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Pink heart, blue heart, black heart's spades.
Love more, love less, love that's fake.
Shy straight arrow shot through the heart,
Don't think there's more I can take.
Heart became black, spades, so I dumped it in the lake.

**** love then, **** love later, but I want love not sorrow
Failure yesterday, failure today, what to expect tomorrow.
Black heart with a stick inside,
And inside a space that's ****** up and shallow.

Spades hearts, spades feelings, spades, spades, spades.
Grim reaper spades like poisoned sharpened blades.
Killing feelings, desperations, and destines.
Leaving bleeding hearts of spades to decay.

Pink heart, blue heart, black heart's spades.
Love more, love less, love that's fake.
Shy straight arrow shot through the heart,
Don't think there's more I can take.
Heart became black, spades, so I dumped it in the lake.
While in the midst of playing solitaire
(with losing outcome foreordained
after a couple moves), I became gripped
with combinations predicated on thirteen
ranks each of four French suits subsumed:
Clubs (♣), Diamonds (◊), Hearts (♥) And Spades (♠).

I  totalled a sum of fifty two variations.

If one of four possible draws for king available,
(which could be either Clubs, Diamonds, Hearts,
and Spades), that would automatically determine
every subsequent card diminishing in rank
topped off with an Ace.

Please feel welcome to challenge my presumption
within a dark alley late at night.

The above calculation logical since a standard deck
(not surprisingly) comprises 52 cards
(4 suits of 13).

Each suit (Clubs ♣, Diamonds ◊, Hearts ♥, Or Spades ♠)
contains an Ace, 2, 3, 4, 5, 6, 7, 8, 9, 10,
Jack, Queen, And King.

There are no duplicates.

No Google search yielded results
asper this nagging question, but unexpectedly
whet an immediate appetite describing
the history of plain old vanilla playing cards.

Said legacy encompassing the four suits
i.e. collectively represent four elements
(wind, fire, water, and earth),
the seasons, and cardinal directions.

They represent struggle of opposing forces
for victory in life. Each suit on a deck of cards
represents four major pillars of economy
during middle ages: Heart represented
Church, Spades represented  military,
clubs represented agriculture, and
Diamonds represented merchant class.

King of hearts is the only king minus a mustache.

Face cards (Jacks, Queens, And Kings) so called
"face cards" because the cards
have pictures of their names.

One-eyed Royals (the Jack of spades
and Jack of Hearts often called "one-eyed Jacks"),
and King of Diamonds drawn in profile;
therefore, these cards
commonly referred to as "one-eyed".

The King of Spades ♠ ranks
as one of three immovable Fixed Cards
in the Cards of Life and resides
in the Crown Line of both Master Scripts
(Spirit and Life).

Said card, in situ, the most powerful card
in the deck.

A Jack or Knave is a playing card,
which in traditional French and English decks,
pictures a man in traditional or historic
aristocratic dress generally associated
with Europe of the 16th or 17th century.

The usual rank of a Jack, within its suit,
plays as if it were an 11
(that is, between the 10 and the Queen).

Charming, resourceful, personable and easy-going
best defines Jack of Spades.

Blessed with a creative mind,
this one-eyed Jack of the deck manifests
jais nais sais quois salient scrutiny
jest via virtue of lightness of his being.

The four card suits that we know today —
Hearts, Diamonds, Spades, and Clubs
(rooted in French design) circa 15th century,
but the idea of card suits is much older.

The written history of card playing
began during 10th-century Asia,
from either China or India,
as a gambling game.

That idea found its way to ancient Muslim world
before 14th century.

The oldest known deck of Muslim playing cards,
like the playing cards of today,
had four suits: Coins, Cups, Swords, and Polo Sticks.

These decks of cards then showed up
in southern Europe, but because polo sticks
were unfamiliar to Europeans, that suit
eventually changed to Scepters, Batons,
or Cudgels (a type of club).
In France, Parisian cardmakers
settled on Spades, Hearts, Clubs, and Diamonds
as the four suits.  
    
The first adaptations of German card suits
constituted Leaves, Hearts, and Hawk Bells
(Acorns rounded out German suit).

Considering cards strictly made
for French upper class, tis little surprise
cardmakers chose expensive
Diamonds over common Acorns.

The French advanced card making utilizing
flat, single-color silhouettes for suits.

These images created with simple stencils,
made manufacture easy, quick, and inexpensive.

Innovative new, cheaper cards
flooded the market in the 15th century,
became popular in England,
and then traveled to America.    

Contrary to contemporary belief four suits
meant to represent four seasons inaccurate.

Equally questionable 52 cards linkedin
to 52 weeks of the year.

Many numerological and religious
explanations asper composition  
analogous to deck of cards postulated,
but these explanations purportedly created
ex post facto, perhaps to give deck-holders
a solid argument, that role deck of cards
maintained existed other than for gambling.
that clenched another win (yahoo)
jimmied today August 15th, 2022 single handedly
just before the crack of dawn
with both hands tied behind my back,
and a blindfold worn over my eyes.

While in the midst of playing solitaire
(with losing outcome foreordained
after a couple moves), I became gripped
with combinations predicated on thirteen
ranks each of four French suits subsumed:
Clubs (♣), Diamonds (◊), Hearts (♥) And Spades (♠).

I  totalled a sum of fifty two variations.

If one of four possible draws for king available,
(which could be either Clubs, Diamonds, Hearts,
and Spades), that would automatically determine
every subsequent card diminishing in rank
topped off with an Ace.

Please feel welcome to challenge my presumption
within a dark (and stormy) alley late at night.

The above calculation logical since a standard deck
(not surprisingly) comprises 52 cards
(4 suits of 13).

Each suit (Clubs ♣, Diamonds ◊, Hearts ♥, Or Spades ♠)
contains an Ace, 2, 3, 4, 5, 6, 7, 8, 9, 10,
Jack, Queen, And King.

There are no duplicates.

No Google search yielded results
asper this nagging question, but unexpectedly
whet an immediate appetite describing
the history of plain old vanilla playing cards.

Said legacy encompassing the four suits
i.e. collectively represent four elements
(wind, fire, water, and earth),
the seasons, and cardinal directions.

They represent struggle of opposing forces
for victory in life. Each suit on a deck of cards
represents four major pillars of economy
during middle ages: Heart represented
Church, Spades represented  military,
clubs represented agriculture, and
Diamonds represented merchant class.

King of hearts is the only king minus a mustache.

Face cards (Jacks, Queens, And Kings) so called
"face cards" because the cards
have pictures of their names.

One-eyed Royals (the Jack of spades
and Jack of Hearts often called "one-eyed Jacks"),
and King of Diamonds drawn in profile;
therefore, these cards
commonly referred to as "one-eyed".

The King of Spades ♠ ranks
as one of three immovable Fixed Cards
in the Cards of Life and resides
in the Crown Line of both Master Scripts
(Spirit and Life).

Said card, in situ, the most powerful card
in the deck.

A Jack or Knave is a playing card,
which in traditional French and English decks,
pictures a man in traditional or historic
aristocratic dress generally associated
with Europe of the 16th or 17th century.

The usual rank of a Jack, within its suit,
plays as if it were an 11
(that is, between the 10 and the Queen).

Charming, resourceful, personable and easy-going
best defines Jack of Spades.

Blessed with a creative mind,
this one-eyed Jack of the deck manifests
jais nais sais quois salient scrutiny
jest via virtue of lightness of his being.

The four card suits that we know today —
Hearts, Diamonds, Spades, and Clubs
(rooted in French design) circa 15th century,
but the idea of card suits is much older.

The written history of card playing
began during 10th-century Asia,
from either China or India,
as a gambling game.

That idea found its way to ancient Muslim world
before 14th century.

The oldest known deck of Muslim playing cards,
like the playing cards of today,
had four suits: Coins, Cups, Swords, and Polo Sticks.

These decks of cards then showed up
in southern Europe, but because polo sticks
were unfamiliar to Europeans, that suit
eventually changed to Scepters, Batons,
or Cudgels (a type of club).
In France, Parisian cardmakers
settled on Spades, Hearts, Clubs, and Diamonds
as the four suits.  
    
The first adaptations of German card suits
constituted Leaves, Hearts, and Hawk Bells
(Acorns rounded out German suit).

Considering cards strictly made
for French upper class, this little surprise
cardmakers chose expensive
Diamonds over common Acorns.

The French advanced card making utilizing
flat, single-color silhouettes for suits.

These images created with simple stencils,
made manufacture easy, quick, and inexpensive.

Innovative new, cheaper cards
flooded the market in the 15th century,
became popular in England,
and then traveled to America.    

Contrary to contemporary belief four suits
meant to represent four seasons inaccurate.

Equally questionable 52 cards linkedin
to 52 weeks of the year.

Many numerological and religious
explanations asper composition  
analogous to deck of cards postulated,
but these explanations purportedly created
ex post facto, perhaps to give deck-holders
a solid argument, that role deck of cards
maintained existed other than for gambling.
Natosha Ramirez Oct 2012
I build a house of cards with the deck of hearts and present it to you.
And upon seeing all my full, red expressions of affection, you shuffle and deal out my imperfections until
one by one,
my house falls down.

Your diamonds aren't as illuminous as they were after your first sip, you say.
So all your glitter isn't really gold, you say while
shifting my diamond to a rhombus never to turn it right side up again.

Your clubs beat me over the head and cause my brain to swell with a smooth aftertaste as you
see through my lack
of a poker face.
Breaking through my walls and exposing my weak points.
Flooding over my defenses and ensnaring me in a trap
weaved only by the highest proof
and I know you have won.

Because my ace of spades has been found.
Trickling your jokers over the rocks to my hearts,
they climb over the rubble that has been laid at the ground, the foundation, the base.
And your clubs tear it up!
And the jokers, you! race to the top of the south and with your strongest clubs,
break into my ace of spades!

Pinning it to the ground and forcing it to turn around and flee!
And I can hear it! I hear it calling for me... to help us get away
but my hearts are dull and my shifting rhombi are ablaze.  
For this infinite moment in time is dazzling and my own eyes aren't aligned to light the way
to free me.

Gleaming rays of the sheen from your diamonds slice through my illusions and
wake me up to the aroma of fresh debris.
My hearts, toppled.  My diamonds, demolished.
My clubs, sleeping and my ace of spades,
removed.

And the sky never changes. The moon ripples in the puddle left behind by the design
of your jokers and spades and your hearts remain untouched.  Your spades are buried behind walls of
black and your diamonds are so far back that I couldn't tell if they were even there at all.

My deck of 52 is now a deck of 51 and without a solid set,

I'll never have the chance to play this "game" again.
suicidal twitch Jul 2015
And in this courtroom
So filled with Four Nations
The Sun held her head up high,
Lighting the way for their tales and psalms:

I am the King of Spades.
Righteous ambition is my goal.
The bravery of the Spades is made known to others
Only through such matters.
Perseverance is our path to Victory
Endurance, our greatest desire.
We, the Spades, partner with Father Time
To belong as a mighty people
Forever more.

