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"narration" poems
Precarious Life Migration in the Age of Globalization Various Strife Cessation in the wage of translation Starvation in our under age narration Is opportunity worth the cost Bifurcation of our to be nations Will we make it across Vicariously rife Location of our permanent vacation Hilarious fife Hesitation in the living wage stagnation Resignation of our own home nation Will anything become lost Frustration in this age of relocation Will we make it across Gregarious life Migration in the age of inflation Precarious Life Stagflation been gauged with low expectations Automation when we enrage damnation It shall be worth the cost Fixation on a whole new acclimation Will we make it across
0
Nov 2, 2014
Nov 2, 2014 at 2:46 PM UTC
2. Ballade
dear girl, i would like to apologize on behalf of those that will never. the world lied to you since you were old enough to balance a book to listen, retain, consume without question i would like to apologize on behalf of those that informed you your value is calculated by the sum of your parts that you are worth the contrast of fat deposits over the angles of fragile bones i would like to apologize on behalf of those pining characters they wrote you, every soul with a haunting disposition who was given the noble ambition to invoke longing within those that remain on the outside of the glass because the songs that were sung on the radio cast you as the the inspiration but when they painted you lips for love they denied you the language of narration and you lived your life thinking you could invoke magic if you were only willing to wait your entire life for someone else to conjure it i am sorry that we filled your head with empty adjectives to whisper in your ear that you were nothing unless validated by the eyes of strangers seeing you as nothing more than a commodity for which to window shop and consume and when they abandoned their casual browsing their wants transcended your right to exist and it was you they chose to invade to tear open because after all, you were man made a nail scratching a rib a void to fill up with whatever poison they thought you’d look sexier choking on dear girl, i would like to apologize on behalf of the fact that you remain unnamed, an improper noun a caricature, a statistic, a silhouette on the back window mouth a perfect oh that will never know words i am sorry that the second you entered the world with two X’s they would reduce you to an exquisite tragedy, place them over your eyes and declare that the death of a beautiful woman is the most poetic thing in the world i would like to apologize because this world was never quite big enough to hold you and we knew and we saw and we opened our mouths, took a breath, and we closed them
0
Jul 24, 2016
Jul 24, 2016 at 3:28 AM UTC
dear girl
dear girl, i would like to apologize on behalf of those that will never. the world lied to you since you were old enough to balance a book to listen, retain, consume without question i would like to apologize on behalf of those that informed you your value is calculated by the sum of your parts that you are worth the contrast of fat deposits over the angles of fragile bones i would like to apologize on behalf of those pining characters they wrote you, every soul with a haunting disposition who was given the noble ambition to invoke longing within those that remain on the outside of the glass because the songs that were sung on the radio cast you as the the inspiration but when they painted you lips for love they denied you the language of narration and you lived your life thinking you could invoke magic if you were only willing to wait your entire life for someone else to conjure it i am sorry that we filled your head with empty adjectives to whisper in your ear that you were nothing unless validated by the eyes of strangers seeing you as nothing more than a commodity for which to window shop and consume and when they abandoned their casual browsing their wants transcended your right to exist and it was you they chose to invade to tear open because after all, you were man made a nail scratching a rib a void to fill up with whatever poison they thought you’d look sexier choking on dear girl, i would like to apologize on behalf of the fact that you remain unnamed, an improper noun a caricature, a statistic, a silhouette on the back window mouth a perfect oh that will never know words i am sorry that the second you entered the world with two X’s they would reduce you to an exquisite tragedy, place them over your eyes and declare that the death of a beautiful woman is the most poetic thing in the world i would like to apologize because this world was never quite big enough to hold you and we knew and we saw and we opened our mouths, took a breath, and we closed them
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76
