Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

pumasok sa kompartamentong bilang sa lahat
ngunit ipagsiksikan ang sarili, sumuot, at ipilit
dahil ang maiiwan sa españa ay hindi makakarating
makipaglaban, mang-agaw, ang akin ay akin

trenta minutong paghihintay
sa ilalim ng init, tiyaga ang kapiling sa umaga
bakit nga ba ‘di pa makikipag-balyahan?
asal-hayup upang mapuntahan ka lamang

sa pagdating sa istasyon ng sta. mesa
pawis ay naghahalo, amoy ay ‘di mawari
napagitnaan ng dal’**** dalagang nagchi-chismisan
‘di sinasadyang makinig, ako’y ‘di sang-ayon kaya iiling

sa hawakan ay higpitan lalo ang kapit
sasakyan natin ay paparating na sa pandacan
tumitig sa bintana at muli, bigla kang naisip
ngunit sila’y ‘di maibigay ang inaasam na pagtahimik

bakit nga ba ako nagtitiyaga?
sa masikip, magulo, at maingay na paraan
paalis na tayo sa istasyon ng paco
ika’y singtulad ng tren na ito

hindi makahinga sa dami ng taong nilalaman
kailan ba mapapadali ang ruta sa araw-araw?
magrereklamo, magsasawa, sasabihing “ayoko na”
titigil sa istasyon ng san andres

mananatili hanggang makaabot sa vito cruz
pasulong ang andar ngunit ang gana’y wala na
pagod at nagsasawa, hindi magawang iwan
ngayon ka pa ba susuko, eh ang lapit mo na?

nawala ang bigat ng pasahero pagdating sa buendia
nawala na rin panandalian ang sikip na iniinda
ngunit ano namang silbi ng ginhawa,
kung paalis ka na rin at nalalapit na sa paru-roonan

pagod ka na pero tiyagain mo nalang
ikaw at ang sitwasyon ay nariyan na nga
nag-inarte ka pa kung kailan nasa pasay road na
hindi ka pa ba nasanay sa araw-araw?

tumigil ang tren sa istasyong pinakahihintay
pawis, pagod, suot ang damit na gusut-gusot
heto na, sa dami ng nangyari ay narito na
sa edsa magallanes, salubungin mo siya

Caminas adentro de ti mismo y el tenue reflejo serpeante que te conduce
    no es la última mirada de tus ojos al cerrarse ni es el sol tímido golpeando tus párpados:
    es un arroyo secreto, no de agua sino de latidos: llamadas, respuestas, llamadas,
    hilo de claridades entre las altas yerbas y las bestias agazapadas de la conciencia a obscuras.
    Sigues el rumor de tu sangre por el país desconocido que inventan tus ojos
    y subes por una escalera de vidrio y agua hasta una terraza.
    Hecha de la misma materia impalpable de los ecos y los tintineos,
    la terraza, suspendida en el aire, es un cuadrilátero de luz, un ring magnético
    que se enrolla en sí mismo, se levanta, anda y se planta en el circo del ojo,
    géiser lunar, tallo de vapor, follaje de chispas, gran árbol que se enciende y apaga y enciende:
    estás en el interior de los reflejos, estás en la casa de la mirada,
    has cerrado los ojos y entras y sales de ti mismo a ti mismo por un puente de latidos:
                                  EL CORAZÓN ES UN OJO.

    Estás en la casa de la mirada, los espejos han escondido todos sus espectros,
    no hay nadie ni hay nada que ver, las cosas han abandonado sus cuerpos,
    no son cosas, no son ideas: son disparos verdes, rojos, amarillos, azules,
    enjambres que giran y giran, espirales de legiones desencarnadas,
    torbellino de las formas que todavía no alcanzan su forma,
    tu mirada es la hélice que impulsa y revuelve las muchedumbres incorpóreas,
    tu mirada es la idea fija que taladra el tiempo, la estatua inmóvil en la plaza del insomnio,
    tu mirada teje y desteje los hilos de la trama del espacio,
    tu mirada frota una idea contra otra y enciende una lámpara en la iglesia de tu cráneo,
    pasaje de la enunciación a la anunciación, de la concepción a la asunción,
    el ojo es una mano, la mano tiene cinco ojos, la mirada tiene dos manos,
    estamos en la casa de la mirada y no hay nada que ver, hay que poblar otra vez la casa del ojo,
    hay que poblar el mundo con ojos, hay que ser fieles a la vista, hay que
                  CREAR PARA VER.

    La idea fija taladra cada minuto, el pensamiento teje y desteje la trama,
    vas y vienes entre el infinito de afuera y tu propio infinito,
    eres un hilo de la trama y un latido del minuto, el ojo que taladra y el ojo tejedor,
    al entrar en ti mismo no sales del mundo, hay
ríos y volcanes en tu cuerpo, planetas y hormigas,
    en tu sangre navegan imperios, turbinas, bibliotecas, jardines,
    también hay animales, plantas, seres de otros mundos, las galaxias circulan en tus neuronas,
    al entrar en ti mismo entras en este mundo y en los otros mundos,
    entras en lo que vio el astrónomo en su telescopio, el matemático en sus ecuaciones:
    el desorden y la simetría, el accidente y las rimas, las duplicaciones y las mutaciones,
    el mal de San Vito del átomo y sus partículas, las células reincidentes, las inscripciones estelares.

