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Lovely dainty Spanish needle
With your yellow flower and white,
Dew bedecked and softly sleeping,
Do you think of me to-night?

Shadowed by the spreading mango,
Nodding o'er the rippling stream,
Tell me, dear plant of my childhood,
Do you of the exile dream?

Do you see me by the brook's side
Catching crayfish 'neath the stone,
As you did the day you whispered:
Leave the harmless dears alone?

Do you see me in the meadow
Coming from the woodland spring
With a bamboo on my shoulder
And a pail slung from a string?

Do you see me all expectant
Lying in an orange grove,
While the swee-swees sing above me,
Waiting for my elf-eyed love?

Lovely dainty Spanish needle,
Source to me of sweet delight,
In your far-off sunny southland
Do you dream of me to-night?
When those red berries come in springtime,
Flushing on your southland branches,
Take home an armful, for my sake,
As a symbol of our love.
Nick Strong Apr 2015
Well, what a week, full of revelation
Enough to stir this talk of revolution
Makes your hackles turn on end
Then send you round the bend
The southern gentry have found oil
Right beneath their derriere boil
Now most of us on this golden isle
Need not worry about this pile
Those who wear weekend country tweed,
Built their fortunes from housing greed
Have already decided
That it will be one sided
They’ll say it’s theirs, by rights
And if we argue, will read our last rites
The South will declare independence
In certainty of their full ascendance
Over the outer reaches of this nation
They pounded into servitude, by taxation
And if we have the nerve to debate, I’ll be bound
They’ll leave it horded in the ground,
Then blame the anti frackin’ hound
Now I may need a political re - education
In a 1984 establishment for rehabilitation
But I can see it coming a five-nation island
Southland, Wales, Scotland, N. Ireland,

And the Detritus
A tongue in cheek view of the discovery of oil in England
Third Eye Candy Jun 2013
in the east
a dry man stumbled through the lush panacea of a dessicated prayer
his faith moved mustard gas. gasping for clarity, he spoke a thing no god could answer.
he languished in the Eden of empirical Dodos
a succulent squab in the oasis of fables. he joined the throng. his shackles were mended.
his bonds, repaired.

in the west -
a rye bread crumbles along a path to a candy house -
to a furnace of blank stares.
it waits moonlit and rustic, alas - it's mad and verily cloaked in a thing no ' nothing ' would ask for.
it leads to a breach.
weary of  " who knows ? "
a truculent husk of a drought mislabeled. an actual flood.
it rankles the vision...
it plots despair.

in the north, a gunga din fumbles through the arid Earnest of our Importance. There -
we play crude brass. Profundo. at last, we nearly...

and even though we wide spark the char of our scorched affair
we vanquish any Southland
and the warm sun
frosts a glass eye
like pyrite.

and polly wants a lacquer, dark enough to maroon...
Sam Temple Apr 2016
in the mindset
of an ole ***** spiritual
plantation style
when the long hot days
could only be battled
by singing what would one day
be called the blues
travel with me, all ya’ll
to a humid crop
circa 1837
with the hippest pickers
in all the region….
a little taste:

the foreman, a blue black
towering figure
bag slung
sweat dripping
starts quiet and low
but soon all join in:

masssa gonna whip up good
***** gonna whip us bad
***** gonna whip us smiling
***** gonna whip us sad
***** loves he whip

***** gonna whip us eatin
masssa gonna whip us starved
masssa gonna whip us easy
masssa gonna whip us hard
***** loves he whip

-----The field seems to move in unison now
as each member of the crew
feel the rhythm and sing along in time -----

***** gonna whip my woman
***** gonna whip my chile
***** gonna get a splinter
wont whip me for a while
***** loves he whip

masssa gonnna whip my skin raw
***** gonna turn me red
masssa gonna whip me so hard
make me wish that I was dead
***** love he whip

----The sun is setting now on the plantation
but the song carries late into the eve
as we travel forward in time we hear the faint echoes
from a troubled past ------