Pushing a key oh how it brings me glee; Content even happy in simple existence; Many may not want to be just like me, For a dry dreary job takes a work of persistence, But each button I press is a step to success. Merely a man without a choice, Only a puppet with no voice As I wait for direction with keen apprehension; I stare at the screen first perplexed then distraught; I see no coworkers it fills me with tension; What was that? Was it just a thought? A voice in my head, now it fills me with dread. He must choose to make a choice, To give his mouth a voice “Stanley,” says he, “walked out his office”; ‘Stanley’ is that honestly my own name? This voice I don’t trust, I will be very cautious; I shut my closed door so all will stay the same; The voice has not parted, I’m back where I started; How? The end is never the end is never the end “Stanley,” says he, “walked out his office”; Shall I play with him in his own little game? My other decision was not quite that flawless; I walk outside and am filled with no shame; “Rejoice, you’ve made the one right choice”. Now he’s a man in a world of choice, The one employee that has a voice I come to two doors and feel a great sensation; “Walk through the door that's to your left” What should I think of his clear calm narration? I walk to the left, trying to be quite deft; “You must not try to be uncouth, my words they simply speak the truth”. Does he really have a choice? Are the words his own real voice? The constant dictation is no consolation; I am led into a secret new door; What I now see is a mind control station But how do I know what is real anymore? Does this place control me, or the voice within me? This is the chance to make a choice, His opportunity to put forth a voice "Will you close down the station boy? "Or put its full force into motion? What choice do I have but to follow the story? 'Mind control', I'm dismayed at the notion; I think I heard the voice inside me just scoff, I turn the station off. Only a character in a fixed plot line, He does not see a contrasting sign Now I am free but it brings me no glee; Maybe I should have put up some resistance; Merely existing means nothing to me; I must now question my unclear subsistence; The voice has not parted, I'm back where I started. A man with a choice, He has a voice
0
Nov 16, 2014
Nov 16, 2014 at 11:53 AM UTC
Stanley's Choice (based off "The Stanley Parable")
Pushing a key oh how it brings me glee; Content even happy in simple existence; Many may not want to be just like me, For a dry dreary job takes a work of persistence, But each button I press is a step to success. Merely a man without a choice, Only a puppet with no voice As I wait for direction with keen apprehension; I stare at the screen first perplexed then distraught; I see no coworkers it fills me with tension; What was that? Was it just a thought? A voice in my head, now it fills me with dread. He must choose to make a choice, To give his mouth a voice “Stanley,” says he, “walked out his office”; ‘Stanley’ is that honestly my own name? This voice I don’t trust, I will be very cautious; I shut my closed door so all will stay the same; The voice has not parted, I’m back where I started; How? The end is never the end is never the end “Stanley,” says he, “walked out his office”; Shall I play with him in his own little game? My other decision was not quite that flawless; I walk outside and am filled with no shame; “Rejoice, you’ve made the one right choice”. Now he’s a man in a world of choice, The one employee that has a voice I come to two doors and feel a great sensation; “Walk through the door that's to your left” What should I think of his clear calm narration? I walk to the left, trying to be quite deft; “You must not try to be uncouth, my words they simply speak the truth”. Does he really have a choice? Are the words his own real voice? The constant dictation is no consolation; I am led into a secret new door; What I now see is a mind control station But how do I know what is real anymore? Does this place control me, or the voice within me? This is the chance to make a choice, His opportunity to put forth a voice "Will you close down the station boy? "Or put its full force into motion? What choice do I have but to follow the story? 'Mind control', I'm dismayed at the notion; I think I heard the voice inside me just scoff, I turn the station off. Only a character in a fixed plot line, He does not see a contrasting sign Now I am free but it brings me no glee; Maybe I should have put up some resistance; Merely existing means nothing to me; I must now question my unclear subsistence; The voice has not parted, I'm back where I started. A man with a choice, He has a voice
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57
He topped coffee with melanin as if there wasn’t even blackness set in rigid processes and routines days in and out of smoking numbed his brain to senseless cells and he dreamt of dreams I never hold poetry was just pretentious to him a narration of my soul and heart every word I wrote to him was a spell the curse of his native Englishness every adjective was a clocked tense and he never understood my words nor heard my melodies and rhythms and as he rode, sure it was like a dog lost in sense, an escapism of reality the puffs turned to paranoid tales those sudden withdrawal and panics drove me away to the deepest forest   and my very bones felt his distaste collapsed in manipulation and new age his push always became my push and the pulls up became my polar Such a little boy with no ultimate direction Locked in the abyss of the faded memories
