In June this year, designer Masaba Gupta and film producer Madhu Mantena had the quietest of civil ceremonies. It was only when she took to Twitter the next day to talk about the court registry that most people heard of it. It was a move most unorthodox, for a leading fashion designer, especially one who counts several Bollywood actors among her close friends.

At the time, she also announced “a Caribbean wedding in November”.

The destination wedding isn’t happening. But that’s not to deprive us of a grand, four-day affair, the sort that has the most coveted guest list, and is followed with the keenest interest. It will start on November 19, with the bridal showers, will continue with the mehendi on November 20, the sangeet on November 21 and a gala reception on Sunday, (November 22). Expect the works, and guest lists that boast of Bollywood A-listers (Shahid and Mira Kapoor, and Sonam Kapoor are close friends, just so you know).

In short, it sounds like any other grand Indian celebrity wedding. Except, this is Masaba Gupta we’re talking about. As we catch up with her, we get the sense that she’s approached the whole thing with the same minimalism and quirkiness with which she approaches fashion. “A lot of people are invited,” she tells us, “But I’m not going around and talking about my wedding designer or my lipstick, so on and so forth.”

Unlike most Indian brides, she’s not even fretting over the big day, or days, as it were. “When I was growing up, I always saw brides around me under tremendous stress. The pressure to dress a certain way, wear a certain amount of jewellery and make-up... I saw how uncomfortable it was. So I decided that, if I do get married, I’ll be someone who puts comfort first, and then looks at her options for cut, colour, embroidery or jewellery,” says Gupta.

So, in case you do find yourself invited (otherwise, there’s always Instagram), don’t be surprised to see the most relaxed bride, dressed so comfortably that she’d be the envy of any married Indian woman. The idea, she says, is that a bride should “dress in a way that she can interact with people and have a good time herself.”

She’s also taken charge of the whole thing, and planned a non-fussy, non-extravagant celebration. “For me, three vacations is more value-for-money than a mandap with diamonds on it.”

True to her word, for her sangeet and reception, Gupta is ditching the norm of heavily designed lehengas and saris. “I didn’t go into that heavy, couture, bridal space. And I’m the kind of designer who wears works of other designers,” she says. So, her trousseau will have outfits by several other leading designers. “There are a few people who are great at doing certain things. Anamika [Khanna] is great at reception outfits. I can do a cool, quirky mehendi outfit. For a sangeet, somebody more in the Manish Arora or Shivan and Narresh kind of space,” she says.

The designer who’s always stood apart also seems keen to set an example. By not conforming to rules, Gupta wants to make a point. “I do want it to be about comfort, but I also want to change things up a bit. I want to set an example and say that you don’t need to wear a certain colour, a certain type of maang tika; your hair doesn’t have to look a particular way,” says the young designer.

Ask her if this is the (unconventional) dream wedding come true, and she laughs. “I never had a dream wedding. I’ve never visualised anything except clothes. Certainly not an elaborate wedding setup. See, I just don’t want to starve at my wedding. So, my dream wedding is one where I get to eat a meal while everyone else enjoys themselves as well.”

Masaba’s five-point guide to a chilled-out wedding

1) Get people to help out. If you try and look at every detail, you’re going to have a hard time. You may have a great input, but get people to do it for you.

2)People think you should shop for jewellery and clothes much in advance, but I think it should be done as close to the wedding as possible. You’ll have the latest stuff, and your taste might change over time. It’s best done around the wedding, so you don’t regret what you’ve bought.

3) Shoes are important. Make sure you’re in comfortable heels or flats, so you can survive the night.

4) Always test the make-up artist. Don’t just do a demo and leave it; test it through the day. See how the make-up behaves over a few hours, then you’ll know what it will actually be like, because it takes a couple of hours for make-up to set.

5) Receptions should start becoming more informal. You shouldn’t have to have the couple on stage smiling through the evening. I’ve heard of brides getting locked jaws. It’s absolute torture.