    Afuera es adentro, caminamos por donde nunca hemos estado,
    el lugar del encuentro entre esto y aquello está aquí mismo y ahora,
    somos la intersección, la X, el aspa maravillosa que nos multiplica y nos interroga,
    el aspa que al girar dibuja el cero, ideograma del mundo y de cada uno de nosotros.
    Como el cuerpo astral de Bruno y Cornelio Agripa, como las granes transparentes de André Breton,
    vehículos de materia sutil, cables entre éste y aquel lado,
    los hombres somos la bisagra entre el aquí el allá, el signo doble y uno, V y ^ ,
    pirámides superpuestas unidas en un ángulo para formar la X de la Cruz,
    cielo y tierra, aire y agua, llanura y monte, lago y volcán, hombre y mujer,
    el mapa del cielo se refleja en el espejo de la música,
    donde el ojo se anula nacen mundos:

    LA PINTURA TIENE UN PIE EN LA ARQUITECTURA Y OTRO EN EL SUEÑO.


    La tierra es un hombre, dijiste, pero el hombre no es la tierra,
    el hombre no es este mundo ni los otros mundos que hay en este mundo y en los otros,
    el hombre es la boca que empaña el espejo de las semejanzas y dice sí,
    el equilibrista vendado que baila sobre la cuerda floja de una sonrisa,
    el espejo universal que refleja otro mundo al repetir a éste, el que transfigura lo que copia,
    el hombre no es el que es, célula o dios, sino el que está sienpre más allá.
    Nuestras pasiones no son los ayuntamientos de las substancias ciegas pero los combate y los abrazos de los elementos riman con nuestros deseos y apetitos,
    pintar es buscar la rima secreta, dibujar al eco, pintar el eslabón:
    El Vértigo de Eros es el vahído de la rosa al mecerse sobre el osario,
    la aparición de la aleta del pez al caer la noche en el mar es el centelleo de la idea,
    tú has pintado al amor tras una cortina de agua llameante

    PARA CUBRIR LA TIERRA CON UN NUEVO ROCÍO.


    En el espejo de la música las constelaciones se miran antes de disiparse,
    el espejo se abisma en sí mismo anegado de claridad hasta anularse en un reflejo,
    los espacios fluyen y se despeñan bajo la mirada del tiempo petrificado,
    las presencias son llamas, las llamas son tigres, los tigres se han vuelto olas,
    cascada de transfiguraciones, cascada de repeticiones, trampas del tiempo:
    hay que darle su ración de lumbre a la naturaleza hambrienta,
    hay que agitar la sonaja de las rimas para engañar al tiempo y despertar al alma,
    hay que plantar ojos en la plaza, hay que regar los parques con risa solar y lunar,
    hay que aprender la tonada de Adán, el solo de la flauta del fémur,
    hay que construir sobre este espacio inestable la casa de la mirada,
    la casa de aire y de agua donde la música duerme, el fuego vela y pinta el poeta.

Sometimes I would go out to my grandma's
and bring her lunch.
She didn't like cooking for just one.
We'd eat hoagies from Vito's market,
bag of Lay's chips between the two of us,
and sweet tea she had in her fridge
using only the plastic cups
because we couldn't have glass around the pool.

She'd point to necklaces and cashmere sweaters
from the new JCrew catalog,
dog earring all the pages she loved
her tan hands steady on the corners
with several silver rings on her fingers,
big diamond on the left one.

I hated to leave her with only the sound
of the Pennsylvania state flag flapping
against the pole,
or her neighbor's lawn being mowed.
But she smiled something huge when I waved goodbye
from the sidewalk
slowly closing the catalog,
a sympathy wind chime scoring her steps,
walking back inside
to no one sitting in the arm chair
and the TV on mute.

yo the homie Juan C
pass the mic to me
so i wreck this beat
like SPC protege of k rino
hos call me mandingo poppin' ***** tapes demo
never rode a limo
only smokes primo n got pitches in otcos
8 bars make ya see the star im far from soft
f them boys in the nawf
woth south side ****** til we die
we ride with the hardest regardless
if they try to break our clique
we still gone spit ****
like a cobra ya know its over
once the venom in em then couple.of minutes later
finish em
mortal combat **** all the rats
despise chit chat call my youngest ** ***** cat
pack a black gat
we push loot in the golden regal
every thang we do is illegal
lethal
as gibson they don't want none
boys crackin' rhymes til the crack of dawn
then wake up next day just
to bust another one
my OGs rollin' with Don Key n Pokey
hardest in the pit
and if you disagree we make haters **** our ****
sloppy **** no ****
them ******* can lick the pigment off a ***** stick
but i play it safe n cool
cuz hos try to burn you
got it played smooth groove
to the sound bound to get down
if ya down bow down listen to the gun shots sounds
now ya leakin' where ya be speakin'
now ya body tweekin' n geekin'
soon to crossover
like epmd mic check ya know me my crew be
fascinating minds with our hocus pocus never lose focus
my raw raps got them nervous
got Juan C next to me
and got the tech services
and no playin now from the htown
still holding top with no crown
dont need a status we the baddest
turn the lane three wheel leanin' with bird chirpin'
still smokin' up the scene
with clip fully loaded magazine
glock cocked we aint gone stop
sip the prometh to the day i drop
dont stop
the music cadillac funky so ya know im gonna abuse it
drip up drapped out know what im talking bout
deep in the south we put guns in ya mouth
no flappin' we stay strappin'
like willis ya know whats happenin'
and we aint gone stop the rappin'
mad at us cuz we bring the real
o so real make every nation feel
what them southern slangers do
dangerous as the Bronx Zoo
what ya wanna do
with stay with more than sun tzu when death comes to you
them boys n blue
cant save u
on the mic i gets wicked after a meal ticket sadistic
as charlie manson
got a twenty two mansion
followed a long benz with the big blue lens
zero percent window
so i can smoke my indow
what they dont know wont show
follow the peckin' order my game smarter
jaun n yosef isthe real hip hop martyrs
and we ready to battle
sogo ahead and shake ya rattle
cuz we'll be quick to slaughter