0
Jul 22, 2018
Jul 22, 2018 at 4:00 PM UTC
1.Declarations on a window sill (series)
She comes to class and goes “There’s bees in my Head” Then pulls out Another mug Of coffee Which happens To be the cause Another comes Face on the verge of tears “He did it again!” We all know who “He” is Then proceeds to Accept hugs While giving An in depth narration Another comes in “I’m, just, dying” She proceeds to get More hugs While another friend Calls her “hot” And she insists she’s not The fourth comes in She’s been sacrificing Her free time To attend this class And her sad tired smile Says it all She gets hugs too And here I am In the middle Suffocated ... Am I emotionally immature? Am I too much of a cynic? Is it me, or is it them? Am I just different? Or too self conscious? ... Why do they have so many problems? ... Then class starts And I turn to our model, A plastic skeleton dubbed -Bony Bonez And lose myself In the charcoal
0
Oct 3, 2018
Oct 3, 2018 at 8:34 PM UTC
Art Class can be Suffocating
As I contemplated the project of writing a persuasive essay I discovered that I would have to have a topic upon which to practice my persuasive techniques .  After much cogitation and enumeration of my possibilities , pursued with such zeal that it soon resembled pedantic ostentation , I concluded that the most positive prospect I could pursue in this endeavor would be an attempt to prove irrefutably that I deserve a grade of A in this class ; if not for the undeniable excellence of my effort , then at least for the unadulterated audacity of my pretentious assertion .   In order to perform this feat first I must overwhelm your developing consternation , the frozen mastodon of your auspicious judition .  To accomplish this I will cite my impeccable attendance ; which although not perfect was indeed a valiant effort in the face of public opinion whose abstinence approached epidemic proportions .  I will expound on the effectual and pervasive inspirations of my in class commentary , which sparked many a heated argument or thoughtful conjecture ; and comment on the polished precision of my in class narration .  I will reiterate the diversity and intrigue of my subject matter and the competence of my delivery . Next , with all the dynamic aggression of a wind-up tyrannosaur , I will recapitulate and exemplify my arguments ; until the ramifications of my inductive collusions exceed the boundaries of your psychic phenomenon and you are forced to acquiesce into impunity .   Yes I will indeed proceed to exceed the parameters of your mind , until mesmerized by the multitudes of analogous content you find yourself , disguised as captain corpuscle , floating euphorically down stream in a think box mind gram dingy towards a sea of Colorado cool aid .  Then as if all that were not enough to thoroughly torque your ringer , adamant and tenacious I will portray realms of intellectual austerity so intriguing you will be raised to new heights of enigmatism , and then I will leave you , enraptured with your own anonymity , at the edge of the new world freeway .
0
Jan 13, 2013
Jan 13, 2013 at 8:03 PM UTC
Persuasion
As I contemplated the project of writing a persuasive essay I discovered that I would have to have a topic upon which to practice my persuasive techniques .  After much cogitation and enumeration of my possibilities , pursued with such zeal that it soon resembled pedantic ostentation , I concluded that the most positive prospect I could pursue in this endeavor would be an attempt to prove irrefutably that I deserve a grade of A in this class ; if not for the undeniable excellence of my effort , then at least for the unadulterated audacity of my pretentious assertion .   In order to perform this feat first I must overwhelm your developing consternation , the frozen mastodon of your auspicious judition .  To accomplish this I will cite my impeccable attendance ; which although not perfect was indeed a valiant effort in the face of public opinion whose abstinence approached epidemic proportions .  I will expound on the effectual and pervasive inspirations of my in class commentary , which sparked many a heated argument or thoughtful conjecture ; and comment on the polished precision of my in class narration .  I will reiterate the diversity and intrigue of my subject matter and the competence of my delivery . Next , with all the dynamic aggression of a wind-up tyrannosaur , I will recapitulate and exemplify my arguments ; until the ramifications of my inductive collusions exceed the boundaries of your psychic phenomenon and you are forced to acquiesce into impunity .   Yes I will indeed proceed to exceed the parameters of your mind , until mesmerized by the multitudes of analogous content you find yourself , disguised as captain corpuscle , floating euphorically down stream in a think box mind gram dingy towards a sea of Colorado cool aid .  Then as if all that were not enough to thoroughly torque your ringer , adamant and tenacious I will portray realms of intellectual austerity so intriguing you will be raised to new heights of enigmatism , and then I will leave you , enraptured with your own anonymity , at the edge of the new world freeway .