I am the Queen of Diamonds
The splendor and enjoyment of Life's beauty is my passion.
A Diamond's journey is a one of glorious awe
That no one can compare.
Loveliness surrounds this pretty people
And the Artist shall forever be pleased by them.
Our perception of artistry leaves most in awe
And this fact is forever the passion we strive for.

I am the Queen of Clovers
Survival is the sole lifestyle of the Clovers
In this wretched and unforgiving world
The Clovers must stay strong
Holding the clubs of the ancients,
We prevail
Onward shall we extend our power
The Clovers will remain
Forever the mightiest.

I am the King of Hearts.
The rapid spread of emotional ties
Is what us Hearts long for.
Threads of fate surround our people
Binding them to one another.
Love, lust, infatuation
Oh, these are the things that steady our nation!
So filled with Faith, Hope and Love
Our Hearts shan't fail us
As passion will never cease
To flow in our veins
—ah, yes!
This is the way of the Hearts.

And in this courtroom
So filled with Four Nations
The Sun laid down her head
Whilst the Moon finally awoke and,
Smiled his light onto them below.
This was made by my fanfiction friend called Sam-Chan who gave it to me! :3
CK Baker Jan 2017
Thank you ~
for a life not to trade
blessings, in spades
tight spaces
behind laundry doors
packed closets
and open drawers
gator tails, tarnished brass
cracks in kitchen sliding glass
wet towels, withering plants
foundation filled
with carpenter ants
buckets piled with
shoes and tags
village clothes
and saddlebags
peeling paint
and broken walls
****** seats
in bathroom stalls
clogged pantry
frigid rooms
table scribe
and carbon fumes
comfort capsules
empty tanks
broken limbs
from children’s pranks
**** finger
double tongue
long goodbyes
and sidewalk dung
cluster flies
chavie’ clique
accompanying
the hypocrite
cracked back
and hidden smiles
chalk on board
with mr miles
atomic wedgies
closing doors
wrotten eggs
and open sores
jaw jack
nasty folk
dinner calls
for pig in poke
penny pinchers
double dip
yellow mouth
and silver tip
brown nosers
thick red tape
paper cuts
and pimple nape
gallivants
so out of norm
the joy of life
in basic form
Yuvraj Jha Oct 2013
Lonely Mister Ace of Spades, don’t deny it
You have tried so hard to fail
You know you’ve tried it


Perhaps you should have taken a different color
What with a heart that’s black
Now you just want to hide it


But no one told you where you were headed
No one cared to ask what you wanted
So now you just helplessly fight it


They set the rules without your knowing
Spread the deck on the table glowing
And among cheer and laughter sliced it


You wish every time so hard you wouldn’t win
Your hand so evil the game it always wouldn’t spin
But you just fail every time you try it


In this deck of falling cards, where nothing remains
You wish a hand to hold you had, but it pains
And every night you just mop and cry it


You dream the Red Queen, her smile on you would clean
It never will work, there is a King
It’s just a dream no matter how you apply it


Think about it lonely Mister Ace of Spades, think about it
When winning is not the prize itself
Just an excuse to pack cards and hide it


Perhaps you should tell yourself that it’s just a game
No one ever won a hand, it’s just all the same
But it won’t work because you’ll never find it


Lonely Mister Ace of Spades, don’t deny it
You have tried so hard to fail
You know you’ve tried it


Perhaps you should have taken a different color
What with a heart that’s black
Now you just want to hide it
OnlyEggy Oct 2011
All I do is win, for I'm an Ace
Painting a bulls-eye on everyone in the place
In my plane I leave everyone else
bailing out of the fight in disgrace
If I was a horseman, I'd be War
'Cuz like the card game
I win against Kings and Queens
and take them out of the deck
like the Joker on the sidelines, alone and bored.
I don't need a Diamond to win you Heart,
and I don't wanna join your Club,
this was skill and not luck from the very start
I am the Ace of Spades,
and I'll use my ***** to dig out your graves
I've been painted on the sides of planes
cars and trains
helicopters, submarines,
and the munitions that deal out the pain
I'm a trick shot Ace with the pool stick
As a quarterback, I've yet to throw a pick
As a pitcher, I make the other team sick
The starter and the backup plan
the Ultimate Ace in the Hole
The best card in a poker hand
lay me down and the money's in the bag
I run solo, streaking across the land
You only need to hold me in your hand
and your enemies will become ****
and I'll give 'em a taste
of this whirling dervish's mace
Leave them breathless upon the ground
as I rob the air from out of this place
you'll stand in awe of my greatness
take a picture, make a statue
Fill up every empty space with my name
For I am an Ace!
Another Insomniac Poem
Ace Of Spades

This is your life, the hand
you've been dealt,
dance the dance live it well.
They'll always be others
less fortunate than you,
who've walked into fires
you've never been through.
Yet still find hope in
the darkest of days,
taking time to celebrate.
Counting their blessings
one by one,
knowing when the day
is done.
Tomorrow will be here soon
enough,
it's course may be rocky
the road may be rough.
You may not hold the
ace of spades,
and things you dream of
might seem far away.
Nothing is ever out
of your grasp,
faith can move mountains
erasing the past.

There is always hope!

Written By Kathy J Parenteau
Copyright © 03/14/2015
Sacrelicious May 2012
You say
you have a royal flush.
&
I'm ice-screaming
bluff.
Uhh bull-****.

You may
be the Drag/Queen
of Spades.

But I'm carrying the
ace of clubs.
In my pants pocket.

rofllololol

You're just a joker.

Joke's on you.
I'm the king of <3's.

<3 <3 <3 <3
Guess who owns yours?
Justin Blaauw Oct 2011
The ace of spades
Was digging in the flowerbeds
Last night under the shade of the moon

Her rosy lips were clipped and
Her hair in disarray,
As the traffic down in
the valley disapproved.

What happened to Clara at the click of nine,
Down on the corner at fifth and dime ?

Silk stockings and stillettoes
stabbed the night
Traced out in tendrils
Of wispy smoke at bar ends

Aye the glint in his eyes,
That ace of spades,
Put paid to his debt
Of knives.
Chapter Two

“I think of art, at its most significant, as a DEW line, a Distant Early Warning System that can always be relied on to tell the old culture what is beginning to happen to it.”                Marshall McLuhan  
  
I attended Bucknell University in Lewisburg, Pennsylvania because my father was incarcerated at the prison located in the same town.  My tuition subsidized to a large extent by G.I. Bill, still a significant means of financing an education for generations of emotionally wasted war veterans. “The United States Penitentiary (USP Lewisburg)” is a high-security federal prison for male inmates. An adjacent satellite prison camp houses minimum-security male offenders. My father was strictly high-security, convicted of various crimes against humanity, unindicted for sundry others. My father liked having me close by, someone on the outside he trusted, who also happened to be on his approved Visitor List. As instructed, I became his conduit for substances both illicit, like drugs, and the purely contraband, a variety of Italian cheeses, salamis, prepared baked casseroles of eggplant parmesan, cannoli, Baci chocolate from Perugia, in Tuscany, south of Florence, and numerous bottles of Italian wine, pungent aperitifs, Grappa, digestive stimulants and sweet liquors. I remained the good son until the day he died, the source of most of the mess I got myself into later on, and specifically the main caper at the heart of this story.

I must confess: my father scared the **** out of me.  Particularly during those years when he was not in jail, those years he spent at home, years coinciding roughly with my early adolescence.  These were my molding clay years, what the amateur psychologists write off with the term: “impressionable years hypothesis.” In his own twisted, grease-ball theory of child rearing, my father may have been applying the “guinea padrone hypothesis,” in his mind, nothing more certain would toughen me up for whatever he and/or Life had planned for me. Actually, his aspirations for me-given my peculiar pedigree--were non-existent as far as the family business went. He knew I’d never be either a Don or a Capo di Tutti Capi, or an Underboss or Sotto Capo.)  A Caporegime—mid-management to be sure, with as many as ten crews of soldiers reporting to him-- was also, for me, out of the question. Dad was a soldier in and of the Lucchese Family, strictly a blue-collar, knock-around kind of guy. But even soldier status—which would have meant no rise in Mafioso caste for him—was completely out of the question, never going to happen for me.

A little background: the Lucchese Family originated in the early 1920s with Gaetano “Tommy” Reina, born in 1889 in Corleone, Sicily. You know the town and its environs well. Fran Coppola did an above average job cinematizing the place in his Godfather films.  Coppola: I am a strict critic when it comes to my goombah, would-be French New Wave auteur Francis Ford Coppola.  Ever since “One From the Heart, 1982”--one of the biggest Hollywood box office flops & financial disasters of all time--he’s been a bit thin-skinned when it comes to criticism.  So, I like to zing him when I can. Actually, “One From the Heart” is worth seeing again, not just for Tom Waits soundtrack--the film’s one Academy Award nomination—but also Natasha Kinski’s ***: always Oscar-worthy in my book. My book? Interesting expression, and factually correct for once, given what you are reading right now.

Tommy Reina was the first Lucchese Capo di Tutti Capi, the first Boss of All the Bosses. By the 1930s the Luccheses pretty much controlled all criminal activity in the Bronx and East Harlem. And Reina begat Pinzolo who begat Gagliano who begat Tommy Three Finger Brown Lucchese (who I once believed, moonlighted as a knuckle ball relief pitcher for Yankees.)
Three Finger Brown gave the Lucchese Family its name. And Tommy begat Carmine Tramunti, who begat Anthony Tony Ducks Corallo. From there the succession gets a bit crazy. Tony Ducks, convicted of Rico charges, goes to prison, sentenced to life.  From behind bars he presides through a pair of candidates most deserving the title of boss: enter Vittorio Little Vic Amuso and Anthony Gaspipe Casso.  Although Little Vic becomes Boss after being nominated by Casso, it is Gaspipe really calling the shots, at least until he joins Little Vic behind bars.
Amuso-Casso begat Louis Louie Bagels Daidone, who begat the current official boss, Stephen Wonderboy Crea.  According to legend, Boss Crea got his nickname from Bernard Malamud’s The Natural, a certain part of his prodigious anatomy resembling the baseball bat hand-carved by Roy Hobbs. To me this sounds a bit too literary, given the family’s SRI Lexile/Reading Performance Scores, but who am I to mock my peoples’ lack of liberal arts education?

Begat begat Begato. (I goof on you, kind reader. Always liked the name Begato in the context of Bible-flavored genealogy. Mille grazie, King James.)