yea man let me come through
versace with the blue
jeans coming clean sip lean
with an ounze of promethazine fiends
be on the look out
cuz ya know im about
to clown harder than Corey Holcomb
boys gettin' dumb dumb
got hos thats chewin bubble gum
shakim' *** too fast
make a ***** urge for a ***** lick
yea im rollin' with the *******
up clique we sick
as a muthafucka
enticin' all types of diseases
cuz the lyrical content pleases
many foes and hoes
i wear baggy clothes with jabos
dont ya know
im rap don vito stack chips like frito
lay i parlay
on sittin on the dock of the bay
jammin k
or that *****
htown is how we do?
ride ***** with the bulls
euro grills caprice with pipes made of steel
o so real still
got every nation on they feet
they cant feel
this uh coming down on ya blvd
ya can see me on tv or 60 inch screens dvd
**** blue rays i rock ray ban shays
like Mj ya can catch me on a fade
doing what i do in the paint
with a Styrofoam cup full of drank
grams of dank
smoke so much we cant think
eyes cant blink im on the brink
of an overdose
ya suppose to rock the flows like me
im like biggie
spittin the classic mr magic
girls call my **** game fantastic
stretch ***** holes like elastic
leave her visions plastered
like she drunk as ****
im pushin luck six flat riding a black truck
40 oz in the gut gangsta strut
im the best ***** whatttt?
im ina rage one luv to homies
in the cage
when i hit the stage
ya know the crowds gone get wild
im flagrant like a fouls problem child
use my cash bills to fans thrills
no spills on *******
ya know the deal
hos be reachin' still teachin'
n im all about mass appeal

the reason behind some of my poetry: i do appreciate the fact that some of them are sloppy, and aim at crafting an expansion of the vocabulary i already have, but as i drink i relax it happens automatically, but i know i can return to the sober reality of increased volume - all i know is that when i do this unwinding into what i can only call abstraction, it's because i'm entering the joycean domain of finnegans wake, which isn't exactly brothers grimm or disney territory, given that the book is dedicated to his struggle with his daughter's diagnosis of schizophrenia. one example comes with words like the prefix nou(n)- and the suffix -verb, which i borrowed from the kantian transformation of the word phenomenon (that which can be clearly understood due to the no. of similar analogues, and their seemingly constant re-, i.e. repetition, recurrence, re-emergence), hence the meaning i derived from the new word is: the activity behind a noun, e.g.: wheel... wheels rotate on a flat surface, and due to gravity roll down hills; another e.g.? bird - birds sing in varying degrees of diversity and they fly, and share a common origin with reptiles, since they hatch from eggs. i think that's enough examples behind the meaning nouverb... perhaps i might change it to nouneverb, because if translated into french, the french might make connotations with noué vogue, and i don't want this word to mean simply new verb, but the activity behind the noun.*

poets are known to use technical terms of poetry,
to invoke a knowledge of the topic,
perhaps even to condense matter, nonetheless
they use technical terms for balance, and orientation
in what they're saying, the key indicators as it were;
but i find it strange that in every philosophy
book i read, there are no prime technical terms:
of course you will find logic compounds,
like phenomenology, ontology, metaphysics,
but you find that such balancing acts require
a constant reminder of these words, and when
inserted into very long expression, there is no
prime balance with the words that i have not seen
expressed in any philosophy book i read,
whether it be heidegger, kant, kierkegaard,
sartre, nietzsche, tatarkiewicz, whoever -
none of them use grammatical words, nor have
produced an account of the dynamic when
deviating from standard lessons in grammar
which can be longwinded - and an absolute
dross; my english teacher didn't like to teach it,
in my two years under him we have less
than a dozen lessons, most concerned with
writing formal letters, and whether to end
the letter signing under either yours sincerely
or yours faithfully... the expectation was to
speak it fluently and mould the written language
from that - if it's comprehensible with the tongue,
it will be comprehensible with the quill.
but enough of that, i'm still adamant to stress
my censorship of dreaming, perhaps because
i just loathe freud and find jung quirky enough
with his religiosity and that book of his
about hallucinations and telekinesis like in that
film interstellar where the books fall from the shelf,
but it's primarily because there is a more important
subplot: today i woke up and remembered something
from 20 years ago, primary school, year 5 (aged 9),
our teacher called in sick and we were left to our
own devices, we were assigned the task of doing
long-division mathematics, and long-multiplication,
the whole class was in furore, but i just did the
****** task (fresh off the boat, you know, vito corleone
ambition and what not) - teacher's name ms. mcguire -
the teacher came back, scolded the whole class
excluding me - then she gave instructions to do the
assignment i did the previous day, and she told me
i could do whatever i wanted... just like the whole
class the previous day... so i read a book.
oh hell, if we're going that far back... pst... a secret,
on the gants hill roundabout there used to stand
a magnolia coloured cinema, the odeon...
i remember seeing armageddon there even though
a few hours prior i fell into a pseudo-epileptic fit
(a weird sensation in the head, crawling into the jaws,
i clenched my jaws, and then a spasm that travelled
into my stomach and started the convulsions and
the pain increased... i've had about three of these
in my life... for days on end after the last one,
i kept falling to sleep in fear... a fear of clenching my
teeth) - oh and the mummy, the little princess
(even though i bought a ticket for jumanji),
gladiator, lord of the rings fellowship of the ring
(about 3 times if not more), mission impossible,
the three kings when i broke one of the seats and
fell on my ***... but back then cinema tickets were
bearably affordable... not anymore... and it took
ages for the film to be available on vhs (when
blockbuster was still around - actually, there is one
left near the loughton central line station - a bit
back to the future for me; yeah, and valentines park
nearby where you could play 18 hole short-distance
golf, but that's also gone - now all you have is a block
of flats... just a massive vitro phallus.

