDC is a Particle Accelerator 27 kms long ring-shaped tunnel, made mostly of superconducting magnets, inside which two high-energy particle beams are made to travel close to the speed of light in opposite directions, and the shower of particles resulting from the collision is closely examined, presuming that these similar shower of particles must have been produced at the time of the ‘Big Bang’ some 13.8 million years ago, at the time of Creation! Sound like fiction? Well, Prof. Peter Higgs got the Noble Prize for Physics, for locating the particle called ‘Higgs Boson’ among those shower of particles, on 10th Dec. 2013.

NOW TO LIGHTEN UP MY READERS MIND, FEW TIME QUOTE I NOW PROVIDE :

“TIME WASTES OUR BODIES AND OUR WITS,
  BUT WE WASTE TIME, SO WE ARE QUITS!” – Anonymus.

‘Time is a great Teacher, but unfortunately it kills its Pupils!’ – HL Berlioz

“Lost , yesterday, somewhere between sunrise and sunset, two
   golden hours,
   Each set with sixty diamond minutes.
   No reward is offered, for they are gone forever!” – Horace Mann


PLOTINUS & ST. AUGUSTINE ON TIME:
Now getting back to our Philosophy of Time, there was Plotinus of the 3rd Century AD,
The founder of the mystical Neo-Platonic School of Philosophy.
He had followed Plato’s basic concept of Time as “the moving image of eternity.”
Mystic Plotinus tried to synthesize both Aristotle and Plato by saying that the entire process of cosmic creation,
Flows out of the ONE  through a series of emanation!
This ONE gave rise to the ‘Divine Mind’ which he called the ‘Realm of Intelligence’ and is an aspect of reality,
When everything is understood in terms of Platonic Forms of Truth, Justice, the Good, and Beauty.
However, the later Christian theologians had interpreted this ONE of Plotinus, -
As the Christian God, the Divine Creator of the Universe.
For God is eternal, in the sense of being timeless, in God there is no before or after, but only a timeless present.

Now this lead St. Augustine, to formulate a very admirable relativistic theory of Time!
St. Augustine, the greatest constructive teacher of the Early Christian Church, had written in Book XI of his ‘Confessions’ during  5th century AD, -
His thoughts about the enigma of Time which had perplexed the Greek philosophers of earlier centuries.
To simplify St. Augustine’s thoughts, I now paraphrase for the sake of clarity.
Time can only be measured while it is passing, yet there is time past, and time future in reality.
To avoid these contradictions he says that past and future can only be thought of as present: ‘past’ must be identified with memory, and ‘future’ with expectation.
Since memory and expectation being both present facts, there is no contradiction.  
“The present of things past is memory, the present of things present is sight; and the present of things future is expectation,” - wrote St. Augustine.

This subjective notion of time led St. Augustine to anticipate Rene Descartes the French philosopher the 17th Century,
Who proclaimed “Cogito, ergo sum” in Latin, meaning “I think, therefore I am”, and is regarded as the Father of Modern Philosophy.

Now cutting a long story short I come to Sir Isaac Newton, well known for his Laws of Motion and Gravity.
Newton speaks of ‘Absolute Time’ which exists independently, flowing at a consistent pace throughout the universe, which can only be understood mathematically.
Newton’s ‘Absolute Time’ had remained as the dominant concept till the  early years of the 20th Century.
When Albert Einstein formulated ‘Theory of Space-time’ along with his Special and General Theory of Relativity.

Now the German philosopher Leibniz during 17th century, had challenged Newton with his anti-realist theory of time.
Leibniz claimed that time was only a convenient intellectual concept, that enables to sequence and compare happening of events.
There must be objects with which time can interact or relate to as ‘Relational Time’ he had felt.
Ernst Mach, like Leibniz towards the end of 19th Century, said that even if it was not obvious what time and space was relative to,
Then they were still relative to the ‘fixed stars’ i.e. the bulk of matter in the universe.

CONCEPT OF TIME AS 'SPECIOUS PRESENT' :
During late 19th century, Robert Kelley introduced the concept of ‘spacious present’, which was the most recent part of the past.
Psychologist and philosopher William James developed this idea further by describing it as ‘’the short duration of which we are immediately and incessantly sensible’’
William James also introduced the term “stream of consciousness” into literature as a method of narration,
That described happenings in the flow of thought in the mind of the characters, - likened to an internal monologue!
This literary technique was later used by James Joyce in his famous novel ‘Ulysses’.

TIME CONCEIVED AS DURATION: HENRI BERGSON (1859 -1941)
Next I come to one of my favourite philosopher the French born Henri Bergson.
The Nobel Laureate and author of ‘Time and Free Will’ and ‘Creative Evolution’.
Will Durant in his ‘Story of Philosophy’ says Bergson was ‘the David destined to slay the Goliath of materialism.’
It was Bergson’s ‘Elan Vital’ that life force and impelling urge, Which makes us grow and transforms this wandering planet into a theatre of unending creation.
For Bergson, time is as fundamental as space; and it is time that holds the essence of life, and perhaps of all reality.
Time is an accumulation, a growth, a duration, where “duration is the continuous progress of the past which gnaws into the future and which swells as it advances.
The past in its entirety is prolonged into the present and abides there actual and acting.
Duration means that the past endures, that nothing is lost.
Though we think with only a small part of our past; but it is with our entire past that we desire, will, and act.”
“Since time is an accumulation, the future can never be the same as the past, -
For a new accumulation arises at every step, and change is far more radical than we suppose…the geometric predictability of all things, Which is the goal of a mechanistic science, is only a delusion and a dream!”  
Bergson goes on in his compelling lyrical style:            
“For a conscious being, to exist is to change, to change is to mature,
to mature is to go on creating one’s self endlessly. Perhaps all reality is time and duration, becoming and change.”
Bergson differed with Darwin's theory of adaptation to environment, and stated;
“Man is no passively adaptive machine, he is a focus of redirected force, a centre of creative evolution.”