Lewisburg Penitentiary has many distinguished alumni: Whitey Bulger (1963-1965), Jimmy Hoffa (1967-1971) and John Gotti (1969-1972), for example.  And fictionally, you can add Paulie Cicero played by Paul Scorvino in Martin Scorsese’s Goodfellas, not to be confused with Paulie Walnuts Gualtieri played by Tony Sirico from the HBO TV series The Sopranos. Nor, do I refer to Paulie Gatto, the punk who ratted out Sonny Corleone in Coppola’s The Godfather, you know: “You won’t see Paulie no more,” according to fat Clemenza, played by the late Richard “Leave the gun, take my career” Castellano, who insisted to the end that he wasn’t bitter about his underwhelming post-Godfather film career. I know this for a fact from one of my cousins in the Gambino Family. I also know that the one thing the actor Castellano would never comment on was a rumor that he had connections to organized crime, specifically that he was a nephew to Paulie Castellano, the Gambino crime family boss who was assassinated in 1985, outside Midtown New York’s Sparks Steak House, an abrupt corporate takeover commissioned by John Teflon Don Gotti. But I’m really starting to digress here, although I am reminded of another interesting historical personage, namely Joseph Crazy Joe Gallo, who was also terminated “with extreme prejudice” while eating dinner at a restaurant.  Confused? And finally--not to be confused with Paul Muldoon, poetry gatekeeper at The New Yorker magazine, that Irish **** scumbag who consistently rejects publication of my work. About two years ago I started including the following comment in my on-line Contact Us, poetry submission:  “Hey Paulie, Eat a Bag of ****!”

This may come as a surprise, Gentle Reader, but I am a poet, not a Wise Guy.  For reasons to be explained, I never had access to the family business. I am also handicapped by the Liberal Arts education I received, infected by a deluge, a veritable Katrina ****** of classic literature.  That stuff in books rubs off after awhile, and I suppose it was inevitable. I couldn’t help evolving for the most part into a warm-blooded creature, unlike the reptiles and frogs I grew up with.

Again, I am a poet not a wise guy. And, first and foremost, I am a human being. Cold-blooded, I am not. I generate my own heat, which is the best definition I know for how a poet operates. But what the hell do I know? Paulie “Eat a Bag of ****” Muldoon doesn’t think much of my work. And he’s the ******* troll guarding the New Yorker’s poetry gate. Nevertheless, I’m a Poet, not a Wise Guy.  I repeat myself, I know, but it is important to establish this point right from the start of this narrative, because, if you don’t get that you’re never going to get my story.

Maybe the best way to explain my predicament—And I mean PREDICAMENT in the sense of George Santayana: "Life is not a spectacle or a feast; it is a predicament." (www.brainyquote.com), not to be confused with George’s son Carlos, the Mexican-American rock star: Oye Como Va, Babaloo!

www.youtube.com/watch?v...YouTube Dec 20, 2011 - Uploaded by a106kirk1, The Best of Santana. This song is owned by Santana and Columbia Records.

Maybe the best way for me to explain my predicament is with a poem, one of my early works, unpublished, of course, by Paulie “Eat a Bag of ****” Muldoon:

“CRAZY JOE REVISITED”  
        
by Benjamin Disraeli Sekaquaptewa-Buonaiuto

We WOPs respect criminality,
Particularly when it’s organized,
Which explains why any of us
Concerned with the purity of our bloodline
Have such a difficult time
Navigating the river of respectability.

To wit: JOEY GALLO.
WEB-BIO: (According to Bob Dylan)
“Born in Red Hook, Brooklyn in the year of who knows when,
Opened up his eyes to the tune of accordion.

“Joey” Lyrics/Send "Joey" Ringtone to your Cell
Joseph Gallo, AKA: "Joey the Blond."
He was a celebrated New York City gangster,
A made member of the Profaci crime family,
Later known as the Colombo crime family,

That’s right, CRAZY JOE!
One time toward the end of a 10-year stretch,
At three different state prisons,
Including Attica Correctional Facility in Attica, New York,
Joey was interviewed in his prison cell
By a famous NY Daily News reporter named Joe McGinnis.
The first thing the reporter sees?
One complete wall of the cell is lined with books, a
Green leather bound wall of Harvard Classics.
After a few hours mainly listening to Joey
Wax eloquently about his life,
A narrative spiced up with elegant summaries,
Of classic Greek theory, Roman history,
Nietzsche and other 19th Century German philosophers,
McGinnis is completely blown away by Inmate Gallo,
Both Joey’s erudition and the power of his intellect,
The reporter asks a question right outta
The Discrete Charm of the Bourgeoisie:
“Mr. Gallo, I must say,
The power of your erudition and intellect
Is simply overwhelming.
You are a brilliant man.
You could have been anything,
Your heart or ambition desired:
A doctor, a lawyer, an architect . . .
Yet you became a criminal. Why?”

Joey Gallo: (turning his head sideways like Peter Falk or Vincent Donofrio, with a look on his face like Go Back to Nebraska, You ******* Momo!)

“Understand something, Sonny:
Those kids who grew up to be,
Doctors and lawyers and architects . . .

They couldn’t make it on the street.”

Gallo later initiated one of the bloodiest mob conflicts,
Since the 1931 Castellammare War,
And was murdered as a result of it,
While quietly enjoying,
A plate of linguini with clam sauce,
At a table--normally a serene table--
At Umberto’s Clam House.

Italian Restaurant Little Italy - Umberto's Clam House (www.umbertosclamhouse.com)
In Little Italy New York City 132 Mulberry Street, New York City | 212-431-7545.

Whose current manager --in response to all restaurant critics--
Has this to say:
“They keep coming back, don’t they?
The joint is a holy shrine, for chrissakes!
I never claimed it was the food or the service.
Gimme a ******* break, you momo!
I should ask my paisan, Joe Pesci
To put your ******* head in a vise.”

(Again, Martin Scorsese getting it exactly right, This time in  . . . Casino (1995) - IMDb www.imdb.com/title/tt0112641/Internet Movie Database Rating: 8.2/10 - ‎241,478 votes Directed by Martin Scorsese. With Robert De Niro, Sharon Stone, Joe Pesci, James Woods. Greed, deception, money, power, and ****** occur between two  . . . Full Cast & Crew - ‎Trivia - ‎Awards - ‎(1995) - IMDb)

Given my lifelong, serious exposure to and interest in German philosophy, I subscribe to the same weltanschauung--pronounced: veltˌänˌSHouəNG—that governed Joey Gallo’s behavior.  My point and Mr. Gallo’s are exactly the same:  a man’s ability to make it on the street is the true measure of his worth.  This ethos was a prominent one in the Bronx where and when I grew up, where I came of age during the 1950s and 60s.  Italian organized crime was always an option, actually one of the preferred options--like playing for the Yankees or being a movie star—until, that is, reality set in.  And reality came in many forms. For 100% Italian kids it came in a moment of crystal adolescent clarity and self-evaluation:  Am I tough enough to make it on the street?  Am I ever going to be tough enough to make it on the street? Will I be eaten alive by more cunning, more violent predators on the street?

For me, the setting in of reality took an entirely different form.  I knew I had what it takes, i.e., the requisite ferocity for street life. I had it in spades, as they say. In fact, I’d been blessed with the gift of hyper-volatility—traced back to my great-grandfather, Pietro of the village of Moschiano, in the province of Avellino, in the region of Campania, Italia Sud. Having visited Moschiano in my early 20s and again in my late 50s, I know the place well. The village square sits “down in the holler,” like in West Virginia; the Apennine terrain, like the Appalachians, rugged and thick. Rugged and thick like the people, at least in part my people. And volatile, I am, gifted with a primitive disposition when it comes to what our good friend Abraham Maslow would call lower order needs. And please, don’t ask me to explain myself now; just keep reading, *******.  All your questions will be answered.

Great Grandfather Pietro once, at point blank range, blew a man’s head off with a lumpara, or sawed-off shotgun. It was during an argument over—get this--a penny’s worth of pumpkin seeds--one of many stories I never learned in childhood. He served 10 years in a Neapolitan penitentiary before being paroled and forced to immigrate to America.  The government of the relatively new nation--The Kingdom of Italy (1861)--came up with a unique eugenic solution for the hunger and misery down south, south of Rome, the long shin bone, ankle, foot, toes & kickball that are the remote regions of the Mezzogiorno, Southern Italy: Campania, Basilicata, Calabria, Puglia & Sicilia. Northern politicians asked themselves: how do we flush these skeevy southerners, these crooks and assassins down South, how do we flush the skifosos down the toilet—the flush toilet, a Roman invention, I report proudly and accept the gratitude on behalf of my people. Immigration to America: Fidel Castro did the same thing in the 1980s, hosing out his jails and mental hospitals with that Marielista boatlift/Emma Lazarus Remix: “Give us your tired and poor, your lunatics, thieves and murderers.” But I digress. I’ll give you my entire take on the history of Italy including Berlusconi and the “Bunga Bunga” parties with 14-year old Moroccan pole dancers . . . go ahead, skip ahead.

Yes, genetically speaking, I was sufficiently ferocious to make it on the street, and it took very little spark to light my fuse. Moreover, I’ve always been good at figuring out the angles--call it street smarts--also learned early in life. Likewise, for knowing the territory: The Bronx was my habitat. I was rapacious and predacious by nature, and if there was a loose buck out there, and legs to be broken, I knew where to go.
Yet, alas, despite all my natural talents & acquired skills, I remained persona-non-grata for the Lucchese Family. To my great misfortune, I fell into a category of human being largely shunned by Italian organized crime: Mestizo-Italiano, a diluted form of full strength 100% Italian blood. It’s one of those voodoo blood-brotherhood things practiced by Southern European, Mediterranean tribal people, only in part my people.  Growing up, my predicament was always tricky, always somewhat bizarre. Simply put: I was of a totally different tribe. Blame my exotic mother, a genuine Hopi Corn Maiden from Shungopavi, high up on Second Mesa of the Hopi Reservation, way out in northern Arizona. And if this is not sufficiently, ******* nuts enough for you, add to the child-rearing minestrone that she raised me Jewish in The Bronx.  I **** you not. I took my Bar Mitzvah Hebrew instruction from the infamous Rabbi Meir Kahane, that’s right, Meir “Crazy Rebbe” Kahane himself--pronounced kɑː'hɑːna--if you grok the phonetics.