1.  84003

If you have a rib
to roast, stick in this
zip code  Buy American

2.  HEY AB-BAT!

Stand-ups taking steroids
Now that's funny but
Is it still comedy?

3.  WATCH THE RAB-BAAT

If it made a punchline
Stronger they could steal
from a game of baseball

4.  TU BU

One scared heifer/bovine
on a downhill *****
light 'em up, one fine smoke

5.  HEY BUD

Eighty years of torment
and how you dined hope
that peace does you just fine

6.  SOMEBODY

Hollywood's a *****
Not good enough for me
Biker, T-shirt, and blue jeans

7.  FAMILY PICNIC

had drinks one day out
by the pool with vito
corleone and his crew

8.  MAINE

Aroostook to Kennebuck-
port.  Kataden plays king
too much fishing

9.  MINNEAPOLIS/ST. PAUL

Twin cities make your
mind are you going to
bridge work/home at this time

10.  MINNESOTA

Land of 10,000 lakes
The Mississippi Delta's
Great Beginning

11.  ALASKA

The great white north
The final frontier
Nothing left to find around here

12.  MONTANA

Stripped like a *****
All your ore gone.  Big Sky
Way too cold in summertime

13.  d*mn VIRGINS

I darted my tongue in
Her from behind her
****** shot my eye out

14.  COLORADO ROCKIES

You come up leaving
Kansas and climb, reach
the top, turn the bend, OH MY!

15.  CHEAT NOTES

The war on drugs not
true.  Prescription drug addicts
have their excuses

16.  MAIL CALL

I murdered the postman
For being too nice
Please, next time, don't knock twice

17.  LIFE'S PURPOSE

The mystery to life
is solved.  It's procreation.
Quick, get involved.

18.  SCAREDY-CAT CALL

I want to whisper softly
in your ear.  All the
things I want to dear.

19.  INSULIN NEEDED

Put a little sugar
on it baby.
That's too much.  Diabetes.

20.  NEW JERSEY

Oh yeah!
what was
I
thinking
suing the mob
for ****** me at
the age of
three
social security?

21.  CALIFORNIA

Can't drink the water
Don't breathe the air
It's either raining like hell
or burning on fire there

22.  PALM BAY,  FLORIDA

Alligator gangs with
Shell-less turtles leading
Eat you alive along with
Three foot long
Mosquitoes

A 200lb black cat
lounges
near the garden
of my back yard
the lazy panther

plays
with a fly

23.  SAN ANTONIO

Every airman trained there
knows this one thing
REMEMBER THE ALAMO!

there are so many of them
  and there is only less
  of me —

gondola in Venice,
  H-bomb
and the knife of Bach;
a steady collision in Q. Ave
as the fizz of the afternoon mirage
settles with the ides,
the torn elephants of
  Chiang Mai
the red blood of Golden Gates
   the froth of the repeated wave
at the lip of the ocean,
  city buoys lacerating
the skyscape

and your coming in here
  ransacking all;
appeasements and
  trivialities — there are so many
of your photographs here
  and only less of me,

looking at all of you
  and weeping it
later. sounds like these sounds
hanging by the edge of the bed
reducing woes to a hair-trigger.

i look outside and there
are women, cat-called by peddlers,
stopped by cabs, inside and outside
  of cars with sometimes lovers
hot legs and all that,
simmering in the highway
glancing at them now
   lamenting them later,
what's a dull boy to do in a dull town
  with clothes dull wielding the
     dull word?

meanwhile, there's so many of you
and there is only very scant of me left.
light voyeurs through the interstices
   of the huddled masses,
panic screeches through the maddened
  streets of Vito Cruz.

   the night is all black and stark
and the heavy behemoth of existence
  prods underneath where
rats, rodents and vermin run
  plodding the highway with sleek varmint
    demeanor. a lady passes by with a
string of fragrance dangling upon
  her shoulder-blades.

what's a dull boy got to do in a dull city
  with a dull heart?

there are so many of them for my
   territorial hands cannot name
and there's only one of me:

     unheroic
        impinged
small
        half-drunk and
half-believing

  that there's something
a dull boy ought to do
   in this dull city
with dull words but it comes
   with an exorbitant outlay.

dog-leashes are expensive,
    moonless hoots through opened
windows hefty with price.
   moon-blooms again and again,
missing all hurt trying to repair
   the ravaged — i look at young
girls, old women, fine and complete
  and this thing of being me
     on the market marked: sun-stifled.

there's so many of them
there's only a sum of me
that's often small and burgeoned
bringing the question
  
what's a dull boy to do in a dull city underneath a dull moon
       within a dull crowd?

