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Prohemium.

But al to litel, weylaway the whyle,
Lasteth swich Ioye, y-thonked be Fortune!
That semeth trewest, whan she wol bygyle,
And can to foles so hir song entune,
That she hem hent and blent, traytour comune;  
And whan a wight is from hir wheel y-throwe,
Than laugheth she, and maketh him the mowe.

From Troilus she gan hir brighte face
Awey to wrythe, and took of him non hede,
But caste him clene out of his lady grace,  
And on hir wheel she sette up Diomede;
For which right now myn herte ginneth blede,
And now my penne, allas! With which I wryte,
Quaketh for drede of that I moot endyte.

For how Criseyde Troilus forsook,  
Or at the leste, how that she was unkinde,
Mot hennes-forth ben matere of my book,
As wryten folk through which it is in minde.
Allas! That they sholde ever cause finde
To speke hir harm; and if they on hir lye,  
Y-wis, hem-self sholde han the vilanye.

O ye Herines, Nightes doughtren three,
That endelees compleynen ever in pyne,
Megera, Alete, and eek Thesiphone;
Thou cruel Mars eek, fader to Quiryne,  
This ilke ferthe book me helpeth fyne,
So that the los of lyf and love y-fere
Of Troilus be fully shewed here.

Explicit prohemium.

Incipit Quartus Liber.

Ligginge in ost, as I have seyd er this,
The Grekes stronge, aboute Troye toun,  
Bifel that, whan that Phebus shyning is
Up-on the brest of Hercules Lyoun,
That Ector, with ful many a bold baroun,
Caste on a day with Grekes for to fighte,
As he was wont to greve hem what he mighte.  

Not I how longe or short it was bitwene
This purpos and that day they fighte mente;
But on a day wel armed, bright and shene,
Ector, and many a worthy wight out wente,
With spere in hond and bigge bowes bente;  
And in the herd, with-oute lenger lette,
Hir fomen in the feld anoon hem mette.

The longe day, with speres sharpe y-grounde,
With arwes, dartes, swerdes, maces felle,
They fighte and bringen hors and man to grounde,  
And with hir axes out the braynes quelle.
But in the laste shour, sooth for to telle,
The folk of Troye hem-selven so misledden,
That with the worse at night homward they fledden.

At whiche day was taken Antenor,  
Maugre Polydamas or Monesteo,
Santippe, Sarpedon, Polynestor,
Polyte, or eek the Troian daun Ripheo,
And othere lasse folk, as Phebuseo.
So that, for harm, that day the folk of Troye  
Dredden to lese a greet part of hir Ioye.

Of Pryamus was yeve, at Greek requeste,
A tyme of trewe, and tho they gonnen trete,
Hir prisoneres to chaungen, moste and leste,
And for the surplus yeven sommes grete.  
This thing anoon was couth in every strete,
Bothe in thassege, in toune, and every-where,
And with the firste it cam to Calkas ere.

Whan Calkas knew this tretis sholde holde,
In consistorie, among the Grekes, sone  
He gan in thringe forth, with lordes olde,
And sette him there-as he was wont to done;
And with a chaunged face hem bad a bone,
For love of god, to don that reverence,
To stinte noyse, and yeve him audience.  

Thanne seyde he thus, 'Lo! Lordes myne, I was
Troian, as it is knowen out of drede;
And, if that yow remembre, I am Calkas,
That alderfirst yaf comfort to your nede,
And tolde wel how that ye sholden spede.  
For dredelees, thorugh yow, shal, in a stounde,
Ben Troye y-brend, and beten doun to grounde.

'And in what forme, or in what maner wyse
This town to shende, and al your lust to acheve,
Ye han er this wel herd it me devyse;  
This knowe ye, my lordes, as I leve.
And for the Grekes weren me so leve,
I com my-self in my propre persone,
To teche in this how yow was best to done;

'Havinge un-to my tresour ne my rente  
Right no resport, to respect of your ese.
Thus al my good I loste and to yow wente,
Wening in this you, lordes, for to plese.
But al that los ne doth me no disese.
I vouche-sauf, as wisly have I Ioye,  
For you to lese al that I have in Troye,

'Save of a doughter, that I lafte, allas!
Slepinge at hoom, whanne out of Troye I sterte.
O sterne, O cruel fader that I was!
How mighte I have in that so hard an herte?  
Allas! I ne hadde y-brought hir in hir sherte!
For sorwe of which I wol not live to morwe,
But-if ye lordes rewe up-on my sorwe.

'For, by that cause I say no tyme er now
Hir to delivere, I holden have my pees;  
But now or never, if that it lyke yow,
I may hir have right sone, doutelees.
O help and grace! Amonges al this prees,
Rewe on this olde caitif in destresse,
Sin I through yow have al this hevinesse!  

'Ye have now caught and fetered in prisoun
Troians y-nowe; and if your willes be,
My child with oon may have redempcioun.
Now for the love of god and of bountee,
Oon of so fele, allas! So yeve him me.  
What nede were it this preyere for to werne,
Sin ye shul bothe han folk and toun as yerne?

'On peril of my lyf, I shal nat lye,
Appollo hath me told it feithfully;
I have eek founde it be astronomye,  
By sort, and by augurie eek trewely,
And dar wel seye, the tyme is faste by,
That fyr and flaumbe on al the toun shal sprede;
And thus shal Troye turne to asshen dede.

'For certeyn, Phebus and Neptunus bothe,  
That makeden the walles of the toun,
Ben with the folk of Troye alwey so wrothe,
That thei wol bringe it to confusioun,
Right in despyt of king Lameadoun.
By-cause he nolde payen hem hir hyre,  
The toun of Troye shal ben set on-fyre.'

Telling his tale alwey, this olde greye,
Humble in speche, and in his lokinge eke,
The salte teres from his eyen tweye
Ful faste ronnen doun by eyther cheke.  
So longe he gan of socour hem by-seke
That, for to hele him of his sorwes sore,
They yave him Antenor, with-oute more.

But who was glad y-nough but Calkas tho?
And of this thing ful sone his nedes leyde  
On hem that sholden for the tretis go,
And hem for Antenor ful ofte preyde
To bringen hoom king Toas and Criseyde;
And whan Pryam his save-garde sente,
Thembassadours to Troye streyght they wente.  

The cause y-told of hir cominge, the olde
Pryam the king ful sone in general
Let here-upon his parlement to holde,
Of which the effect rehersen yow I shal.
Thembassadours ben answered for fynal,  
Theschaunge of prisoners and al this nede
Hem lyketh wel, and forth in they procede.

This Troilus was present in the place,
Whan axed was for Antenor Criseyde,
For which ful sone chaungen gan his face,  
As he that with tho wordes wel neigh deyde.
But nathelees, he no word to it seyde,
Lest men sholde his affeccioun espye;
With mannes herte he gan his sorwes drye.

And ful of anguissh and of grisly drede  
Abood what lordes wolde un-to it seye;
And if they wolde graunte, as god forbede,
Theschaunge of hir, than thoughte he thinges tweye,
First, how to save hir honour, and what weye
He mighte best theschaunge of hir withstonde;  
Ful faste he caste how al this mighte stonde.

Love him made al prest to doon hir byde,
And rather dye than she sholde go;
But resoun seyde him, on that other syde,
'With-oute assent of hir ne do not so,  
Lest for thy werk she wolde be thy fo,
And seyn, that thorugh thy medling is y-blowe
Your bother love, there it was erst unknowe.'

For which he gan deliberen, for the beste,
That though the lordes wolde that she wente,  
He wolde lat hem graunte what hem leste,
And telle his lady first what that they mente.
And whan that she had seyd him hir entente,
Ther-after wolde he werken also blyve,
Though al the world ayein it wolde stryve.  

Ector, which that wel the Grekes herde,
For Antenor how they wolde han Criseyde,
Gan it withstonde, and sobrely answerde: --
'Sires, she nis no prisoner,' he seyde;
'I noot on yow who that this charge leyde,  
But, on my part, ye may eft-sone hem telle,
We usen here no wommen for to selle.'

The noyse of peple up-stirte thanne at ones,
As breme as blase of straw y-set on fyre;
For infortune it wolde, for the nones,  
They sholden hir confusioun desyre.
'Ector,' quod they, 'what goost may yow enspyre
This womman thus to shilde and doon us lese
Daun Antenor? -- a wrong wey now ye chese --

'That is so wys, and eek so bold baroun,  
And we han nede to folk, as men may see;
He is eek oon, the grettest of this toun;
O Ector, lat tho fantasyes be!
O king Priam,' quod they, 'thus seggen we,
That al our voys is to for-gon Criseyde;'  
And to deliveren Antenor they preyde.