How to be the unconventional groom

• Fusion looks work well. If you’re wearing a Jodhpuri or a bandhgala, team it up with Jodhpuri pants. For men who are slimmer, suits do wonders.

• If you wish to be quirky and know you can carry it off, team dhoti pants and a shirt with a really formal blazer and a brooch.


• I love the cropped, ankle-length formal pants men are wearing now. It’s great for a reception.

• You don’t need to wear laced up shoes. Wear a nice slip-on in patent leather or a printed pair of shoes that stand out. So, you can make the whole look black and white, and have a nice pop shoe and make that the focus.

• Don’t be afraid of colours at your wedding. Get over navy blue, black or maroon. On a darker man, a haldi yellow kurta will look fantastic when teamed with an off-white or cream churidar. Even a soft pink in raw silk — it has a silver-pink shine — looks lovely.

How to be the ‘in vogue’ bride

• We’re seeing a lot of shapewear backs. Instead of the flared lehenga, women are opting for the fishtail cuts. Girls are also wearing shararas with big flares that almost look like a lehenga.

• Brides are going minimal. Go for less embellishment, and lighter lehengas.

• The dupatta is being ditched. Either that, or it’s attached. Much easier to handle.

• The choli is becoming more modest. People are wearing longer lengths, which are more fitted; the ‘60s style kurtas with shararas are also in. There’s more focus on the body and shape.

• I’m hoping the anarkali has died. It’s the worst of the lot. And it’s not very flattering. If you’re very skinny and tall, it works for you. If you’re short, you look like you’re lost in your outfit.

• Ditch the trail. At the end of the night, it’s a rag. It’s been stepped on and is *****.

read more:www.marieaustralia.com/mermaid-trumpet-formal-dresses

www.marieaustralia.com/cheap-formal-dresses

POETRY AND ITS IMPACT ON HUMANITY

Today the word poetry evokes images of love and sentimentality, but the term romanticism has a much wider meaning. It covers a choice of developments in art, literature, music, dance and philosophy, spanning the late 20 th and early 21 st centuries.

The romantics would not have used the term themselves and the label was applied retrospectively, from around the middle of the 20 th century. Man was born free in this virtual environment of real life but, everywhere he is in chains. During the romantic period major transitions took place in culture, as dissatisfied intellectuals and artists challenged the establishment.

Almost all the romantic poets were at the very heart of this movement. They were inspired by a desire for liberty, and they denounced the misuse of the poor.There was a highlight on the significance of the individual; a conviction that people should follow ideals rather than imposed conventions and rules. The romantics renounced the rationalism and order linked with the preceding clarification era, stressing the importance of expressing authentic personal feelings.

They had a real sense of responsibility to their fellow men: they felt it was their duty to use their poetry to inform and inspire others, and to change the humanity and their social attitude. Poet Rumpa Ray Ghosh believe in this theory on life and poetry of this time.

A PASSIONATE POET OF THIS TIME

For Poet Rumpa Ghosh, even a quatrain is what in a verse, which makes someone to cry or to laugh, or just be silent, makes your twinkle, makes you want to do this or that or nothing, makes you know that you are alone in the unknown world, that your bliss and suffering is forever shared and forever all your own.
Poetry is taking at the heartstrings, and making music within our solitude in life. Rumpa Ray Ghosh is a poet of profound obsession towards composing lyrical form of poetry. Her poetic enthusiasm makes her verses, extremely impressive and highly alluring. She is fast budding poetess of wisdom and emotional response. She had completed her Masters degree from University of Calcutta, though she is from Calcutta currently living in Mumbai.She started composing poems since her young age.