Dj spinning the wheels of steel
Best lyrics I spill that send thrills
Picture perfect Picasso
Make my own moves like Carlito
Move dinero black don Vito
Keep suckas in check
So stay off my grande bicho
We turn culo into closed
Casket I'm.cold heartless *******
That's my persona
Smoke more yay then T Montana
Took a bite of the forbidden monzana
Tell these fools I don't bang
With panics only frantics
Childish antics make for required carcasses
I'm bark up the wrong trees
Rivalries I love em I'm.above em
Eight levels ahead with mad bread
Hotter than a baker
Brew up the hardest thymes
The lyrical barrister call me Mr
Big stuff Cuz my peace heavy d
Mid weight like hos who can shake
They **** looser than Jello
I'm a president never let me peoples go
Modern day pharaoh with a thorough
Of wisdoms hearts full of clay
Which means I'm cruddy no fears
Show ya real tears like when the shot gun
Enters ya body goin at 200 miles per second
I'm reluctant the only one to ever bless the mic when I recite don't try to fight
Only to meet ya fall and mobster even gall
After me butnnever touch my epitome
In the safe house with my spouse
Tucked in ya blouse
Homes!! Ya minstrel cycle leakin'
Which means ya close to shakin'
Hands with the grim reaper
Puff cabbage make the biggest clouds
Now ya resting lovely open casket
Awaiting to be covered with the shroud!!



uh im rude like awakening knock those out who fakin'
flakin' like  they frosted i leave ya exhaushted
hard to see me when them black ants
crawlin' over eye visions cuz my visions
dehydrate your precisions
stingin' ya harder the bees like wind to breeze
ya cant slow me yall haters below me
bring force like kinobi just show me
yo head so i can fill it with led down goes yo bread
tears in the hearts of families fatalities bring joy to me
emcees beware ya in for a scare no truth or dare
pause ya like a stare first glare ya see
im in ya shadows check my plateau ruthless as Don Vito  
evils we see no remorse for those who try to show
out they *** we never chased the cash
we burned out like brass true with me class
yall dont want clash dancin' with the titan fast as lightening
strike so compellin' enticin' frightening
no late night news can fused or abuse
our images we mass murderers lowerin' percentages
of those in advantage we bringin' mo' carnage
than the average savage live in havoc
dont thread the best unless ya wanna die like the rest
ease my stress with totes of canibus while yall diss
im chillin' like maximus full potential
we never bought out chips just sought out
takin' over islands reestablish demands
with illegal contrabands one man stand dont need no fan
feel me i be the straight loco true colo ******* by nature
too a few bites from forbidden manzana
makin'  miracles like ana from lyrical content
bites critics like piranhas sound the black madonna whos gonna?
stop me once i began the tears
so you imitators
commentators beware

I asked for more time
my backer said to me, no
so as it hit twelve I knelt and prayed
calling hard to the backers wife
only five minutes elapsed
then she did appear in front of me

I did plead with her
I told her of my plight
told her people call me a low life
yet I will not give up the fight
they know not of my silver knife
I begged the backers wife

She looked at me kneeling there
saw the tears in my eyes
then in a voice louder then the most fierce tempest
she gave me vito, for she did realise
miracles can truly happen
when you pray to the backers wife

By Christos Andreas Kourtis aka NeonSolaris

The Raven



love is in the air
burning rubble
make my Martini strong like on the double
pierced right through the skin
perched up high as in the raven
penetrate as words adore in motion
penetrate as words adore;
music in the twilight of the air
there is was...

through lies of its deepest temptation
bold as to my dear brother
the over weight lover undercover
Bernie Sanders and the flag
Vito from Sapranos

Yet there in the distance the raven
Edgar Allan Poe had every right to know;
A trip to love a time before
fly in the sky
black as satin gloves

El grafófono,
A tarde y mañana,
En el puente del barco
Sonaba y sonaba.

Era un barco muy viejo,
Un barco de carga
(Ron, azúcar y negros).
Que todos los meses salía
                              El día 19,
                              De Martinica
                              Para Burdeos.

                  Negros y negras
(Café tinto con gotas de leche)
Bailaban a tarde y mañana
Shimmy, jaba y fox-trot en el puente;
Charleston no se bailaba

Que es mal de San Vito reciente;
Corbatas muy rojas, los hombres,
De rojo y azul las mujeres,
Zarcillos de oro, muy largos,
          De carey, brazaletes,
Y Houbigant y sudor confundidos....
Houbigant en sudor.... ¡qué mal hueles!

                              «Adieu! Fort de France!»
                              Decían riendo.
¡Qué blancos sus dientes lucían
En los labios carnudos y anémicos!

                              Y seguía el grafófono,
Y seguían bailando los martiniqueños.

