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Ayesha Feb 2021
i stare at the ceiling and hours go by.
clocks tsks—
and cars, outside, laugh
lamp paints shadows on the walls
and the chocolate melts
—a flute sings
and winter settles on the floor
the fan hangs still— still— still.
a bear snores in her cave
and baby owls, with their moons, watch—
a river hisses meekly
and crops bow before the night
air chokes on gold
—and crescent yawns
the clock tsks— the clock tsks
i stare at the ceiling and hours go by.
the clock tsks.
the clock tsks—
what do I even write--
Donall Dempsey Jul 2015
Two fictional characters
walk into a bar

in Malta
( * Marsaxlokk - to be precise ).

"To...be....tooo beee. . ."
stammers Hamlet.

"Oh fer Gawd's sake...two beers!"
J. Alfred Prufrock snaps.

"You really milk that
"To be or not..." thingy."
J.A.P. scolds Hamlet.

"Tsk...tsk!" Hamlet tsk tsks.
( sticking his tongue out ).

Two Cisks are plonked
down before them.

"No...I am not Prince Hamlet or
was meant to be..!"
J.A.P. quotes him self.

"Awww fer Jaysus sake...loooook
just for the fun of it...the gas of it

we swop
texts!"

Hamlet interrupts Prufrock's
protestations.

"Ohhhh....o.....K?"
Prufrock ponders somewhat doubtfully.

And, so:
Hamlet the Dane

( for yea it is indeed he)
dares

(1) to eat a peach (2) wear the bottoms of his white
flannel trousers rolled (3) parts his hair behind even

(4) dares
to aks

the overwhelming question

"( Oh, do not ask, what is it! )"

Oh & (5) gets to hear
( ** ** ** )

"...the mermaids singing...."

Prufrock "Hum...."
kills the king.

Becomes the king.

Beds.
Weds
Ophelia.

" Buzz buzz...come come..go...go!"

"It's a very
foreshortened
Hamlet...I know

but - what the heck!

"See..? slurps Hammy
". . . now, that wasn't so bad...was it?"

"Another Cisk?"
"Naw...I'll have a Becks!"

"Jaysus Prufrock now
...what's up?"

"Don't know..."mutters J.A.P.
wearing a frothy beer moustache.

"HURRY UP PLEASE...IT'S TIME!"
roars the barman in Maltese.

"I can connect nothing
with...nothing!"
Prufrock almost sobs.

"Like that time
on Margate sands..."

Hamlet cuts him curtly off.

"Don't even go...there!"

"But I still get that squirmy
...you know...feeling

we are just
fragments of

the imagination of
some *
long haired Irish poet

sunning himself by
the waters of

the shimmering waters of
a Sliema hotel pool

...up up in the clouds!

Hamlet sighs.

"Yeah, me too
spooky...innit?"

Hamlet looks behind him
checking for what isn't

there. . .

"Ahhhh well, never mind eh?"

Prufrock attempts an attempt
at being cheerful.

Fails miserably.

"Let us go, then
you and I...

when the evening is spread out
against the sky..."

Like a patient etherised upon a table!
they both sing outta time and outta tune

stumbling one
into the other.

A long hair Irish poet
smiles as he watches them

go.

"Għaġġel fil-għoli...wasal iż-żmien JEKK JOGĦĠBOK!"
the barman roars.

NOTES

Pronounced MAR SA SCHLOCK. Those Maltese Xs being really SHs in disguise.

* Pronounced CHISK but the new barman is obviously new to the language and pronounces it TSK which makes him think that is what our two fictional characters are ordering.

Not to be confused with mobile texting but rather the literary texts of which both of them owe their existence.

*
The play bounded in a nutshell as it were.

One Donall Gearld Oliver Denis Dempsey is a good example of this sort.

* The No. 1 song all over Heaven...beating Sparks THE NO. 1 SONG ALL OVER HEAVEN  to the top spot.

** "Għaġġel fil-għoli...wasal iż-żmien JEKK JOGĦĠBOK!" Once again the new Irish barman hasn't got his tonsils around the Maltese lingo and comes out with this terrible mish mash of the typical barman's cry.
Francie Lynch Dec 2014
Mr. Rory Richards
Lived his life,
Taking garbage
Out at night.
He shovelled drives
He swept walks,
He listened intently
While others talked.
Others talked.

When Rory wasn't
Weeding the garden,
He was outside
Hanging laundry.
Moms were jealous,
Dads were shamed,
But whispering neighbours
Never complained.
Rory's good
At the husband game.
He presented well.
The neighbours continued
To tsk and tsk.

On his way home
From work,
He picked up the kids
From daycare,
He'd find time
To volunteer there.
He'd have treats
At home for them,
And their friends.

He volunteered with
Cubs and Scouts,
Always finding
Extra time
For jamborees
And overnights.

One day the cops
Came on the scene,
Rory wasn't
What he seemed:
His computer
Showed a different man,
A lurking, luring
Child **** fan.
And the neighbours'
Tsks cresendoed.