Martin Heidegger, the German thinker in his ‘Being and Time’ of 1927, had said:
“We do not exist within time, but in a very real way we are time!”
Time is inseparable from human experience, since we can allow the past to exist in the present through memory;
And even allow a potential future occurrence to exist in the present due to our human ability to care, and be concerned about things.
Therefore we are not stuck in simple sequential or linear time, but can step out of it almost at will!

CONCLUDING  PART  TWO OF ENIGMA OF TIME IN VERSE
In this part I have tried to convey what the Ancient Greek Philosophers had felt about Time in a simplified way.
Also some thoughts of Medieval and Early Modern philosophers and what they had to say.
Where Sir Isaac Newton stands like a colossus with his Concept of Time, Laws of Motion, and Gravity.
Not forgetting Henri Bergson, one of my favourite philosopher, of the mid-19th and the mid-20th Century.
All through my narration I had tried to hold the interest of my readers, and also educated myself as a true knowledge seeker.
In my concluding Part Three I will cover few Modern Philosophers along with the relativistic concept of time.
Certainly not forgetting the space-time theory of our famous Albert Einstein!
Thanks for reading patiently, from Raj Nandy of New Delhi.
  *ALL COPY RIGHTS ARE WITH THE AUTHOR ONLY

A test is nothing more

than:

one man's way of gauging

another man's way of calculating

another man's way of thinking

all so pride may be synthesized

in forms of correct and incorrect

put to paper for someone's satisfaction.

.chris rea: god's great banana skin...

/ such random thoughts are a blessing, esp. after you've been walking for over 2 miles, in the cold and in the rain, with the setting sun... continually impressed by the nature of polyester clothing, how you feel the cold, but aren't cold at all, how you go back home and: you're dripping with sweat... /

the random thought?
about a saying, here's the schematic

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

which statement is true?
within the questioning parameters?
i think it's a trick question...
how else would you be able to
teach these statements and make
replica understandings of
said, statements?

(****... quickfire shots of syrupy
*****... **** me... give me the sweats,
and i'm not even constipated,
it must be the ***** doing
the magic... yeah... sober me?
doesn't like thinking...
but oddly enough, the drunk me?
pulls out philosophy,
no, not as some pretentious
high-brow interest...
   i just looked at philosophy as
a genre in literature,
nothing more)...

numbers, like letters...
or in the case of Roman numerals
(letters are numbers)...
i'm unsure whether you can arrive
at crafting them into existence
by analytical parameters,
i don't actually think
that you can conjure up numbers
from analyzing a priori,
given the ad continuum:
but... there was a point in time,
when / where: numbers weren't used...

Kant was a theist,
sorry...
  he says it plainly at the end
of his critique of pure reason...
in the transcendental methodology...
sure... he takes a "schizophrenic"
moment to write a thesis
and an antithesis on subjects like
cosmology...
but he's inclined, as i am,
counter to an atheist...
yes... god is probably a monster...
but a ******* gorgeous monster...
kinda like a femme fatale...
so what's not to like?

    but this thought didn't arrive
randomly,
and my consciousness
didn't hone in on it...
i didn't vector this thought
to an immediate conclusion...
the thought arrived,
and then: i had to make shrapnel
out of it...
the original thought was complex,
i had to make shrapnel out of it,
in order to put it back together,
so that a cognitive 3 seconds
could be rewritten in under 30 minutes
explaining, why the thought arose...

you know... when thinking
is detached from the moral (θ)-ought
you get to experience these "things"...
here's another schematic...

I + Φ (you put a key into a lock),
   Θ (you turn the key), O (the door opens),
hey presto... a free radical iota...
detached from both phi and theta...

i am free from making
a moral ought (i) or the immoral: ought (i) not?
i'm free, hence my concern for...
abstract questions...

back to the original schematic...

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

this actually has a theological
dimension,
supposing i am god...

   if i propose an analytical a priori
with a synthetic a posteriori...
well then...
             i can't change anything,
i can't actually make changes to...
with my omnipotence,
omniscience etc.
i already analyzed, a priori
the Kantian elevation to theology
comes, via me, stating...
if i analyzed the entirety of
creation...
            a priori ex nihil
(from the prior out of nothing)
how can i make a synthesis
in the a posteriori domain,
of the already existing things,
which didn't exist a priori,
since there was nothing,
and i already analyzed the potential
of nothing, and this potential
was realized as everything i would
know to exist... and i went along
with it anyway?

i'm starting to think that
the realm of analytical a priori
doesn't exist for mortals...
the gods can muse this ****-show
of a dimension over and over again...
we're more (being mortals)
synthetic a posteriori...
oh don't get me wrong,
i believe we have the capacity
to comprehend analytical a priori
but it's an analytical a- priori...
we've reached the limits
of the microscope, the telescope,
and the hadron collider...
or on our way to exhaust that...
still being left with an intact mesh of...
the orbits... summer, winter, autumn, spring...
but this thing with this schematic:

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

how can i conjure an understanding
of IV + VI = X...
analytically a priori...
when... i have no hindsight /
prior to understanding of said rubric?
well... with Roman you could say:
analytical a priori,
given the Ancient Romans already
had the letters I, V, X...
but... if you didn't have the concept
of measurements prior,
of arithmetic...
how can you analyze something...
that doesn't exist?
so... you had to synthesize a priori,
working from the letters I, V, X...
to conjure up "numbers"...
  numerals... you had to create these
numbers by a synthetic a posteriori
method...
and the 4 + 6 = 10...
        well... you analyzed the a posteriori
synthesis, and threw I, V, X out...
and began the second wave of mathematics...
and this is where, authentically...
analytical a priori comes from...
based on I (1), V (5), X (10)...
                    came IV (4), came VI (6)...
don't mathematicians treat their language
as that of or equivalent to the gods?

now... for the cultural exchange program
that i promised...

on the great British isles...
you have a variety of languages
& dialects,
i'm so sorry that the Scottish
"forgot theirs"...

but when you have something
akin to

English: red
Cymru: coch

or right... they have their Pict
Gael?