***** gonnna whip my po back
***** gonna whip my legs
***** gonna whip my momma
make me scream and make me beg
****** loves he whip
poetry month prompt #26
Shelby Lynn Mar 2011
so life goes on and i can go days without thinking of your name.
life goes on and i can go weeks without having a memory of you.
but remember the day we walked around the field by your house?
it was super hot, but i wanted to see the cows or bison or whatever.

also, remember the day i cried on your couch?
i bet you remember the reason, too.
i'll give you a hint: happy tears.

so life goes on and i can go months without thinking of you.
life goes on and when i do, i have conflicting views.
remember when we danced in the rain?
your mother was shocked, but thought it was cute.
i still have that picture of both of us.

also, remember when we cried in your house?
it was just us two.
i forget the reason, but it was enough to tear me up.
don't cry.

so life goes on and i can go hours without recalling your memory.
life goes on and i ask, remember how we used to hang out everyday?
we made life plans and played zelda.
what happened?

also, remember the nights we drove around for hours?
a different city every night.

so life goes on and i often forget you.
life goes on and i feel guilty.
you brought such light into my life

and i tend for remember only the darkness.
you taught me so much and i secretly thank you.
you have so much more room to grow
that's why i left, you know.
as much as i would love to, i couldn't wait for you.

remember the nights we spent at the house?
surprisingly, i do.
you were wonderful.
i know you loved me.

so life goes on and i finally recall your artwork.
life goes on and i don't remember the few times i had with you.

neither of us could drive.
remember the day you saved my life?
well, maybe not. but it felt like it.
remember when i collapsed as you were leading me?
i was scared. were you?

also, i still have a birthday card you gave me
many years ago...

so life goes on and i'm glad i'm over you.
life goes on and our time was short, but the pain was bitter.
remember when i worked at southland?
i hope you find joy in your marriage.
this is vague and that's what i want.
anonymity.

i wish peace and love come to you.
and success, as well.

so life goes on and i don't want to stop thinking about you.
life goes on and i know.
the times we had were worth any pain our relationship has or has not brought.
this goes for all.

don't tell me what happened. cuz i don't wanna know.
there's a reason the past is the past.

for you all, i'm ok.
for you all, i'm a stronger person.
i love you.
i miss you.
i wish nothing but happiness to you and yours.

i hope you get what you deserve...whatever that may be.
but who is there to judge what you deserve?

i'm just a lazy being, i guess.
i'm living life and you're living yours.
we're busy, i know.
it's ok.
life goes on; we're ok.
David Nelson Jul 2013
I'm Movin' On

That big eight wheeler a rollin' down the track
Means your true lovin' daddy ain't comin' back
'Cause I'm movin' on, I'll soon be gone
You were flyin' too high for my little old sky
So I'm movin' on

That big loud whistle as it blew and blew
Said hello to the Southland, we're comin' to you
And we're movin' on, oh hear my song
You had the laugh on me, so I've set you free
And I'm movin' on

Mister Fireman, won't you please listen to me?
'Cause I got a pretty mama in Tennessee
Keep movin' me on, keep rollin' on
So shovel the coal, let this rattle a roll
And keep movin' me on

Mister Engineer take that throttle in hand
This rattler's the fastest in the southern land
To keep movin' me on, keep rollin' on
You're gonna ease my mind, put me there on time
And keep rollin' on

I warned you baby from time to time
But you just wouldn't listen or pay me no mind
Now I'm movin' on, I'm rollin' on
You have broken your vow and it's all over now
So I'm movin' on

You switched your engine now I ain't got time
For a triflin' woman on my main line
'Cause I'm movin' on, you done your daddy wrong
I've warned you twice, now you can settle the price
'Cause I'm movin' on

But someday baby when you've had your play
You're gonna want your daddy but your daddy will say
Keep movin' on, you stayed away too long
I'm through with you, too bad you're blue
Keep movin' on