Intentionally or innocently, many of the poets are most often trying to fill a vast space with things that cannot satisfy fully. We look forward to fill the void with our own possessions for comfort, but unfortunately we normally end up wanting more and more. We try to fill it with relationships or pleasures, but we end up feeling even more empty and further more depressed than from the point where and when we commenced the discontentment as these thoughts were well presented by Rumpa Ray Ghosh in her poems, namely, “ The Roof”, “ The broken house “.
The only place that we can really find true fulfilment and gratification is in the hands of divine God. We need to recall and allow our convictions, not in circumstances, to govern our sense of contentment. The anthology freshly illuminates many excellent lyrics and short poems and are highly valued regardless of its freestyle genre.
For both the poet’s, self-consciousness is connected to the new eminence established to poetry by the feelings of the self, which truly resembles the title of the anthology, “ The Musical Marvels of Self “. Her poems are lyrical, close to heart, soft and romantic. The scrupulous flow in her rhyme magnetizes the readers. Her works were widely published in many national and international journals. She is a regular blogger. She takes the images of her writing from simple every day incidents, uses metaphors and imagery to add grace in her skill of presentation.
Her language is simple, easily understood by lay man, quite touching and heart rendering. Her first book " Musical Marvels of Self ", an anthology of 43 poems came out through Zorba publishers.

The anthology was a combined effort in association with honourable poet Dr Ujjwala Kakarala during September 2017 Besides, being a talented poetess of lyrics, she was an excellent singer Proficient in Bengali folksongs, Rabindra Sangeet and Nazrulgeeti and ghazals and has sung in numerous local stage shows. Rabindra Sangeet merge gracefully into Tagore's literature, most of which—poems or parts of single scene plays alike—were beautifully transformed or converted to lyrical formats. Influenced by the “ Thumri “ style of classical vocal music, this has made the entire scope of human emotion, ranging from his early songs-like Brahma devotional hymns to human soul.
This has emulated the tonal color of classical “ragas “to varying extents.
Earlier, She had also the chance to attain a position as Quarter-finalist in BBC Mastermind Family Quiz competition aired on Disney Channel.Poet Rumpa Ray Ghosh, an Indian by nationality, she hails from West Bengal, the “ City of Joy “, but currently living in Mumbai, Maharashtra, India. She is by occupation a teacher, content writer and a blogger. By obsession she is a poetess and a singer. She has completed her post-graduation and B.Ed. from the University of Calcutta. She has worked as a teacher in St. Thomas School, Mumbai, as a content-writer for ‘Pratham’ (NGO) and as an English curriculum developer in Vibgyor High School in Mumbai.
She publishes her writings on her own blog with a name ( fragmentofimagination). She is also a writer for some literary groups. Some of her poems have been published in national anthologies. Recently one of her poems has been published in a US e-magazine "Beyond Borders” in a popular poetry site. She has also participated in an open-mic poetry reciting performance in the Prithvi theater arena in Mumbai. Being Proficient in classical vocal music, she had the opportunity to perform in classical vocal music on various musical events. She is a Sangeet Visharad from Bhatkhande Sangit Vidyapith, Lucknow and is trained under Late Pandit Vinayak Vohra. More tha a Poetess having a deep passion in writing, she enjoys dance, music and teaching his students as part of her professional skills. Stay blessed in all ways at all times.

WILLIAMSJI MAVELI

On 2nd Dec 1984
Occurred
World’s worst industrial disaster,
“The Bhopal gas tragedy”
Leaving thousands dead,
Children orphaned and many people with disabilities for life.

Following day,
Cries of help were heard
Amongst the dead,
Lay few children alive
Shone bright, a ray of hope,
Miraculously the deadly effects
Of the gas they could cope.

Taken under the caring wings of an NGO,
With Medical aid administered
And the vital  support to grow.

Amongst the children
There was a girl named Ganga
And a boy named Ravi,
together with other such children,
they grew up,
Finding solace in each other’s
Company.

When reached teenage,
the girls had to be moved in a women’s hostel.
Distanced made them closer to each other,
And, the love grew stronger.

Ganga always dreamt of riding pillion on a bike with Ravi .
Ravi, the crazy boy,
sold his house (compensation by govt.)
And fulfilled her desire,
Often they went for long rides.