Pict Gaelic: dearg
Irish: dearg
Cornish: rudh

we'll require a second word...
what word, what words..
life!

English: life,
Cymru: bywyd
Pict Gaelic: beatha
Irish: saol
Cornish: bewnans...

back, "home"...
we also have sub-groups
in terms of linguistics...

there are the Kashubians...
and there are the Silesians,
and, there are...
the Kurpie...
akin the Welsh, the Pict,
the Ire,

and their language looks like so...
again, borrowing from
red and life...

Polak: czerń
Kashubian: czôrny...
  but that can be disputed...
why?
     czerwień is not actually
a noun, but an adjective...
a quality of being associated with red...
czerwony? that's a male
adjective...
   and the female adjective
is czerwona...
                ****...
a color has to be something...
the noun adjective that's blood...
Polak: krwawy (czerwony)
Kashubian: czerwiony
Silesian: čerwůny
ah...
   Kurpian... high polish?
Masovian?
harder to find the words...
have to use alternatives...

Kurpian: caban
Polak: tępak
Kashubian: osoł
  Silesian: yjzel...
(idiot, imbecile)

you know how hard hard it is
to find a Kurpian to Polak
translator?
i can't find one to boil down
to the examples or either
red or life,
i'm reduced to choosing other
words...
like...

   Kurpian: chwat...
Polak: chłopak
Silesian: bajtel
Kashubian: knôp...
(boy)

Kurpian: jédło
Polak: jedzenie...
Kashubian: jedzenié
alternative to Silesian:
  jadło, i.e.: it ate...
past-participle in
the verb...
let's see what the Silesians
call it...
Silesians: well.. a variation..
chlyb
godka
mietła
masa... all things you can eat...
(edible food)

only a word, like the Kurpian
word akin to kotnå
reveals that Vikings passed via "us"...
kotnå?
  an impregnated sheep...
with young...

Kurpian: łańï truń!
Polak: nie mów!
Kashubian: ni gôdac!
Silesian: ńy godka!
(don't speak!)

mind you... Kurpian translation
is hard to find...
and you almost wonder...
at the British isles...
you think, us, Polaks...
do not have sub-linguistic groups
in our ranks,
like your Welsh, your Pict,
your Irish?!
guess again...
you had them all along...
and you thought...
the Polaks were
a homogenous culture...
all this time...
primarily because our culture
wasn't multicultural...
oh but it was... but on the subtle side
of history...
mind you...
defenders of the galaxy?
i knew gamora wasn't white...
but... **** me...
even if black or hispanic...
she looked so **** attired in green...
i was thinking:
absinthe cherub, absinthe cherub...
and forgot about glorifying
Zoe Saldana in all that choc...
what?
   a green skinned chic?
                    if i can forget about
the existence of chocolate...
i'll just anything that moves...
but i knew she wasn't white...
i hate chocolate...
          give me an absinthe girl any
day of the week...
       yeah...
only the English have complex
ethnicity encompassing
a single language...
only the English...
                 like **** they are...
at least my linguistic variation
is suited to a bundle of words...
Welsh?! Gaelic?!
  completely different languages...
at least in my part of the world
all that is deviating
is a choice of variant nouns!
but then again, the English
speaking world....
        how's the new pronoun
dictum coming along?
you keeping up with...
   appeasing the new crazies?
oh... you are?!
    well... kudos and applause!

p.s. guess what happens with appeasing
the new crazies... guess...
i'll tell you...
you **** around with grammar,
some grammatical pedant will raise
his head up from the crowd and say
something like:
               what?!
and then the old crazies rise up...
and... your, ahem, little discussion
about changing the rules of grammar
to "ensure" that the language is
kept, "intact"?
      see... mm... hmm... the old crazies?
the old crazies have their own
methods...
they're of the obligation:
let my gun do the talking...
  and then...
  you get pol *** arithmetic,
of skulls...
           being counted in an abacus
of heaping up, "debris"...
         see... these new crazies
are bugging me...
  they're bugging me...
because the old crazies didn't
attack grammar,
and whatever delusion they had...
i couldn't see it...
the new crazies?
they're attacking grammar,
and the delusion they have...
is... associated with something
i can see as being self-evidently untrue...

the new crazies...
******* spinners... fakers...
    i prefer the old crazies...
at least their delusions had ambitions
to deceive in the realm of
the unseen...
       the unproved, and never to be
proven...
these new crazies...
i am supposed to speak asylum talk?!
so... society is the new asylum
with the past asylums being
abolished?!
who gave caffeine to these news
crazies?!
******* sane people's naive pandering...
while the depressed man?
hey boy... hey, hey, hey boy...
noose!
i've lost all sympathy for
the victims of a psychotic
version of a repressed P.T.S.D. example...
the mad have hijacked language,
disorientated grammar...
and... b'a'ah, b'a'ah...
                 no...
                              i'm with the old
crazies...
                    at least they're the ones
that can inflict genuine grievance...
rather this policing of restricting
     the orthodoxy of the use of language.

p.s.
i found only two paradoxes in this
world...
    schadenfreude: feeding a pleasure
from the misery of others...
as...
  finding wisdom in others' own
forsake of an antithesis of
universal application...
  mainly that, associated:
            to a self-gratifying benefit...
the joke ends within the confines
of schadenfreude...
as does passable "wisdom" attached
to instragram novelty of the "maxim"
by your wisened sages
of the selfie...
  
                  i've been among the russians,
i know what the true uber looks like...
you hitchhike...
hitchhiking? forget that?
ponzie scheme albatross thingy
of a worth of a british mensch?
    funny... a people can so easily
forget the practice of hitchhiking...
so easily: entertaining individual rights...
and: innocent until proven
guilty until some next
               teddy bundy comes along...
and then it's all: ooh! ah! woo'ah!

