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Nat Lipstadt May 2014
~ ~ ~
Adieu!
My Crew, My Crew!


this, our first trip,
our longest voyage,
nears completion

eighteenth of May,
a terminal date,
date of destination,
upon it commenced,
upon it,
our commencement

a terminus nearing,
a degree of latitude given,
a degree of longitude observed,
by you
mes méridiens,
witnesses to my zenith,
a degree of gratitude granted
and lovingly recv'd

adieu, adieu!
this sole~full rhyme
beats upon my lips
repeats and repeats,
endlessly looped,
Adieu, my crew!

sailor, voyageur,
scribe and travel guide
for four seasons,
a composition of one long
anno sabbatico,
muy simpatico

in the spring of '13
I sprung up here,
a Mayflower,,
a May flower,
a floral ship,
annual for a single year,
annual for a single circumnavigation

hearing now once again,
refreshing sounds,
hinting noises,
here comes his paul simonizing summery spring again,
rhyming timing reminding dylan style,
it's all over now, my babies blue

t'is season to move forward,
back to old acquaintances renewed,
sand, water and salty sun,
three lifelong friends who,
Auld Lang Syne,
never ever forget me

we get drunk on their eternity,
their celestial beauty,
and they,
upon my tarnished earthly being,
unreservedly and never judgingly,
give inspiration unstintingly,
we share,
never measuring a captain's humanity
by mystical formulae of reads or hearts

for
grains of sand, water wave droplets and sun rays,
all
only know one measure,
immeasurable

respect the
never-ending new combinations
of an old nature,
even the impoverished words he speaks,
words as they exit the
brain's grand birth canal,
whimsically announcing their poetic arrival with a:

"been here, done that,
but happy to do it,
one more time,
just ever so differently"


the only counting
that satisfies them and me,
the clicking sound be,
the sound of a
a pointer-finger tablet-clicking,
heartbeats a metering,
individual letters being stork-delivered,
and

yellow lightening
when it comes,
signifying family completion,
a poem,
a family,
comes
crackling real!

here comes spring again!
happily to shackle me,
shuckling me back to and fro,
to whence I came,
and from
whence I once
and always belonged

memorial weekend,
memorializing me,
orchestrating a prodigal son's
two edged tune,
a contrapuntal contrapposto,
a "fare-thee-well, man"
and a
"hello son, welcome home!"

that empty Adirondack chair,
by my name,
with your names
in tears inscribed upon it,
awaits

the breezes take note,
singing a duopoly:

this ole chair
needs refilling,
Rest & Recreation for your Rhythm & Blues,
your busted body boy
healing with our natural scents,
calming with common sense

with it,
will and refill,
the cracked breaches,
by phonetic letters frenetic,
drinking, then purge-spilling,
a speckled spackling paste of comfort food words
given of and given by,
given back to,
the bay's tide
and beaches
and

you, crew,

let this soul captain briefly lead,
spilling too oft his new seed,
he,
selected but unelected by a
raucous silent voice-vote...
of an unknown,
impressed-into-service crew

some of you
impressed upon
the skin of this captain man's sou!,
a cherishment so complete,
yet has he to fully comprehend,
its miracality,
the golden epaulettes upon his shoulder,
worn ever proudly

the nearest ending,
one of many.
a course of waterfall and rapids survived,
yet invisible shoals fast approaching,
a single bell tolling, warning,
here was, here comes,
yet another,
close calling

sirens shriek
forewarning,
can't abide a moment longer thus,
desperate longing
for a refuge of language loved,
not lost in lands and a sea of
ranted bittersweet journaled cant
and hashtags of sad despair

can't lengthen this sway,
grant a governor's stay,
cannot

heaven schedules our lives,
completed a time out
in a day,
twenty four hours of fabulous, fabled
and of late,
a shopworn, forlorn existence,
three hundred and sixty five times,
circularized on these pages

now
no forevermore, no forestalling,
only the truth,
a grizzled, unprimped,
mirror'd recognition