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4
You’re wishing plus wanting to win the other side remove your pride, you untied tidal pool, the wide subdivide of these paper pages. Unrelenting numbers remind you of the next stages, taking you wildly to Namibia, surrendering you to Zimbabwe, the terminal station. The narration vocalizes the translation of quotations, your obligation to the violation of the rules, the regulations, vulgarization of spoken word. Pretty paintings plaster typecasts, the pitter-patter of pity’s pretty ****** quickly shifting refurbished velvet sofas. Overcast symphonies outlast witty recast stanzas, scores with notes naturally quote verses romancing seltzer spines noticing the negotiation of sore throats. Oblivion’s oblivious to the people, obnoxiously obscene with syncopated saturation of public vital signs. You’re the vain strain of virus photocopying yourself within skin, waste your sin on tattoos trapped on shins safety pins selecting prints pinning sets of twins to tanned wrappers protecting official reports. The ossuary welcomes records printed on thick paper suspiciously missing skeleton swords. Writing stories reversed while tipsy, quickly preforming risky poetry smog, sweetly omitting secret words, trying to spell simply without the proper prologue.
0
Feb 17, 2013
Feb 17, 2013 at 1:52 PM UTC
Tuesday
You wanted a love like in the movies; rain drenched white shirts, palms covered in daisy pollen; I love you more than-- a phone call, long distance, your fingers curling the telephone wire like you're pulling me towards you like a fibre optic pheromone. Soundtracks of a jazz piano, and old jukebox hits, flared skirts and Mary Jane shoes, square dancing. But most of the time, we don't get to choose the colour of the bedsheets. In this story, I know you're going to leave me. I can sense the zoom of your eyes, rolling away from me. The lighting in the room, like the ones where something awful is about to happen: a sad, sick orange like a cheap sunset; the music, or lack thereof, the way you bite your lip like you're about to break my heart. You look to the ground, and I know this is where the narration will start; *this is the story of the first time someone broke my heart.   She's going to look up at me and say the words, It's all over-* and in a jump frame the thunderclap will mask the sound of my heart shattering, the sob disappearing into my throat. You wanted a love like in the movies, honey, we all did. But then the rain came, and the flowers drowned in their beds. You left your umbrella by the doorstep, I hope you don't catch a cold.
0
May 1, 2018
May 1, 2018 at 10:11 AM UTC
Lessons From The Screenplay
*understandably the english language over-uses the pronouns per se, but it's not conscious of it, poets can become conscious of this strategic blunder without the language ever realising.* over-usage of pronouns in poetry reveals ambitious & amateurish quillsmith crafting: not enough nouns; i bet the narration concerns are but a way to sideline casual politics, a lack of the english sense of personal space: fickle eroticism of teenagers when it was only an intended handshake.