O Iuvenal, lord! Trewe is thy sentence,
That litel witen folk what is to yerne
That they ne finde in hir desyr offence;
For cloud of errour let hem not descerne  
What best is; and lo, here ensample as yerne.
This folk desiren now deliveraunce
Of Antenor, that broughte hem to mischaunce!

For he was after traytour to the toun
Of Troye; allas! They quitte him out to rathe;  
O nyce world, lo, thy discrecioun!
Criseyde, which that never dide hem skathe,
Shal now no lenger in hir blisse bathe;
But Antenor, he shal com hoom to toune,
And she shal out; thus seyden here and howne.  

For which delibered was by parlement
For Antenor to yelden out Criseyde,
And it pronounced by the president,
Al-theigh that Ector 'nay' ful ofte preyde.
And fynaly, what wight that it with-seyde,  
It was for nought, it moste been, and sholde;
For substaunce of the parlement it wolde.

Departed out of parlement echone,
This Troilus, with-oute wordes mo,
Un-to his chaumbre spedde him faste allone,  
But-if it were a man of his or two,
The whiche he bad out faste for to go,
By-cause he wolde slepen, as he seyde,
And hastely up-on his bed him leyde.

And as in winter leves been biraft,  
Eche after other, til the tree be bare,
So that ther nis but bark and braunche y-laft,
Lyth Troilus, biraft of ech wel-fare,
Y-bounden in the blake bark of care,
Disposed wood out of his wit to breyde,  
So sore him sat the chaunginge of Criseyde.

He rist him up, and every dore he shette
And windowe eek, and tho this sorweful man
Up-on his beddes syde a-doun him sette,
Ful lyk a deed image pale and wan;  
And in his brest the heped wo bigan
Out-breste, and he to werken in this wyse
In his woodnesse, as I shal yow devyse.

Right as the wilde bole biginneth springe
Now here, now there, y-darted to the herte,  
And of his deeth roreth in compleyninge,
Right so gan he aboute the chaumbre sterte,
Smyting his brest ay with his festes smerte;
His heed to the wal, his body to the grounde
Ful ofte he swapte, him-selven to confounde.  

His eyen two, for pitee of his herte,
Out stremeden as swifte welles tweye;
The heighe sobbes of his sorwes smerte
His speche him refte, unnethes mighte he seye,
'O deeth, allas! Why niltow do me deye?  
A-cursed be the day which that nature
Shoop me to ben a lyves creature!'

But after, whan the furie and the rage
Which that his herte twiste and faste threste,
By lengthe of tyme somwhat gan asswage,  
Up-on his bed he leyde him doun to reste;
But tho bigonne his teres more out-breste,
That wonder is, the body may suffyse
To half this wo, which that I yow devyse.

Than seyde he thus, 'Fortune! Allas the whyle!  
What have I doon, what have I thus a-gilt?
How mightestow for reuthe me bigyle?
Is ther no grace, and shal I thus be spilt?
Shal thus Criseyde awey, for that thou wilt?
Allas! How maystow in thyn herte finde  
To been to me thus cruel and unkinde?

'Have I thee nought honoured al my lyve,
As thou wel wost, above the goddes alle?
Why wiltow me fro Ioye thus depryve?
O Troilus, what may men now thee calle  
But wrecche of wrecches, out of honour falle
In-to miserie, in which I wol biwayle
Criseyde, allas! Til that the breeth me fayle?

'Allas, Fortune! If that my lyf in Ioye
Displesed hadde un-to thy foule envye,  
Why ne haddestow my fader, king of Troye,
By-raft the lyf, or doon my bretheren dye,
Or slayn my-self, that thus compleyne and crye,
I, combre-world, that may of no-thing serve,
But ever dye, and never fully sterve?  

'If that Criseyde allone were me laft,
Nought roughte I whider thou woldest me stere;
And hir, allas! Than hastow me biraft.
But ever-more, lo! This is thy manere,
To reve a wight that most is to him dere,  
To preve in that thy gerful violence.
Thus am I lost, ther helpeth no defence!

'O verray lord of love, O god, allas!
That knowest best myn herte and al my thought,
What shal my sorwful lyf don in this cas  
If I for-go that I so dere have bought?
Sin ye Cryseyde and me han fully brought
In-to your grace, and bothe our hertes seled,
How may ye suffre, allas! It be repeled?

'What I may doon, I shal, whyl I may dure  
On lyve in torment and in cruel peyne,
This infortune or this disaventure,
Allone as I was born, y-wis, compleyne;
Ne never wil I seen it shyne or reyne;
But ende I wil, as Edippe, in derknesse  
My sorwful lyf, and dyen in distresse.

'O wery goost, that errest to and fro,
Why niltow fleen out of the wofulleste
Body, that ever mighte on grounde go?
O soule, lurkinge in this wo, unneste,  
Flee forth out of myn herte, and lat it breste,
And folwe alwey Criseyde, thy lady dere;
Thy righte place is now no lenger here!

'O wofulle eyen two, sin your disport
Was al to seen Criseydes eyen brighte,  
What shal ye doon but, for my discomfort,
Stonden for nought, and wepen out your sighte?
Sin she is queynt, that wont was yow to lighte,
In veyn fro-this-forth have I eyen tweye
Y-formed, sin your vertue is a-weye.  

'O my Criseyde, O lady sovereyne
Of thilke woful soule that thus cryeth,
Who shal now yeven comfort to the peyne?
Allas, no wight; but when myn herte dyeth,
My spirit, which that so un-to yow hyeth,  
Receyve in gree, for that shal ay yow serve;
For-thy no fors is, though the body sterve.

'O ye loveres, that heighe upon the wheel
Ben set of Fortune, in good aventure,
God leve that ye finde ay love of steel,  
And longe mot your lyf in Ioye endure!
But whan ye comen by my sepulture,
Remembreth that your felawe resteth there;
For I lovede eek, though I unworthy were.

'O olde, unholsom, and mislyved man,  
Calkas I mene, allas! What eyleth thee
To been a Greek, sin thou art born Troian?
O Calkas, which that wilt my bane be,
In cursed tyme was thou born for me!
As wolde blisful Iove, for his Ioye,  
That I thee hadde, where I wolde, in Troye!'

A thousand sykes, hottere than the glede,
Out of his brest ech after other wente,
Medled with pleyntes newe, his wo to fede,
For which his woful teres never stente;  
And shortly, so his peynes him to-rente,
And wex so mat, that Ioye nor penaunce
He feleth noon, but lyth forth in a traunce.

Pandare, which that in the parlement
Hadde herd what every lord and burgeys seyde,  
And how ful graunted was, by oon assent,
For Antenor to yelden so Criseyde,
Gan wel neigh wood out of his wit to breyde,
So that, for wo, he niste what he mente;
But in a rees to Troilus he wente.  

A certeyn knight, that for the tyme kepte
The chaumbre-dore, un-dide it him anoon;
And Pandare, that ful tendreliche wepte,
In-to the derke chaumbre, as stille as stoon,
Toward the bed gan softely to goon,  
So confus, that he niste what to seye;
For verray wo his wit was neigh aweye.

And with his chere and loking al to-torn,
For sorwe of this, and with his armes folden,
He stood this woful Troilus biforn,  
And on his pitous face he gan biholden;
But lord, so often gan his herte colden,
Seing his freend in wo, whos hevinesse
His herte slow, as thoughte him, for distresse.

This woful wight, this Troilus, that felte  
His freend Pandare y-comen him to see,
Gan as the snow ayein the sonne melte,
For which this sorwful Pandare, of pitee,
Gan for to wepe as tendreliche as he;
And specheles thus been thise ilke tweye,  
That neyther mighte o word for sorwe seye.

But at the laste this woful Troilus,
Ney deed for smert, gan bresten out to rore,
And with a sorwful noyse he seyde thus,
Among his sobbes and his sykes sore,  
'Lo! Pandare, I am deed, with-oute
tread Jan 2013
**** angles.
This house has got plenty of **** angles. Tom knows, I don't. Tom knows more about that kinda stuff because that's Tom's forte.
Old Cochrane.