                              De pronto
El cielo se puso muy *****.
Y estrellóse en el barco una ola,
Una ola muy grande, rugiendo,
Y la ola inundó todo el puente
...Era el mar, que colérico
Acababa con música y baile
Y escupía en la cara a los negros.

The Raven
love is in the air
burning rubble
make my Martini strong like on the double
pierced right through the skin
perched up high as in the raven
penetrate as words adore in motion
penetrate as words adore;
music in the twilight of the air
there is was...

through lies of its deepest temptation
bold as to my dear brother
the over weight lover undercover
Bernie Sanders and the flag
Vito from Sapranos

Yet there in the distance the raven
Edgar Allan Poe had every right to know;
A trip to love a time before
fly in the sky
black as satin gloves

If I may
a word of advise to thieves and Extortionists
not that I know anything about your nefarious proclivities
as I do not fraternize with your sorts or attained a degree in Thiefology
However may I say
that as your stated intentions were to discredit, drive me paranoid
and subject me to your 'slow death' program
it would have helped you and your gang and Red cronies
if
your daughter Joanna did not directly verbally inform me
that I had picked up a bug
And your other various scumbags, hooligans, cronies, thugs and henchmen as well as those fooled and misled vigilantes
added from the onset, that
that my head was going to be done in
that you'll all put a million nits in my head
and a thousand worms in my ears
that my life was going to be made a living hell I would wish
I was dead
that character assassination, public humiliation was in operation  
that a vilified clone of my good-self has now been fabricated
that you are slinging so much mud at my stainless character
that you are blackening my name beyond redemption
that you will frustrate, isolate and make me a pariah
that you'll make certain I will never find anyone to trust or love ever again
and that
everything I say will be 'taken down and used against me'
SO PERHAPS
if in odious dastardly Narcissistic ARROGANCE
you had not voiced these all out to me gloatingly
who by the bye happens to be a trained journalist
with the journalistic abilities of Objectivity and Detachment
YOUR EVIL WICKED HEARTLESS INHUMANE DEVICES
would have given you the victim you so eagerly want
How can someone watching fooled, blinded, manipulated people
acting out silly ridiculous skits and street theatre performances
gas-lighting, running Fools errands and writing negative *****
the asinine bullying tactics of mobbing by crass mobsters and scums
One see all these as nothing but laughable, pathetic, pitiful, demeaning undignified nonsense by crass undignified lowlifes
SO THIEVES, ANARCHISTS, GANGSTERS and MOBSTERS
You may like to Now take it on-board
IF YOU WANT TO DRIVE SOMEONE PARANOID DO NOT TELL THEM FIRST and do not pick a journalist....
just saying!!!

The Raven
love is in the air
burning rubble
make my Martini strong like on the double
pierced right through the skin
perched up high as in the raven
penetrate as words adore in motion
penetrate as words adore;
music in the twilight of the air
there is was...

through lies of its deepest temptation
bold as to my dear brother
the over weight lover undercover
Bernie Sanders and the flag
Vito from Sapranos

Yet there in the distance the raven
Edgar Allan Poe had every right to know;
A trip to love a time before
fly in the sky
black as satin gloves

Four times a week
Matinee Evening or Night.
A trip to the movies .
Was a guarantee
As I call to mind.
A bijou of a place
Standing in queue
Counting the heads ahead.
Fervently praying for a seat
Looking at the marquee.
Stars name Starring in.
Ticket in hand
Was Disneyland.
Next stop was the poster
Mammoth in size
In awe would analyze.
Eyes sharp as laser.
Focus on the credits
Memorizing the artists.
Row didn't matter
Insistent but on an aisle seat.
The view seemed better
A quirk I never got over.
Always early and looking at the watch
Eagerly waiting for the curtains to part.
Commercials and Government Propaganda.
Enduring the two was hard.
Trailer was theaters choice.
If shown there was no greater joy.
Censor certificate would flash.
Number of reels had to be scrutinized.
The length of the film it indicated.
All I learnt ,I learned from the movies.
Escapism it wasn't.
It reflected reality.
In the darkness surrounding the walls.
Existence outside seemed like a dream.
Rays from the projector
Made life look brighter.
Certain things leave.
Others Stay.
Ellicits an emotional response
Feeling being the outcome.
Inscribed seldom witherd.
Thinking and Feeling paradoxical.
Contradiction within the hall.
70 s the greatest era since existence.
Movies made were no exception.
Never came out disappointed
Magicians were the makers.
Collaboration amongst masters
Craft at its zenith
Skill never scarce
Epitome of brilliance
Audience addiction but natural

Charles Bronson Death Wish.
Audience manipulation at its zenith
Body count lost count
Bronson being cheered and worshipped
Everytime shot a man dead.

Clint Eastwood ***** Harry.
Iconoclastic cop full of Fury.
Crowds swelling
Superstar by defenition
4 more sequels held our attention.

Sean & Roger.
Nobody did it better
Bond and Beyond
License to ****
Gadgets and Puns
Q & M
Made it fun
Gun Barrel and theme.
Made the audience scream.
Entertainment only motive
All 13 adorable.