   you know, i don't like the cartesian
chiral dynamic,
the whole: nietzsche take...
sum ergo cogito...
          i don't like the:

innocentes quoadusque (qua esse)
                           reus....    inversion...

an innocent man might hang...
well... if you have the death penalty:
too late to regurgitate the
original statements...

but? where's the element of redemption
for the innocent man?
why are so many people captivated
by the shawshank redemption?
there's a redemption story...
   in the inverted game?
a jimmy saville walks off scot-free...

the continental model doesn't make
sense with a death penalty...
but without one?
redemption... the atlas "paradox"...
one man usually burdens the fate
of a reciprocate of the unit of one...
but not the many...

me getting laid or not getting laid
is as important to me as:
whether i know about last year's
snowfall...
*** *** ***... all that sort of
******* in the western minds...
*** *** but no children!
recreational procreation without...
any procreation... to begin with...

         i'll admit...
english humour is funny...
but schadenfreude is a borrowed term...
hence the lost in translation
element...
           the english are terrible at
appreciating if not simply applying
the original zeppelin bomb...
after a while: the english just became
annoying toy-whips
of ***** replicas...
       the english knew elevated slap-stick...
with monty python...
with fawlty towers...
          they borrowed a term like
schadenfreude and completely lost the plot...
they once, upon a time,
chanced to play a game of linguistic
comedy...
            
                 i'm pretty ******* sure
the germans relate to schadenfreude in a different
way... i'm guessing:
the deutsche are not prone to ridicule as
the english are...
               the aunglisch are prone
to ridicule out of a sentiment of spite
than out of a repose for giggles...
        
          i don't understand the german sense
of humour,
     but understanding the english attempting
to "understand" the german sense of humour
is an enigma in an enigma in a per se...

such integrated back into
the ol' continental ways...
                       kudos to the brits...
bringing back the commonwealth to stereotype
us europeans with a negative "circumstance"...
now them: ******* up to "correct"
their integration policies... for the commonwealth
peoples of the united wordly wealth of
made in china plastic toys!

     a **** among the brits has
the audacity to tell a german he's not
supposed to feel at home on these isles...
sure... and i will never feel quiet at home
in Islamabad either!
               so? equal count of hubris!
that's the only thing that ****** me about
these isles... god i love this language...
but... when you get your afghani hounds
on me to do your ***** work?!

      even though i'm not: deutsche?!
i'll ******* pretend to be deutsche!
           i'm not here to mop up your failed
integration policies...
i settled on keeping my language...
they settled on keeping their sharia,
their **** pajamas and curry...
while adamantly rejecting their language...
in order to implement their desired changes
by subverting your language...
and you gave your language on a *******
platter...
    
    by subverting your language
to accept their cultural tattoos...
  let me tell you: if a people don't respect
their own culture,
by way of god, by way of language...
and they are "integrating": without speaking
their native mutterzunge?
they're not respecting either culture...
mongrels ahoy!
   what happened to the african-h'americans
not speaking a word of african?

what will they do, ascribe themselves
to ******* scots,
left with no gaelic and more a finnegans' wake
accent gymnastics of some irvine welsh?
nae for no: some glaswegian smart-***
excess of nouns?
      
hell... they would have never built
a colliseum if they saw:
1 + 4 + 6 + 9 = 20
   i.e. I + IV + VI + IX = **
            imagine... a society where letters
worked perfectly as sounds
and as arithmetic concepts of measure.

lucky for me the roman empire never
conquered
the lands i come from...
always with the brits being...
oh so so proud having been conquered
by the romans...
what's the prize... archeological sites?!

much respect as great britain...
but... *****... please...
don't pucnh below the waist...
importing your commonwealth dogs
to mark you out among all the other
europeans like some prized asset with
an inkling into h'american affairs...
thanks to you: i'm bored of looking up
the telescope of h'american ****
with their waning cultural export
of a worthwhile entertainment of appreciating
their music.

If I were a teacher,

I'd teach plagiarism
Like a patent office.
I'd teach publication
Like plagiarism,
And I'll proofread
Any paper that properly
Cites their sources.

I'd teach every
Kid from age X to Y
That if I can't
Lift them as
High as they
Want to go
Than somebody
Else
Can.

I would be the man,
That teaches subjects
Like I'm their King,
And I'd spread
Knowledge to every
Acre of my empire
I'd teach anything.

See,
I'd teach chemistry
By making the reaction of
Why and How
Always synthesize
Wow.

I'd be a catalyst
For positive change
By keeping every
School-yard bully
and kid that's always picked last
Around after class
To teach them physics,

Like if you have mass
And you take up space
Then you ******* matter.

I'd put the cool
in Coulombs.
I'd be so electrostatic
About magnetic fields
You could feel my fluxin'
Energy in the hallway.

I'd say
His story,
And Her story,
And everyone in-between's story,
Is about the day their parents met.

I'd teach ***-ed
Like it's about the
Day their parents met.
And it wouldn't be weird
It'd be beautiful.
Because anybody falling
In love is beautiful.

And speaking of beautiful:

Mathemagics,
Would no longer
Be a bottomless hat
But a bird.
With feathers and wings
And things that always
Find their way home.

I'd transform
The Fourier of
Our foundations
With equations
Of equality
Like you,
And I are
Always equal to
Us.

It'll be cake
To be genius.
....Or pie
Or whatever else is rational
In this situation.

And I
Would measure intelligence
With the answer to the question
Of why we are alive.

I'd standardize
Every test
By removing
Any box that
Takes us
Further apart

I would make art
Combining every
Color from East to West
In a masterpiece
That every child can draw
We'll call it "human"

I would solve
World hunger
And war,
And every other problem
That stems from greed
With answers to the
Questions that I still
Don't know

But I would show
Everyone whose ever
Made you hurt
That a broken heart
Has still got the
Courage to beat

Because it's their words
Where the heart breathes
Where the heart bleeds
Where the heart sleeps

And it's our dreams
That keep us awake
In the wake of our past

So I'd put every love letter
And box of their ****
On a bonfire, light a match,
And we would watch it burn.