flutes,
sad low whistle,
trumpets,
wild maimed moan,
violins,
jenny jilted wailing tears, groan,
and harps and guitars,
each pluck single notes plaintive,
long and slow their disappearing reverberation,
but end it must

none can deny or fail to ascertain,
port of our joint destination,
pinpointed on maps as
"the last curtain call,"
just over the nearby horizon line,
demarcating the finality
of the days of glorious,
and the quietude of
a storied ending

my crew, my crew,
forever besided,
forever insided,
bussed, bedded, and bathed,
with me,

wherever I write most,
wherever I write eyes moist,
my crew
of all captains,
whose fealty I adore
and to whom,
my loyalty unquestioned sworn,
upon righteous English oak
an oath unstained,
an American bible, an American chest,
blood sworn here forever to
my
brothers, sisters and children
many who by title me addressed
this man as,
grandfather,
yet friends
from foreign-no-more-lands

this is only a poem,
this is only the best I have

This to me given,
and now to you returned,
encrusted with trust

for
we together,
were
a new combination
all our own

my crew, my crew,
for you:
my seasonal Yule log-life burns
every day,
all years of my life shiny shiny
copper-burnished teapot whistling
you, your names
a tune of the past,
and the yet to come

I care,
burdened more
than than you ere known,
dare I bear
to bare-confess

for and by you was I,
my restlessness lessened
my unrest less,
so comforted by an out-louded,
deep-welcome-throated reception
let it end thus,
no whimpers or cries,
no misunderstanding

in a Wilderness of Words,
sought you out,
your name and lands,
yours, purposely hidden,
disguised and unknown,

while I placed before you,
my name
my birthplace,
the poetry of my truths,
the jagged laughing,
the cryptic crying,
at myself,
foibles, pimples and the
the insights inside,
mine own book of revelations
all clear in the
drippings of my clarifying
cloudy tears

stranger to friends to chance,
all by chance,
sharing nodules, capsules,
even tumors and ill humors

your affection and simple heroism,
left me both gasping,
and leaves me now,
grasping

your hearts sustain
and are sustainable,
in ways the word,
organic,
not even remotely
adequate, sufficient

in ways
that can be secreted here,
in sharing,
private messages,
snippet exchanges,
that are valored above the rubies of
public hearts that
claim attention
but are gold bonded hand cuffs,
nonetheless!

my left, what is left,
to your strong right,
by rings married we are,
you and I,
a secretion on our kissing lips,
a perfumed essence called
No.365
"secrets of us..."

Wit I were a man
who could advance
his essay further,
but this voyage,
closed and done,
but a steamer approaches
where they need a third mate,
no questions asked,
no names exchanged,
no counting the change in his heart and the,
holes in his heart pocket

asking not,
are you friend long term true,
or just a fly by night,
short-winded trend

so onto
ports that are nameless,
needy for discovery,
perhaps,
they will have a fruitfulness
unripened,
awaiting verbal germination
so yet again,
when he wipes away
with back of a hand,
his fresh fears,
moistening those dried,
those crack'd lips

underneath will be yet found
a perhaps,
a
fully formed, yet to be shared,
new poem,
that gives value
standing on its own,
and perhaps, rewarming, reawakening,
his gone cold and pale,
yet quivering moving,
his almost stilled silenced spring,
but not quite,
lips...


--------------------------------

My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
                         Exult O shores, and ring O bells!
                            But I with mournful tread,
                               Walk the deck my Captain lies,
                                  Fallen cold and dead.


                    
Walt Whitman
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
And the words that are used
For to get the ship confused
Will not be understood as they’re spoken
For the chains of the sea
Will have busted in the night
And will be buried at the bottom of the ocean

A song will lift
As the mainsail shifts
And the boat drifts on to the shoreline
And the sun will respect
Every face on the deck
The hour that the ship comes in

Then the sands will roll
Out a carpet of gold
For your weary toes to be a-touchin’
And the ship’s wise men
Will remind you once again
That the whole wide world is watchin’

bob dylan

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

We'll meet beyond the shore
We'll kiss just as before
Happy we'll be beyond the sea
And never again I'll go sailing

I know beyond a doubt
My heart will lead me there soon
We'll meet (I know we'll meet) beyond the shore
We'll kiss just as before
Happy we'll be beyond the sea
And never again I'll go sailing

No more sailing
So long sailing
Bye, bye sailing...

