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"telecaster" poems
Cool kid euphoria with our pastel colored pants and our Raybans on is what we all are in the basement of the 50’s house. Our phones blowing up while we sip whiskey and wine. Trying to get the attention of the cars on the main road By handstanding and flashing and cheersing our beers And we receive our victorious honks. Guitar clock radio with numbers around the fretboard and Sir Paul smiling and crooked, acid-trippin’ guitarist/violinist/celloist looking product of orange and gold look down upon as our patron saints. Swingin’ low, Sweet Chariot words stares up at me from the 70’s floral carpet. Ralph Stanley and Eric Clapton singing solos and duets in my head keep me company as the boys play and figure out key changes. Painted screen hiding the Etta James microphone stands forgotten in the corner— As I take in the teals and roses and golds. Give me a heart shaped box where I can store my love I fly so high in the world above I’ll come back down eventually. Lava lamped water stain engulfs the ceiling. As fingers go up frets And they go down frets And they go up frets And they go down frets. As you don’t enunciate when you sing. We all mourn our fallen brethren, the base of the telecaster with no strings and no head and it weeps silently from its place on the water pipes, hearing his cousins WAAAIIIIILLLLLL. As Cool kid euphoria is created with our pastel colored pants and our Raybans on in the basement of the 50’s house. We work all day so we can drink all night Getting high off the drug that is each other Chain-smoking Pall Malls like it’s our job Listening to oldies as we shoot the eight ball in the corner pocket. Garden tools and Lawn Mower parts as a sweet, creepy décor in the dank basement As we breathe in mold and dust and cigarette smoke. We are gloriously young. So **** off. We still think we can change the world. Not through politics or through fear or by means of war But by doing just enough to get by and loving everybody for who they are, even the parts or religions or particular ways of life we don’t like, Because people aren’t what they do or what they believe They’re who they are. We still think we can change the world And Maybe one day, we will But for now We’ll just be here, In the basement of the 50’s house with our pastel colored pants and our Raybans on.
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Jun 13, 2012
Jun 13, 2012 at 11:38 AM UTC
“Magic school bus graveyard is where we all go to die.”
Cool kid euphoria with our pastel colored pants and our Raybans on is what we all are in the basement of the 50’s house. Our phones blowing up while we sip whiskey and wine. Trying to get the attention of the cars on the main road By handstanding and flashing and cheersing our beers And we receive our victorious honks. Guitar clock radio with numbers around the fretboard and Sir Paul smiling and crooked, acid-trippin’ guitarist/violinist/celloist looking product of orange and gold look down upon as our patron saints. Swingin’ low, Sweet Chariot words stares up at me from the 70’s floral carpet. Ralph Stanley and Eric Clapton singing solos and duets in my head keep me company as the boys play and figure out key changes. Painted screen hiding the Etta James microphone stands forgotten in the corner— As I take in the teals and roses and golds. Give me a heart shaped box where I can store my love I fly so high in the world above I’ll come back down eventually. Lava lamped water stain engulfs the ceiling. As fingers go up frets And they go down frets And they go up frets And they go down frets. As you don’t enunciate when you sing. We all mourn our fallen brethren, the base of the telecaster with no strings and no head and it weeps silently from its place on the water pipes, hearing his cousins WAAAIIIIILLLLLL. As Cool kid euphoria is created with our pastel colored pants and our Raybans on in the basement of the 50’s house. We work all day so we can drink all night Getting high off the drug that is each other Chain-smoking Pall Malls like it’s our job Listening to oldies as we shoot the eight ball in the corner pocket. Garden tools and Lawn Mower parts as a sweet, creepy décor in the dank basement As we breathe in mold and dust and cigarette smoke. We are gloriously young. So **** off. We still think we can change the world. Not through politics or through fear or by means of war But by doing just enough to get by and loving everybody for who they are, even the parts or religions or particular ways of life we don’t like, Because people aren’t what they do or what they believe They’re who they are. We still think we can change the world And Maybe one day, we will But for now We’ll just be here, In the basement of the 50’s house with our pastel colored pants and our Raybans on.