Hell,
If I were a teacher
I'd say there's
So much left
That I've still got
To learn.

symbol cymbals
synthesize size

symphony nymphs
syzygy gypsy

sympathy thesaurus
synonym nimble

symptom tomato
syrup up

In good Time,
Self can escape Mind
as Shadow seeks Things;
words, ***, Ego, and blame,
One's true Self seems to sleep.

The Universe is a vessel of, and temple to,
Godself.
Your Body is also vessel of, and temple to,
Godself.

Logos and Mythos
are as two color filters
applied to the process of Developing the film that is one's Perspective;
to intentionally only use one filter  
is to restrict oneself and one's understanding
to only that portion of the image:

the image is infinitely Holistic.

Slow down;
let your Mind recollect
let your Self grow and reach for the stars.

the perfect poem

would start by acknowledging its imperfection
and yet would bind the heart to listen
in any mood
any clime, any mind...

it would forgive contingent interruptions
in its contribution to evolution

and to grandly synthesize the facts,
it would pierce its central theme in one or so lines,
a one-stroke ******
embedded somewhere safe, an apex valley
of words and symbols to communicate
rather than excommunicate
or bemuse...

an accord of human
commonality,  invitation to wonder
or to leave off reading for later|

to wake or soothe to sleep,
it would be a poem you could wear into battle
or soft-intone to soothe a dying loved-one's breath.
the perfect poem would promise laughter
after every tear, catharsis guaranteed.
it would be godly and irreverent,
honest and veiled.
erudite, but conversational: a soul-mate in the etymons.
chalk-full of sultriness,
elementally seducing
with allure of verbal petrichor,
released from a long-awaited desert cloud,
dripping at the center aching...
and all wants fulfilled
(but for the other yearnings it instilled).

even a cursory perusing-over yields
a boundless sphere of cheer!
(you may not find it here, or anywhere)
an epic of haiku in casual/dress wear...
therapeutic, silent or aloud,
empathy in every line, attentive to the reader's work.
a collaborative lore
entwining evermore and more,
tolerant of others, wiser for their scorn --
it would shift its meaning, each read through:
twelve interpretations would do;
in fact it would take up residence in you,
it would help with shopping, too,
save the queen, start a culture all its own
a witness to atrocity and fame,
a judge of victors, the criminally insane,
an analgesic to the lame.
both densely, and loosely writ
it would be spontaneous, yet crafted by a practiced art.
it would rhyme, as if the muses commanded it to rhyme
contrived at the dawn of time
to be contrivance free...
for your particular ears, for your soul, right now
an ever-present origin of meaningfulness sent
like similes for your life only --
it would foster to create within itself
expression's manifold and measure,
in line with styles all in vogue
the global culture's wold,
hermeneutic gold.
it would be made of wood, and snow
of sun and space, the universe in tow.
it would spiral, dance and sing beneath its sounds
teach a novel lesson, for novel ears,
    each and every time
it would be memorized, and hung
glazed with caligraphic meditation
in a cloister boarding only **** monks,
it would bear no clumps.
it would smoothe out all the lumps,
it would offer more than i can say...
the perfect poem wouldn't even mind being thrown away;
it would come again some day.
in fact, on second thought, it may come a different way--
created in the fae-lines of the eyes,
the ears and mind: the double prance
of in and out and everywhere resize
the meaning-giving dance.

Elements synthesize



Establishing brilliance



Mosaic





Sound elevates



Electric symphonies



Frequency





Vocals ascend



Ricocheting amour



Phoenix





Speech perishes



Shock scarves



Mastery




© 2012 (All rights reserved)

You were born and your roots anchored you into existence
   You grew up, feeding off light
   But nowadays, in moments of night
   You have thoughts of uprooting      
   yourself

And I want to be the sun that gives you life
         I want to be every leaf that you  
         grow

You think your time is over
But you need to wait for spring

Bound by something special,
perhaps spiritual?
like pieces
Of some fragmented soul
that are drawn to one another.
Things seem to have fallen into place
For this ancient being.
together we synthesize thoughts,
I once thought only I could constitute.
Energies that bounce off one another
leading down multitudinous passages
helping to emphasize my Existentialism
As one we create the most primordial bond.
with the third part of this fragmented soul
we shall call for Lunar Diplomacy's
and shake the very fabrics of the universe.
Because who's to stop us?
free from all judgement's in each-others presence
anything is possible.

My brain withers away
As my soul slithers out my mouth
My eyes set for another day
As I Fear of wealth
Fear of what to say
Fear of finding another way

Courage to find whats deep inside
Courage to break through the bind
I Prove I don't have hide
From whats in my mind

My heart liquefies
My eyes melt under the sun
My body synthesize and crystallize
As I slowly become one

To be blessed ,
favored and protected by the environment,
selected and isolated from your social groupings,
To be blessed is to synthesize what truly has meaning in life and self-meditate with the sake of life’s pace.
Before falling asleep, resting, force the mental to remain awake,
processing and breaking apart the information given today,
despite the fact that time wasn’t kind, brief or even prolonged; make it the moral commitment to self-reflect.
Make a correction if your answer is wrong; the fabrication of a scripture,
Make sure, for certain, that all the totaled scores calculate to a certain percentage,
Affirmed, scolded or ruled by another to convey your defined truth as inaccurate, almost there or rarely ample.
Time is allotted, effortless and to be taught a lesson is a blessing,
Space is limited, given and to be bestowed the gift of building is the set up version of a lesson, a shell of a blessing.

Elements synthesize



Establishing brilliance



Mosaic





Sound elevates



Electric symphonies



Frequency





Vocals ascend



Ricocheting amour



Phoenix





Speech perishes



Shock scarves



Mastery

Air is for us to take O2,
Air is for autotrophs to take in CO2.
Air can form cyclone, tornado and hurricane,
It goes up to form cloud and give us rain.
Air is rich in nitrogen,
It is also present with the molecules of hydrogen.
Air helps the iron to rust,
Air is the envelop of gases present on the crust.
O2 and nitrogen makes the bulk of air,
Co2 and other gases are very few so it is good or not fair.
Of course the less amount of CO2 is less in air which is good.
But, how the plants will synthesize their item & how we will get much food?
Air exerts pressure,
Sometimes the aroma is mixed with air and gives us pleasure.

