Submit your work, meet writers and drop the ads. Become a member
 
ground zero
i become aware of boundaries
i am a dog chasing cars
i sing your voicemail to sleep
there are no surgeon general warnings
to tell me that
the objects in the mirror
are more depressed than they appear
so how do i tell you
that there are parts of my life
that move slower
without you in them?
or that i look for you every day
in emails & unanswered calls
in the sunrises
i didn't choose to be awake to watch
that i sometimes still stare at doorways hoping you would walk through them
   *stage 1
you tell your new lover you've got a splinter and they pull the sound of your body falling asleep on mine out of your fingertip
   stage 2 your new lover says something at dinner that makes you choke so they call 911 & the paramedics do the hymleich not knowing you would ***** our promises all over the the restaurant
   stage 3 your new lover surprises you by cleaning the house & washes the shirt you kept next to the bed, not knowing it was the last thing you had that smelled like me
after
people always ask
what was loving her like?
after a really long silence
i just say
"it must be nice"
but i never say
it's watching paint dry
i never say
it's a window seat in hell
i don't tell anyone
about the dreams
where i am reading you
bedtime stories
each one is a different way you die
& every time i can never save you
dreams where what i think
are angels in my bedroom
are just homeless versions
of myself you never loved
i have dreams
where i pay someone to shoot me
just to see if you would cry
just to see
if you would cradle my body
i don't tell people
that loving you is like
playing piano
for someone who can't hear
that it's hitting repeat
on my favorite song
& forgetting the words
every time it starts over
that it's finding out
there's no milk after you already
poured yourself a bowl of cereal
it's getting locked in the dark
& being told to
look on the bright side
that loving you is like
being reminded of what it felt like
the first time
you accidentally let go
of a balloon as a child
it's drowning without the water
it's the feeling you get
when you start to dance
& the song ends
 Mar 2015 Abigail de Jesus
Lauren
The day is Monday, March 16th, 2015.
We are in the Idaho State Correctional Institution.
Today, the Idaho Commissioners of Pardons and Parole will decide if my ****** will be released on parole in September.

Many people come in, exchanging their I.D for their visitors' pass.
We all wait in a small L-shaped room, tense, waiting.
His family comes in, and the guard escorts them to another room.
Finally, a parole officer enters. She leads us through a metal detector.
We have to wait in the visiting room, while my ****** is brought into the hearing room.
His family goes in first, then us, along with my supporters.
The deputy calls us to order and explains what will happen.
He says his family may speak, if they have a statement.

She stands up.
"Your relation?"
"Mother."
"Go ahead."

He has managed to get his GED.
He has had his own struggles with other inmates.
He is a "good Christian boy."
He has served his time for his "non-violent crime."
I cry.

The deputy looks doubtful.
He tells the commissioners to begin.

Commissioner Bowstaff is first.
She asks him the nature of his crime, his five DORS, his lost job while inside.
She asks if he is aware of the recommendation they received.
He says yes.
She phrases her next thought carefully:
"Are you aware the interviewer described you as aloof, uncaring, and says you describe yourself as the victim?"
He seems befuddled.

Next is Commissioner Matthew.
He is a sharp looking man, and asks if he feels like his crime is "violent."
He responds.
"No."
"And yet you call yourself Christian?"
"I am Christian."
"God should be ashamed then."
His parents are shaking their heads.

Commissioner Moore.
"You minimize everything. You aren't taking responsibilities for your actions. If you can't follow the rules in here, how do we know you'll follow them out there?"
"I don't know."

Commissioner Bowstaff asks if, as the victim, I have anything to say.
I tell her yes, and she asks me to stand and state my name.
"Lauren Busdon."
"You have a minute to speak."

I tell them I am terrified to see him.
I will start my senior year in August.
His release will continue to effect my school career.
I have only just managed to speak the word "****" in the last two months.
There are other girls, so many others, who are afraid to say anything.
But they say it to me.

They dismiss us to make their decision.
I sob as we walk out of the room.

Everyone is proud of me, saying no matter what, I did my best. I was there, that's what matters now.
But what if it wasn't enough?

The deputy comes in to shake my hand.
"The commissioners have come to an agreement. Parole will be denied for 18 months, and we will meet again in September of 2016."
I laugh and my dad slams his fist on the table. My mom dissolves into tears.
"You are welcome to hear the announcement."
I say, "hell yeah I want to hear it!"

He hangs his head when they tell him.
His mother makes a strangled noise of upset.

We leave.
People are hugging me.
I am crying.
I don't know if I should be proud, or if I should just revel in the sheer joy of not having to see him for 18 months.
18 more months of freedom.
18 more months of trying to live.
This is what happened at my ******'s parole hearing. I had to write it out, so I won't forget.
For all the dreamers who always knew
their whispered dreams can come true
to keep creating from thin air
even when facing complete despair
you toil through long hard days, and nights
never really giving up the need, or fight
for all the joy, and good that's light

You're touching lives inside your whispered dreams
listening for each word like a conscious stream
you wake to write what you've dreamed at night
grasping each shape to form it right
these whispered dreams they keep happening
like a familiar song you must sing.
This poem is copyrighted and stored in author base. All material subject to Copyright Infringement laws
Section 512(c)(3) of the U.S. Copyright
Act, 17 U.S.C. S512(c)(3), Krisselle S. Cosgrove March 18th, 2015
little dark girl with
kind eyes
when it comes time to
use the knife
I won't flinch and
i won't blame
you,
as I drive along the shore alone
as the palms wave,
the ugly heavy palms,
as the living does not arrive
as the dead do not leave,
i won't blame you,
instead
i will remember the kisses
our lips raw with love
and how you gave me
everything you had
and how I
offered you what was left of
me,
and I will remember your small room
the feel of you
the light in the window
your records
your books
our morning coffee
our noons our nights
our bodies spilled together
sleeping
the tiny flowing currents
immediate and forever
your leg my leg
your arm my arm
your smile and the warmth
of you
who made me laugh
again.
little dark girl with kind eyes
you have no
knife. the knife is
mine and i won't use it
yet.
A team of black doctors
working to save the life
of a KKK member

That's a feeling

A man shot dead
attempting to stop
the **** of a woman he didn't know

That's a feeling

A man not getting a job
because "He Was Mexican"
even though he grew up in Maine

That's a feeling

A father's gay son
crying at his funeral
even though he was never loved

That's a feeling
In the beginning, I was the universe
Formless, without shape or reason
Everything I felt floating around inside me
In no order, like stardust
Stumbling its way through life, arbitrarily

Then, you came...

And suddenly, I found myself
Floating in the most beautiful ellipse
In perfect order, indefectible
With your breathtaking soul at the center

I felt you pulling me into shape
My awkward human form molding to your perfection
Your gravity grasps me by the back of my hair
and pulls me in for a long kiss
And at that moment I felt a 10 millennium old star
Shatter into a supernova at the force of our love
While we stand in front of it's glow,
And smile together
You tell your kid to give the dog food and water. He mishears you and asks what moonwater is, and you fashion his mistake into a poem. ;)
11714
Follow the collection You Know You're a Poet When..., it's not mine, but it's a hoot.
Next page