Steve McQueen,The Thomas Crown Affair.
The King of Cool
Monet missing .
McQueen present.
Played Chess with Faye
Held the crowds in sway

Burt Reynolds
Smokey and the Bandit
Chased across the South ,Sally in tow
Taxied on the freeway
In a Pontiac Trans am
Surround sound.
Made ears drown
Train wrecks ,Car chases , Sheriff's Department and the FBI
Know you're in for a Reynolds fare.

Yul Brynner stylish and bald.
Unique walk idolised by all.
Leader of the Seven.
Oscar for King and I
Ramses to Moses
Endearingly Popular
Baritone voice
People s Choice.





Lee Marvin headed The ***** Dozen.
Nunnally Johnson had it written.
Every time it had a run
Fans enjoyed the fun.

Paul Newman The Macintosh Man
Most famous blue eyes
Directed by Huston
Enjoyed a good run
Butch and Sundance
The Sting
Made a great pair with Redford
Male Bonding never looked more stylish




Gene Hackman  The French Connection
Pedal to the metal.
Pontiac Le Mans.
Chasing an El train
Greatest chase sequence ever filmed
Hackman Actor and Superstar
Twice won the Oscar.

Warren  Beatty **** Tracy
Appeared on screen scarcely.
Multifaceted and handsome.
More Oscars than films acted
Is an old Hollywood joke which hasn't dated.

Jack Nicholson Chinatown.
Mentored by Roger Corman.
Some are Stars .
Some are Actors.
Star and Actor
A rare Combination,
He achieved by dedication.
Multifaceted man
Everybody is a fan
Oscar for every decade
Inmate ,Astronaut ,Writer
Whatever the character
The Academy did honour.
Also watched him play Joker, drifter murderer
Turned down The Godfather
Independent Republic of Jack Nicholson
Is the name of the abode for his fans.
Given by none other than Mike Nichols.


Amitabh Bachchan and Dharamendra.
Two greatest superstars of India.
3 films together
Outcome couldn't be bigger.
Chupke Chupke a comedy classic.
Sholay praised even by Satyajit Ray.
Ram Balram with Vijay Anand
You can't go wrong.
Sold out for weeks in advance.
Black Market was the only chance.
Inflated prices ,they built houses
The legend goes.
Sea of humanity
A regular sight
Where their movies played .
Cash registers ringing
Never missed the opening screening.

Marlon Brando The Godfather
You can't refuse the offer
Refused the Oscar.
Method Acting mentor
Generations of Actors, will always remember.

George Scott ,Patton
Sagebrush portrayal
Of the 4 Star General
Opening monologue
Inspiration to all
Great Actor who went beneath the skin of the character.

Al Pacino Scarface
Portrayal in your face
Theater , Television and Movies.
Performed with equal intensity.
Tony ,Emmy and Oscar
Would be proud to be in his roster.

Robert De Niro Godfather 2
He portrayed Vito too
Created history
Won the Oscar for Supporting Actor
To Brando a worthy successor.

Robert Redford Brubaker
A name given to every reformer
Adored by Women
Imitated by Men.
Superstar of the decade
Turned director
Won the Oscar
Sundance Festival
Platform provided
Filmmakers flocked
Many talents unlocked.