In the following years,
The love bloomed,
And
With blessings and love,
their marriage was solemnised
By the NGO.

All the women from the hostel
Joined the wedding ceremony,
Bollywood songs were played loudly,
The Haldi, Sangeet and Mehendi
ceremony made it more lively

On the wedding day,
Ganga attired in traditional weaves
And bridal make up,
A beautiful bride she looked
The hostel warden and her spouse
did her “Kanyadan”.

Fortunate was I to bear
the testimony of the union,
As I stayed in the working women’s hostel then.
Ganga moved in to her house
with Ravi to welcome a life anew.

HAJARO NADIA BAHATI
VASHUDHA KI CHHATI PAR
NALE BHI PUJATI
BHAGIRATHI KI MATI PAR

BHAGIRATH KE ANURODH SE, BRAMHA KE VARADAN ME        NIKALI MAA SURYA VANSH KO TARANE.   BAHATI THI KABHI MAND SANGEET ME        RUKI HUI HAI AB KIS PIR ME.

A white cloak of a shy anecdote
A shy remembrance of a serene quote
Quoted some moments ago-
Of coquette and sensual bliss,
An innocence matted with a fresh breeze.

Those eyes could never lie;
With sand heaving down on her *******,
Her heart weeps for a caress
But all she gets is a rebuke:
Blending the imbroglio to deeper depths.

Late though it was; came by-
A hope; an outline of somber reversed,
Pristine of thought and complete with chivalry
A distinct epitah of orchids mellowed,
And a fragrance of an unkempt prose.

The moments of those transient powerlessness;
The time when she felt weak at her knees;
She was somebody’s love then,
Somebody’s queen she was
Such was the power of love.

Her heart at last sang her sangeet,
Shahnias and santoors draped her bond amused,
Trousseau she had was all beautiful,
For the first time; she had not been shy;
Her love was now somebody’s prayer.

-by Sauvik Dey.

This is a simple translation of Tagore’s Rabindra Sangeet : ‘’Akash bhora, surjo tara,’’ from his ‘Gitobitan’ – ‘Book of Songs’. Translating Tagore word by word though possible, is not advisable, because it breaks the poetic rhythm & melody of his verse! Therefore, the basic essence & meaning of his song I tried to capture along with its philosophical & inner content. Tagore, our universal poet & Noble Laureate, belonged to the reformist ‘Brahmo Samaj’, which believed in the worship of an eternal and a single formless Divine spirit which pervades the entire Universe! English poet William Wordsworth had also shared this view in many of his poems.    -Raj Nandy, New Delhi
                                                                                                                      
SKY  FULL OF SUN AND  THE
       GLITTERING STARS !
The sky is full of sun and starlight.
The entire cosmos is pulsating with life.
Within this glorious vast expanse I found
my place,
Making me to burst forth into song in
wonder and amazement of this
marvelous sight!

This world swings in the lap of time, with
its eternal ebb and flow.  
And I feel in my veins its pulsation and
beating rhythm,
As in wonder and praise my words begin
to flow!

I have walked barefoot on the grass,
While traveling through the forest path.
Startled by the fragrance of flowers,
Which gladdened my beating heart!
The song of happiness pervades all around,
And with merriment it me surrounds!

With eagerness to hear, and with eyes opened wide,
I have poured myself in the flowing river of Life.
As I sought to seek the unknown, which lies hidden
within the known, *
And which has so far eluded my sight!

This outpouring of my song in wonder and
admiration I have put to verse.
For having found my habitat and abode,
Amidst the sun and the glittering stars of this
Universe!
                                                   -Translation by Raj Nandy.
                                                     20 June 2020
NOTE: *Here we find Tagore’s mysticism which takes us on a Spiritual quest to seek the infinite in the midst of the finite; unity at the heart of all diversity; and the Divine in all beings and things of the universe! This theme recurs in Tagore’s other poems also.