In light of the previously addressed “impressionable years hypothesis,” I wrote a poem about my early years. It follows in the next chapter. It is an epic tale, a biographical magnum opus, a veritable creation myth, conceived one night several years ago while squatting in a sweat lodge, tripping on peyote. I
paul holt Nov 2014
Your heart is blacker than the ace of spades.
Its shriveled beyond all recognition
Nothing decent lives in your darkened soul.
Go back to whichever hell you came from.
Theres no place for you in the world of men.
Because there are those who inspire these words and we all know at least one.
Mitchell Feb 2013
Goodbye Prague, to a city I never thought I'd know.
Goodbye Prague, to a heaven that is lined with shattered beer bottles and stamped out cigarettes the junkies and the hobo's here still manage to get a  few puffs out of.
Goodbye Prague, to a hell that was once hovering with the feelings of control, manipulation, and more control, but now is twirling top speed to a land unknown.
Goodbye Prague, you seductive ***** with your cheap liquor, beer, and cigarettes, smelling of aged mahogany mixed finely with an acidic burst of fresh *****.
Goodbye Prague, I do not know when I will see you again, but I hope that I do and that I never grow so old that I forget you.
Goodbye to your abstract animals smeared black, screaming in the exploding summer sun. Goodbye to freshly cut pigs heads and cow flesh, hanging in your storefront window, tempting every passerby like the *****'s of Amsterdam.
Goodbye to every cobblestone that shines after a fresh rain or snow, slippery to the newcomer, an annoyance to the amateur, thoughtless to the old timer.
Goodbye to the potraviny's stocked with two crown marked up ***** and space vegetables shaped and colored in a one and only kind of vernacular; without you, I would have half-drunkenly stumbled home towards dreams of menial headaches and shadowy beer or perhaps to The Oak to drink alone.
I scream so long through faint puffs of carbon nicotine clouds made illuminated by the icy orange street lamps 800 years old glow!
I scream so long to late metro's and early trams!
I scream so long to the roaring rocks who reflect the faces of aging clocks!
So long to passed out bums and unforgiving metro officers. So long to dollar fifty beers and the fear of getting deported. So long with counting silver crown to make even, seeing my math prowess has lessened. So long embedded needles and bottle caps deep within the snowy cobble. So long listless wanders all their money thrown away until the month of May comes to knock on their door. So long alleyway romance 100 crown notes and old men in their rickety fishermen boats. So long sad masked faces who in their forward march sit stunned seeing fortune picks only some. So long through the grey mist stabbed with neon signs that attract the youth and the mad. So long to the feeling everything I had to say was the wrong thing. So long to feelings of foreign familiarity whose ball and chain were slowly starting to rust away. So long in song to the player's of Riegrovy hill whose voices I just couldn't stand. So long I've come to understand everyone's got a choice to live or wish they did. So long to the wide swept hills of Petrin, where angel's of lore go to rest atop dusted fresh snow, among the dotted new born vine. So long to the sound of wet metal against metal, a scream of order carried on the blue man's shoulder. So long to a city whose architecture reminds me of old men's faces and whose color reminds me of elderly women's dresses. So long to smoking in front of children without a second thought for their health. So long to racism that is wicked, but grunted genially - the executioner smiles at the accused - the gravedigger's weep for the dead - the ant makes a break for a hill not his. So long forlorn love whose only remedy for a cure is the beer sitting in front of you. So long to wondering what's going on in the world, when all I want and got is what's right in front of me.
Farewell Prague, you shadowed street walker, a cloak of stars around you, finding all that owe you  your due.
Farewell Prague, you in the morning eyes half mast, snow crunching underneath stony white.
Farewell Prague, miss-handler of crooked time pieces stating the obvious, ignoring to blame bluntly on youthful alcohol abuse.
Farewell Prague, you took me up the hill and through the woods where ravens, black as gutter ice, crackled down at me like showers of New Year's fireworks.
Farewell Prague, you gave me peace where I once thought I was unable to have.
Farewell Prague, you befriended me, then ordered me a shot that made me cough, then ordered me a beer so we could sit and truly feel what it is to sit and wallow in our time here.
Farewell Prague, you entranced me with view after view to a city to stubborn to die.
Farewell Prague, I leave you like you would leave me.
Farewell Prague, to your fat snow flakes that drop into wide eyed children mouths, tasting of iron whiskey rye, though they do not flinch at the taste.
Farewell Prague, I leave you with a hush of a whimper, bitter as the cold, and indifferent as the server's over at Cafe Lourve.
Farewell Prague, with a thousand miles of graveyards, where ghosts barely have the strength to weep.
Farewell Prague, I admit I never knew how to love until I came to visit you.
Farewell Prague, as I stare out your cracked and smoky tram windows, my thoughts not my own, shop windows and naked, screaming men, their cigarettes bouncing in between their lips like a jack of spades on smack, where at last we see that life is only a worth a **** if lived.
Farewell Prague, I see the cards there on the table and you're winking at me while I stand at the backdoor, and what's more, there's a secret you've got to give that I refuse believe.
Farewell Prague, to your open sore catastrophe of society, KFC on every block, and Starbuck's on every other, and on the other other are the lined' wino's shaking open handed and spread for a case of cardboard vino.
Farewell Prague, to the nasty smoker's in trams that just stopped caring.
Farewell Prague, to a city rhythm generated by an ignorant originality and uniqueness, where the same has no name and the the plain jabber on about their jobs in their pretty blue jeans.
Farewell Prague, because to say goodbye would mean we don't have that friendly tone.
Farewell Prague, I see to sacrifice oneself for the comfort of the elder or the opposite fills me with agitated obligation stationed in a vessel older than I've ever lived - yet I know it, for it is me.
Farewell Prague, you are a lost lullaby caught in the wind of an elastic multi-colored pin-wheel, shining riches of the rainbow into the eyes of children, who all whistle when they snore.
Farewell Prague, a button upon the Earth, like every man.
Farewell Prague, a love song sung in the depths of a damp grey hall, rivers all around, so the sounds too much to drink were outlandish in high emotion, juvenile commotion.
Farewell Prague, we were young - not caring about the future, but of course, with worry in our hearts for worry is a sign of human being human; yet, still, we asked nothing of one another and you gave and I gave and you took and I took and we walked underneath one another's blanket's until we were no longer cold and the winter showed to be just an annoying individual at the party.
Farewell Prague, to your lack of complications, making simplicities acceptable again.
Farewell Prague, to the snow that never stops falling, all while slumbering within dream until the seam is ripped so the old can die.
Farewell Prague, I've shined every marble staircase and washed every tram window; you owe me nothing because I like you.
Farewell Prague, to the long nights bleeding away at the table alone, the lady fast asleep, lit by the dim orange glow of the twisted streetlights below.
Farewell Prague, to the long nights forgetting pains of existence and accepting every solution to ward of resistance.
Farewell Prague, our long talks and hovering walks, always forcing me to balk.
Farewell Prague, at last you got the praise you have always deserved.
Farewell Prague, to hot humid nights filled with *** and butter in the summer and cold bitten cold of ***** and juice a la winter.
Farewell Prague, to bad service but good drink and food.
Farewell Prague, you curious tale the bravest man would waver to say.
Farewell Prague, to bridges galore and more dead leaves then wrinkles on my crooked face.
Farewell Prague, at night the sheen of liquor wears off only if you let it be so.
Farewell Prague, to all the those lonely mornings bent head into book on the way to work.
Farewell Prague, how long till you grow to be young again?
Farewell Prague, how long till I admit my defeat to you?
Farewell Prague, how long until I accept I'm the last fool in this world?
Goodbye Prague, the last soldier is standing, but the war is not yet won.
Goodbye Prague, to your hazy stars glimmering and shining for an indebted audience.
Goodbye Prague, the sun breaking through ink spilled colored clouds, the birds chirping, the dogs barking, and us wondering where we started.
Goodbye Prague, your churches are empty so the sins of man run rampant and at last the prayers of men go unanswered; we now abandoned to fend for ourselves.
Goodbye Prague, the puncturing purity of your ways make me giggle in delight as I listen to the cool piano man play; his eyes on the horizon shattering like toppled china.
Goodbye Prague, at last there is a time where we both get what we want.
Goodbye Prague, the verandas are chilled with the dew of winter and the snow glitters like bitter diamonds as the fool tips his hat to shy away the sunlight.
Goodbye Prague, every rain drop that fell upon me was a gift you can never take away.
Goodbye Prague, the fool adheres to agnostic rules but the cruel here see no reason to sue.
Goodbye Prague, I think therefore the dust of escape reflects the waves of the river Vlatva.
Goodbye Prague, to your lack of vowels.
Goodbye Prague, when the night wavers hear the Beherovka weep into its own glass, love leaving her forever making no note to Kissy.
Goodbye Prague, tram driver's unforgiving in their merciless need for schedule.
Goodbye Prague, the last homage to the war standing like a shining diamond neath chipped and shattered rubble.
Goodbye Prague, a listless memory mentioned only in drifting dream.
Goodbye Prague, every loving glance smelling of freshly poured beer over newly fallen snow.
Goodbye Prague, to your hardness, your beauty, and your madness.
Goodbye Prague, your days wet with rain, stricken by sunlight, reflecting white emerald into the window panes of passing trains.
Goodbye Prague, at last you got what you deserved.
Goodbye Prague, now I can weep and say I have trampled upon your cheek and slunk through your veins and trudged through your blood and skipped through your hair and saw every line - both sought after and nought - you have acquired through time.
Goodbye Prague, there is no reason to get excited, you are free.
Goodbye Prague, I see the silhouette of the trees that line your hills and I am forsaken to see the leaves turning from jovial yellow greens to disregarded and disparaged furnaces of dim fire reds and browns.
Goodbye Prague, the people within you deserved all of the credit.
Good Prague, the people outside of you deserve what ever they believe they do.
Goodbye Prague, you family to families with common sense and love rampaging through your barley stained veins.
Goodbye Prague, perhaps there is nothing under your rubble, maybe already all is lost for everyone, everywhere, but maybe, you living the simpler life, can show all that life can be so.
Goodbye Prague, you gave me letters, words, lines, commas, apostrophes, and dashes, paragraphs, pages, and eventually, a story; I leave you marked.
Goodbye Prague, an old friend whose hand I shook but knew would one day turn my back on.
Goodbye Prague, the bite of your cold generosity and your bustling love leaves man with nothing but to bike back with no chance of triumph.
Goodbye Prague, street cleaners clean up your wear and tear from the mothers and fathers that bore you, some 800 years ago; ageless, you loom longer than they would like.
Goodbye Prague, battling sleep as the ***** raps for more and more, none that the man has.
Goodbye Prague, the night is curling in as the wave crashes to the short and I am the lost sun looking for a place to rise, trying to get to the sky.
Looks like
I took a turn for the worse,
I hit a fork in the road
and caught some kinda Voodoo curse.

If you box the ace of spades
you know your luck is going to change,
it's going to change for the worse.

I got the Devil in my doorway
just a leanin' on the bell.
I know he's not going away
'till he's sure imma going to hell.

These February blues
I do detest, they've taken away
my 'happy-go-lucky' and put me under House Arrest.

So you know, if you box the *****
you're liable to play until you empty your purse.

My Muse she flew
out the back door and she's on the run,
screaming over her shoulder
'It ain't a crime to be unhappy but it isn't any fun.

What's it called,
when you know your place?
Keep calm behind those dark glasses
that hide your oh so easy to read.. poker face.