If I'm told I have only a few hours to live.
Can we go and watch a movie

It is quite an event!
Gerry Atric is old enough to know that Joshua Tree isn’t the right guy for Marine Layer. Anyway, she is more interested in Donny Brook, who had just broken up with Dee Ported, for obvious reasons. There they are, carousing on the Sunset Strip: Perry Winkle, Penny Farthing, Miss Understanding and Poppy ****, when who walks in --- Sara N Dippity, with ***** Nilly and Sal Amander, one on each arm!
Now Sara used to be the significant other of Mort Ify, before him, Pete Moss, before him, Charlie Horse and before him, Al Luminum! Go figure. That leaves Tess Osterone who cannot though she tries, attract any of these fine fellows, so she nurses a drink with Terri Ble, and wails about her latest disappointment with Con Descending.
Trying to calm the situation is Herb Tea, but even he ends up having cross words with **** Tatorial, who finally splits with Paddy Wagon in tow and heads over to see Tia Juana, and if they have time, Nan Tucket.
Why General Jive and Warren Peace are huddled has yet to be explained. Oblivious to all of us Mac Aroon and Junior Mints, shared tasty morsels and a libation with Amber Beer.
Preppy dressed Cord Uroy hangs with the stylsh Art Ist, each trying to make a move on Joy D. Vivre, but they are stopped by Moe Mentum , who had the inside track up until Scott Free, Gus To and Juan Derful surround the crowd, each trying to make some time with her.
Consider Lilli Put conversing with Al Falfa, while Rich People and Cord Cutter trying to listen in, but are thwarted by Mari Gold who interfered with that desire as she was shouting epithets at Con Undrum, who doesn’t know what to do. Miss Issippi cruises in and with Molly Fi, who tries to calm the situation. Watching from the corner is Bob Cat, wary of Miss Creant, who is eying him, all while she is being scoped out by Val I Date.
If life is sometimes a desert, Mo Have personifies it; he has his own problems trying to get out of the way of Uri Nalysis, who is just plain trouble. Jonathan Club is his usual convivial self, making conversation with Trey Chrotomy, who keeps clearing his throat. I was amazed to see Leo **** getting dressed down by Dinah Mite, supported in her criticism by Dee Mise.
Let us turn to the artistic arrivals: Marshall Amp and Art Professor, both adding some zest to the gathering, enabled in part by the always attractive Dee Colletage. Bill O’Lading is a bore until he jumps into the drink with Jac Uzzi, accompanied by Nat Ural, as they view the valley below and drink champagne with Elle Vation. Bobbi Pin pops everyone’s balloon by getting wasted and along with Cara Van is asked to leave. But this paled in comparison to Al Abaster attacking Ana Conda for hitting on her significant other, Tom A. Hawk.
Everyone stays away from Hal Itosis except Sue Venir and Mel Lifluos who avoids discussing the obvious. Commiserating and having a bad time are Marg Inal and June Gloom, but then they’re always that way when they get together.
Moving up in the world is Val Et, with her new recruit, Ann Appolis, decked out in a matching outfit with Lily White. Terry Dactl flew in to convince Dee Nial she had a true friend in Mother Nature, but that she should get a second opinion from Al Egory, any to hear what Brandy Alexander had to say as long as she was not slurring her words.
Everybody loves Gus To, he’s so nice to everyone, even the plain Lyn Olium and the depressing Miss Ann Thrope. We aren’t sure what to make of Sal Amander, who seemed a bit slimy, especially coupled with Beau Dacious. What were they up to? Dan Ube engaged Earnest Money to find out. He reported they were going to fleece Dan Druff and Butch Haircut, who should not invest in their hair-brained scheme.
Al Abama buttered up Cy Pres, hoping for some charity, while Minnie Scule and Tara Bite made an unlikely duo. “Respect” said Jen Uflect, that’s what everyone deserves, as she curtsied at the arrival of Caesar Salad. “Ha, ha, ha,” Heidi ** merrily exclaimed, joined by the mysterious I Stanbul. All he did was complain about the political situation.
Mary Me cannot get enough of Al Falfa, though she would have done better with the always engaging Mo Zart. Too bad he is always with Tom Foolery and Cass Anova, both with questionable motives. I know for a fact that Beau Dacious has crashed this party, pretending to have an invite from Des Ire. Outside, mystified by the diverse assemblage stands Papa Razzi, camera in hand. Hal Leluha tries to talk his way in, but gets nowhere is he is not on the list, says party planner Claire Ify. Mel Ifluous, on the other hand, though not an invitee, does get past the velvet rope, which I surmise is because he is with that wealthy Main Liner, Phil Adelphia.
Back inside the party I encounter Lazy Susan having a drink with Bud Weiser.  Here’s an unusual assortment: Guy Dance, Major Minor, Hazel Nuts and Scott Free. His choice of clothing questionable, Lee Derhosen paints a pretty picture about his life to Al Fresco, who is dismissive. Maybe that is because Mo Hawk puts him down, but he gets some protection from Val Id. Dee Tatched, never a joiner, talks business with Perry Mutual, who is threatened by his nemesis, Vito Power. Jungle Jim back from his travels, has a new mate, Lazy Susan, she having moved on from Leo ****.
How Riff Raff got an invite is shocking and I hope he will depart soon with Lee Ving, Bob N Weave, and Con Descenion. Louis Ville slugs it out, batting away the negative but truculent comments of Claire Ification. Tim Buktu acts like he is in another country, causing Mort Ified to hang his head, all made worse by the mutterings of Carrie On.
Mentor Ing tries to advise Con Flagration to cool it and is helped by
Dolly Grip and Frank Lee Speaking. Stu Pendus addresses each issue raised by Bill O’ Particulars, but he cannot allay the suspicions of Artie Choke, finally saying he must be in a vegetative state if he cannot understand the implications of what he proposes. Bo Tox just stood there, trying to look good.
The last to leave is Senor Ity. Phil Harmonic and June Bug drive him home where he lives with Dana Point and Sherman Oaks.

I usually shower alone but 1 day I  was surprised when Sicilian mafiosi entered my shower. They were very nice. I was curious as to what they wanted. Vito, the under boss, brought Helene Curtis shampoo. He stayed for 8 minutes.

I usually shower alone but 1 day I  was surprised when Sicilian mafiosi entered my shower. They were very nice. I was curious as to what they wanted. Vito, the under boss, brought Helene Curtis shampoo. He stayed for 8 minutes.

love is in the air
burning rubble
make my Martini strong like on the double
pierced right through the skin
perched up high as in the raven
penetrate as words adore in motion
penetrate as words adore;
music in the twilight of the air
there is was...

through lies of its deepest temptation
bold as to my dear brother
the over weight lover undercover
Bernie Sanders and the flag
Vito from Sapranos

Yet there in the distance the raven
Edgar Allan Poe had every right to know;
A trip to love a time before
fly in the sky
black as satin gloves

love is in the air
burning rubble
make my Martini strong like on the double
pierced right through the skin
perched up high as in the raven
penetrate as words adore in motion
penetrate as words adore;
music in the twilight of the air
there is was...

through lies of its deepest temptation
bold as to my dear brother
the over weight lover undercover
Bernie Sanders and the flag
Vito from Sapranos

Yet there in the distance the raven
Edgar Allan Poe had every right to know;
A trip to love a time before
fly in the sky
black as satin gloves

I usually shower alone but 1 day I  was surprised when Sicilian mafiosi entered my shower. They were very nice. I was curious as to what they wanted. Vito, the under boss, brought Helene Curtis shampoo. He stayed for 8 minutes.