I'm not sure what disabilities he suffers from, but to be honest it doesn't seem much like he suffers. He's just a dude with a loud set of brains fixated on a very Cochrane world, sort of like Plato I guess, beard and everything, looking at the angles and strange asymmetric dots with a feeling that there’s some preternatural 'other world' where all of Cochrane's expectations are met and this house as well as the world would do ******* well to abide by it if it knows what's good.

Old Cochrane loves Superman Returns. I once saw him watch Superman Returns 3 times in one sitting, to the point that it became Superman Returns Returns Returns and for Chrissake if Metropolis were real I doubt his ethics would be much appreciated anymore but hey, who am I to say? I'm no Clark Kent but I'm sure Cochrane thinks he is, and if he's damnwell Plato he can damnwell be Clark Kent just as well as the next Kryptonian sucker to crash-land on planet Earth, and it's damnwell possible Cochrane is from Krypton for all I know, he's got some miraculous will-power and push, that's for **** sure.

He's always yelling, 'ober-der! Ober-der!' like he's some sad German screaming at the **** Poles across the Oder-Neisse line as if it were there **** fault. It's either that or Krypton is ober-der and he just wants to go home, or maybe his face gets red because he knows damnwell where Lex Luthor is hiding and he just wants our ******* help finding him.

I think Old Cochrane has a crush on Kevin Spacey.

I wouldn't know, but I'm making that assumption *** Cochrane looks pretty spacey sometimes.
Okay, that was just a bad joke. I'm not too good at jokes.

I have two coworkers named Ryan. To avoid any confusion we all just call them by their last names, Soprovich and Danyluk, but most of the time we just call Soprovich Ryan Sop, and I'm not sure if he much appreciates the nickname. Our bosses name is Pam Wadden and in response to her calling him Ryan Sop he asked if he could call her Pam ***.
Pam didn't hear that of course, but I heard it. And it was at that moment I made the judgement that old Ryan Sop is good at jokes.

Anyways to slide back to my point, once I was working with both Danyluk and Soprovich and as I was leaving, to shave a few seconds before my bus, I said, 'Bye.. Ryan..s'
that made them both laugh a little so I quickly made the judgement that I'm sometimes good at jokes but I never mean to be which is kinda Zen I suppose. Buddhist effortless effort or whatever they damnwell call it.

I've always been somewhat of an intellect, but not usually of my own freewill. I read a lot, but I sort of read like a ****** addict shoots-up.. just one more line, just one more paragraph.. and before I know it I've finished a book that kinda scared me but good ******* the high was fine.

I guess it's not really like that at all, but I like to think of it like that sometimes, it kind of excites my stomach in the good way, makes me feel like some ******* rebel reading **** the government has probably already burned or recycled into the paper bags I shop with at Safeway..
shopping at Safeway.. livin' life the Safe Way.. gatherin all the grosh-rees, yeah, you ****** know me
I forgot to mention I'm somewhat of a part-time rapper and 40% of the time I have rap lyrics pulsing through my head as my own inner monologue. I dunno why but it's always kinda made me proud to think the way I do and ******* does life get high and low and if you understood you would know what I'm talking about, but I know you probably know what I know, I just like to be a little pretentious about that kinda stuff *** if I pretend I'm the only one it kinda manifests in my attitude and I get girls easier.

True story.

Maybe.

Probably not, but if ya see what I'm getting at that assertion is part of the pretention *** I'm a ******* hipster for Chrissake, writing like J.D. Salinger, reading like Kerouac without the squinty drunk eyes of infinite sadness.
ZWS Jul 2014
What's going on behind those seizuring eyes
Did you swallow the pill, I can't find you inside my head
Watch your face change shape under the influence
Under rapid eyes that dart behind blinding seas of white

Shadows contour through colors I've never seen before
It's my world and I can't even find you
Your face is hidden behind a mask you wear in this 4th dimension
Where shapes convex your face into hexagon sugarlaced cinematics

I'm tripping right through the fractions of my life, my destination is infinity
I'm nil and nil, trying to find the love you saved for me in the games we play
My bicycles got 7 wheels and I'm only getting more lost in myself
Till I found seven men in seven trees and listened to the most romantic thing I've ever seen
And my ears saw the things I had forgotten and my heart found you for me
I was looking for you in my mind I never figured I could find you in my heart
1.  Not knowing my future
2.  Owing money
3.  Trees being deforested

4.  My parents
5.  Youth unemployment

6.  Klu klux ****
7.  Usher being alive
8.  Stupidity being rampant.
9.  Her

10. Irregular heartbeats.
11. Time being a factor
12. Silly tings

13. Brain aneurysms
14. Losing
15. Empathy
16. Superman
17. Staying past due
18. Every one being rude
19. Discussion isn't important

Read the first letter of every word :^)
Ja feel

Also I actually like usher
Mateuš Conrad Mar 2019
.sometimes it pays, to be a little bit paranoid, which implies: you're more attune to certain things...

currently, the parliament of england,
or should i say: the commons
is doing a staged coup to meßmeriße
any member of the public:
watching...

     all it takes is for the b.b.c. journo'
to talk to ol' Nigel...
   storm Nigel looks,
more or less: cucked...
   in the current common cipher
parlance...
         like a schoolboy...
eyes slightly watering,
    cordial,
                  very much: hush-hush...
we're about to see a very
impressive magic trick...

point being: i hope i'm wrong...
but what some call
the government,
and i started calling a brothel /
  fiasco...
    well...
          the no-deal brexit
is off the table...
       now there's a motion
  to ask for an extension...

an extension...
that will last until the 22nd of May...
remind me...
when do the european parliamentary
elections take place?
   23rd of May...
oh... i see...
   wanna see the poker card?

as much as i hate
      jacob rees-mogg
(in the sunday times interview,
he disclosed how
he can't boil an egg...
   and that's when my hatred
ends,
   and... pity begins)...
he is, in all honesty...
   the next alastair campbell...
i.e. the next spin-doctor...
i mean...
  rhetoric is one thing,
rhetoric in poetry is...
not what a rhetorician is
on the political level...

               from the interview
i just got spaghetti,
only now i'm untangling it...
basically...
if all goes to plan...
and the plan being:
    the anglo-ßaß don't want
a "soft" exit from the european
union, i.e. they don't
want the e.u.'s deal...
   a few clues about laws...
and how:
   well...
the european parliamentary
elections take place on the 23rd of May...
the proposed delay lasts until
the 22nd of May...
so... chances are...
   someone from England...
will be elected into european
parliament... there will be an MEP...
or at least...
that's the plan...
   to default on the exit from
the union, on the grounds
that the leaving party,
is still, somehow, represented
in the european parliament...

that's the plan,
   you can spot the schemers
right away...
   the tactic of stalling has paid off...
it's like i'm back in high-school...
i know the sort of people,
i used to talk to them
on the day of hanging in an essay...
they'd put it off,
2 weeks in advance,
until the last day / night...
and pull out an all-nighter...
drop caffeine pills
   and hand in a rushed essay...
but in this scenario:
it's not a grade B
     for making an exit...
but a grade A for making
    a referendum result being
revoked:
   on grounds of democratic
jurisprudence / law...

   unlike with the Irish...
this "2nd referendum" had to become
spaghetti tangled...
it had to have the language
of and for a people,
overtly sensitive,
   in their quest of being
the sole arbitrators of democracy...

so much for the argument:
well, but those unelected officials
in Brussels...
**** me! what about the elected
officials in London?!
it might be that i suffer
from myopia and i can't
the two apart...

    i hope i'm wrong...
but... when those chose the extension
date, from march 29th
to may 22nd...
   with the european elections
being staged on the 23rd of may...
you start to think:
   they're not going for
a straight-out 2nd referendum...
they need to cover it up
in an elaboration
of their Hydra...
      their bureaucratic intricacy weight...
paper trail...
   trial by paper...

where is Nigel the fire-*******?
Nigel the tornado?
   to me... he looks like he just
experienced sensual bliss
with some Dutch *******...
or maybe that's just me...
2 and a half years...
   and there was me,
thinking that only priests
                          were useless:
how many times will
you drill that metaphor
into the minds of people?
   any longer?
              the shittest magic trick
i've ever seen...
at least a magician can do
some sort of magic...
   2000 years later...
  and the wine is still wine...
and the bread is still bread...

