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KING EOCHAID came at sundown to a wood
Westward of Tara.  Hurrying to his queen
He had outridden his war-wasted men
That with empounded cattle trod the mire,
And where beech-trees had mixed a pale green light
With the ground-ivy's blue, he saw a stag
Whiter than curds, its eyes the tint of the sea.
Because it stood upon his path and seemed
More hands in height than any stag in the world
He sat with tightened rein and loosened mouth
Upon his trembling horse, then drove the spur;
But the stag stooped and ran at him, and passed,
Rending the horse's flank.  King Eochaid reeled,
Then drew his sword to hold its levelled point
Against the stag.  When horn and steel were met
The horn resounded as though it had been silver,
A sweet, miraculous, terrifying sound.
Horn locked in sword, they tugged and struggled there
As though a stag and unicorn were met
Among the African Mountains of the Moon,
Until at last the double horns, drawn backward,
Butted below the single and so pierced
The entrails of the horse.  Dropping his sword
King Eochaid seized the horns in his strong hands
And stared into the sea-green eye, and so
Hither and thither to and fro they trod
Till all the place was beaten into mire.
The strong thigh and the agile thigh were met,
The hands that gathered up the might of the world,
And hoof and horn that had ****** in their speed
Amid the elaborate wilderness of the air.
Through bush they plunged and over ivied root,
And where the stone struck fire, while in the leaves
A squirrel whinnied and a bird screamed out;
But when at last he forced those sinewy flanks
Against a beech-bole, he threw down the beast
And knelt above it with drawn knife.  On the instant
It vanished like a shadow, and a cry
So mournful that it seemed the cry of one
Who had lost some unimaginable treasure
Wandered between the blue and the green leaf
And climbed into the air, crumbling away,
Till all had seemed a shadow or a vision
But for the trodden mire, the pool of blood,
The disembowelled horse.
King Eochaid ran
Toward peopled Tara, nor stood to draw his breath
Until he came before the painted wall,
The posts of polished yew, circled with bronze,
Of the great door; but though the hanging lamps
Showed their faint light through the unshuttered
windows,
Nor door, nor mouth, nor slipper made a noise,
Nor on the ancient beaten paths, that wound
From well-side or from plough-land, was there noisc;
Nor had there been the noise of living thing
Before him or behind, but that far off
On the horizon edge bellowed the herds.
Knowing that silence brings no good to kings,
And mocks returning victory, he passed
Between the pillars with a beating heart
And saw where in the midst of the great hall
pale-faced, alone upon a bench, Edain
Sat upright with a sword before her feet.
Her hands on either side had gripped the bench.
Her eyes were cold and steady, her lips tight.
Some passion had made her stone.  Hearing a foot
She started and then knew whose foot it was;
But when he thought to take her in his arms
She motioned him afar, and rose and spoke:
"I have sent among the fields or to the woods
The fighting-men and servants of this house,
For I would have your judgment upon one
Who is self-accused.  If she be innocent
She would not look in any known man's face
Till judgment has been given, and if guilty,
Would never look again on known man's face.'
And at these words hc paled, as she had paled,
Knowing that he should find upon her lips
The meaning of that monstrous day.
Then she:
"You brought me where your brother Ardan sat
Always in his one seat, and bid me care him
Through that strange illness that had fixed him there.
And should he die to heap his burial-mound
And catve his name in Ogham.' Eochaid said,
"He lives?' "He lives and is a healthy man.'
"While I have him and you it matters little
What man you have lost, what evil you have found.'
"I bid them make his bed under this roof
And carried him his food with my own hands,
And so the weeks passed by.  But when I said,
""What is this trouble?'' he would answer nothing,
Though always at my words his trouble grew;
And I but asked the more, till he cried out,
Weary of many questions:  ""There are things
That make the heart akin to the dumb stone.''
Then I replied, ""Although you hide a secret,
Hopeless and dear, or terrible to think on,
Speak it, that I may send through the wide world
Day after day you question me, and I,
Because there is such a storm amid my thoughts
I shall be carried in the gust, command,
Forbid, beseech and waste my breath.'' Then I:
Although the thing that you have hid were evil,
The speaking of it could be no great wrong,
And evil must it be, if done 'twere worse
Than mound and stone that keep all virtue in,
And loosen on us dreams that waste our life,
Shadows and shows that can but turn the brain.''
but finding him still silent I stooped down
And whispering that none but he should hear,
Said, ""If a woman has put this on you,
My men, whether it please her or displease,
And though they have to cross the Loughlan waters
And take her in the middle of armed men,
Shall make her look upon her handiwork,
That she may quench the rick she has fired; and though
She may have worn silk clothes, or worn a crown,
She'II not be proud, knowing within her heart
That our sufficient portion of the world
Is that we give, although it be brief giving,
Happiness to children and to men.''
Then he, driven by his thought beyond his thought,
And speaking what he would not though he would,
Sighed, ""You, even you yourself, could work the
cure!''
And at those words I rose and I went out
And for nine days he had food from other hands,
And for nine days my mind went whirling round
The one disastrous zodiac, muttering
That the immedicable mound's beyond
Our questioning, beyond our pity even.
But when nine days had gone I stood again
Before his chair and bending down my head
I bade him go when all his household slept
To an old empty woodman's house that's hidden
Westward of Tara, among the hazel-trees --
For hope would give his limbs the power -- and await
A friend that could, he had told her, work his cure
And would be no harsh friend.
When night had deepened,
I groped my way from beech to hazel wood,
Found that old house, a sputtering torch within,
And stretched out sleeping on a pile of skins
Ardan, and though I called to him and tried
To Shake him out of sleep, I could not rouse him.
I waited till the night was on the turn,
Then fearing that some labourer, on his way
To plough or pasture-land, might see me there,
Went out.
Among the ivy-covered rocks,
As on the blue light of a sword, a man
Who had unnatural majesty, and eyes
Like the eyes of some great kite scouring the woods,
Stood on my path.  Trembling from head to foot
I gazed at him like grouse upon a kite;
But with a voice that had unnatural music,
""A weary wooing and a long,'' he said,
""Speaking of love through other lips and looking
Under the eyelids of another, for it was my craft
That put a passion in the sleeper there,
And when I had got my will and drawn you here,
Where I may speak to you alone, my craft
****** up the passion out of him again
And left mere sleep.  He'll wake when the sun
wakes,
push out his vigorous limbs and rub his eyes,
And wonder what has ailed him these twelve
months.''
I cowered back upon the wall in terror,
But that sweet-sounding voice ran on:  ""Woman,
I was your husband when you rode the air,
Danced in the whirling foam and in the dust,
In days you have not kept in memory,
Being betrayed into a cradle, and I come
That I may claim you as my wife again.''
I was no longer terrified -- his voice
Had half awakened some old memory --
Yet answered him, ""I am King Eochaid's wife
And with him have found every happiness
Women can find.'' With a most masterful voice,
That made the body seem as it were a string
Under a bow, he cried, ""What happiness
Can lovers have that know their happiness
Must end at the dumb stone? But where we build
Our sudden palaces in the still air
pleasure itself can bring no weariness.
Nor can time waste the cheek, nor is there foot
That has grown weary of the wandering dance,
Nor an unlaughing mouth, but mine that mourns,
Among those mouths that sing their sweethearts' praise,
Your empty bed.'' ""How should I love,'' I answered,
""Were it not that when the dawn has lit my bed
And shown my husband sleeping there, I have sighcd,
"Your strength and nobleness will pass away'?
Or how should love be worth its pains were it not
That when he has fallen asleep within my atms,
Being wearied out, I love in man the child?
What can they know of love that do not know
She builds her nest upon a narrow ledge
Above a windy precipice?'' Then he:
""Seeing that when you come to the deathbed
You must return, whether you would or no,
This human life blotted from memory,
Why must I live some thirty, forty years,
Alone with all this useless happiness?''
Thereon he seized me in his arms, but I
****** him away with both my hands and cried,
""Never will I believe there is any change
Can blot out of my memory this life
Sweetened by death, but if I could believe,
That were a double hunger in my lips
For what is doubly brief.''
And now the shape
My hands were pressed to vanished suddenly.
I staggered, but a beech-tree stayed my fall,
And clinging to it I could hear the *****
Crow upon Tara."
King Eochaid bowed his head
And thanked her for her kindness to his brother,
For that she promised, and for that refused.
Thereon the bellowing of the empounded herds
Rose round the walls, and through the bronze-ringed
door
Jostled and shouted those war-wasted men,
And in the midst King Eochaid's brother stood,
And bade all welcome, being ignorant.
he made me
stand still