© 2014
Styles Dec 2014
look how far we have come, just imagine
where we will go.
Your imagination, is my destination,
so sit back and enjoy the show.
I might not be as talented with as my counterparts- i rather take my time mastering your parts. crossing your lines, exploring your arts. You can take it anyway you like, just let me take over when we get to my favorite part. I've been turning you on from the start, its only right I get you off. lips so soft, my scent doesn't wash off. Making sick love,send you home with a cough. I tried to rank you, but your off the charts. If this was a game, I'd be the King of spades and you would be the black queen of hearts. My favorite part of this, is playing are parts. I dont know, there is still alot to learn. I hate to see you go, but love taking turns watching you *** and go.
writing you these words, i hope the follow you to sleep.Getting wrapped up in my words like I
were your sheets. I am not trying to come at you the wrong way- but you've been on my mind all day. Putting you in all the right positions, my edition of feng shui. Take a mental picture and keep it stored away so when I finally see you, I can do things the right way. If it was up to me, you wouldn't know the difference between night and day. Close the blinds, lock the door, unplug the phone, and lets play; you do, everything, I say.
If you box
the ace of spades
you know your
luck is going
to change,
it's going to change
for the worse.

And if you
box the *****
you're liable to
play until you
empty your purse.

What's it called
when you know
your place,
keep calm behind
those dark glasses
that hide your
oh so easy to read
poker face.


© 2013
Paul Butters Aug 2015
Season of sun and sand and sea,
Holiday time for you and me.
Daylight right ‘til ten o’clock,
Don’t forget to wear sun-block.

Sitting idly reading Keats,
Watching kids with buckets and spades;
Sparrows with their frantic tweets,
Flying high above the glades.

Oh it’s great to be so free,
No more snow or ice for me.
Even mugginess is okay,
So long as it’s warm throughout the day.

Swimming in that so cool pool,
Sure beats sweating back in school.
Summer is my favourite month,
Whoops my rhyme-scheme just went Whoomph!

Nothing rhymes with month you know,
But let’s forget about that snow.
Let’s laze instead on lawn or beach,
And keep a beer within our reach.

Paul Butters
Homage to John Keats.
R Saba Nov 2013
playing cards, flinging numbers on the table
conversations leading nowhere
and i sit on the outside, watching us
and analyzing the game
i see your head tilt, i see your mouth crack
wide open and speak
and i see the words, read their shape
and watch the colours fade in the air
to match the grey of today
and i wish that i could reach out
and touch them, try to brush
the colour back into your voice
but instead
no matter how hard i try
the words are stale, the cards are bent
by the time they reach my ears
and land lightly upon the inside curve, soft and dark
still nice, still present
and i guess i don’t mind the lack of colour
besides, i know that if i really wanted to
i could move closer and catch the words
catch your voice
as it leaves your lips
and intercept it before it can fade
taste the colours instead
and it’s nice to know i have that option
so i stand here and watch this interaction
watch the card game, hearts and spades
and analyze each move
black and red and white
and colourful
just waiting for the game to end
viewing things through a different lens, and then the game ends
For your Aces ♢♧  and Eights of ♢ ♧ Wealth and Brutality or as we boys from the Edge call it the Dead Mans Hand, and that be your hand son not that of any of me or mine, but, don't look so distressed, did we happen to mention we are impressed, though this will have to go down in your permanent  record.

I say , it's all good, and it's all fun, so get in the pit and try and Love someone, for son we are a Full House Ace of Black Hearts ♥ Ace of Spades ♠ , with the King♔♡ 's  Queen♕♡ 's  and Jack♘ ♡ 's of hearts  and it's our House you in, so, hum, does this mean the Good of our Fathers House Wins?, I say, always and forever, dare to care and spare the fear, and need not shed another tear, stand straight and no more hesitate in the last first and none last truest of loves verse.

Motörhead - Ace of Spades
h ttps://www.youtube.com/watch?v=KysKdijAhJI

Motörhead - Ace of Spades (slow Acoustic version)
h ttps://www.youtube.com/watch?v=tc-PVTj9UCk

AC DC - Who Made Who lyrics
h ttps://www.youtube.com/watch?v=GuFq3ynnBo8

AC DC Ride On
h ttps://www.youtube.com/watch?v=ugwlIQ8K4Vs
Larry Potter Jul 2013
A cumulonimbus caused the gloom that day. It went shedding drops of rain that looked like bead of pearls glittering in the grey autumn sky, vanishing as they plunge on leafless laurel trees and solitary cypresses. He watched them dance to pitter-patter on every umbrella that opened towards the heavens, their colors of rich black calling out to such empathy. Finally, the drops kiss the graze of withered grasses and thirsty dandelions, reviving their foliage and greenness. Slowly, the rainfall collect to become one with soil and mud crawled down to the six feet depression where a coffin was laid. It was white like ivory and carved with elaborate insignias as a token of love and undying memories. Soon, it was all covered with crimson roses that carry the last parting words of the bereaved. The priest waved out his hands above with mournful eyes, lisping his beseeching of earnest favors while spades of loam filled up the burrow. He saw faces of despair around the pit, gasping for reprieve and sympathy. If only the rain could also bring back her life, he implored.

This, in his senses, was belongingness. This, in his heart, was death.

It had been two long weeks since Roxanne’s death and Vincent couldn’t get his feet back on the ground. He still couldn’t believe he had lost her and that their seemingly endless love has flown away from him for all eternity. He’d make believe that this was all just a dream and at some point of this nightmare he would finally be unchained and awakened. Days became niches of shackled memories that kept haunting his love-fletched soul and nights were nothing more than a requiem of lovelorn longings that still linger in his mind. He remembers it all, the feel of her name on his lips, the smell of her hair, and the sound of her laugh. Everything is still as fresh as the dewdrops of June and as vivid as the most cinematic imagery a mortal could immortalize. The ultimate fight of this melodramatic transition was to remain whole when all the strength Vincent has built up begins to crumble by a mere reminiscence of the tragedy that gets freeze-framed from beginning to end over and over again.

It was a rainy Friday evening on the 22nd of May and everyone’s feeling the smell of the weekend rush. Vincent was already at a friend's house party and called Roxanne that he’ll be waiting. Roxanne was driving the Lexus behind a small truck that seemed to plod toward the upcoming red light. She was a few minutes late on her way and watching these two people ahead of her jabber away in that truck was getting her out of her ecstatic  mood. The light turned green, but the truck too slowly moved forward. Roxanne became frustrated as the driver fixated to the right. He visibly gasped at what was just about to come into her view. A brand new grey-blue Chevy Silverado blazed through the opposing stop light to broadside his little truck. Roxanne tried to stop, but her car slid into the Chevy's rear side and went tossing down the highway to an explosion.

All these is what Vincent needs to drown himself to agony. It’s as if Atlas gave up the bearing of the world for him to endure. Wretched and perplexed was he, blaming the world for such a prejudiced conspiracy. How could an angel like Roxanne be bound to such an end? How could an invincible love become vulnerable on the visage of death? But then again, his heart starts to concoct a spell of phantasm, bringing back the most prized memories of him and her together, infiltrating his whole system and gaining power over the bitterness and pain. In this test of sensations, he himself wasn’t sure if this two-edged delusion is a boon or bane. But one thing was becoming clear to him-he cannot be like this for the rest of his life. If this nightmare must be proven real, he must find a way out. Whatever may lie ahead, he must keep going, recreate his own world and be able to break free from the fetters of this mishap that surely promises him nothing but living scars, frustrations and sorrow.

Two years have passed and the town of New Hope has undergone a lot of changes. New coffee shops and cafes run down a block away from the University premise as well as convenient stores and parlors. New establishments stood welcoming and billboards mushroomed the skyway. The streets are crowded with more and more busy people, indicative of a metropolitan evolution of lifestyle. Summer has ended and without a trace, the arid autumn and the frigid winter fluttered to oblivion.

The same is true for New Hope University which, in its current enrollment period, has its student population increased by two thousand. The institute’s remarkable performance rating in board examinations and national competitions attracted other towns to invest their education to the latter. It was nearly the start of class and everyone is busy catching up the enrollment pace. But not Vincent, who, in the first day of inception has already completed the enrollment process. He was ecstatic, more of curious how his life as a senior student could turn into this academic year. He met faces of different kinds-some familiar and some entirely strangers. Those he doesn’t recognize would just pause and pay a smile while others he knew jsut pass by and make him feel invisible. On a ledge in front of his course department’s office he sat. He in himself was New Hope town in human transfiguration- braver, brighter and better. He looked from afar, with eyes playing on the nimble of heads and shoulders of people passing through the corridor. He drenched himself to an illusion of how each head turns toward him with a infectious smile, that once in a while, happiness is sought even in the gallows of solitude. Solitude-it wasn’t a strange name to him anymore. It never was. He was entangled with it on that day the sickles of death took his love away. Somehow, through the passage of time, the wound that was scourged deep in his heart has mended and the thought of being alone became amusing that he has managed to laugh about it over the seasons. He is more human now, away from the devious portal of his mundane imagining.

The daydream was shattered when out of the blue a silhouette of a familiar figure took the stage. She was elegantly tall, with hair of pure ebony lolling on her shoulders. Each step enraptures, and each gentle sway of a hand is a compelling rhythm. She draws closer to where he was and he's left slack jawed. She entered the office and he was back to his senses. Maybe not. What he beheld was something farfetched, something that he cannot comprehend. Vincent saw it all coming back to him. A remnant of his long buried love has come to life. It was Roxanne and it is more certain than breathing. He couldn’t explain what he felt. It was a maelstrom of joy and surprise, of hope and fear. It was the face he yearned to see, so long that the yearning turned to hate and despair. But now that it came to pass, his humanity fell apart. Although he is a mere victim of his own circumstances, the serendipity took a shot straight to his heart and there is nothing he could do about it.

Perhaps there is, and he is now pretty preoccupied. He wanted to know her. He must unknot this puzzle that has challenged his whole conviction. He must find every answer and throw all of its questions behind. Whatever there is that the road has in store for him is not essential anymore. He couldn’t care less to fathom this enigma and once more, find something worth living. But now that he is hanging in midair, he planned to fall back. He jumped out of the ledge and headed out the campus, afraid that she might be at sight and all the strength in him shall subside. He was up all night, thinking of how he could get a chance to meet and talk to her. He had thoughts of crafting schemes, devising methods and inventing tricks.

And nothing of it worked.

The first day of class commenced. New Hope University is buzzing with ecstatic students. Vincent giggled with utmost excitement, carelessly bumping shoulders and brushing elbows with other students in the corridors.  He molested his tattered COR and skimmed for his first class. It is in room 101 scheduled 9:00. He reviewed through the digital clock and he hurried as it ticked to 8:58. Luckily, he is safe from prime tardiness, though he seemed to be the last comer. He seated at the back, knowing that after thirty minutes, he’d helplessly succumb to napping since it is his favorite subject-English 8, Technical Writing.

And so she happened.