   or at least: this is me...
having just started watching
vikings episode 1 - 4 of season 1...
listening to biodrive: psychopath...
i hope i'm wrong...
     i really really do.
PK Wakefield Mar 2011
i
so
me t
imes
see in
those t
ranspar
ent eaves
the quick b
lack forest
of the panele
ss leaves the h
ithering blata
nt brains scurry
to and fro and fro a
nd too" their marki
ng frailing whizzin
g forth to which heaven
gabled songs the limp s
aints court and snuggle
gregariously the foiste
d girth of the black quick t
rees in there in their unrem
arkably souls i,ve watched t
hem go back and forth and forth
and black lithe brooding reams
of slow wood in them, there their
  i'm starting to wear wear wearing
Mateuš Conrad Mar 2017
the point is: i don't want to write in the style of j. joyce's finnegans wake; but i am, and i feel terrible for doing it... so... m'eh?

you listen to these talks, like you might watch
a football match...
   the art of rhetoric - ars rhetoric(æ):
that isolation of the grapheme stresses the point
that homosexuals are better at talking
than men who consecrate themselves
on the bias that will probably lead to a widow.
they're better at it, and there's no argument
for it: it's a bit like passing the olympic torch
from ****-to-****-to-mouth-to-tongue-to-head-to-ego;
i'll come to the modern notation of that unit
in a minute...
  but oh so rare, walking from the supermarket
and finding a book propped on a... thing?
it's situated in essex, england, and in these parts
you can have this "garden" in-front of
your house, and there's this "hadrian's" wall
isolating this patch of green:
   that's why i said thing: because it's not a fence
in the traditional sense...
    so you're walking back from the supermarket
with a bottle of becks beer and a litre of *****
and mixer in your rucksack (5pence duty stamp
on using plastic bags, remember that)
  and you see a book propped on "hadrian's" wall
(because it is just that: a joke),
well not in this instance, this is a case of a semi-detached
outer-suburban household... and there's
  this book propped on a "fence"... and it's dark...
am i going to nick it / "steal" it?
last time i checked, i didn't believe in *hegel
,
last time i checked: if i'm in a public place, i.e. a road,
i'm going to use the advantage of someone's mistake
(or intention?) and take possession of the thing;
a bit like... you find a 20quid banknote in a puddle...
are you going to wave it about and shout:
who does it belong to?     would you?
         well... hegel can go **** himself and his
philosophy of right... i can't believe that mere lecture
notes inspired communism, i simply can't believe it,
i mean: it's astouding that it ever occured,
but still... it's so rare to find books on the streets...
i've heard plenty about disowned dogs and that dog
shelter in Battersea... i ought to know, i was bound
to paving slabs on one of their roof extensions...
my grandfather told me this story about how he was
walking through a forest with my uncle (his son)
and found a hanged dog... someone thought it real
funny to tie the noose so the dog was tiptoeing
toward death while suffocating on the noose...
i've had worse trauma... like when walking my doberman
and he bit into **** and what was revealed was
a nest of parasites, at best described: wriggling...
clearly you can build-up a natural aversion to this world,
which is by no surprise the original source of
the concept of god... you start from there, and work
your way down.
    now i'm seriously digressing, ars rhetoric(æ)...
like ha ha crow's ca ca? or is that ka ka ka?
ku klux clan... mortal kombat... whatever.
                just about as much sense when listening
to classic.fm and hearing an "oohbow" concerto
in some minor or major key (i don't remember which
one it was)... but like a blind-man fiddling
with an elephant (the modern day version of
the male grææ... as seen in homer, as seen in macbeth...
but those were 3... i'm talking 5)...
  i also thought about fiddling with the "orthography"
(that term usually denotes the aesthetic practice
of adding diacritical marks, which english doesn't:
otherwise known as the **** of ιota)...
   i could see a clarinet perfectly, clear distinctions (i mean);
but an oh-bow?                    oboe?
    how can these two variations not yield the same
pronunciation if not via the tetragrammaton?
            clarinet in jazz     horns in ska-punk,
ladies to the left, gents to the right...
                     clearly my idea of **** schizoi creates
more competent understandings of a human,
who is insapiens...
                   ****, talk about libido, but to this extent?
hmm... so the ιota was ***** by a diacritical mark
that's practically disjoined from an umlaut...
   see the arithmetic ι i ï? otherwise known as the ee
in: i need to take a ****... or the boo-boo word of ***.
   the same thought approached me when
i contemplated the acute version of N (en) - ń,
variations include: close approximates of knee,
then vary through to: me me me expressed in a nagging
way...
                   oh right... words that have this acute:
     day... dzień...
then they'll call it cultural appropriation, and i'll
call it: cultural integration.
                  but ń did something, it revealed the **** of
ιota...  it's this enforced diacritical mark on the greek
letter (and j) that doesn't exist on other letters
as it sometimes should...
       but it all depends on the following rule

                            ae  i  ou
                     ­             x

x is treated as a consonant for it's own sake, i could have
inserted some other consonant, but the stress
is how and when you apply diacritical marks,
given the stated example of the diacritical mark hovering
over n.
               and really? the **** of ιota is involved, which
probably invoked the complexity of the anglo sprechen
to such an extent that it spread for far and wide...
    why would i even put a diacritical dot over s?
what would that represent, for ****'s sake?
                                                           ­               i!
in polish you'd say that as         e! oddly or not so
oddly enough.
           but there is a collision happening
   given the predestination concept of i (what culture
would appropriate that, if not the most hostile /
successive one?) -
                 the acute diacritical mark on the n
disappears depending where the (enforced half umlaut of)
i is placed...
     for example in the word        no....     nie...
that dot above the iota just ate the acute over the n...
    then back to the word for day           dzień....
it's at the back, so the aesthetic twists into an σς scenario...
(sigma sigma)...
                  nudzi (he bores people)...
        nagi (he's naked)...
                            i could really do with a macron on that a,
who knows, maybe language encoding really is
worth symphony complexity: or is that why i'm
jealous of music composers?
               i'm just trying to look for a word
that encompasses my concept of ń....
     a real kinder sprechen example as simple as 1 + 1 = 2,
evidently i will not find it and only come up with
something as "simple" as 1 + 1 = 3.
on one side the sensual beast,
on the other a reasoning ***** -
as you age the less you sense, but at the same time
the more you reason; in my case it happened exponentially
thanks to Chernobyll (it did begin with one of
the scandinavian countries being able to record
radiation... in poland you had a park, in a small town...
and half the trees were in summer and half
were in autumn):
   because if you **** things up on an atomic scale
you're not going to exactly see a tornado, in a specified
location for adrenaline junkies to go and film it!
then there was this idea that i had
               about certain layers of language,
   braille, sign-language, covert talk and open talk,
basically boiling down to honesty, and the latter to
dishonesty...
    so this book i found yesterday... about as rare as finding
a 20quid banknote...
             now i seriously believe this book is a pillar
to language... right up there with the dictionary and
the thesaurus...
            published by c collins (obviously)...
and its sole author: nigel rees (couldn't be bothered with
italics, so i used the colon)...
          ah **** it, it's only descriptions of the cover,
the book is paperback so it doesn't matter...
although what does is...
   the entry (to be) in the same boat (page 347)...
that's why i was sniffing the book up yesterday
(bibliophiles' prime fetish, after ******* the books)...
    the entry originated from cicero
in 53bc... in the original latin     in eadem es navi,
later used in 1941ad after pearl harbor
(funny u, look: harbour)    - of consequences
                                     roosevelt said, churchill quote(d).
Andrew Fort May 2022
The river is quiet
with velvety darkness.
The moon leaves her perch,
the clouds as her garment.

A trail of dreams,
lucent with meaning,
battered, not broken,
follows, careening.


He rowed through the bayou,
  Searching for the stars;
But the branches of the cypresses
  Had captured them in jars.
His little iron lantern,
  Flick’ring kernel of light,
Won’t discern though it burns
  Gold as sylvite.

You saw him there,
  A statue of wax;
You took your hammer
  And shattered the glass.
Though, like a bird,
  He’d molted his cloak,
You remembered the password—
  To which he awoke.


You did not know (for how could you?)
  That I was all alone.
But still you deigned to look at me
  And bind my broken bone.

My anxious wings had taken flight;
  The perch bore not a trace—
You taught me how to not recoil
  When human hands embrace.

You didn’t know what you had done.
You didn’t know what you had done.
You couldn’t have known what you had done.
  But thank you anyway.

Oh, Jonathan—
May your heart enfold:
Can’t you see your gold?
Can’t you see you’re gold?