0
Jan 7, 2016
Jan 7, 2016 at 7:48 PM UTC
over-usage of pronouns in poetry
sleepy eyes open glimpse high ceiling red wood beams house built in 1920s glance out window tree tops blue skies mountains in distance flock of birds flying east chirping sounds passing car engine accelerates inhale deep breath through nose stretch legs plantar dorsal flex feet raise arms over head stiffness in shoulder feel strange sensitivity in right pectoral above ****** cautiously examine with hands feel coarse lump growing more like nub smell moss glare down at growth protruding from chest panicky by soreness rise from bed to mirror on closet door tree stem jutting out from chest inspect dark bark like calloused growth little leafs budding this cannot be race in nervous tantrum run to bathroom suffer painful weight pulling me down clutching carrying foliated limb with arms see myself in mirror horrified stagger back to bed lie on right side branch resting on mattress breathe anxious breaths reexamine pectoral area feel sinewy roots spreading under skin across chest up neck down over stomach waist legs forget how to get home disorientated nauseous exhausted what is this flora invading me ******* kafka metamorphosis post-modern hyper-real narration without accountability jorge luis borges metaphor without mindfulness fairytale run wild jean baudrillard simulacrum psychosis room now filling with plant undergrowth stinking of earth dirt gooey slugs worms shells bugs festering climbing towards windows voracious for light warmth moisture blocking out morning sun entire body trapped in tangled twisted leafy twigs excruciating pain fright lungs gasping suffocating encroaching darkness fatigue loss surrender wake up 4 AM from nightmare scared to fall back to sleep
0
Mar 6, 2010
Mar 6, 2010 at 3:45 AM UTC
remember to water garden
sleepy eyes open glimpse high ceiling red wood beams house built in 1920s glance out window tree tops blue skies mountains in distance flock of birds flying east chirping sounds passing car engine accelerates inhale deep breath through nose stretch legs plantar dorsal flex feet raise arms over head stiffness in shoulder feel strange sensitivity in right pectoral above ****** cautiously examine with hands feel coarse lump growing more like nub smell moss glare down at growth protruding from chest panicky by soreness rise from bed to mirror on closet door tree stem jutting out from chest inspect dark bark like calloused growth little leafs budding this cannot be race in nervous tantrum run to bathroom suffer painful weight pulling me down clutching carrying foliated limb with arms see myself in mirror horrified stagger back to bed lie on right side branch resting on mattress breathe anxious breaths reexamine pectoral area feel sinewy roots spreading under skin across chest up neck down over stomach waist legs forget how to get home disorientated nauseous exhausted what is this flora invading me ******* kafka metamorphosis post-modern hyper-real narration without accountability jorge luis borges metaphor without mindfulness fairytale run wild jean baudrillard simulacrum psychosis room now filling with plant undergrowth stinking of earth dirt gooey slugs worms shells bugs festering climbing towards windows voracious for light warmth moisture blocking out morning sun entire body trapped in tangled twisted leafy twigs excruciating pain fright lungs gasping suffocating encroaching darkness fatigue loss surrender wake up 4 AM from nightmare scared to fall back to sleep
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1
pap pap pap I can't breath my stomach is bubbling like hot cheese on an fresh oven pizza my legs feel skinny I want to lean into a wall the floor looks spinny the wainscoting is squint my vision is blurry because...tears? Why is there worry in my middle? I feel fine, my mind is sound this fear isn't mine what’s it doing here? What is this panic? Fight or flight I understand, but this is plain manic. I need to go at top speed or maybe hide? Either way, be freed from this distress. pap pap pap Push someone over, human shield that **** reduce my exposure to hyperventilation. Shallow in, shallow out, I feel akin to sprinting Mufasa Pure distress acute discomfort, a proper mental problem. Nonetheless, it’s strange to foresee the diagnosis. It’s as if I’m watching from someone else’s skin as alligator clamps are botching holding my physiology in. A sunburn on my innards, a paperweight within you’d think I’d feel pride for finally having something wrong. Hypochondria being accurate the years of inventing doom, suddenly isn't aberrant those fabrications had substance. Or maybe all these thinks are symptoms in themselves after sifting through piles of shrinks, maybe I can finally get some help. pap pap pap Look at my pretty framed prescription, doctor certified, messy handwriting, this will take some decryption... don’t worry, take your time, this pathoreaction won't go away. I’m told desolation is a temperament set to stay until after eighteen simple payments. I’m inclined to reject treatment of drugs that fiddle with the mind I’d rather stay present, continue inconsistency. I would like to try narration, see how many kilometers I can recall. I can deal with frustration, so let’s talk about my childhood. Public transit without destination sends me on a revere, an absence of crippling desperation. I've found peace before it was between yellow poles, in the outside pocket of a backpack on parole. It smiled at me quietly. pap pap pap Apparently, it’s the small things that help you deal with anxiety.