that was
THE thing

not adrift on passé
or futuristic projectings
not jumping rope
on hyped-up think strings

all of me
paused
to feel all of him
every inner switch
flicked on forever
KC lights streaming
yepyepyep

wired spinefire
warming its way
to burst through skin
invisible firecrackers
jumpstarting the air
revolt from suffocating

we were
whereverthefuck
together

(+ think we dropped pins in)

all molecules at ATTN
his lip blueprints existing
eternal in my synaptic tracks

beyond the say breathes
the evermore of listen
eardrum heartstrum
empathic rhythm

his brainfire ringing
my threshold doorbells
syntactic turrets spitting
direct hits beyond ramparts
into unshuttered windows

bizarro blurbs
wrap me uppers
10,000 suction cup tentacles
asphyxiating the cloak of me
skinning and bonding me
to particles of matterthings

self-conscious and judgment
marked absent
we resounded here!
but no hands in the air
to Be seen

sensory nonsense pitterpatters
into where All is found lost
to hallowed delights

except for the realies
don't ******* that ****
it's my cryptonite
jpl Jun 2013
I saw you walk to me, across
the Place Bellecour, and I smiled.
The shuttered windows
and my unshuttered expression
told you that it wasn’t the time for this,
but the recessed windows on the grey roofs
and the off-white brick told me it was.