Hank Snow said it

Gomer LePoet...
The Singing Ranger from Nova Scotia
for some have known where the man resides
it isn't in northern hemisphere's tides
yet he insists on telling a falsehood
to the gullible that he's so convinced
could be said his conning is well minced
a southland record does factually show
his address is in sub-urban street's row
definite the look of Oz neighbourhood
mister Kneale's abode revealed to all
we've the oil on his hideout's bricked wall
he did flee from the wife and kids back then
thereby not wishing to be located
all fatherly duties abrogated
so he could have the life of a single Ken
Vladimir Lionter May 2020
There is no more first- class lady than Sally in
“The third watch”, the actor Sudduth (1)
Didn’t let one down, Daniel (2) and Bosco (3) at once if
You like they are ready to be in SWAT!
And now about the Police of Chicago—
How charismatic is Henry Voight (4),
As I see it the film is the super- saga,
Leroy (5), Dawson, Olinsky, Atwater (6)
Lived in this state, I’ll admire as Kevin: “Yow, Bro!”
This film is more smart than “Harry Potter”,
Kim and Erin (7)  are better than Monroe (8).  
“Southland” is also full of copes
They would serve as examples to ours
(This film placed itself at the head of TOPs):
Shawn, Regina, Lucy, Salinger—at last.
{2019}

(1) Skipp Sudduth (born in 1956)
(2) Coby Bell (born in 1975) acts Davis in the serial “The third watch”.
(3) Jason Wiles takes Davis’ part.
(4) The actor Jason Bex in  Henry’s role.
(5) Leroy Brown is from Croce’s song “Bad, bad  Leroy Brown”.
(6) John Seda (born in 1970) is in Antonio Dawson’s role; Elias Koteas is in Elwin Olinsky’s role and La Royce Hawkins (born in 1988) is in Kevin Atwater’s role.
(7) Marina Squerciati (born in 1984) is in  Kim Burgess’ role and Sophia Bush (born in 1984) is in Erin Lindsay’s role.
(8) Marilyn Monroe (1926- 1962).
(9) Shawn Hatosy (born in 1975) is in the detective Sammy’s role, Regina King (born in 1971) is in Lydia Adams’ role, Luci Liu (born in 1968) is in  the  role of the policewoman Jessica and Michael MacGrady (born in 1960) is in Daniel Salinger’s role.

* * *
Посвящается актёрам сериалов
«Третья смена», «Южная
территория», «Полиция Чикаго»
Нет класснее Салли в «Третьей смене» –
Ведь не подкачал актёр Саддат(1)!
Дэвиса(2) и Боско(3) не заменят –
Хоть сейчас они готовы в SWAT!
А теперь – к «Полиции Чикаго» –
Как харизматичен Генри Войт(4)!
Этот фильм, по-моему, супер-сага:
В этом штате в песне жил Лерой(5)!
Доусон, Олински и Этуотер(6) –
Восхищусь как Кевин: «Йоу, Бро!» –
Лучше этот фильм, чем «Гарри Поттер»,
Ким и Эрин(7) круче, чем Монро(8)!
В «Саутленде» тоже много копов,
Кто пошли бы нынешним в пример
(Этот фильм возглавил списки ТОПов):
Шон, Реджина, Люси, Салингер(9)!
{10.04.2019}

1.Скипп Саддат (р. 1956);
2. Роль Дэвиса в сериале «Третья смена» исполняет Коби Белл
(р. 1975);
3. Роль патрульного Боско играет Джейсон Уайлз (р. 1970);
4. Роль Генри «Хэнка» Войта исполняет актёр Джейсон Бех (р.
1960);
5. Лерой Браун из песни Джима Крока «Bad, Bad Leroy Brown»;
6. Джон Седа (р. 1970) в роли Антонио Доусона, Элиас Котеас
(р. 1961) в роли Элвина Олински и Ларойс Хоукинс (р. 1988) в роли
Кевина Этуотера;
7. Марина Скверсьяти (р. 1984) в роли Ким Бёрджес и София
Буш (р. 1984) в роли Эрин Линдсей;
8. Мэрилин Монро (1926 – 1962 гг.);
9. Шон Хэтоси (р. 1975) в роли детектива Сэмми, Реджина Кинг
(р. 1971) в роли Лидии Адамс, Люси Лью (р. 1968) в роли полицейского
Джессики и Майкл МакГрэйди (р. 1960) в роли Дэниэла Салингера.
Dedicated to the actors of the TV series
«Third Watch», «Southland», «Chicago P.D.»
Andrew M Bell Feb 2015
Thomas, it’s part of life’s strange design
that these fresh days
of your green bud years
will be lost to your conscious memory.
You enjoy each laugh, each bath, each hug, each kiss,
each new discovery of taste or touch
and then it evaporates into past tense.
Amidst the daily demands of the ordinary,
your mother and I
try to cage that steam.