The constellations still evade—
  I’ll climb the tree.
Keep ascending; no dismay
  (This I decree!)
I’ll catch a star, I swear, some way—
  On wings of chim-choo-rees.
But if I die before that day,
  Will you take one home for me?

. . . . .

There in that desert,
Hot as the stars,
I played my harp
And you the guitar

And with the smell
Of creosote
On the cool wind
You shed your coat.


Wending through the branches,
  Aloft in the sky,
Laughing and joking
  All through the night,
You found your love,
  To my great delight—
And when you pair embrace,
  I can’t help but sigh.

Let me bear that spear
  Thrown by your dad.
(“Don't worry or fear;
  The blood’s not so bad!”)
No!—could you have been saved
  Had I been there in time?—
For I’d rather brave
  That dagger in your spine!


Jonathan, my dearest friend,
  Won’t you lift your eyes?
Though you bleed and from there grieve,
  The seed of God’s inside.

I see your fear, though not so clear,
  For you take care to guard.
But you will neither raze nor pierce
  Your son where you’ve been scarred.

You hardly know how much you’ve grown.
You hardly know how much you’ve grown.
You can’t imagine how you’ve grown.
  But you have. You have.

Oh, Jonathan—
May your heart enfold:
Will you see your gold?
Will you see you’re gold?

. . . . .

The grass may wilt and flowers fade,
  But He steadfast remains.
And though carved ice resigns to melt,
  It runs into the lake.

For what are we but jars of dust?—
  Made that we may bear
The image of Him who painted us,
  Who deigns to hear our prayer.

We do not know where we will go.
We do not know where we will go.
We can’t begin to fathom where we’ll go.
  But—know it’s not in vain.

. . . . .

When moths at last consume my clothes,
  Will you remember?
Where stone-faced, dusty night arose,
  Will you remember?
When light endures its final throes,
  Will you remember?
Should I be lost within this grove,
  Will you remember?

When street-doors shut and grinding slows,
  We will remember.
Though hunters maim and shades enclose,
  We will remember.
All praise to God—the veil’s deposed;
  We can remember.
Because from death the Son arose,
  We can remember
  He will remember.

When, from my grave, the cypress grows,
  You will remember.
And when you sleep 'neath mountain snow,
  I will remember.
The epilogue eternal goes—
  “We shall remember!”
Forevermore we shall compose,
  cleansed by the ember.


      Oh, Jonathan—
      May your heart enfold
            (And should I be told?):
      Do you see your gold?
      Do you see—you’re gold?
Á Liam,
mon ami—
mon frère.
.
“A friend loves at all times,
and a brother is born for adversity.”
Proverbs 17:17
Ryan O'Leary Jan 2019
Jacob Rees-Mogg
had offered May a
Broiled ERG for her
Brexit, but, as there
was nothing to toast,
she just had freshly
squeezed Orange,
Ordered, then, she
looked out, at yet
another Ryan Air
Jet, with a Harp, and
no strings attached!
Mateuš Conrad Mar 2017
that "jewish" game of gematria;
major downfall...
                 i just want to get from a
to b...
                    am i dyslexic because
i don't remember the actual order of
citing the alphabet?
       well... you never learned this
alpahabet as i did: in sing-along fashion...
       i don't even remember...
well i do remember how it goes...
a b c d e f g, h i j, k, m n ello ello p...
    s t u, v, x y zee...
                   probably the best time to cite
a non-native giving you the alphabet
sing-along tune...
                 i've got bigger fish to fry, to be honest...
actual words...
            does learning the alphabet sequence
provide any worthwhile aid?
     probably not...
                       unlike the chinese i can actually
encompass the entire vocab. material...
     apart from specialist words, that are
another way of saying: covert.
                         really? learning the alphabet
sequence will make you remember so many
linguistic connections?
                  some say english is easy, some say
it's difficult... depends on your accent i guess...
but with this current internet alter-media
outlets i'm thinking: nigel rees would have to
write another 10 or more so pages adding
them to his phraseology comepedium (n)
         (phrase e ology)
                        i'm just translating the tongue
from alive, to dead, akin to the "supposed"
death of latin... dead as in: including latin prefixes
and suffixes?
            co-      pre-       pro-?       veto!
     yeah, so dead... that we still use the optics
of encoded sound! dead as dead can be!
              forest 'ucking 'ump... gumbo!    d'uh!
  but on a serious note...
                this is spy talk... 5th column?
                                         i got past the phrase
3rd world... what's the 4th column?
                                   i can understand the "phrase"
project... but... what the hell is 5th column?
          is that like: when newspaper have
a leading article on page one...
and they run out of space to finish the article
off on the same page, and write a p.s.
               telling you: turn to page 4, column 5?
typically two rivers... two...
                                overt and covert...
sure as **** (verbal etiquette? you a swedish
princess about to throw this exhuberant
banquet or something? so no, no change
                              in this utilißation)
indeed... in english the german ß is not a sharp s,
as in pass (gaß)...
                                           zee you!
            i zee you!          it's a ****** nightmare
when it's not (but it is) an interchange of the s
and the zed...
                             stretching a cobra into a more
rigid shape, one that prevents the snake from slithering
away in curvature...
                                  they're cousins anyway
(the letters)... why not create a siamese out of them,
as in ß?
                         now ś (acute) i could understand as
sharp... it is rather piquant...
                    what was it? originally?
gematria... sing-along alphabet curse...
                   ß vs. ś           (almost all of this particular
slavic language, when it comes to accents
     moves from the east...  /               ,
              you'd think they'd allow a western wind
of diacritical            \              but no no,
they rather move west);
   and no, i don't have time or the bother to
practice gematria...
                         to me it's the downfall of the jews
in a spiritual sense,
   if the practice was "etymologically"
                sourced as: assyrian-babylonian-greek-roman...
but roman doesn't even come into the equation...
          the romans had too much difficult
number encryption... let's say:
try rewriting newton using I V X L C D M   (7)
                      this has to be the most mysterious
part of the roman empire's history...
                      and there's no other...
         the greeks just countered this point with: 6 6 6...
or               Χ ξ ς'...
              alternatively (hopefully they'll match up to
the above stated 7 variables):
        Χχ (chi)                Ξξ (xi)
                                                      Σσς (sigma)
or                 ς'... which equates to the prior stated
   soft g.. or ksi or... just listen to rotting christ's
          album κατa τon δαiμoνa eαγτog...
and sure enough, 7 'ere, and 'even 'ere mate.
Mateuš Conrad Mar 2017
i picked up this book
walking down the street,
for all its suburbia,
it had the perfume of a bulgarian
brothel written onto it.
the book in question? a real brick...
nigel rees'
  - a word in your shell-life -
i started to sniff the book like
a dog might sniff candy...
**** all for **** to be honest,
the brothel, really was far away,
the bulgar girls were bound to
gay-sprechen...
    but at least i knew what **** was like:
bulgar girls like to fake oiling,
they oil-up their *****...
south african girls? n'ah ah!
   they ******* raw...
they ******* dry...
                  they **** you;
it had to take bulgar prostitutes to oil up
before ******* to then teach me
that sadistic south african ****** do it:
first that accepts me dry gets to **** my annie!
i'd rather pay and get what i want than
**** zombie-dry crap...
                or is that what you call it, or don't?
for some reason prostitutes made sense,
not these hyper-sensitive thingymajigs known
as women.. a bit like:
how do i open this oyster to give me a son?!
any willing ****** tell me how i do it?
no?! should i ask the oyster?
*****?! please?
            ***** won't say; says it **** fine
if she can buy oysters...
        tell her it's poetry? she laughs!
                   then she walks into an art gallery
and laughs... i'm also laughing...
democracy erases history, for whatever history
was worth...
   the autocrat carpe diem took over...
   never put a name to a ruling ideal...
                        the blame-game can go on for
the years ascribed to it... after that...
it becomes less an ideal and more an ideology..
you breed to ferment a d.n.a.
  continuation... to keep the "hieroglyphs"...
    toward the: thus far...
                               in the now, that isn't a day,
for for now, that isn't a keeping...
     are we to shelter ourselves with a hope?
        what could possibly equate thinking and doubting,
to precipitate that into cascade: into being or the stasis of i am            
indeed what did existentialism do, to inject
the cartesian model with denial and a loss of doubt?
do all emotions begin with d?
                  what of hope, and the subsequent concern for
wishful thinking?
                 are we all concerned with this illogical creatures?
if we are: then we all were to begin with;
and i have no rhyme, nor riddle to add,
to further this endeavour:
   that which asks the exponential question
and only tracts with an exponential answer...
     is not what the anglophone language state?
  akin to ¿? in terms of i!?
                        so bold! but yet so unnecessary!
yet there it is: the western "world".
Kafersuseh
One-Dimensional Beams


More than two thousand years ago, there was a mischievous infant who gazed and gazed at the beams curiously at birth in Bethlehem… especially ones that crossed! This happened in the polarity of the magnetic stable of Bethelem, in a portal on adjoining hills that welcomed him overflowing. This glorious empowered looked at the beams that wore some ingenious crosses, seeing him right there, being still an unborn, he knew that when he was born he would already leave this unborn universe. Higher up the trusses that riveted the framework, he approached with his lonely gaze higher up the roof, being able to see beings of light organizing a Eucharist on the roof of his stable two thousand years ago, which could be more than an edict …, Which would inaugurate the sagacity of caring for and giving newborns what many wanted to see, but few knew who he really was, even though there was no record of him or his lineage lost amidst the hay strips.