Jack Lawerence
looking for me in other names, other places
an explanation someday writ, not yet complete....but my poetry no longer gives
no satisfaction...
Hibernating in the summer, not merely resting my voice, but more than that, much more...will repost older stuff only...
take care of the newbies
~~~~~
Should old acquaintance be forgot,
and never brought to mind?
Should old acquaintance be forgot,
and old lang syne?

For auld lang syne, my dear,
for auld lang syne,
we'll take a cup of kindness yet,
for auld lang syne.
And surely you’ll buy your pint cup!
and surely I’ll buy mine!
And we'll take a cup o’ kindness yet,
for auld lang syne.

We two have run about the slopes,
and picked the daisies fine;
But we’ve wandered many a weary foot,
since auld lang syne.

We two have paddled in the stream,
from morning sun till dine†;
But seas between us broad have roared
since auld lang syne.

And there’s a hand my trusty friend!
And give me a hand o’ thine!
And we’ll take a right good-will draught,
for auld lang syne.
Kathryn Peak Jan 2012
it is difficult to write in a hammock
not to find the words
the words are children hiding
desperate to be sought

fickle wind jostles
ecstatic chimes
traffic sounds like the ocean
if you listen

and that smell
fresh rain,
grass
a barbecue ignited

this hammock holds my heart
it is my lotus
supporting me so that I may be
in the world, yet not of it

floating higher and higher—
glimpse her now before she is
but a speck in the sky

swaying, yet somehow perfectly still
tress rustle
leaves spackling the air, don't miss a spot
fill in the cracks

a raindrop kisses my lip
Welcome Home I've Missed You
if it weren't for the chill in my back
I'd stay here forever

no one wants the hammock
on this dreary afternoon—
lavender ice clouds
carved out with silver streaks, axel lift

you see, hammocks are not just
for sunny days
in fact, you won't learn a **** thing
from a hammock
on a sunny day

their secrets aren't safe
in the sun
august 31, 2010

© kathryn peak
Khadijat Bello Apr 2023
If I should tell you ‘Bout all that’s not gold,
I won’t be speaking of the dangles on my mother’s neck,
The stud on my sisters’ ear or the rock between her finger.

I rather walk you through society and how we paint it
How we lose sight of reality and view just the glam
How we concentrate on what’s flashy…
and how we don’t see cute to see the ugly, rather view the paint in Awe
and see the pain in ‘gust.
I will tell you how we channel our focus on the big weddings and lose the sight of the bigger picture.

So, if I’m to talk about all that glitters that is not gold, do know these:
I’d be telling you of the painful truth you chose to ignore,
The scandals that come with the big weddings,
The agony masked in smiles, the pain of each like button
How each comment burns like fire.
Would let you in on my mother’s secret,
How her dangles are not real, she also removes her spackling watch before the end of each occasion.
I’d tell you how my sister’s earrings fade daily and insomnia she gets from the rock on her finger.

I will tell you how reality is far from society, and leaves you to face the agony.
So, when you think about a sparkling gold, think about the last trend and those who end with it.
Think about earth and how we rotate with it,
Please think about reality.
How well do you like gold? How well do think about reality?  Because in the end, all that glitters is not gold.
Tommy N Mar 2011
I thought about leaving you today
while spackling a bathtub.
Melissa’s patches were smooth and shined
in the husky light of rotting bathroom windows,
mine were rough, and sagged like a skin
on face in months before death.
My favorite part of that job was cleaning up afterward,
putting everything back in its place,
sweeping up the dust and closing the door behind you.
Your favorite part was tearing down the old,
digging your chisel into the wall,
and watching the pieces rain down on the painter’s paper.
They would fall with thwacks
thwack           thwack              like rain on umbrellas
heard through a second story window.
Written 2010 during the MFA program at Columbia College Chicago
Ptax Kuro Jan 2020
Prepare two spackling knives in advance:
narrow and wide. Make sure
they have
sharp edges
although it isn't always important.