There is no External;
Everything you experience
is a result of your existence
and is thus Internal.

Your Neurons synthesize your mind
your Mind in turn determines Neural networks;
It can thus be said
even in the realm of Neuroscience
that you create your reality;

Your Shadow precedes you in time:
Tread lightly. Learn yourself with care.

These are your final days, Self.
Each frame of 'Reality'
presents itself to an entirely new "You"
for "You" are a fleeting image, a frame,
supported by Neurons
for a brief
yet continuous
moment.

Slippery insanity careens through marble forests,  
trained insurgents capture dragon flies
grinding them up for pixie dust,
cowards siphon rain drops from entangled subatomic particles
inscribing hopeless anecdotes for economical tyranny,
bloated bumble bees bomb pearl harbor,
golden harps sprout wings chasing lost lovers
nourishing their insipid dreams,
homophobes parade **** inside sinking ships,
graveyards sneeze showers of formaldehyde,
nature's chemical cathedrals synthesize
the eleven dimensions of space and time,
summer's daughter bathes in autumn's waters
a myriad of memories engraved in the brain's tissues
trace the tapestry of neural plasticity
Prometheus's pollution and the alchemist's sunset

dancing with discolored dust particles
we float around this empty house
light on my toes; hardwood whines from uneven lines
striking as much balance as i can
flashes won't surrender
these images intently weigh the moments down
flattened against the bitter boards
why can't i seem to synthesize
or cope with this acidic atmosphere
this house is falling to the earth
fingertips, losing oxygen
lifting up in echoes of sirens
a new era, a new birth
the yellow color --
we found what hurts
black and lace circling worry lines
collected upon my face
polluted pupils gazing in my direction
pairs at once with no escape
zephyr with strength;
assaulting the smile that once graced this face
we float around this empty place
i don't feel your presence
i don't feel anything, but lost
with absence of breath - comes a cost
passing the bill around, this weighted check
eyes dart
the floor or the ceiling
the healing process leaving us restless and broke
when i grabbed your cold leg
i was praying for jokes
i can't seem to synthesize or cope
with this acidic atmosphere
this house is falling to the earth
fingertips, losing oxygen
lifting up in echoes of sirens
a new era, a new birth
the yellow color--
we found what hurts.

From my rotting body, flowers will grow, and I will finally be beautiful.

The marigolds that will bloom will not flee and vanish from the glow of the sun
They will aspire and capture its power, ever basking in its majesty unlike all that I have done
For they are enduring and evergreen, quite a contradiction to someone always on the run

Helianthus will burgeon from my corpse in the Autumn, cordial, acquiescent and jolly
Luminous hues of gold, superiority in the form of a blooming seedling, free of worldly folly
Irresistible to butterflies and feathered creatures, who shall evermore adore the perennial dolly

Snowdrops with delicate pedicels will pepper the frost polishing over my long corroded flesh,
An impeccable ability to synthesize with the world effortlessly, so that I may at last mesh
Nevermore will I acquiesce to let the world negligently toss me about, instead the world will thresh

Irises in the spring will be next to transcend, ripe with nonconformity rooting from their eccentric peridot petals
For the world encompassing them may be wrapped in blissful ignorance, but  they will forever hesitate to settle
They realize that life is for naught, putrescence is inevitable, so why even make a vain attempt to mettle

As sure as the sun will ascend, the summer will materialize, and the sun's glimmer will rage from dusk until dawn
For the world will strive on, long after I am gone, and my effulgence on the Earth is perpetually withdrawn

I am not fearful of death because in death there is ignorance and blissful uncertainty
From my rotting body, flowers will grow, and I am in them and that is eternity.

I still deny the rules and social ties of citizen spies

that i televise by shouting chanted anthems into the sky

yet to comply with the codes of conduct i defy

as you synthesize the number and size

i am careful not to compromise the lost light within my eyes

my cold gaze reflective of your demise

and i

scrutinize them until they realize they're being penalized for the lies

until maggots monopolize your corpse through your cries

until pulled away by the hissing of shadowed flies that fly into the lost light in my eyes

until my pupils cauterize

locking you inside

institutionalised

and i

am imprisoned in a prism of realism

as anti social collisions have me pulling my soul through verbal incisions

seeping radioactive emissions

from the legions of religions

from the season of rhyme without reason

failure to pay darkened tuitions is now treason

as catastrophic cataclysms lock me away in my primal visions

my verbal inflictions as though holy missions to infuse friction

smashing through my divided contradictions and feeding my addictions

good riddance

Pictographs concoct



Quaint flavors



An appetite blooms





Ginger locks descend



Passion skates



A micro death sparks





Pixels synthesize



Collections



Of synchronized whines





Lips laced with temptation



Eyes descending sunsets



Elements of resolution



© 2012 (All rights reserved)





This poem is featured in the poetry collection “Technicolor” as written by Glenn McCrary



The collection is currently available in paperback and hardcover editions for purchase on Lulu.com

.

There were two packs of Pyramid Reds,
three packs of Marlboro 100s,
a trendy girl's white knitted cap with a zebra print bow attached,
and a banana flavored ****** scattered across Drew's dashboard.
I met him at Delta,
the restaurant where he worked,
which was more nursing home than modern sock hop.
He lit up,
told me we were bringing denim jackets back,
and then dragged me to pick up a bird feeder for his mom.
"How is um-****, what's her name, rahhh...Rachel?
he asked two stoplights into our journey,

"She's really good, man. Things are just going swimmingly."