Says the Messiah: “A few minutes ago, or more than two thousand years ago…? I counted the times that Rees’s tail moved, and I realized that I already had select visions in Kafersuseh, above the roof of the rafters ..., on the roof, some outcasts also visit me reborn and loving. It has even been detected that someone was coming from far away, but arrived late, I could just observe him to know how to unite him with my pariah criteria. He was ordering the altar, taking orders from an unsustainable upward scaffold of noble wood, saying so; "That all are in alliances and aligning themselves for those who did not fit in the stable." I was looking at the roof of the barn, but I saw beyond ..., being able to verify that my guards were there preparing the beams on the dowels that crossed among others, to climb to greater rooftops after brushing the rough coatings of their flagellated texture like whips from the underworld of Elpenor. That man remained, and not when he lost his sight with mine as a child-man, since only he distinguished me, but not the beings of light. The discanted Eucharist was consecrated, I never rested in looking while resting in an always, because I saw that my eyes became adorned lights in the lasting oscillation of their shofar or bull's eye songs. During this time a nascent angel appeared, trying to get in and out, but belatedly decided to join the group of shepherds who were pasturing their sheep in the fields near Bethlehem; and he told them that he brought good news because the Messiah, the savior of the world, had been born. The shepherds left everything to go in search of the newborn since the angel told them that they would find me sleeping or in sleep ..., but I was not there, I remained on the manger, since I was up in the time of three sounds of bells, almost further than near those who announced my arrival. After three sounds of bells, three shepherds of light came down from the rooftop, seeing in me that they recognized your lights, thus being the ones who blessed my journey in one day, from the Middle East, even on a rooftop next to paradise, which I officiated myself in the splendor and perfection of the world as a child-man, not far from the wizard outcasts, who parodied all the songs, always followers of the Zoroaster and my Kafersuseh, up to Gethsemane and towards my mother.

The Messiah was still absorbed in looking at the sky, while he was busy sleeping his body. There is no doubt that his unfolding being made him move his first steps in first words, which alluded to a game of learning to take the first steps in Judean fashion on the stables. His hands, puzzled by his body, made stories of the dance of those who were close to him, only about fifty grouped there, in filigrees that ran as seconds within the constraints minutes without time, gathered in the Jewish dawn of Eretz-Israel.

Saint John the Apostle says: “God cares for the material world and for this creature of his who predetermines us. This is the incredible thing about the Father and the Son. Watch… I will walk through the darkness, not through light. Thus you will see the trait that not life will make me know which in its similarity, and who inherits his body and soul as in the hands of a bumblebee. I feel love over the hatred of others, I see light that could be impudence to those who rumbles in their tired and inattentive ears, perhaps this way they will see when they can see better without listening attentively to the sound of the bumblebee. I see the verses fly and how they fall one by one on my soul in order, obeying the herds early, like a herd ordering those that one after another look at each other later, ordering the perfect law of the beginning in a conciliated end "

At that moment, the fragrances of the dense flowers in water, transmitted the anxiety of those who wanted to continue listening, ecstatic and fragrant, but to get rid of their presumptions, they were falling into the abyss on the banks of the Malaki garden cliff, where many of them they coughed or cleared their throat in the luminance’s that attacked their feelings wrapped in judicious phlegm on their limestone stones.

Vernarth says: “You drink with me…, I have a new concoction, from the beginning to the end where the branches enter with their effect, from the same branches the true fire comes out towards you that savors the errors and slips. I have scabs, of much darkness, but the unfaithful passion that hates me, of such intensity, is ennobled by seeing me prostrate before the Messiah, who does not tire in a new change when seeing how the rounded limits shine on her face, nor. less to adapt to boundary squares, or to continue being born and continue to die, by drawing the curtain that her mother always shows her, devoted to self-denial, plunged into Gnosticism and from all those who tried to relate it "

We will not be able to ask ourselves many times who we are, facing and every time a child is born in the midst of the variations that make all mischief its beauty, because it is born from the closed heart, dancing in the greater acceptance of the blessed cycle of being born and being born. Even so, having never been among them, credibility systems tire of their limestone rock material…, they register and suggest all kinds of contemplations, in a vague naivety that glows between gold, myrrh, and incense. All those who were present, transcend by resenting their consciences, believing themselves spiritual while tenderness accompanied them, but not religious, but the leadership of a creation in this stable that we see just being born, which is higher up, was presented before their sight of yourselves being born in all that concludes in an epistle, under the dominance of "How you believe and love when not seeing, what we see in ourselves not believing"

Undefined before this stable, we pray about the mother when she arrives, and we will pray about her mother when she leaves ..., he is physical for those who admit him as a divine man and he is vainglorious to those who do not, who do not tire his limits, do not move the fence of its three-quarters demarcated, entering the non-demarcated spirit, as a mobile emotional, encircling a father and his image beyond because it escapes our reason and faith, but it is beyond or closer to what is usually a voluntary desire that it always remains, if it is the Messiah, everything accepts it in your mistakes of reprimanding after erasing the trial of your random Being reprimanded, what the error feeds in you, your active mind digests. Here we are extended, faced with the anti-faith and distended anti-will, underlying a new tradition that will need to re-live it and know it, if those of us who follow continue to speak of ethnic faith or the naturalness of multiple tasks of their intolerances.

Little Joshua says: “My fingers disobey me because they are far from my mother's. When I want to bring my visions closer to him, I throw myself at his gaze to ask him permission. But more than anything that takes us north, it flows faster than my shadow feeding on the light of the epistle. I sing and sing the wills that come from so far away, but I am distracted by looking and seeing those who organize an altar not so far from it…, up here on the roof. I feel without knowing and without knowing how behind them is my Father, and next to them in line the flag of the multitudes who sing to me of haughty brave and Lord for those who are not. I never tire of talking about the beams, they flex with the horses of the universe, and the dimensions that intercepted with my passion, in my tension that falls compressed and falls reluctantly at the moment of tired inertia. The prism makes me fasten with the portions of the stable arches, and this in the creaking of my doubts in the desert of Jericho. The torsion in its mechanics as a noble, unbearable beam does what my reflective pains endure, so as not to stress the beams of others. From Nazareth to Bethlehem, a great effort to sustain the tension and torsion of the mechanics of the altar, in the hands of those who fall weightless without feeling the weight that their burden is relieved on my back. In this slender mass and geometric beam wood, the daily calculations that my father does when he is tired to support the world and my back are deformed, and when he is on impulses beyond them ..., he deforms what torsion does on it and does on the other Meridian angles. And why I as his son do not interpret one-dimensionally...? whose axis and radius I never knew how to understand, making me wisely ignorant, taking me from their clothes tightly and from the mysteries that go beyond a constant creation in a stable "

The Semitic Aramaic language was presented in this Eucharist, on the Kafersuseh, of Joshua, he took his father in the stable with all those who came to see him, he looked at them beyond for thousands of years who will come to meet the humanity that he lay grazing, always addressing them in Aramaic parables. While below the kings gave him offerings from the East, above beyond the ****** beams, was King David consecrating him. Behind the King was the Father Creator supervising the thousands that his son Joshua would parley with Aramaic languages, when the thousands of future are consecrated alive in their astral bodies to the right of the Menorah, together beyond the archangels surrounding each one.