For two weeks prior to your birthday,
we drive around Canterbury, Otago and Southland
connecting the dots of your mother’s heritage.
The sky is big down here, Thomas,
and the stars burn with diamond clarity
in its grape-dark canvas.
Copyright Andrew M. Bell
Karl Tomkins Mar 2018
I want to smell again the fresh cut grass of the fields of southland.

I want to taste again the salt on my lips as I walk out of the ocean on Hanalei beach.

I want to see again the ruins of past civilisations in Rome.

I want to hear again the soulful blues busker singing his heart out on Beale st.

I want to feel again the cool fresh water of a mountain stream

But if I can never do any of these things again. I want to be anywhere with you.
Tom Shields Aug 2020
Striped to the nines
these cats carry pig stickers
animal kingdom death comes quicker
shoeshine, no sunshine, grease ain’t slicker
chalked out in lines
lead bellies line mines
outlaws make laws, break jaws
drop jaws, buy cars, bank rob
live like all-stars, a full-time job
all-grime, an all-crime job
a romantic era of terror
splashy ink does injustice
while they sidle Fords with Thompsons
every John a Dillinger, every Romeo a Clyde
everybody comes to terms with hunger and iron
everybody comes to town either starry or steely eyed
they leave or stay forever, never rich enough to justify why these are the streets they had to die on
it ain’t pretty
black eyed beauties and black tied beaus
lies as easy as blood when the liquor flows
guns and love and money, everybody knows
it’s all business, question contracts and the details get gritty
you can get in clean
but you have to get your hands ***** in this city.


A blues musician blew through the nightclubs with his sound
the rhythm of struggle, poetry and soul come alive
one with his voice, his guitar, singing of how he strived
to make it to the bright lights, he thought it was a miracle he survived
songs of Southland and heartache, the sounds of a segregated culture thriving above ground
what scratch he could collect
he would make if he had to play until he broke his guitar’s neck
wise enough to only accept cash up front, no checks
he was not ashamed of a spotlight
a bluesman can’t be afraid
he tore down the house six nights
and on Sunday he prayed
when he heard his music on the radio, riffs and lyrics ripped and splayed
the mournful soul, howling moon, woeful pontifications and rhythms all butchered onto a premier
a darker, sadder set of eyes than he had ever seen fell back on him from his own rearview mirror
outside of a studio, champagne bottles broken on his back for white rock and roll
at some hour when the sun was too far to imagine rising
he found himself peering over the edge of a darkness in his soul
and the liberating relief was frightening, he wanted to force it to feel surprising
a brown neck and a half ago he traded his first guitar, offered to sign it, too
pawnbroker bought it off him for a bill or two, said “Why, who are you?”
He swapped for a pistol under-the-counter and the bullets
bought a couple bottles of liquid encouragement to help him think it through
he drove out to the record label where the thief was lauded on the air
sitting is his car with his last guitar, barrel scratching his head, parting his hair
he was half-awake, about to leave when he saw four people walking out of there
a quick release, trigger, clutch and gas, the conspirators who stole his soul collapsed,
he drove into town to sell it back one piece at a time just as fast.


