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Mos Jun 2018
The tangible entity of consciousness is fleeting
Scene:
A elegant party but not quite extravagant
Clinking wine glasses echo through transparent walls
Twenty-two hundred lulls over the city like that of a shadow
This isn’t an ungodly hour nor is this a typical night
It starts when She enters in a red gown that elongates her figure
A pianist smirks in the corner — a grin that’s almost sinister
The clinking of wine glasses abruptly stops when its replacement of grim notes fills the glass house
The attendants still seem cheerful
(How peculiar?)
A stranger pulls her into a waltz but his eyes look hauntingly familiar
Unbenounced to her, He too dances with a stranger
Both on separate sides of the glass room
Both dancing with the unknown
Yet each pair seems to recognize some prominent feature
Nostalgic for what has never been
(How do you preserve a memory in reality?)
Through the glass house mirrors sit in obscure angles
One could see that within each reflection He and She were projected into the other room
Each glance towards the mirrors posed no questions
For both pairs seemed identical
Now their lives may have been content in accepting this dance with a “stranger” I suppose
But that was not the plan of this party
For guests grew tired of sipping on Beaujolais and listening to solem tunes
The pianist presented a different song, more lively yet equally eerie
Their feet paced with the new rhythm which called for a spin
(An act as dramatic as such was only proper for the scene)
With a grand gesture She turns, finally seeing the glass barriers
And for the first time that night He and She were face to face
A perfect dilemma to entertain an audience
In a frenzy She tried to speak
“I love you”
“I love you”
“I love you”
But each plea for affection deemed futile
For the grin on His face became that of the pianist
Her emotions were a downward spiral of gray shaded confusion
And with a sinister laugh He (or he) smashed the glass, shredding all source of reality
He was the hallucinogen and She was angry at him for making Her feel
And each guest cheered “bravo” demanding an encore
But this tragedy, dear friends, has come to the end
She’ll never know how the stars look where he is
(Is such a loss truly a loss?)
This poem is for two people
Joseph Dazzio Jun 2015
Comfort and joy I have pursued
To secure my life until my death.
Simple and humble joys I chase, issued
To me through labor, hell, and dragon's breath.

This cup of joy that all men seek,
It's contents: love, companionship, and cash
Has proven elusive and when in hand to drink
Is dashed and spilled among the ash

Created on the trek to find
This cup, the cup which is the author
Of every tragedy combined.

The cup is sought and to obtain
The goal, one must crawl through
Hell, stagger half-way the earth in strain
With broken legs and heart construed.

Impossible tasks are made
Our missions on the path to shade.
We preform miracles and set our bones
After the battle against the world.

Crouching in the brush filled with pain.
We see across the field, the cup's estate.
A-lush with greatness and delight;
"After pain and death, my struggle ends tonight."

O! Alas, my humble protagonist,
For through the field and past the guards
You will reach the cup. When you but kissed
The rim, it's contents, the Bards

Of life, are seen and evermore desired,
Your life is to conclude it's pain in a moment's passing
When, the Hand of Fate dashed the Cup from your grip
And spilled the contents among your life's work and pain.
All gone down the drain.

Then the Hand of Fate will throw you
Across the land, back to where you
Began. Your trek of life
Reset. Now suicide seems better than more strife.

And yet, out of the depths you rise, and after yet more tries,
Undergo greater pain, the cup is reached again.
And dashed. While the tragedy doubles in size
And back you are sent to the pit of pain.

And after ruin, you make inquiry.
"What caused my failure to arise
And Fate, my joy to compromise?
For I slew every obstacle that came to me."

For our lonely character shall find
The root of his ruin. The seed of rue
Was planted by none but him and grew,
Unbenounced and out of sight of any kind.

And when the seedling arose as bud,
Our mighty hero tripped with a thud.
"For the most minute of things caused
Your ruin," the lone Muse sings.

The place of your rest,
Where you sat at church,
The brightness of the Moon
Or where a hat and cloak rest.

These are reasons for a good family's ruin.
So avoidable and small,
Yet they cause the mighty to fall
And despair and pain to live in.

And so we sit and kick ourselves
For the mistakes we made that caused our death
When our energy and hope were squeezed drier than sand
And cup was dashed from our calloused hand.

The weeping lover, in arms his love.
The pitiful prisoner, cursing above.
The torn brother, his own flesh dead.
Are all results of the cup dashed
After their very souls bled.

Truly, "All the earth is but a stage
And its people actors!" 'Tis good sense.
The stars are weeping in the sky,
Our vast, eternal audience.
Musings over the tragedy of "Spanish Maine" by PC Wren.
Written on 6-17-15
Matt Nov 2018
Do you remember where
You absondoned my soul
Did you even feel it
When you took a part of my whole
I can’t say I’m broken
But neither am I complete
Secrets passed along
From an innocent bedsheet
Carried secrets unbenounced to all
Some things life will not keep
Where does this leave all we know
Maybe you know more than I
Or has the web gone too deep
But where does this leave me
With the secrets you thought you could keep.

— The End —