Joshua watched with attention as his Aramaic lingual field went farther from Bethhlemem, beyond Kafersuseh, where, and from the evanescent height, he was answered by a shed of the canopy of the beam, which leaned on the stars, populating its trapezoidal back for a provincial development in his non-verbal escape, losing his unborn language, entering Aramaic, through the divine membranes that descend through his olfactory halo language. However, he was already beginning to descend from the roof, to go to the base of the peasant Christians who adored him and praised him horizontally, lavishing him with water to distribute on their hands and faces, beyond their visions. Joshua looked at Joseph and felt that his Aramaic was already his, but he would go early walking towards the Garden of Olives ..., towards Gethsemane, to meet his frank three-dimensional language, towards his Creator father, surrounding them with Lepidoptera that broke the Chrysalis plaguing the taxa of Aramaic micro languages, to take them to their Father, who would wait for him in a further ceremonial on the flat slopes that converged with him, in a language that could one day be lost as a dead language. However, this Aramaic tongue will go in placebo on these pollinating Lepidoptera, they will go from the sacred regions to Gethsemane from their celestial visions to Kafersuseh.

In their homogeneity, as dialects began, the impetus of the Lepidoptera would be reborn; traveling in night groups, to Gethsemane, on the same day that Joshua came into the world in the Aramaic lights.  In the phylogeny (the one who loves his linguistic charisma) as in the relation of kinship between species or taxa in general. as a linguistics term that is also historical to refer to the classification of human languages according to their common origin, the term that will be used mainly in its biological sense, since it is this characteristic that makes it tireless to travel the same day that the Messiah comes to the world. build the walls to support his reign, with the walls that will protect his epistle in an apostolate world, to be built on a night of siren rumors, when Joshua was born and his Aramaic language traveled from the upper beam, above the roof of his stable, to arrive with his biological lepidopteron lingual species to pollinate Gethsemane, to migrate from that moment his word, knowing that his body would be lost before those who tire their eyes by not being able to decipher or read.

Thus transferring pollen from the stamens to the stigma of receptive of the flowers in the angiosperms that populated the golden olive orchards, mounted on the vectors of the aforementioned pollen they will be gone and navigated in more olive trees by the bees that would carry these strains from the Kafersuseh in Bethlehem, to preserve the language of Joshua moral. Although even the new labors of humanity, thus going astray as an unpreserved language, not even imaginable at the birth of a Messiah until the beginning of a Gethsemane in Body and a united Aramaic language, with an invisible Aramaic body to those who do not they will be able to see cheering the migratory flight of the Lepidoptera, interspersed with bumblebees, bees and wasps carrying gold, myrrh, and incense to Kafersuseh and to Gethsemane.
Kafersuseh
One-Dimensional Beams
Ryan O'Leary May 2019
&#$ if one presses
the capital button
whilst writing 734.

I prefer &#$, it has
a **** connotation
since # is symbolic.

Jacob Rees Mogg
should write about
the cat @ number 10.

Mogg on Moggy
(the kitty letter)
by Jacob Rees Mug.


ps.

His book sold a mere
734 copies.
Ryan O'Leary Aug 2019
Unlike La France, where all
nouns have a Masc. or Fem.
gender, such as Un or Une
Le or La, Ireland has no such
language accommodations
but for the word **** (La, Une)

Since the advent of #MeToo
and of course Rees Mogg's
book on grammatical etiquette,
it is illegal for a male to say in
the presence  of females, **** Me.
Women with men can say **** Me.  









quand étonné
Ryan O'Leary Aug 2019
I'm going to publish a
book of the poems I wrote
pertaining to bread.

As I have only been shelf
educated, a friend of mine
has suggested editing.

Apparently, I've been
putting bread stops in
all of the wrong places.

But help is at hand in no
other than the Tory MP
Jacob Rees Mogg crumb


https://www.theguardian.com/commentisfree/2019/aug/04/jacob-rees-mogg-tough-on-grammar-relaxed-on-social-misery
Joseph Sinclair Jan 2022
Oh, Boris told such dreadful lies,
One just gazed wide-eyed at the skies,
Astounded at support from these
Parliamentary colleagues
Who rallied to their leader’s cause,
Secure in the male menopause.

Gove, Michael, who was quite gung-**
Wanted to believe him, though
In trying to maintain his credence
While avoiding intercedence
Got his knickers in a twist
Which hardly pleased a hedonist.
But may have done so, had not he
Been faced with obvious perfidy.
For once, towards the end of work
He realised that the stupid berk
Had joined a party out-of-doors,
Knowing there was nothing worse,
But given the alternative,
Was doggedly conservative.

While as for dear effete Rees Mogg
Whose mind was often in a fog,
Though evidently of good breeding,
Slept through parliament’s proceeding.
And in The Mogg Cast Jacob wrote
“Unquestionably” – and I quote:
“The PM is an honest man”.
What brave words from a loyal fan.

He seemed to share with Donald Trump
A failure to maintain the ****
Of his supporters who only lasted
So long as he felt they could be trusted.
Thus Priti Patel with whom, besotted
He must have been, for when she blotted
Her copy book, he kept her in
The Cabinet, despite a sin
That others, far beneath her station,
To leave had had no hesitation.

But once, towards the close of day
Hearing merry sounds of play,
Bojo took his health in hand
Ignoring rules from his command.
“No-one tells me what to do”
Quoth he, “I’m off to have a few.”
“Allow me, please, to beg your pardon
And join my colleagues in the garden.”

It was not long before a tide
Of censure came from every side.
From Kensington and Camden Town,
From Aberdeen and County Down.
The premier has been found out
As if there could be any doubt,
For, after all, his lying skills
Had long replenished the gristmills.

When young he suffered from glue ear
So, what he did not want to hear
In later life, he could ignore
And simply choose to underscore
His frequent absurd recklessness
On the misfortune of deafness.

At Oxford in the Bullingdon
His drunkenness was quite well-known.
His early exploits as a Yuppy;
Flirtation then with Darius Guppy.
As editor of the Sextator
With thanks, doubtless, to his Creator
More flirtations, some quite grave;
“Who, sir?  Me, sir?  I’m no knave”
But Petronella at his back
Could not avoid the sack by Black.
Earlier it was the Times;
Distortions were his major crimes.


And, finally, to Downing Street
Where the circle is now complete,
Surrounded by his faithful lackeys,
Standing up for the Iraqis,
Risking the enmity of *******
Whose Durham trip was unbecoming,
Though not condemned at all by Boris
As extinct as a brontosaurus.


His lies have not grown any sweeter
They’ve more in common with a foetor,
When embarrassment heads his way
He simply takes off for the day:
“Sorry for this Obfuscation
I have to go to King’s Cross station
To provide a possible disclaimer
For my absence from the Chamber.”
Daan Apr 2019
Via via ongehoorde kronkelwegen
zag hij *** de peilen stegen.
Water rees, ijs smolt,
leiders zetten akkefietjes on hold
om te bespreken
*** we zonder
bij een god te smeken
daar onder
uit komen en boven uit steken.
Best zwaar tegenwoordig
Mateuš Conrad Jul 2018
/                           that make-shift idea for a boxing
glove with
a missing buckle...
          application?

                          forgot st. andrew...

huh?

on the knuckles!
the knuckles!
you need to
strap the belt into
an X, over the knuckles:

to ease the stress...
    basic arithmetic:

   4 X 3

      four knuckles,
three gaps between them...
    X covers the "soft spots":

plus a belt isn't exactly
a boxing glove...
   but it can be...

   when you learn to unlearn
rolling a rizla sponsored cigarette...

oi woi wocky: woo!