Putty in palms
men melt in her gaze
Medusa couldn’t ****** a man as easily
Penny flies with fancy and never stays
she was the high school sweetheart, girl next door,
to the star quarterback, to the class president, who fought viciously over her
who were sidetracked brawling while she was romanced by promises of city life
which swept her off the suburban sidewalk, and deposited her in a diner
where a man would come to blows over her, promising to make her his wife
she led men to collide with one another, they called her the Lucky Penny
she loved the attention, flirtatious eye-batting and men being reduced to fools
it was nothing shy of flattery, her chest felt empty without superficial value
and what is a better showing of what you’re worth than what someone else is willing to do to someone else to keep you?
She never really cared beyond the surface for any of them at all,
until, of course, she was ensnared herself by becoming a moll
Penny would only go steady with someone as beautiful as she was,
this invited trouble to her diner, because
a pretty-boy gangster oversaw collections in the area, just as handsome, just as clean
every bit as petty as Penny, twice as angry, twice as spiteful, and twice as mean
he carried a switchblade knife, a jackboot blade, he would love an excuse to cut ribbons out of skin
he had the sharps in spades, sharp wits, looks, angles, and cuts, when they met Penny was already done in
pretty boy promised her the moon, gave her a pad, he made sure she stayed living in the lap of luxury as long as it was his lap, and she’d never step out of line after the first time he got mad
she was number three in a marriage, in over her head and scared for her life
Penny, the apple of every man’s eye, a prisoner, mistress, and second to a mafia wife.

Ruthless killers aren’t these snarling giants
they’re scrawny, little, barbed wire, white men
capable of extreme and unconscionable acts of violence
you never see them until it’s too late for status quo, still water silence
deeper though, you never know, a gun is just bamboo, a ball and black powder, light it
your next-door neighbor could be the next news-maker, a headline teenager
used to be you’d never know somebody got shot if they popped 911 on your personal pager
the world isn’t spinning any faster, but these gray matters will age ya,
I say, going postal isn’t even a clever turn of phrase yeah?

Sunup in the city, Chicago typewriters were dogearing a page in history
like firecrackers going off just before dawn, you could see them from a sky penthouse
the locations of every execution, it wasn’t a mystery
a plan went off without a hitch, an overtaking in the criminal industry
you can say it, business is booming
body-bags went out by the half dozen to a dozen spots, by noon sirens were still zooming
out of precincts, hearses and coroners, ambulances and firetrucks, police too
it wasn’t a warzone, it was a crime scene, every block everywhere, put tape around the whole county
you could bring every citizen in as a witness, they’d probably all have a statement, it was anarchy,
an entire organization was weeded out and killed, with efficient brutality, and get this, no payment offered up for a revenge bounty
nobody retaliated, they were emasculated, eviscerated, devastated and decapitated, nobody knew who held the keys to the city, but we knew to revere the new monarchy
and for months there was humidity so thick it made me sweat through my collar, an air of anxiety
terror is what you don’t know, can’t understand, aren’t able to feel, hear, or even see…


So, I’ll put a bomb in the mail, watch his face turn pale, stand outside the window
make his wife a widow, I’m not settling for the ironic justice he doled out
my life wasn’t nothing, but now it’s always something, ever since I sold my route
a job in this town is a weapon in the wrong hands, if you work for good folks, you’ll be met with injust demands
I delivered payroll for a law firm, took an armored van and stuck to plans
making sure paralegals and secretaries and partners see their paychecks, private sector, shotgun overhead on the rack, nine-millimeter on my side, and rifle in the back
same three to a car, I always drive, if you’re gonna hit us in broad daylight, it’s gotta be on Monday when we’re fully loaded, as we cross this bridge and you better promise we all stay alive
I get my cut, a quarter million, a Judas’ fee to guarantee the financial security of my family and we’ll be packing live rounds if you think of double crossing me, for our own safety
that day hits, we come across the bridge to a traffic stop
I was sweating bullets, my partner rolled down the window to talk to the cop
an accident ahead, then a sudden, deafening pop
now I feel the adrenaline flood, my face is covered with my friend’s blood
I’m kicking at the door, a ricochet bites my ear, I think my head is gone
but even if I’m dead I’m still running for dear life, I’m going on
I hear screaming, automatic gunfire, he’s shooting, taking them out with him,
he’s dying, I’m ripping my uniform off and ducking out, half-blind, the lights get dim
it’s days later, I’m contemplating the darkest things I’ve ever thought, outside a ***** cop’s residence
I’ve barely eaten, I’ve barely thought of anything except tracking this heist crew down, and now I’m showing hesitance
I’ve followed them since that day, I know this is it, they’re all inside, four bad men got rich and two good men died
one coward allowed it to happen, I’m gripping my sidearm, they won’t strip me of my pride, I don’t need any evidence
He kicks the door in, gun drawn on four men, their families just outside, seconds tick away, sweat drips, feet sway, chairs slide and casings clatter, he serves up an equalizer on a platter, that day it’s not a blue matter, it’s a blood splatter, eight dead, four thieves and three collateral, with a lone gunman at the heart of it all.