I saw you walk to me, across
the Place Bellecour, and I smiled.
The spires of the distant churches
and the unbroken line of sight
called to you that we better hurry on,
but the lines of windows (like members of an audience)
shouted at me to kiss you.

I saw you walk to me, across
the Place Bellecour, and I smiled.
A deep blue surreal sky and the
whisper of a floating white cloud
shouted to you to say yes,
and the white cloud of up and above
cheered me on, evermore,
to Paris and to Lyon.
Jack Jenkins Sep 2019
Art should be disturbing to the comfortable
A comfort to the disturbed
A shape of two being one
The creator casting one half
The eye of the beholder creates the other
Unified into a single shape with infinite dimensions
Shining like a diamond
The shape of as heart
Windowed soul
Unshuttered and unfettered
A pouring of everything
Filling of empty spaces
The gap between the ribcages
The pain behind the faces
Unmasked, raw, refined, precise, agonizing
Hopeful and despairing
That is what art should be
Art is nothing more than that
Create beauty
//On art//
snarkysparkles Mar 2015
Away into the future in days we don’t know
Lived a girl with her dear mother’s wife
And abandoned traditions of decades ago
Made no impact on their joinéd life

The profane was normal and it was expected
That gender give no weight to love
And long dead protesters long since had defected
Though they lose peace long sought from above

But this girl was among those chagrined by their fate
Doomed to carouse in shades of grey
For no matter the forward evolution’ry prate
This upon her good conscience would weigh:

She cared not for caresses of sexes together
But feigned the feeling for fear of misuse
Resignéd to normalcy’s smothering tether
For her one-sided view was to others obtuse

They did not comprehend that her dead eyes did gaze
Upon silhouette man for whom her slow heart beat
And sat quietly she for a number of days
With contemplative question, enamor discreet

‘Till her lips formed the answer with truth late in coming
With sentences all but forbidden
Breaking the chains of society’s numbing
Sympathies quoted unhinged, unhidden

A love once forbidden by color of skin
A love once forsaken for money or pleasure
No more to be bound by the horror of sin
She opened to her mouth to declare without measure:

Affection is lessened by norm that encumbers
To love someone mirroring their ways with thine
It may disgrace you that I do not count in your numbers
I’m in love with a differing gender from mine

And lo that day not a jest was utter’d
To the maiden now soaring with spirit unshuttered.
Martin Majercak May 2016
She awoke,tired and extinguished
Her mouth tasted as if she has been licking stone
As she touched her lips they were swollen and painful
Sometimes,the visions took such a toll on her body she felt as if she could not go on.
As she stood in a shaft of moonlight from the unshuttered windows
She knew there would be no sleep again this night..
This is actually a paragraph from my books I am trying to publish,but I think it fits here as well
Alive

Alive. But what is the point
When you seem to be running in circles,
Chasing yourself in endless loops.

Alive, but why, when life seems to conspire against you?
Alive, why, when you gaze outside but never in?
Alive, why, when you stand alone by your window?

Why is your window so different from others’?
Is that why you’re alone?
Looking in, looking out, I see a stark contrast—

My window unshuttered, while theirs are locked tight.
I’ve been standing here for what feels like 200 years,
And my window remains untouched, unfulfilled.

Why me? Did I descend from galaxies
Just to falter in life?
Why does my key refuse to turn?

I question existence day and night,
It’s a burden, a headache,
As life and its end creep closer.

Yet I push through each day, each month,
I refuse to quit, though it’s not easy.
Alive, but why? What’s the point?

My window remains locked,
Bringing forth insecurities,
Anger, hate, and resentment—

Not towards life, but my own journey.
I wake up just to stare at the wall,
Lost in my thoughts, day and night.

As a firstborn, I’m meant to lead and achieve,
Failure is not an option, or so I was taught.

But here I am, merely a spectator,
Clapping at graduations,
My applause now feels hollow, immune.

Looking around, I see the questions in parents’ eyes,
“When will it be your turn?”
I wish I knew,
So I could give them something to discuss,
Something to be proud of.
I woke up and showered this morning,
Being struggling for a decade,
And I’m alive.

Maybe, just maybe,
My window has finally opened a sliver of possibility.

— The End —