It was her, Roxanne’s doppelganger who broke the charts. She was 15 minutes late and unforgivably beautiful with her sequined tee and skinny jeans. She realized what she has gotten into and apologized with the kindest gesture. The professor gave her a hand and led her to the seat beside Vincent. She felt awkward. He was worse. They both sat like lifeless puppets with the puppeteer gone until she broke the silence.

“I’m Katherine,” she muttered. “Katherine Evans, glad to be your block mate”. She took it off with a smile that sent Vincent to hyperventilation. He couldn’t shake her hands. They’re already shaking with butterflies. The poor guy mounted his strength. He could not afford to lose the chance. “Vincent, Vincent Smith”. That was all and a nod. It was rare for Vincent to survive the thirty-minute nap attack but he did this time, although the victory seemed unnoticed. They enjoyed the remaining hour sharing thoughts and ideas with Vincent succeeding in all his attempts to stint his best jokes. He has come to know who she is at the basics-a transferee from Dakota University, a cheerleader and an adventurist. He also looks forward to know more about her in the days to come- hoping that she likes cheese, watching live wrestling fights and attending Sunday mass.

Perhaps she doesn't.

Two weeks was enough a time for the two of them to get closer to each other. They were both open to let the affinity they share to grow and blossom. It was very apparent that the two knew where their relationship is going and they both seemed ready for it.

Months have passed and the two were no more than couples. But Vincent was too overwhelmed of what he had let enter his life. Katherine is no Roxanne. She doesn’t like cheese, wrestling or Sunday masses. She was more self-driven, conceited and unwelcoming. Sooner he realized that he isn’t in love with Katherine, nor will he ever be. He just created his Utopia by painting Roxanne’s memories on Katherine’s facade. He believed to have loved again and he believed in vain.

It was a candlelight dinner at Katherine's and it was all set. She suggested it herself. She would always do this, steering their affair on a one man tag and turning the tides whichever she likes it to be. She seemed obsessed about Vincent, about their friendship, about their bond. This was her biggest mistake: to let Vincent get drowned in her self-consumed devotion.

Vincent is on his way. To break her heart.

When he came, Katherine pranced in glee. She presented the menu. And the drinks too. She was on the midst of telling Vincent her summer getaway plans when he told her to stop and listen. He undid it to her gently by taking all the blames, that it was his butter fingered actions which led them both bruised and bleeding. It was a self-defeating battle preordained by the gods. A tear fell down from Katherine’s eyes, and she didn’t want to show him more. She fled her way out the dining room with a tormented soul, like Aphrodite torn by Adonis, and hurried to her room with the banging of the door. Vincent was left with only the deafening silence, keeping his severed heart together.

As he sat out there slowly losing substance, he began to notice a set of picture frames that showed two happy faces, one of them Vincent was able to recognize in just a matter of seconds. But what puzzled him most is the picture's relevance to Katherine. He thought of a reason to make his way out the riddle. He looked closer to the girl beside Roxanne and found a spot of mole that was identical to Katherine's.

Vincent stumbled to a discovery he wished he had never known.

On the night Roxanne met death, she was not alone. She was with company. The girl that happened to live is Vicky Duran, Roxanne’s best friend. She was secretly in love with Vincent. And she was prepared to change her entire life for a streak of a chance that she’ll have what she was living for.

And she almost succeeded.

Vincent, still staggered on how things turned out insane, went to Roxanne’s grave. He shattered from an implosion of mixed emotions and he cried out like a child who lost his treasured toy. He curled on the ground with so much pain and bearing contained inside him. He called out Roxanne’s name with pure longing, bringing back his old self and his memories of that grey autumn, of that unwanted Friday that took her life away.

Footsteps cracked from the ground and Vincent ceased his outburst of melancholy.

“Let me end your misery,” a trembling voice came from behind him. It was Vicky, whose face is neither Roxanne’s nor Katherine’s. It was a face of a hopeless woman, wretched and determined for something. She was wearing rugged clothes and she held a gun on her hand. To Vicky, living is no different from death. She has now understood why the very person she loves has turned away from her when she gave all that she never was. But the realization priced too much of her reality that she cannot anymore take back. She decided to **** him and then take her own life.

She pointed the gun towards Vincent. He jumped at her to take the gun away. They grappled on the ground, the weapon still on Vicky’s hands. Vincent managed to overpower her but she kicked him, tumbling back to the gravestone. A shot was heard from afar with a man’s cry.

It rained that day. Brown withered leaves of tall laurels hovered with the wind while branches of solitary Cypresses dance to every whirl. The breeze whispered to the clouds of grey, a mark of autumn’s return. Vincent crawled to Roxanne's grave. It was a weeping of a true love that echoed away. Raindrops keep descending from the heavens, washing away the blood that kept flowing to the ground of mud.  Perhaps, on the last moments of his life he found happiness, even from a love that was never his to keep.

 

- by Larry Potter
Victor was a little baby,
Into this world he came;
His father took him on his knee and said:
'Don't dishonour the family name.'

Victor looked up at his father
Looked up with big round eyes:
His father said; 'Victor, my only son,
Don't you ever ever tell lies.'

Victor and his father went riding
Out in a little dog-cart;
His father took a Bible from his pocket and read;
'Blessed are the pure in heart.'

It was a frosty December
Victor was only eighteen,
But his figures were neat and his margins were straight
And his cuffs were always clean.

He took a room at the Peveril,
A respectable boarding-house;
And Time watched Victor day after day
As a cat will watch a mouse.

The clerks slapped Victor on the shoulder;
'Have you ever had woman?' they said,
'Come down town with us on Saturday night.'
Victor smiled and shook his head.

The manager sat in his office,
Smoked a Corona cigar:
Said; 'Victor's a decent fellow but
He's too mousy to go far.'

Victor went up the his bedroom,
Set the alarum bell;
Climbed into bed, took his Bible and read
Of what happened to Jezebel.

It was the First of April,
Anna to the Peveril came;
Her eyes, her lips, her *******, her hips
And her smile set men aflame,

She looked as pure as a schoolgirl
On her First Communion day,
But her kisses were like the best champagne
When she gave herself away.

It was the Second of April.
She was wearing a coat of fur;
Victor met her upon the stair
And he fell in love with her.

The first time he made his proposal,
She laughed, said; 'I'll never wed;
The second time there was a pause;
Then she smiled and shook her head.

Anna looked into her mirror,
Pouted and gave a frown:
Said 'Victor's as dull as a wet afternoon
But I've got to settle down.'

The third time he made his proposal,
As they walked by the Reservoir:
She gave him a kiss like a blow on the head,
Said; 'You are my heart's desire.'

They were married early in August,
She said; 'Kiss me, you funny boy';
Victor took her in his arms and said;
'O my Helen of Troy.'

It was the middle of September,
Victor came to the office one day;
He was wearing a flower in his buttonhole,
He was late but he was gay.

The clerks were talking of Anna,
The door was just ajar:
One said, 'Poor old Victor, but where ignorance
Is bliss, et cetera.'

Victor stood still as a statue,
The door was just ajar:
One said, 'God, what fun I had with her
In that Baby Austin car.'

Victor walked out into the High Street,
He walked to the edge of town:
He came to the allotments and the ******* heap
And his tears came tumbling down.

Victor looked up at the sunset
As he stood there all alone;
Cried; 'Are you in Heaven, Father?'
But the sky said 'Address not known'.

Victor looked at the mountains,
The mountains all covered in snow
Cried; 'Are you pleased with me, Father?'
And the answer came back, No.

Victor came to the forest,
Cried: 'Father, will she ever be true?'
And the oaks and the beeches shook their heads
And they answered: 'Not to you.'

Victor came to the meadow
Where the wind went sweeping by:
Cried; 'O Father, I love her so',
But the wind said, 'She must die'.

Victor came to the river
Running so deep and so still:
Crying; 'O Father, what shall I do?'
And the river answered, '****'.

Anna was sitting at table,
Drawing cards from a pack;
Anna was sitting at table
Waiting for her husband to come back.

It wasn't the Jack of Diamonds
Nor the Joker she drew first;
It wasn't the King or the Queen of Hearts
But the Ace of Spades reversed.

Victor stood in the doorway,
He didn't utter a word:
She said; 'What's the matter, darling?'
He behaved as if he hadn't heard.

There was a voice in his left ear,
There was a voice in his right,
There was a voice at the base of his skull
Saying, 'She must die tonight.'

Victor picked up a carving-knife,
His features were set and drawn,
Said; 'Anna it would have been better for you
If you had not been born.'

Anna jumped up from the table,
Anna started to scream,
But Victor came slowly after her
Like a horror in a dream.

She dodged behind the sofa,
She tore down a curtain rod,
But Victor came slowly after her:
Said; 'Prepare to meet thy God.'

She managed to wrench the door open,
She ran and she didn't stop.
But Victor followed her up the stairs
And he caught her at the top.

He stood there above the body,
He stood there holding the knife;
And the blood ran down the stairs and sang,
'I'm the Resurrection and the Life'.

They tapped Victor on the shoulder,
They took him away in a van;
He sat as quiet as a lump of moss
Saying, 'I am the Son of Man'.

Victor sat in a corner
Making a woman of clay:
Saying; 'I am Alpha and Omega, I shall come
To judge the earth some day.'
Genevieveish Jul 2018
I have it in spades
But it comes in waves,
In the climb, I know I'm worth it,
On the precipice, it feels so clear,
In the curl, I'm tested,
It's in the break that I get lost,
And just as it pulls me in,
I ride upon the backs of the strong women who surround me,
Holding me accountable,
Exposing the humanity that grounds me,
Resolve is a funny thing,
I have it in spades,
But it comes in waves.
Infinitely and often nightly but very quietly
I creep into the garden shed
and make a bed among the flower pots
where those dainty blooms with purple spots
spot me
and open up their eyes to see who sits among the rakes and spades
and somewhere in those dappled glades
my eyes will rest upon a cur-ved apparition and entirely of an auto responsive
suggestion
I will greet her with a midnight smile taped on my lips
and when my heart has done its forty skips and my body settles down
I invite her to come a little close and sit beside me by the oak tree
she
smiles in a light to brighten any night and any day I know would be proud to say
go with the moment it is yours to own
but on my own trapped in a shady place
I face the fact that
this place in the garden shed is only pictures in my head
and I retreat
beat it back indoors where the thunderous snores of all my many days
come back to haze me in some juvenilish way
it's the way of it
it is the way and I have bitten off more than a piece or two
and flown too close to sit upon the heat
of the sun
burned my bridges
burned my ***
and never learnt to hold my tongue
but it is the way
and one day the way will become oh so clear
the potting shed that's in my head will disappear
and in its place
the face I look to meet
will greet me
deferentially I shall shape my tongue to fit around the words I want to say
It is and always has been
this way.
Aaron LaLux Aug 2016
(written backstage after Beyoncé final Formation Tour EU Show)

Gold Bottles

Flew into Barcelona,
en route to Portugal,
after two weeks in Budapest,
and one week in Milan,

Milan was for a lover,
Budapest was to relax,
Portugal is business,
and Barcelona was for fate,

had no idea Beyonce was performing,
her last show of the Formation tour,
so I went to her show after the Picasso museum,
walked right in no need for a pass,

went on stage,
watched the show,
got off the stage,
and said hi to Jay,

Jay Z was popping’ gold bottles,
yeah you know Ace of Spades,
and yeah I know,
that might sound a little cliche,

but hey,

it is what it is,
and I am what I am,
Jay had his classic Yankee Blue colors on,
I was wearing my tattoos,

the music had been so loud,
everything seemed so loud,
inside    and    out,
please pass me the champagne,

grasp,
the glass,
and,
sip…

Life’s such a trip,
I’m not even sure it’s real,
it’s like I went to sleep when I was a teenager,
and I woke up in my dreams,

I swear,
I could wake up tomorrow,
this could all be gone,
and I wouldn’t even be surprised,

in fact,
one day I will wake up tomorrow,
and this will all be gone,
and I will not at be at all surprised,

for now though,
I’m wide awake in this American dream,
and I can feel everything except for myself,
I eat but I’m not hungry I drink but I’m not thirsty,

sure I’ll drink that champagne,
Ace of Spades what a name,
maybe then I’ll be able to feel something,
maybe then I’ll be able to feel like this is real,

right,
now,
I,
slip…

Away from myself,
away from Jay Z,
away from all the eyes and attention,
away    from    this….