Fisticuffs always calls up a type of fighter, former priors
agents looking at delinquency like juvenile homes are boxing regency
adopt a son, own a slave, train him to fight for his home and do it all legally
coattail riding, meal ticket punching, a prizefighter raised from adolescence
to do one thing as soon as he enters a ring, turn lights out, win a money bout, leave opponent with no recollections
a colored boxer, killing competition in a record winning Olympic position
never shies away from trouble he tucks his chin and takes it double
always looking on the uppercuts, combinations break safes, open faces and break up guts
a contender for a spot, he’s dreamt of this, he’d give everything he has now away for this shot
it’s a chance at a chance, the only one he’s got
he loves his foster father and his foster mother and it feels like they’ve worked to give him a lot
sitting front row in reserved seats, while ten rounds pass,
his brain rattles in his skull, while they eat popcorn and sit on their ***
hands trembling in his gloves, slumped in the corner, cut the swelling eyes to let him see
he is dying ninety seconds at a time, how long can he last?
His masters don’t stand unless he falls, their love is slavery
these gloves that keep his hands in fists are new cuffs, they contain him, set him free!
He spits blood on the mouthguard, leaves his teeth on the mat, presses off on his knuckles and clears the ten count with the referee
eyes like a monster, he finally snapped, and wore the leather out
he proved his love was stronger than anyone and anything,
by beating his opponent into a fatal coma, in twelve rounds, blood pooled at silent spectator’s feet, as he continued to swing
it was an undercard they never forgot when he went back to prison and left it all in the ring.

Terror is what you don’t know, can’t understand, aren’t able to feel, hear, or even see
and for months I dreamt of what I saw that day with no lucidity
I was locked down in the tragic relivings of a marred, scarred up, firebomb charred memory
they look for the truth in their ink, why does that burden fall on me?
All I am is all I could ever be!
Dogged, **** tired, I put a cigarette out on my arm to see if I’m awake sometimes
sometimes I do it to see if I’m alive, after bearing witness to fresh hell, in some crimes
investigative journalism, my life’s work, it’s all dirt
digging for one breathtaking coffin, until my lungs hurt
it’s misery in a city of misgivings on loop for eternity
they know no one can stomach the bottom; even the bottom falls out
and the bowels and the guts spit up their disgust, the bile discussed their vile supremacy in doubt
but the duty still lands in my lap and I carry it readily if wearily
a good deed is unheard of, which is why the death of all factions
all fractions of crime, all at one time, all one action done on a dime, is killing me
I know there’s something more behind it all, that kind of slaughter would take an army
where does it begin, who’s covering up, lying and playing pretend, where does one thread stop when another one ends?
Am I standing in a web or a noose?
Am I cutting through a conspiracy or am I cutting myself loose?
I feel as if I’m suspended by my own suspicion!
I am lost and I’ve been more directly involved, more focused on a mission!
There are laughs in the walls of motels where I stay,
when I take my pills and check out for the night they giggle “Have a nice day!”
I’m sure of nothing, why do I know there must be foul play!
The streetsweepers must have an agenda, they must profit in some way
but they don’t come out of the woodwork to claim any coercion or pay
any heroics or fame, if any figurehead stood behind them, that person stands at bay
while I wait with bated breath, knowing one thing of murderers who achieve a getaway
that they either are assured of success enough to retire, or to attempt a grander feat of death…

