Submit your work, meet writers and drop the ads. Become a member
chase philip Mar 2014
I ponder of something great on a sonderous level can a man a sentient being ever exist like an omnipotent being
am I just a subsidized being is the vanity of a self-absorbed world
the pneumatic indifferent fascist question my legitimacy so I question the society of a world more cold and more active than an incestuous birdy and the bee
They question an artesian hand slightly smaller than the average man yet the
significance of the difference in that artesian is not the manic who refused me
embarrassed me
rumored me
****** me to a dark inexsistant inbetween
the coldness of a lover never to be
because she is in league but out of reach
like a lion her simple minded pedagogy has left her to everything and everyone
as she is not mine and I am not hers  just the birdy and the defective bee
a farce love story the ending of a never beginning trip  why o so dramatic
because I just can’t help falling in love with one
a selfish self absorbed vanity in a repugnant world disgustingly this pedagogy stays to me like glue on this dying bee
this is true of our starcrossed unrequited drug induced comatose that put me into this ponderous level
the inevitability of what truly will never be yet for some reason these
sounderously significantly radical thought I ponder just like a pneumatic bot
have you ever felt this lost
this cold dark nonexistent in-between
a limbless sentient rushed in the ever invoking might of hysteric emotion
I ponder this cold and warming toiling notion
The one like a lion can you and will you requite and love me
So many stories, so much time
spent by humans who mull over
questions so sonderous, pour over
answers which fill us
with such feeling
our hearts' would burst.
So many constructs, so much memory
Happiness, or drugs; if it's not one
it's another. Been so busy dying
I forgot to get living.
There is beauty in chaos.
Looking back upon
those times, these memories, fondly
and appreciating why Skins doesn't age.
In memoriam of spent youth, lost moments
and truth.

"UR A GLORIOUS HEADFUCK THING. OWN IT"
Quote:
Line Seventeen from Franky Fitzgerald (Dakota Blue Richards) in Skins [S5E10].
Made strong,
and sturdy,
I am built for suffering;
Created to bear the burderns
of those who cannot lift the weight from thier own shoulders.
I cannot abandon a fellow man to the cold
hard
ground,
one that would swallow him up
and eat him for lunch;
Even though I have tried to forget,
to turn my head away
from the misery of the world I see around me
and selfishly focus on myself,
I remember their faces-
pale and pink
awash with tears
and pleading eyes
and broken dreams;
those faces that hide sorrow
like an empty dinner plate
in a cob-webbed kitchen.
I give up
and let go
forgive slights
and keep secrets;
I am no ones puppet,
and no ones master,
not a saint,
but not a healer,
not a sinner,
but not a believer.
I exist
to take the hit
feel the pain
work through pressure
and walk through fire-
to steal away frowns from sorry faces
that never deserved them.
I give pep talks
and poems,
I greet strangers
on grey days,
in new ways
on buses going nowhere fast.
I'm not perfect by any means,
and I won't laud accomplishments
that aren't achieveable by anyone ordinary
because I find it too terrible that
My opinion is not shared these days;
because
we are all so busy watching tvs and idiots,
quoting gods and people we don't emulate
or care about,
serving cold dishes of slander
while not tipping the waitress who just brought you your beer.
Courtesy and kindliness are things of the past;
like shaking hands,
opening doors,
saying nice things,
or pausing to help someone cross the **** street.
SO,
here I am
a product of an era I never lived in,
a mirage existing in a world I can't abandon,
but that would easily decide to abandon me,
trying to inspire callous people to open their eyes,
their ears,
and their hearts
to see that sonderous ephiphanies still await.
I'm still trying,
and I always will;
Because I was made to suffer for fools.
chase philip Jan 2014
I ponder of something great on a sonderous level can a man a sentient being ever exist like an omnipotent being is death the sweet bliss of an uncovering of the aether to know it can only exist as the nether yet the fickle beings of black and white can not understand a artisian hand through the mind of a suppressing maniac but status quoes quote on quote crazy yet to only truly understand and a true master never shows a full hand coy faced genius is the crasiest of them all an
TP123456789 Apr 2015
A blue door in Paris,
on the streets,
hides behind it secrets,
a knock, to the sharp tap,
allows the entrance of a man,
in what secrets,
does this sonderous doors foreclose,
and holds to its building,
the stories of lovers and tearaways,
that once resided therein,
and lived,
lives either great or poor,
thunderous torrents or gentle drops of rain,
by the blue door,
men and women have met,
they may have left together or apart,
gone in or walked away,
on the grand depart,
a tour de force de France,
London brigands, French vagabonds and German villains,
Spanish pickpockets, Italian bravos and Greek philosophers,
sad fools, great minds alike have stood outside this door,
the tourist, the local, the lost boys,
have found their time taken by this road,
each step a tick of life,
in this smouldering suburb,
this urban chaos and shuddering grassland,
this lawn of cobbled stones,
to the blue door,
of wood and brass,
etched reflections in the frame,
glass captures portraits of those many names,
in the blue door in Paris.
Sean Fitzpatrick Nov 2023
Streetlights glide past on a Tuesday night,
so alone, and the air,
cold wet.
Your faces form a phase like
a string of pearls,
occurrences distributed in space,
Watching mournful over the
deserted pedestrian causeways
eliciting sonderous ghosts,
Leaving voicemails
for romances that never happened.
And selfishly, I presume
a perspective,
Or really, I dream up of a
place to meet you,
like an alleyway (I am a **** in this instance),
Or the leftovers of a wedding
eagerly awaiting the clean-up crew.

— The End —