"She wants my nuts."
Drew thought every girl wanted his nuts.
It had become a regular catch phrase.
While it was his ritual to begin our talks
inquiring about my girlfriend,
it was mine to ask what the number
of ladies he had slept with was up to.

"Oh, I'm not for sure, baby. Let's see, there were twelve
at the restaurant so far this year-"

"Twelve?"

"Yeah," he said grinning,"my ******* managers had to give me a
talk."

"They gave you a talk for having a bomb *** life?"

"Not exactly. They were telling me to lay off the underage ones.
Lawsuits and **** like that."

"Awesome."
Just then some hefty white woman
with her hair in a bun ran a stop sign and
cut in front of Drew,
he didn't swear,
nor did the jackassery interrupt his flow,
he simply threw up a hard *******,
and continued forward.

"The total is definitely over thirty. Thirty, thirty-five,
somewhere in there."

We stopped at one of those breakfast chains,
that synthesize the ancient all-night diners
of American mythos.
Two for the smoking section,
and we were placed in a corner,
across from a burnt out
workingman,
who smelled of **** and aggression.
Drew chain smoked,
while we both burned through cup
after cup of coffee.
Drew had ****** two of the waitresses
that were on duty,
one came by and chitty-chatted with him.
Her name was Beth.
Someone broke her nose when she was seven,
she had a fella who was a waiter there as well,
both talked to Drew like he was a cousin or
an old high school friend.
Our waitress had blonde hair.
She was twenty-four,
but raising her sister's ******* child,
and supporting her mother on
tips was cutting lines into her
tiny face.
Drew was talking smooth to her,
no doubt he slept with her before the
end of the week.
When she left he said,
"Isn't she sweet?
She's a ******* sweetheart.
Do you think I gotta chance with her?"

"Yeah, man. You're being a real pro."

"I thought so," he said as he took a deep inhale,
then let the smoke glide between his smiling teeth.

Drew waged a political war that lasted 10 cups of coffee
and one pack of cigarettes.
The first casualty was the ******* that drive 350s and don't
have a hitch.
The second was the wealthy.
Glen Beck.
Capitalism.
American ignorance mistaken as patriotism.
Needless to say,
we got along wonderfully.

We talked of old times,
like a couple of old guys,
and I was surprised at how distance
had shaped our views so similarly.

"You're lucky, man. You got yourself a nice girl, all settled n' ****.
All I got is ******. I just **** them, they fall in love,
and I put 'em in their place and go to the next one.
It's ******* sad."

"It's not sad, you just haven't found the right lady, I suppose," I said trying to make him feel lighter.

"Nah, I probably already met her, and just ****** her.
I don't even respect the girls I sleep with enough to
take them back to my place. Most of them I **** behind Delta,
a couple of times by that Walgreens off Kickapoo, Wal-Mart,
Denny's, um **** even behind that Petopia store."

"Behind Petopia? That needs to be the name of your book."

Oh how I'd love that
and from a San Francisco organization no less
a month in the Santa Cruz mountains, no less
the most liberal city in America no less
and last year's winner has his picture displayed
and it is not innovative or interesting or shocking but all too predictable
Like something I saw how long now has it been?  twenty five years ago...
how many times have I seen this picture
a white guy, looking very much the suffering, creating artiste
handsome, like an actor, but not an actor, a creator of meaning
of art, and he can't smile, but looks away from the camera
mimicking an ad for J. Crew
it's amazing how only white men can write about the important things in the world
and the background, how many times before have I seen it
a graffiti sprinkled nowhere in an urban jungle
somewhere where preppy white guys never go
street art, street communication created by people
who don't see this concrete as an exotic backdrop for their egoistic posing
but as a part of their lives, as part of their meaning, their world
and he stands there, in front of it,
Mr. Screenwriter, the gulf of culture separating him from that background
spans the entire country, or an entire universe
but the implication of the picture is: he is home here
this is who he is and he can emcompass everything, since white men
as we know, have a magic ability to understand and synthesize everyone
all genders, all races, all religions
the rest of us are merely stuck in our own myopic little worlds
of gender, race, socio-economic status
but these spanner of time and space and human difference, they can be anyone
they can understand and represent anyone
So I look at the picture
and think, I could apply, but I'm busy during the blissful month of the residency
but how dissapointing, that I feel looking at this picture, now online of course
that it is the same picture that I looked at over twenty five years ago
pinned to a film school wall
in Los Angeles, in New York, in those edgy more conservative places
and it is the same guy.  the white screenwriter artist who will write about me
and others and it will be a lie
and we are excluded.  all the rest of the human race.
but what he writes will be exalted as truth
when I know, that no matter how time he spends wandering
the foriegn worlds of ghettos and genders
the one thing he knows, the only thing he knows how to write about is
white guys, because he is no superhuman
he is like us.  He will write about white guys and there will be
more films about white guys, who are supposed to represent all of us
but they don't, because they are only human,
and can only represent themselves.

Am I supposed to want
To do more than just take it all in, how does everyone
Hold so fast onto the silk when it’s been
Sedated to such a slippery strand?
My grip tends to snap the thread extended by the
Way they talk to me, maybe if they gave me a rope.
As it is I prefer to
Synthesize the scenery into puffs of ***** smoke-
These desserts are grated from reality and so I
Must love reality, but I can’t eat it raw;
I see people’s sawdust centers as the
Cream they could become, I am far more deterred
By bitter tastes than the concept of having to wait for my predictions to ripen,
The fact that they never will is
Only a cynical estimation of mine that I hope will spoil as I age.
Spices are not lies, are not
Blandness masquerading as something so inconsistent with your vision that
You will lose sight of the road.
It is not just a question of
Going down easier, it’s just better
To boil your potatoes.
I hope to dispel a fear of my own, that
I’m some sort of addict, filling myself up with helium like some sort of
Basement-life pocket knife fix,
A recipe mixed to skew me into groggy selfishness that
I would anticipate as good faith and optimism, but my tendencies are erratic,
Dragging my body along to trace a healthy heart line, I suppose,
and with one foot in the door,
I can't quite say which side I'd rather be on.