Once an aging prima donna fell upon a spotlight
with all the natural talent of the charismatic, valorous and gallant, a comet in the starlight
she could sing and act and dance and grant wishes with magic if directed so
so, she was a child when she graced stages with her presence every night
crushing the pressure of performances that sink politicians by the sheer size
she could captivate and entertain, dazzle, razzle, sizzle, and shock a crowd
ahead of her time and curb and curtain, her cast and calling, producers she seemed to hypnotize
evoking the ire of every other actress, singer, dancer and magic woman living loud
she burst with color onto silver screens and took the world that was hers by any means, the masses she could mesmerize
even in black in white they fell in love with the gaze of her baby blue eyes
and the only thing to slow or stop this comet’s meteoric rise
was time, she was too old for the parts they wanted every woman for,
tapdancing and vaudeville, lounge singing and musicals, from the ivory tower to the first floor,
an aging prima donna, who would never want to play a bit role or a fill a hole well, she was a goner
she wanted to trailblaze, turn these old ways into new days
and she only needed new opportunities, a chance to shine in her advanced age
for the elderly actress desired to perfect an archetype in drama, beginning with one screenplay page
she wrote herself a major part, around the central cast, so the young talent could shine in the brighter lights, while she would create a legacy to outlast
and they look for her today in her films and wonder what changed to make it so,
that the energetic and happy woman lost all her glow, to go and wither into shadows where she would play the crone and cantankerous, conniving, lonely gypsy or old widow.

In a new era, a new form, the prizefighter came back, weathered the case
five to ten
years off the prime of his career
militant Islamic conversion in the joint, scowl permanently on his face
disowned his adopted home, disemboweled his circle to scorch earth for some personal space
and worked harder to prove he deserved to earn the boxing commission’s good grace
got his boots back on, never out of shape, kept them laced
older and slower, but stronger than ever, a lifestyle change is a new pace
he met a new agent, a man with his true interests at heart, cross it and hope
he’s representing the same faith, referral by a cellmate, representing the same race
he’s educated and well-dressed, his lawyers got lawyers who all send money upriver
so why would he ever sell a fighter downstream? He’s all about one color, one power
the power is cash and the color is green! He’s selling prizefighting like a butcher sells liver
looking at his prime killer like he’s working by the hour, like the man has never been here
he’s lost speed, gained mass, sore in the bones from time’s past and passed in the joint, he’s one night away from an official anoint-
meant, appointment with the king, a racial salesman who takes advantage of the divide to provide a talking point with his melanin
when he doesn’t care, he doesn’t even see people before him as more than cattle or less than human
and with every victory he’s seeing clear, the field he’s standing in is tall grass
he’s struggling to see the path he walked in on, but he’s got to keep burning through the gas
promotion, fight, rounds of blood and sweat, hand held high, interview gab, it’s not over yet
locker room politics, agents and deals, brands and lawyers and contracts, contacts, pagers and producers, politicians and televisions and business meals
he’s got a clear role on only one side of things, that’s why he lets the bird out of the cage because money talks and sometimes ******* sings
but when it comes down to trimming the fat, he earns his living in training and between the ropes in how he lives and how he wins when he swings
and he goes out with a record of sixty fights with eight losses and no contest, one of the most controversial champs to duke it out in those rings.