   ******* hulligan...

              i was so fed up with
the "peaceful" nature of the people
around me...
  that, i... simply had to start
punching myself in the face;

shame, to be honest:
         i almost could have loved
having shared "syringes"
of a bloodied nose...

   but it was always like:
hmm... brush-over...

                  kieran o'mahoney
though?
                now that was a treat,
punched the ****** right at
the kidney's genesis of
outer flesh...
                     cried like a *****...
turned out to be a night club gorilla...

nice irish, plenty of freckles...

not as bad as i turned out:
"poet" -
        certainly without a rhyme...
and certainly no paragraph
grasp...
    but a 3rd chemistry degree from
edinburgh...

       chubby *******
i'd love to sink my knuckles in...
who?
     kieran...      (kee-         -ran)...

with someone like
                jacob rees-mogg?
can't exactly fight them...
   but... you almost want to **** on them;

******* doesn't even know
how to boil an egg, with the 'ay 'e speaks!
can't be daft and be: astute with
a "coowect" english...
    maharaj... r'ah r'ah:
                      jolly... *******!

i'm starting to think about
his adam's apple...
      a bit like i'd think about an oyster.
Charles Brookfield - 1893
William Gillette - 1899-1930 - 1,300 performances in 30 yrs.
Sherlock Holmes movie Baffled - 1900 Silent/Short - Max Goldberg
John F. Preston - 1900
Charles Rice – 1904
Karoly Baumann - 1905
Maurice Costello - 1905
Viggo Larsen – 1908
Alwin Neub – 1908, 1911, 1914
Otto Lagoni - 1910
Holger Rasmussen – 1911
Mack Sennett – 1911-1912
George Treville - 1912
Harry Benham - 1913
James Bragington - 1914
Francis Ford - 1914
H.A. Saintbury – 1916
Hugo Fink - 1917
Sam Robinson - 1918
Eille Norwood - 1921 Silent short movie - The Dying Detective
Burt Lytell - 1921
Dennis Neillson-Terry - 1921
John Barrymore – 1922
Hamilton Deane – 1923-1932
Tod Slaughter – 1928, 1930
Richard Gordon – 1930-1933, 1936
Clive Brook – 1929/1930/1932
Arthur Wontner – 1931- 1937 – Movie Series
Raymond Massey - 1931
Robert Rendel - 1932
Reginald Owen - 1933
Felix Alymer - 1933
Louis Hector – 1934-1935, 1937
Bruno Guttner – 1937, 1939, 1942-1943
Orson Welles - 1938
Basil Rathbone - 1939-1946
Cedric Hardwick – 1945
Tom Conway – 1947
Howard Marion-Crawford - 1948
John Stanley – 1948-1949
Alan Napier - 1949
Alan Wheatley - 1951
John Longden - 1951
Laidman Browne - 1951
Carleton Hobbs - 1952-1969
Ronald Howard - 1954/55 (39 episodes)
John Gielgud - 1954-1955
Peter Cushing - 1959, 1968, 1984
Christopher Lee - 1962, 1970, 1992
Douglas Wilmer - 1964
John Neville - 1965, 1970, 1978
Robert Stephens - 1970
Stewart Granger – 1972  
John Cleese – 1973
Larry Hagman - 1974
Robert Powell - 1974
Rolf Becker - 1974
John Wood – 1974-1975
Leonard Nimoy - 1976
Douglas Wilmer - 1976
Roger Moore - 1976
Nicol Williamson - 1976
Kevin McCarthy - 1977
Christopher Plummer - 1977
Peter Cook - 1977
Paxton Whitehead - 1978
Barry Foster - 1978
Geoffrey Whitehead - 1979-1980
Graham Armitage - 1979-1980, 1985
Keith Mitchell - 1979
Charlton Heston - 1980
Frank Langella - 1980
Vasily Livanov - Russian T.V. - 1979-1981, 1983 & 1986
John Moffatt - 1981
Guy Henry - 1982
Tom Baker – 1982  
Ian Richardson - 1983
Peter O’Toole – 1983 (animated T.V. films – Australian)
Jeremy Brett - 1984-1994
Nicholas Rowe - 1984
Guy Rolfe – 1984
Dinsdale Landen - 1987
Tim Pigott-Smith – 1987
Anthony Higgins – 1987
Michael Pennington - 1987
Roger Rees - 1988
Ron Moody - 1988-1989
Clive Merrison - 1989-1998, 2002, 2004, 2008-2010
Edward Woodward - 1990
Simon Callow - 1990
Richard E. Grant 1992
Robert Powell – 1993
Patrick McNee – 1993
Anthony Higgins – 1993
1998-2019:  John Gilbert - Episodes 1-18
                     Lawrence Albert - Episode 20
                     John Patrick Lowrie - Episodes 21-65 & 67-until
                     Dennis Bateman - Episode 66
Jason Gray-Stanford – 1999-2001 – Animation
Matt Frewer – 2000-2001
Joaquim de Almeida - 2001
Richard Roxburgh - 2002
James D’Arcy - 2002
Andrew Sachs - 2004
Rupert Everett – 2004
Jonathan Pryce - 2007
Javier Marzan – 2007
Roger Llewellyn – 2009
Robert Downey Jr. 2009 & 2011
Ben Syder – 2010
Nicholas Briggs – 2010-2018
Igor Petrenko - Russian T.V. Series - 2013
Benedict Cumberbatch - 2010-2016
Christian Rode – 2010, 2014
Anthony P.D. Mann - 2011 (More like a thriller "spoof" by V Movies)
Samuel Tady – 2011, 2014, 2017-2018 (Tady Bros. Productions/on YouTube)
Johnny Lee Miller – 2012-2019
Benjamin Lawlor - 2013
Seamus Dever - 2014
Ian McKellen – 2015
Euan Morton – 2015
Gregory Wooddell - 2015
Paul Andrew Goldsmith – 2015-2016
Ewen Bremner - 2016
Jay Taylor – 2017-2018
Yuko Takeuchi – 2018 (HBO Asia – female ‘Holmes’)
Orlando Wells - 2018
Johnny Depp – 2018 (animation)
Will Ferrell – 2018
Nicholas Boulton – 2020
Henry Cavill - 2020
Ethan Bell – 2020 (Fan Film on YouTube)
Ethan Thomas Jung – 2020 Fan Adv.
      (Vagabond Repertory Theater Company—YouTube)

This list is not exhaustive. however, these are some of the
many actors who have played Sherlock Holmes on stage,
screen, radio and T.V. adaptations.
Mateuš Conrad Jul 2018
/                                             between  
  boris johnson
&
jacob rees-mogg;

i'd choose the former,
at least he can fake it
and looking plain-dumb
stupid - just ready
to 'ed off to the turkish
barbers...

the latter?
  
   the **** acknowledged that
he can't boil, a ******* egg!

    cymdeithas
               yr iaith gymraeg -

watch me reshape that:

      çýmdéithās

           ýr           íāíθ

                     gým' ra' 'eg.

i've heard him talk this
crap!
  
             this half-shelved precious
of a quasi-****
at the barbers with
his hairline: fold...

   no!
                     he bakes
me a ******* cup-cake, i'll ellect him:
if not?
   back to the back-benching imitating
atlas poses of:
  oh, i suppose i'm supposed
to do something, or be of some use...

get, the, ****, out, before,
the mob starts playing hyenas!
   leave it to the buffon quasi-imitation
of the blonde quiff!
    
the empire is over, jackie, or jack,
or whatever you transgender
pervs like to call themselves...

             **** it...
           dox me... do what you can...
i know that there are two crucial
points on my body,
the arteries...
       one under my right armpit,
the over near my collar bones...

   i stap both these points...
i'll bleed out
   the other: most perfect, answer.
                      
charles the third isn't going to
be about "tea" minus wit:
zee keeng...

        half wits of the house of commons!

neither is his son!

      ugh!
                ****-wits!

can i just **** you off
while you die off ******* off your
pretentious accents on a, ******* guillotine?!
Ryan O'Leary Jan 2019
Brexit's Being Bruged
even more, as we speak.
Jacob Rees-Mogg, the no
******* Catholic with his
Opus Deity Doctrine of
self importance, just put
an oxidised gauntlet over
the red hand of Ulster,
galvanising the border
with a corrugated vision
obscured by Myopia.
Ryan O'Leary Apr 2022
Rees Moggy

There is no need for night,
Everyone knows that, the
Technology has been here
Since Edison’s discovery.

The reason governments
Continue with darkness is
For MP’s to exploit the law
They sleep during the day.
Ryan O'Leary Nov 2021
UK All Backs

Captain, Priti Patel to adopt
push back scrum tactics to
deal with the unwanted who
are attempting to land in UK.

Boris to Back a Haka at the
Cliffs Of Dover with the rest
of The Tory Party, Rees Mogg
will be on dog patrol, Kent!!

We will fight them at sea, we
will fight them on the beaches, we
shall defend the island whatever
the cost may be.
Ryan O'Leary Mar 2019
Bet you a quid
Rees Mogg is amid
those who support
Theresa's new bid.
Ryan O'Leary Aug 2019
Known as the cream or the
Eton elite (but not edible).

Rees Mogg, according to a blog,
is as mad a a bandy coot, though
he's got the loot and power to boot.

An orthodox Catholic, opposed to
abortion but not to starvation.

Let them eat cake, we are paying
them a dole from assets of empire
that our ancestors stole.

— The End —