At his trial
He sat abandoned,
But neighbours there
Gave witness to
A man they thought
They surely knew.
A family man
In his pew.
All his life
He lived beside them,
A man they let
Their kids rely on.
Rory Richards is a pseudonym, but not mine.
Amber waves of pleasantries wash over me
Enveloping the cynical tsks in a sickly sticky scent
Francie Lynch Jul 2017
Call us perverted,
But read on first,
Then, by the end,
After our verse,
Call us your worst:
***** old men, gutter snipes,
Lecherous gawkers,

Cause we gaze in wonder and awe
At girls from eighteen to ninety-five.
Don't step back and feign aghast,
Whisper covert tsks, and gasp,
What? Oh such ***** old men!
But we are most the same.

We don't ogle or use a scope
Waiting behind a bush at night,
Til the lights go on
Through windows known to be undrawn.

We don't visit public pools
With goggles and a snorkel,
That's just sick, that's not us,
Our admiration's not so twisted,
We grew up to respect the sisters.

We wonder at the parade of beauty,
So pleasing to our eyes,
They dress to allure
Younger looks,
They swagger, tilt and sashay past
With legs as long as trees,
No VPL to interrupt
The curving imagination.
Compare it to one window-shopping,
Admiring wares and worth;
But please, read every line I wrote
Before bellowing, Pervert.

If we were eighteen years again,
We're lads out plowing fields,
Sowing wild grains,
Reaping refrains of They're boys just being boys.

We had our ancient pleasures,
Still comparable to now;
The lushness of the ripened fruit
Hanging on the bough,
Is for younger hands, not ours.

The columned temples of runway models
With flying buttress thighs,
And the bull-frog fronts and volleyball stunts
Please, but we don't pry.

          (We're not a ***** grabbing lot,
          That's not how we usually talk,
          In fact I haven't shared these thoughts,
          I'm reluctant to do so now).

You know you can't blame us
For what a blind man sees;
The cleavage, high-slits and commando style,
The augmentations meant to beguile
Has caught us in crossfire.

The soft unbleached skin,
The ***** and the neck,
The falling, twirling tresses,
Grace the backs of backless dresses.
Wear grotesques to dissuade us,
To disapprove our ageless looks.

Our eyes don't linger on the bust,
We don't display old men's lust,
In fact we're rather obsequious,
To the point where we're air,
You'd not notice that we're there.
But we are, and we look;
And I remember what it took
To be young and on the hunt
For the Yeti, Loch Ness, or alien jump.

Don't tell your friends we're perverted,
Scurrilous id-focused men;
We're neither. We're average fellows
Watching from the stands.

Yes, our daughters are older than
The babes seen on the screens,
But that has naught to do with us,
We still think like eighteen.

We watch re-runs of Mary Tyler Moore,
Drink tepid tea with toast and jam
To the credits of The Golden Girls;
But when the grandkids come to visit,
We take them for ice-cream,
Or if I take poodle to walk,
They pool like thirsty fleas.
It isn't my intent to bait, but I have eyes to see,
Those girls somewhat eighteen,
Like to please by teasing:
     I really like your wire rims.
Their eyes grip, the wind flips,
Their hands soft and supple...
I'm at a loss-
What's a man to do-
Between forty and forever?

This reaper's aged,
The harvest's in.
The grain that bowed the straw
Has now been threshed,
And milled to flour.
Add heat to rise again.
Apology for aging men
VPL: Visible ***** line.
grotesques: gargoyles that don't spit water
Ash Young Nov 2023
I think I’m losing my poetry.
Not in some bleak, calamitous way,
Just – I don’t know how to start anymore.

Is that the problem?
That I’m caught up in my once-upon-a-times
And my dark-and-stormy-nights?
Maybe.

Or. I’m trapped in my metaphors.
Even – I’m tangled in my analogies.
Trying to tap the trees of every experience I’ve ever had and
Bleed them for all their meaning.
Picking up each imperfect seed of memory and desperately
Injecting their cores with GMO/Pesticide/Make this Matter/Juice.

This cyclical little life of mine is whirling too quickly,
My tail is tying knots in my intestines.
I can see the nape of my neck approaching in the distance,
Time taps her toes on my scaled sloping back and tsk-tsks not long now.

I keep on asking her what the countdown is for.
She checks her watch and smiles.
- The sun sets, and the sun rises, and I do nothing with my day at all.
Courtney Feb 2013
“If you need water
Just ask”
But what I really
Need
Is pen and
Paper because
I’m bleeding
Words
Run faster
Than my mind
Can think
And your
Stone cold needle
****** find
No blood left
Inside my
Fingers
Clenched up
Holding on to
All that’s left of
Sanity
I never had

Tonight

Still you want
Blood?
Open up my mouth
And draw it
From my bitten
Tongue
Look inside my
Head and
Shout for the doctor
To come stitch my
Thoughts
Back together into
Someone who makes
Sense and
Sees light
At the end of

This tunnel

You offer Band-Aids
Trying to
Patch together these
Holes in my hands
And ask how
And who and when
“I guess you won’t
Do that again?”
Chuckling softer than
The ticks of the
Clock I’ve been
Watching
Counting down
All my words
Are slipping out
Of consciousness
I’m holding on
To grains of sand
Blowing away in
Winter wind
And
The mattress is
Soaked in the
Sweaty truth of
Words
You
Were too busy
To hear
To see
To ask

“Why?”

So bandage me
Up with your
Perfect prescribed smiles
Tsks and tuts and
“What would your
Mother think”s
And I’ll try to
Fit the pieces
Back together
By myself
With pencils
And napkins in
Your waiting room
While a cab comes
To carry me
Away

"Home"

— The End —