That they either are assured of success enough to retire, or to attempt a grander feat of death
I swear to ******* God I’m being followed ever since I left the last spot, it’s like the city knows I’ve been holding my breath
it started choking me, hands wrapped around my neck, I’m cut off from my office I can’t even cash a field check, I left my kids in the separation, this story is it, I don’t have nothing left
I’m chasing lights where there’s only flickering projectors, looking for the big picture at the point of origin
it’s never going to reveal itself to me, I hear the voices of professors trampling my voice again
the streets don’t just open up and take every killer, thief and ****** back, every assault charge and corrupt landlord, cop, lawyer and councilman
all the big fish swam away after the attack, like rats on a sinking barge, it’s their word full stop, against the everyman
but if the system breaks down at the point of their cogs, the people who do their ***** work, and witnesses all suddenly outnumber them with righteous indignation, armed and willing to catch a case then…
Who’s going to be left to clean up after that?
Three days, five days, eight, fully awake with the full realization, a health hazard with walls where I sat
the story of the century in my lap, I looked like warm crap, like something the buildings and streets formed teeth to chew up in their maw and back out they spat
figures not even the bones of this old gal would like the flavor of an emissary to the truth
I rattled my fist to the ceiling on the ninth day, kicked a rat of my mattress, pulled the story off my typewriter, and muttered “Let’s see how they like that!”
for the first time I saw daylight, I saw a kid standing outside waiting to rob me, hand in his pocket, he cocked a hammer and told me to drop it,
I stood frozen, sure everything was true if they were waiting to stop it going through the presses, I was ready to die when an old man came by, chased him off with a cane and yelled “Stop it!”
this boy dropped two rocks he clicked together to make a gun noise in his coat and ran, I was stunned and I just studied the face and thanked God for the old man
I interviewed him, a source for my civilian militia, and next week I was in a real bed in my apartment when they ran the issue.

Many months ago, something crazy happened, our family had a tight net over the whole city then it snapped and
lieutenants, enforcers, soldiers all turned on each other on the orders of opposing captains
we turned to our cops, sergeants and detectives, turns out their own were capped before then
cops were ******* with corruption and a lone gunman who hit their families and crossfire killed three kids, four men, rich thieves died poor men,
every single lawyer and city politician at that time was locked up with all eyes on the boxing commission and a homicide spree tied to a ******’ blues musician
it was like all the focus left and they let clowns just step in, meanwhile we were undermined by our own kind, greedy backstabbers and
they cost us the whole operation, cannibal rats, growing fat off our own hind end
in the confusion every two-bit hood and crook, every able-bodied gun and ******, every veteran and rookie, all the way from the bottom to the Consigliere got took,
I found the underboss hanging on to evidence that shut the Don out of the state from a firebombed butcher’s shop in the back by a meat hook, bullet riddled legs limp and falling off, a dozen dead thugs by a card game in the back, plates with cold steak and scrambled eggs
papers ran facts on the carnage, questioned the anarchy, only one washout journalist tried to explain
he must have racked his brain, put himself through so much pain,
in a blind spot there was just another crime, on a scale that looked insane
he said good people were out there, outnumbering the bad
that no matter the hard times, those breed helping hands from survivors who know what they’re like, because they see you having the same day they’ve had
his words were in print, but I felt them reaching out and the fingertips fell short of the grasp
he was a man drowning in senseless slaughter, coming up for air and that was what he saw in a gasp
I know they need hope, but they don’t know it like I do, it’s the environment that breeds the opportunity, otherwise we would never get away with what we do
people don’t make the city clean
you know what I mean
there’s a system, they operate it, a monolithic, twisted, broken glass jaw of a weaker species that spits spiteful and sick ****, it’s full of hatred, eyes red, bureaucrats that ******* cats to see them land on their backs, it only speaks the language of violent acts so it only understands you if you attack, everything in the string-pullers is the least of actual humanity, it’s forsaken because they are the most of what a person lacks, and we answer to their highest calling it’s brass tacks, it’s a blood tax, it’s a wish come true light the candle at both ends and wait until there’s no more wax,
the city isn’t *****, it was built by us, it wasn’t perfect when we got here, but we **** sure broke her trust, you either live the life you want or you die how you must.
write
please read and enjoy
Qualyxian Quest Mar 2019
Write about O, Brother
Urged my second son

A Man of Constant Sorrow
I obey this growing one

Ulysses Everett McGill
Always on the run

The glory of the music
The glaring southern sun

Saw it first in Charlottesville
Home of Mr. Jefferson

Don’t want an Empire of Liberty
Just democracy duly done

Still I wander in the Southland
Songs of heartbreak, hope, and fun

I pray down at the river
Pray my country gives up the guns.
Qualyxian Quest Nov 2019
O Brother, Where Art Thou?
And the yellow moon aglow

I too have roamed the Southland
Ulysses wants to know

If home is where the heart is
Music makes us go

In search of things not seen
As men of joy and constant sorrow

— The End —