This silence,
seems so loud,
it screams so loud,
I’m tearing at the seams I bow,

trying to bow out gracefully,
exit stage left exit stage left,
where is my family where are my friends,
why is this silence all I have left,

left,
on a flight,
from Budapest,
to Barcelona,

Budapest was thermal paths,
and Eastern European women,

Barcelona was Beyonce,
Jay Z and gold bottles,
I’ve gotta to get to sleep soon,
got a flight to Portugal tomorrow,

got,
to,
get,
some sleep,

some time,
I don’t know who I am,
I just know I am not mine,

will touch down in Lisbon,
and be picked up right there,
taken on another tour,
no one said life was quite fair,

no fairy tale endings in the dragon’s lair,

where,
were we,
it seems we’ve gotten off track,
where,
was I,
somewhere with full bags and no place to unpack,

where do you go,
when you’ve gone everywhere else,
where do you find your silence,
how do you fill that void inside yourself,

somebody help,

I’m on a constant worldwide tour,
and everyone thinks it’s great,
people want to take my time and my attention,
but I don’t have the patience and I really hate to wait,

so before I’m even really here,
I’m already gone again,
and all that’s left are these words,
in the form of poems that I send,

like a message in a bottle,
I send from this island across the seas to you,
platinum plaques and gold bottles,
First Class seat I don’t deserve this it’s unbelievable,

flew into Barcelona,
en route to Portugal,
after two weeks in Budapest,
and one week in Milan,

Milan was for a lover,
Budapest was to relax,
Portugal is business,
and Barcelona was for fate…

∆ Aaron La Lux ∆
The Poetry Trilogy

author of The Poetry Trilogy
author of The Hollywood Trilogy
author of The Holy Trilogy



and here's some totally free music as well:
https://soundcloud.com/americandreamin/aaron-lux-truth-live-sky-tower

#beyonce #jayz #formation #poetryforever #thepowerofwords
#barcelona #formationtour #worldtour #hiphoppoetry #thelife ∆
bobby burns Jun 2013
a)  i am the mortar incurring blow after blow
     from the abrasive quality of your negligence.
      no, i am herb between pestle and mortar
      the full realization of 'rock and a hard place'

b)  i am the mortar between each brick you lay,
     in blue collar glory, or rock star slumming,
     to bind shaky corridors of past serenity
     and bear indiscretions on my limestone shoulders

c)  i am the mortar you fire before crawling under covers
     for inexpensive *** and trashier beer
     by a lake on a camping trip where tents trump love
     like the queen of spades in a hand of hearts
      
d)  in fact, these are false, merely possibilities --
     actuality: you were never enough
      to make me spew homonyms in metaphor
      because you were nothing like them,
      always appearing changed but monotonous in meaning,
      and if you're so into contraposition,
      are we not but names for each other?
Caitlin Sales Jul 2010
The Ace of Spades
Queen of Hearts
Deuce of Diamonds
It's just the start

Can't turn the corner
Can't double down
Out of money
No bank around

I need that card
Need it like a drug
But odds are against me
It doesn't look good

I outran them all
But they got me again
Tried to talk my way out
But I tried in vain

No way to get out
Stuck in this spot
Left me with cards
Said play until I rot

The Ace of Spades
Queen of Hearts
I played my cards wrong
And they tore me apart
Rob Rutledge May 2013
The Aces check their sleeves,
Hearts rippling across the breeze.
The Queen arises
Slowly,
Torn dress ripped at the knees.

The Jack saw his fill
And quickly took his leave.
Stood trembling in a doorway,
Mind struggling to believe...

The King was an alcoholic,
It was widely known to be so,
Each eve he would sit solemn,
Wine in hand and sword on show,
Clapping to the Jokers' japes
As he danced and sang
About love and fate.
But how was the King to know?
Not two rooms away
His wife had lain,
With a smile and a *****.
Creating a cuckold and a fool...

The Jack had had enough
And promptly marched
To the throne room.
Armed with only knowledge,
Unleashes inevitable typhoon.

The winds will rise,
This house shall succumb,
Imploding inwards
Till the house is done.
And all that remains
Among ash and decay,
Broken hearts and broken spades,
Is the Jokers last laugh.
A mockingbirds call as daylight fades.
There are certain things -a spider, a ghost,
The income-tax, gout, an umbrella for three -
That I hate, but the thing that I hate the most
Is a thing they call the SEA.

Pour some salt water over the floor -
Ugly I'm sure you'll allow it to be:
Suppose it extended a mile or more,
That's very like the SEA.

Beat a dog till it howls outright -
Cruel, but all very well for a spree;
Suppose that one did so day and night,
That would be like the SEA.

I had a vision of nursery-maids;
Tens of thousands passed by me -
All leading children with wooden spades,
And this was by the SEA.

Who invented those spades of wood?
Who was it cut them out of the tree?
None, I think, but an idiot could -
Or one that loved the SEA.

It is pleasant and dreamy, no doubt, to float
With 'thoughts as boundless, and souls as free';
But suppose you are very unwell in a boat,
How do you like the SEA.

There is an insect that people avoid
(Whence is derived the verb 'to flee')
Where have you been by it most annoyed?
In lodgings by the SEA.

If you like coffee with sand for dregs,
A decided hint of salt in your tea,
And a fishy taste in the very eggs -
By all means choose the SEA.

And if, with these dainties to drink and eat,
You prefer not a vestige of grass or tree,
And a chronic state of wet in your feet,
Then -I recommend the SEA.

For I have friends who dwell by the coast,
Pleasant friends they are to me!
It is when I'm with them I wonder most
That anyone likes the SEA.

They take me a walk: though tired and stiff,
To climb the heights I madly agree:
And, after a tumble or so from the cliff,
They kindly suggest the SEA.

I try the rocks, and I think it cool
That they laugh with such an excess of glee,
As I heavily slip into every pool,
That skirts the cold, cold SEA.
A certain poet in outlandish clothes
Gathered a crowd in some Byzantine lane,
Talked1 of his country and its people, sang
To some stringed instrument none there had seen,
A wall behind his back, over his head
A latticed window.  His glance went up at time
As though one listened there, and his voice sank
Or let its meaning mix into the strings.

MAEVE the great queen was pacing to and fro,
Between the walls covered with beaten bronze,
In her high house at Cruachan; the long hearth,
Flickering with ash and hazel, but half showed
Where the tired horse-boys lay upon the rushes,
Or on the benches underneath the walls,
In comfortable sleep; all living slept
But that great queen, who more than half the night
Had paced from door to fire and fire to door.
Though now in her old age, in her young age
She had been beautiful in that old way
That's all but gone; for the proud heart is gone,
And the fool heart of the counting-house fears all
But Soft beauty and indolent desire.
She could have called over the rim of the world
Whatever woman's lover had hit her fancy,
And yet had been great-bodied and great-limbed,
Fashioned to be the mother of strong children;
And she'd had lucky eyes and high heart,
And wisdom that caught fire like the dried flax,
At need, and made her beautiful and fierce,
Sudden and laughing.
O unquiet heart,
Why do you praise another, praising her,
As if there were no tale but your own tale
Worth knitting to a measure of sweet sound?
Have I not bid you tell of that great queen
Who has been buried some two thousand years?
When night was at its deepest, a wild goose
Cried from the porter's lodge, and with long clamour'
Shook the ale-horns and shields upon their hooks;
But the horse-boys slept on, as though some power
Had filled the house with Druid heaviness;
And wondering who of the many-changing Sidhe
Had come as in the old times to counsel her,
Maeve walked, yet with slow footfall, being old,
To that small chamber by the outer gate.
The porter slept, although he sat upright
With still and stony limbs and open eyes.
Maeve waited, and when that ear-piercing noise
Broke from his parted lips and broke again,
She laid a hand on either of his shoulders,
And shook him wide awake, and bid him say
Who of the wandering many-changing ones
Had troubled his sleep.  But all he had to say
Was that, the air being heavy and the dogs
More still than they had been for a good month,
He had fallen asleep, and, though he had dreamed
nothing,
He could remember when he had had fine dreams.
It was before the time of the great war
Over the White-Horned Bull and the Brown Bull.
She turned away; he turned again to sleep
That no god troubled now, and, wondering
What matters were afoot among the Sidhe,
Maeve walked through that great hall, and with a sigh
Lifted the curtain of her sleeping-room,
Remembering that she too had seemed divine
To many thousand eyes, and to her own
One that the generations had long waited
That work too difficult for mortal hands
Might be accomplished, Bunching the curtain up
She saw her husband Ailell sleeping there,
And thought of days when he'd had a straight body,
And of that famous Fergus, Nessa's husband,
Who had been the lover of her middle life.
Suddenly Ailell spoke out of his sleep,
And not with his own voice or a man's voice,
But with the burning, live, unshaken voice
Of those that, it may be, can never age.
He said, "High Queen of Cruachan and Magh Ai,
A king of the Great Plain would speak with you.'
And with glad voice Maeve answered him, "What king
Of the far-wandering shadows has come to me,
As in the old days when they would come and go
About my threshold to counsel and to help?'
The parted lips replied, "I seek your help,
For I am Aengus, and I am crossed in love.'
"How may a mortal whose life gutters out
Help them that wander with hand clasping hand,
Their haughty images that cannot wither,
For all their beauty's like a hollow dream,
Mirrored in streams that neither hail nor rain
Nor the cold North has troubled?'
He replied,
"I am from those rivers and I bid you call
The children of the Maines out of sleep,
And set them digging under Bual's hill.
We shadows, while they uproot his earthy housc,
Will overthrow his shadows and carry off
Caer, his blue-eyed daughter that I love.
I helped your fathers when they built these walls,
And I would have your help in my great need,
Queen of high Cruachan.'
"I obey your will
With speedy feet and a most thankful heart:
For you have been, O Aengus of the birds,
Our giver of good counsel and good luck.'
And with a groan, as if the mortal breath
Could but awaken sadly upon lips
That happier breath had moved, her husband turned
Face downward, tossing in a troubled sleep;
But Maeve, and not with a slow feeble foot,
Came to the threshold of the painted house
Where her grandchildren slept, and cried aloud,
Until the pillared dark began to stir
With shouting and the clang of unhooked arms.
She told them of the many-changing ones;
And all that night, and all through the next day
To middle night, they dug into the hill.
At middle night great cats with silver claws,
Bodies of shadow and blind eyes like pearls,
Came up out of the hole, and red-eared hounds
With long white bodies came out of the air
Suddenly, and ran at them and harried them.
The Maines" children dropped their spades, and stood
With quaking joints and terror-stricken faces,
Till Maeve called out, "These are but common men.
The Maines' children have not dropped their spades
Because Earth, crazy for its broken power,
Casts up a Show and the winds answer it
With holy shadows.' Her high heart was glad,
And when the uproar ran along the grass
She followed with light footfall in the midst,
Till it died out where an old thorn-tree stood.
Friend of these many years, you too had stood
With equal courage in that whirling rout;
For you, although you've not her wandering heart,
Have all that greatness, and not hers alone,
For there is no high story about queens
In any ancient book but tells of you;
And when I've heard how they grew old and died,
Or fell into unhappiness, I've said,
"She will grow old and die, and she has wept!'
And when I'd write it out anew, the words,
Half crazy with the thought, She too has wept!
Outrun the measure.
I'd tell of that great queen
Who stood amid a silence by the thorn
Until two lovers came out of the air
With bodies made out of soft fire.  The one,
About whose face birds wagged their fiery wings,
Said, "Aengus and his sweetheart give their thanks
To Maeve and to Maeve's household, owing all
In owing them the bride-bed that gives peace.'
Then Maeve:  "O Aengus, Master of all lovers,
A thousand years ago you held high ralk
With the first kings of many-pillared Cruachan.
O when will you grow weary?'
They had vanished,
But our of the dark air over her head there came
A murmur of soft words and meeting lips.
Recollective thoughts of oblivion detailed to detailed satisfaction
Hadn't asked why from before-ance, t'was more an extremity of non understanding then
Asking the questions to fixate as an individual has its time frame
Sky is blue and white it appears
the full Moon was out yesterday
The light was not so shady
the clouds a darkened mist
The stars a faking glistening bliss
It was all about the aces
the places
and not the faces...
to be continued