Now and then I like to look in the mirror and pretend there's no reflection.
Pretend that there is no existence and no possibility for the imperfection
that haunts that slab of float glass and aluminum daily.
Now and then I like to stand in front of the mirror and close my eyes.
That way I can ignore what is dulling the bright surface and synthesize
an image on my eyelids that doesn't hang so stale.
Now and then I like to draw on my mirror until no space is left but eye holes.
Then I can keep my eyes open but still be disillusioned as to how my soles
have become hopelessly glued to this tile mausoleum.
But most of the time I just turn out the lights.

Add effect
synthesize
bring together ones soul
simple rhymes make us fold
leave behind the familiar mold
believe that you're made of gold
this is what my father told
grow to be young not old
the world is  not cold
love can not be sold
life isn't on hold
be the bold
revolutionize

The first deceivers were weavers
mechanically believed,
maniacally manufactured
trying me to finally find the answer
as to why we hurt.

Let's see who stands my test of time,
threads spin, intertwined
as styles synthesize
minds ripe for picking,
shrines leap off limbs lending
me a branch to climb up and end it,
a cloud to puff a cig with,
a chance to shine
just like the sun
cant tell a canyon
from a figment of one
mind the bend of the cliffs edge
sailing through time
at last, alas my ship's wrecked.

take all the little bits of me
(the good parts)
and synthesize me
into a prettier version
with a prettier personality
and prettier thighs.
then you will be able to forgive yourself
for breaking me
in the first place
but i won't forgive you
i am too
pretty
to forgive

you forgot that part.

Grind me to dust -
Go on do it;
I'm simply waiting for you to make the first move

-Amply,
your innate poignancy shatters my every statue and taboo;
So that I'm left to blossom again

Permeate me;
Or eliminate me,
Though I'd rather flourish with you than perish

Break down my walls,
Rip me apart;
As we stand arm in arm while I do the same

So place us in a mold,
Lets blend together
Mesh with me

We could synthesize;
Or divide

It's only a matter of time,
An eventuality
before we'd reamalgamate anyway

You're the math to my abstract;
So should you calculate or speculate?
- Or perpetuate while we vegetate?

Would you,
Could you
conquer the inevitable?

Could you,
Would you
ever endeavor?

You are the order to my chaos
We could burgeon in oblivion,
though I'd rather balance in harmony
It's black and white at the same time
Like cognitive dissonance

You have a poem;
Spring brings you poem.
I think Anthony must be your court's poet;
a serf turned grateful for his god-gave muse.
Genuflect he's to this Fürstin,
trip he does, too, over himself
getting you water
both up and down the stairs;
when presenting his poetry,
rebuts extended portension,
yes, pausing liking um-ing, tsk;
and all so when reaching for his dagger
to cut our darkness away,
does seem dance with shadows
like fire was a pomethean bane.
Still he gets it from his sheath,
brings it to her bloodless yet
dulled from the escaped swings
of misaimed blows into shrubs.

Wants me to call him Reichsritter.
I’d indulge him but he’d still
have to synthesize faith from
some avian metabolism,
(it’s known that poets’ health’s all
flat feet, weak livers, shallow lungs,
and consumptive coughs);
or, better yet, find knighthood
in the books read for your sake;
nay, I too must keep honest to you.
So does he, you know? thinks
sincerely that there’s the stuff of art
passed to him when he entertains you;
doesn’t think himself the lordship you insist,
thinks he’s groped and somehow scalded
himself upon the empyrean fire,
and bows recedes away feeling just
a bit impious.

That’s it though! :
You’re a young seraphim took earthly shape,
faring the angelic order’s routine errand
to forget absolute, embrace listless hate,
then forget it again.

Well, isn’t this where Anthony missteps?
cries wolf, burns midnight oil,
clutches his stomach in pain.
The ‘seraphim’ draft is just a wish
for your eternal life, please believe.
Every comet and season makes him
just as mouthful and excited.
A heart of love and head of art, tsk.
We can’t judge the heart
and the head
together can we?
Regardless,
a court poet essentially a jester,
pinned his poem
to my chest.
So, meine Fürstin,
you have a poem,
Spring has brought you a poem.

Now and then I like to look in the mirror and pretend there's no reflection.
Pretend that there is no existence and no possibility
for the imperfection that haunts that slab of float glass and aluminum daily.

        sickly skin, natural scowl
                 cracking lips,
      bloodshot eyes forming tears.


Now and then I like to stand in front of the mirror and close my eyes.
That way I can ignore what is dulling the bright surface
and synthesize an image on my eyelids that doesn't hang so stale.

     shining crown, sword and
               shield, stand
     in triumph on boney field.

Now and then I like to draw on my mirror until no space is left but eye holes.
Then I can keep staring intently and be disillusioned
as to how my soles have become hopelessly glued to this tile mausoleum.

     wings take me higher than
                   feet ever
      could, grazing the clouds.

But most of the time I just turn out the lights.

I don't know what to do from here.
It just seems as if the entire world is fixated on some infinite screen.
So all encompassing, yet images flicker in fantastic frivolity.

Such absolutely aimless anomie
erodes the mind, heart, and soul of everything.
To the point of true societal insanity.

Where we'd rather chemically synthesize the taste of an apple,
than to plant an apple tree.
Nations wage wars in the name of peace while
Corporations, not people, enjoy freedom of speech.

Is this what it means to be a human being?
Are we encoded with DNA or with binary?
What of your beating heart? if it still pumps.
Or have your cells of blood all become zeroes and ones?

Do you look out upon the shimmering sea to be humbled and awed?
Or do your eyes map out it's marketability, growth index, and overhead costs!?

Oh, what of a metaphor for societal insanity.
To depict society as an orchestral piece;
They are all strings vibrating in the very wrong key,
resonating on a global scale in such horrific harmonies.
Yet they'll incorporate,
they'll advertise,
they'll trade the stock publicly!
They'll call it a symphony.