It's better to cover
the floor with poliethylen
before beginning the work.
You probably won't find any other
material in the same large quantities,
and you'll avoid washing the floor. Paper
has to be moistened,
so power outlets and switches
should be closed, covered or else.
Next, apply water on walls
using a sponge rubber roller
or cloth. In a few minutes
(you should wait)
the paper becomes soggy
and can be removed
with a simple moves
of the knife.
The damage done to the walls underneath
was minimal.
Buckshot remained stuck inside
along with pieces of skull.
It was decided to leave them, while pieces
of flesh were peeled off
with the wallpapers.
Mix a small amount
of spackling powder
and level the surface using both
wide and narrow knives.
Remaining putty was used to cover
dark stains left by fluid
dripping on the floor.
Due to the fact that
no one touched them for a long time,
they managed to soak
into the wall. The sandpaper
destroyed the rest of the details.
Wk kortas Apr 2017
He is in his rooms in the Kenmore Hotel,
Once-gracious lady favored by the ancient city’s elite,
Now tired old harlot patching and spackling with powders and rouges
In a vain attempt to camouflage the slide toward oblivion,
Only fit for unwitting out-of-towners
And those with short-term business transactions to ply
(He stays there out of nostalgia, perhaps,
Or possibly because they’d let him through the door without question
Back when that was far from a given,
Or maybe because it was the trumpet players’ place,
The story being that Bunny Berigan had once left a horn
As payment for an outlandish and fabulously overdue bar tab.)
He is holding court with a local features writer,
Another interview in another town,
(Ostensibly a one-on-one sit-down,
But his suite more like Sears the weekend before Christmas:
Band members doing walk-through warm-ups,
Friends old and new darting in and out,
Lucille frantically mother-henning the whole process)
Juggling many hats as he speaks,
Part-time salesman for semi-herbal quasi-diet aids,
Mirthful mangler of malapropos,
All rolling forth with with an air of street-level entrepreneurship,
But there is a more stolid, settled quality about him now,
The assumption of the mantle of icon
(Bestowed upon him by a continent
Far from his birth, but still)
And the time comes for him to begin the warm-up,
Starting with a high note here, a low note there,
Until he finds one note, that note,
A thing not constrained by lead sheets, acoustics,
Indeed any human construct at all.
On the street outside, two young men,
All stingy brimmed hats, narrow ties,
And not-quite top-line silk mohair suits
(Flipped in and out of the pawn shop
Any number of times, but still)
Shoes shined to a military gleam,
Walking with a gait which implies
That they are hustlers, yes,
But men of substance, nonetheless.
One of them hears the note,
And wonders aloud,
Man, who’s got a horn like that
Around this neighborhood?

(Neither of them deign to look up toward the hotel,
As, for them, threat and opportunity
Is something that exists strictly at street-level)
But his partner grunts dismissively,
Never even breaking stride,
Man, just some old **** fool
Playin’ some old tom’s records
.
Damien Ko Jul 2019
Shanghai heartbeats human with tumbling turning tiny vessels
it's unbridled chaotic transient transforms envisioned
it's growth and growth irreverent and growth
it's powerful it's frightening it's discordant, it's magnificent

London thrums an overabundance plant bloom on stone crag
ancient, munificent, and sublimely regal it demands
attention, respect, awe and provides plenty justifications
there is an atmosphere I find here where my words fail

Tokyo I find harmonic in its essence,
thrumming and bustling in true city fashion,
yet pocked thoroughly with havens of solace
the quaints and the quicks sprawled out in unity

New York is The City as all other cities are
and it is a cornucopia of cornucopias
as the empirical standard stands tall
densely upwards densely broad ways

Seattle dours in my beloved gloom
spackling stupendous summers in between
gray months incredible
the elements arrive in a conglomerate here
some places I've been...

Missing a lot but theres only so much brain power in my head

— The End —