© 2018 Clarissa van Vreden
A

Not No Logos, Klein.
What about anti-logo
Using the figure as the foci
But leaving the message in the medium
Both in the back and foreground

Then we yell fore and the foreground becomes the background

2

Always remembering hierarchy but always forgetting Plutarch

Is this is a disambiguation?

Did I confuse Parallel Lives with Plutarchy?

3

So we grid it out.
GOTO Vitruvio ...

4

Trying hard to balance can create imbalance this we rationalize through irrationality.

3.14159265359 ...

5

Symmetry ... .. . ~ . .. ... assymetrY

Stressing the *** in asymmetry

And what about the meeting of Apollo and Dionysus and the Apollonian/Dionysian duality?

6

Rhythm:

3:3 ; 4:4 ; 7:4 ; salt peanuts . .. ... windtalkers

7

White space is an access point for flow, Tao, source .... this is where my batteries recharge

8

Every element is mindfully placed; an element of gestalt ism "shape form", is this analogous to timespace?

Is the whole other than the sum of its parts? GOTO Miller-Urey II nested inside Babylon Falling

Both are self organizing, none the less. Such wholesome folk we are.

9

The patterns found in isolation parallel both linear and crossing elements and the instructions always coming from a double helix. GOTO The Dance of the Double Helix

... and always adding depth and motion ... kinematic to the statics. GOTO Introducing Happiness

10

Type faces are interfaces so be consistent ... you Paranoid Android!

J

Always K.I.S.S.ing

Q

And in motion means modularity is a must

K

Peaks and valleys can be better understood at the Red Onion or maybe just by peeling back the layers (of life)
Broadcast from the Red Onion Saloon in Skagway, Alaska

Written over a couple of pints of Spruce Tip Pale Ale from the Baranof's of Sitka, Alaska

Inspired by the poetry of Ben Barrett--Forrest http://forrestmedia.org/the-design-deck/

Alternatively titled: Figure & Ground
Derrek Estrella Oct 2018
“Congratulations
You managed being five feet above the ground”
Said a man who
Can’t contain a slight, sardonic sound
The situation:
He’s reading eating magazines from the coast of Spain
And yelling himself blue
For the jeepney won’t hurry in the pouring rain

He smashed his head on the glass
Wishing for a train
It nearly cracked / but his
New cadence sounded quite sane

“Congratulations
You took five before you smoked the first one down”
Said a man who
Complimented me for sinking above the ground
“It’s estimation
I might trip before a wheel enters our lane”
I yelled the truth
At this moment, his presence started to stain

A boat that had already passed us
Yelled, “All aboard!”
We weren’t sure it would float
But it had a great deal of cords

Then we clambered on
There was a myriad of golden spades
Two for every buried fool
That was forced to stay
The stench was concealed
By the satisfied old man
A woman muttered
That she was headed to Queensland

A driver viciously flung his arms
Into the air, in apt alarm
The intersection’s volley
Aimed for the starboard
Everyone reached for the mast,
Hoping to soar

“Congratulations
You nodded off before the lights started to blare”
Said a man who
Lied, ostentatiously impaired
I’m at the station
Then, I noticed to my side was a golden *****
I dug myself through
The mahogany and got on with my day
In the rain
Andrew McElroy Sep 2012
Summer clouds
Summer dreams
The nights, they seem
So eternal. Inferno
Burning like an American spirit
Natural birth out of your
closed mind
Fun guy, huh?
Find the life underneath
Black water like
These only open eyes of mine
Yesterdays gone.

And you are forgotten.

The words will start to flow
They will begin to conform more and more
Through the tissue and brain matter
That I have left
All scooped up into an ice cream mess.
I fell into your dying scream distress
Disaster, destroyed, dismiss
Everything that ****** you off
Scream out loud or continue to talk

Lay me down, tell me now
What it was you were asking.
You're such a mess
A wreck, an accident
Lie again
Lie to me so sweetly
Beside me, the key
The secret, the mistake in life
Yours not mine
My mistake not yours
Your life not mine

Come down and find me
Above you
Mary Gay Kearns Apr 2018
He was lean, his aesthetic back stretches
Into neat trunks tied at the waist with cord
Sand sprinkled dipping in the circular pool
Where the shells and seaweed floated about
Like newly washed hair his shade of brown.

And this is how I remember him next to me
With our spades and colourful beach towels
Our clothes draped across rocks in the sun
And those plastic sandels with the salty buckles
Cutting into our fleet especially when new.

We were not very affectionate but occasionally
Romped the floors in our nightclothes at bed
Dragging the eiderdowns, downwards in disarray
And taking a length of string between bedrooms
So that we could keep connected by a joining tug.

This was childhood at its most fierce and beautiful
Before adolescence set its patterns on our forms
Marked us out for education and dress codes
Until then we were still securely latched in time
Asking each other, now and then, for piggy backs.


Love Mary for her brother ,Richard.
Angelique Jan 2013
A necklace lies upon her breast
A deck of cards in her hands
Creating a perfect illusion of attractiveness
In the eyes of another man
She creates doubts in those with confidence
An image of desire
Held only for a night
Once given and received
Her presence is no longer needed
Worth nothing but dust
She holds a new deck
I actually wrote the first 2 lines like 2 weeks ago on a paper but had trouble finishing the poem. Today right before geometry began, I took out the piece of paper in my pocket and I finished the poem quickly.
Andrew McElroy Oct 2012
Isn't it strange when there are days
That when all that was once going well
Has been washed out in the rain
The entry point that I desire
Leaves me still and broken
My mind can't take in this denial
This wrong road that I have chosen
This feeling of regret, but no cause.

                                                         ­    No regret. No cause.
                                                          ­  Don't waste my time.

                                                          ­                                          I'm not holding on to them anymore
                                                         ­                                     Yet the devil is chasing me back to them
                                                            ­                                   But the Dark One; the Queen of Spades
                                                          ­                                         Took the Ace's Heart and held onto it  
                                                         
  ­                                                        She spoke secrets to him
                                                       & told the lightest of lies too.

The Ace's Heart had then been pawned into
an Ace of Spades
                              the poor fool.
All of because of her glorious face
the Queen of Spades.
                                Oh how beautiful!

                                                     Now speak only in a whisper. . .
                                                           Repeat. Repeat. Repeat.
                                                         ­         Yes.          Yes.
                                     ­                                      Yes.
Mutulu Kafele Nov 2010
A pack of them.
Light reflecting off of the black of them.
Might have missed my smile,
I was seated to the backs of them.

No reniggs.
No cuts.
I have nothing but two hands
of snaps for them.

If there was a mic,
I would rap for them.
But,
tonight is jazz night.
So,
I tip the band extra
then
toe tap for them.
Mine, c.r.c. , 2010
Panama Rose Apr 2013
A star of blood you fell
from the point of the hypodermic
singing of fabulous beasts &
spitting out the *** of vowels
Your poems explode in the mouth
like torrents of ***** on a night
     full of zebras & bootheels
Your ghost still cruses the river-
fronts of midnight assignations
in a world of dead sailors carrying
         armfuls of flowers in search of
                       your unmarked grave
Your body no sanctuary for bees,
Death was your lover in a rain of
      broken obelisks & rotting orchids
In the tangled rose of a single heartbeat
I offer you the shadow of a double
profile,
     two heads held together at the bridge
         of the nose by a nail of *****
                                           smoke
     in the long night's dreaming
     & memory of water poured between
                                              glasses
In my mailbox I find a letter from
     a dead man & know that for every
                shadow given
                one is taken away
Yet subtraction is only a special form of
addition and implies a world of hidden
intentions below a horizon of lips
thin as your fingernail sprouting
mysteries in the earth …
The ace of spades dealt from the bottom
      of the deck severs the hand which
      retrieves it & the eyes of Beauty
      sewn together peer over a black lace fan
      in the ****** sunlight of a Spanish
           morning without horses
             The Belt of Orion is loosened
before you as you remove the silver
fingerstalls from your mummy hands &
kneel to plunder the nightsky in a shower of
                  bitter diamonds.
(Somewhere under a blanket someone weeps
               for a lover.)
Peace to your soul
& to your empty shoes
in the dark closets of
kings with no feet!!!

— The End —