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plug-in your head music remember being young on a pogo stick a unicycle with training wheels under sunshine of your love o’ shine on you crazy diamond run in the jungle feel the rain on sunny day and let it be misunderstood stop your moon tears? run in Reeboks? come on you painter of words chew good & plenty plant lime lima beans kaleidoscope kale juicy fruit gum harvest magenta mangos paisley peaches or go to an auction bid on T-bone bubble gum sprout beans Tahitian telecaster pre-rolled wagon wheel sweet sixteen candles Hound Dog Taylor’s Brownie McGhee loafers no? yes? don’t change your lunatic fringe in twilight’s open season read The Hidden Singer dance boogie woogie cha-cha-cha outside the house of the rising sun so turn it up, Mr. James your big wheel keeps on turnin’ groove to the little bird who sings and sings © 2011 chuck a stetson
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Jul 6, 2011
Jul 6, 2011 at 7:07 PM UTC
Art James
My whiskey habit is complimented then insulted by the ever temperamental voice of Jim Morrison, I listen to Alabama Song by The Doors I throw my pen and page In an anger induced rage As my mind recites the wrong words To his poems and songs His voice plays on repeat All i can do is blame myself as the primitive synth dances it's oscillating tunes through one of my depleted senses. My hearing Mojo Rising's face crudely made into pop art painting by a fan, an idoliser's image Suddenly the fender telecaster takes over the smokey airways Hypnotising, mesmerising as it fills the space between the barely conscious being and the walls that surround The tempo of the snare, tom and high hat slows I now have time to gather my ever harsh and bitter thoughts Harsh like the whiskey, bitter like me
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Mar 18, 2014
Mar 18, 2014 at 9:33 AM UTC
Jim Morrison Is My Only Friend
I saw you two nights ago with your new guitar from a far I know we ended things a month before yesterday I'm okay incase you are wondering I saw you looking at her and it was starting again I managed to contain by thinking you're not mine anymore A year ago we went swimming Just because I was sulking You thought I needed some sun It was a lot of fun Now I haven't went anywhere but gigs trying to forget things Two years ago, we were together Celebrating Hallow's Eve In a sketchy place on a rainy weather Me, you and your telecaster walking along the stretch of that street where we saw a fire exit on a sunny morning after having some breakfast Two nights ago, I saw you walk away with your guitar and everything we had
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Jul 6, 2017
Jul 6, 2017 at 3:42 PM UTC
Two Nights Ago
i believe in beauty. i see it in the small blossoms clinging to trees as the sky gets bluer and the air warmer and in the dry leaves scattered around the base of their trunks months later i believe in beauty, i see it in the human who desires what is pleasant, the human who independently brings a touch more kindness into this world, and in the human whose unanswered questions release a bitter child from within, the human who hurts because they hurt. how natural is it to be afraid existing in an unreasonable universe, how natural to be tossed around the rolling and crashing waters of life like a panicked cat. i believe in beauty, i see it etched into the surface of every hand written letter i’ve received      and leaking out of my grandmother’s eyes when she remembers what she loved about her son Thomas. and he was beautiful too-- his eyes told the weather, they shone like the sun or darkened with a silent storm and when he made music, the world stopped to listen to this foreign and wordless language       he used to articulate what existed in his private corner of the universe. he crumbled with the grace of a star:       bright and alone, his very existence still shining through the thick darkness of death, so natural and abstract a       state he is alive again when is Telecaster, so worn down from his constantly callused fingers,       makes music again. he is alive when his brother and daughter stand together afront his grave,       arms around each other with teary eyes because it hurts to love someone       whose eyes you don’t get to see anymore he is alive in my eyes when i can feel the years he spent in my grandmother’s basement        making an old piano sound young again-- i know this because i see him there i believe in beauty, i see it in death because i remember my father's life, i remember the blossoms that preceded the dry leaves scattering the base of tree trunks
0
Apr 22, 2016
Apr 22, 2016 at 5:46 PM UTC
human being
i believe in beauty. i see it in the small blossoms clinging to trees as the sky gets bluer and the air warmer and in the dry leaves scattered around the base of their trunks months later i believe in beauty, i see it in the human who desires what is pleasant, the human who independently brings a touch more kindness into this world, and in the human whose unanswered questions release a bitter child from within, the human who hurts because they hurt. how natural is it to be afraid existing in an unreasonable universe, how natural to be tossed around the rolling and crashing waters of life like a panicked cat. i believe in beauty, i see it etched into the surface of every hand written letter i’ve received      and leaking out of my grandmother’s eyes when she remembers what she loved about her son Thomas. and he was beautiful too-- his eyes told the weather, they shone like the sun or darkened with a silent storm and when he made music, the world stopped to listen to this foreign and wordless language       he used to articulate what existed in his private corner of the universe. he crumbled with the grace of a star:       bright and alone, his very existence still shining through the thick darkness of death, so natural and abstract a       state he is alive again when is Telecaster, so worn down from his constantly callused fingers,       makes music again. he is alive when his brother and daughter stand together afront his grave,       arms around each other with teary eyes because it hurts to love someone       whose eyes you don’t get to see anymore he is alive in my eyes when i can feel the years he spent in my grandmother’s basement        making an old piano sound young again-- i know this because i see him there i believe in beauty, i see it in death because i remember my father's life, i remember the blossoms that preceded the dry leaves scattering the base of tree trunks
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