0
Jun 23, 2013
Jun 23, 2013 at 6:10 AM UTC
Anxiety
pap pap pap I can't breath my stomach is bubbling like hot cheese on an fresh oven pizza my legs feel skinny I want to lean into a wall the floor looks spinny the wainscoting is squint my vision is blurry because...tears? Why is there worry in my middle? I feel fine, my mind is sound this fear isn't mine what’s it doing here? What is this panic? Fight or flight I understand, but this is plain manic. I need to go at top speed or maybe hide? Either way, be freed from this distress. pap pap pap Push someone over, human shield that **** reduce my exposure to hyperventilation. Shallow in, shallow out, I feel akin to sprinting Mufasa Pure distress acute discomfort, a proper mental problem. Nonetheless, it’s strange to foresee the diagnosis. It’s as if I’m watching from someone else’s skin as alligator clamps are botching holding my physiology in. A sunburn on my innards, a paperweight within you’d think I’d feel pride for finally having something wrong. Hypochondria being accurate the years of inventing doom, suddenly isn't aberrant those fabrications had substance. Or maybe all these thinks are symptoms in themselves after sifting through piles of shrinks, maybe I can finally get some help. pap pap pap Look at my pretty framed prescription, doctor certified, messy handwriting, this will take some decryption... don’t worry, take your time, this pathoreaction won't go away. I’m told desolation is a temperament set to stay until after eighteen simple payments. I’m inclined to reject treatment of drugs that fiddle with the mind I’d rather stay present, continue inconsistency. I would like to try narration, see how many kilometers I can recall. I can deal with frustration, so let’s talk about my childhood. Public transit without destination sends me on a revere, an absence of crippling desperation. I've found peace before it was between yellow poles, in the outside pocket of a backpack on parole. It smiled at me quietly. pap pap pap Apparently, it’s the small things that help you deal with anxiety.
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90
our journaling discipline formed in six steps: Narration some warmup words perhaps drawing or photo pen now at ready where we jump in.. Emptying first we list what's to be emptied put it all down pleasures and pains.. Removing these are obstacles label future and past futilities recognized we've trimmed our list.. Anchoring with shorter list peering behind entries find lurking there Light of the moment.. Listening this is Creation WE are creating cleansing the old Writing new birth.. Reflecting mind now diffused a Cycle made clear a Voice was heard new Narration appears.. ***Now WE step into our day riding our Cycle pedaling our Way...!***
0
Mar 18, 2013
Mar 18, 2013 at 10:05 PM UTC
Journaling Cycle
The film starts with narration from Mother Nature herself, discussing an experiment with Father Time that went horribly wrong; On the fictional island of Wongo she has created a tribe where the men are brutish & ugly & the women exceedingly beautiful. She then creates another tribe on a nearby island called Goona where the women are repulsive & the men are strong and handsome; For years the two tribes lived unaware of each other's existence, until ape men from across the ocean attack the village of Goona. The tribe sends the son of their king to seek help against the invaders. The son finds the island of Wongo the day before the village men are to pick their brides & the women, seeing the handsome prince, begin questioning their life among the ugly brutes that dwell in their village. The men growing jealous of their visitor, plan to **** him. The women of Wongo, finding out about the plot, risk their lives to protect the handsome prince, in doing so offending the crocodile god of the Wongo people [portrayed by stock footage of a crocodile and rubber model]. The women are rounded up by the village men & sent into the wilderness until the reptile god has drawn blood for the slight; The women banding together, watch each other's backs until the ape men arrive at their village & the women dispatch the invaders to their god, the women then leave in search of the men that had abandoned the island of Wongo. In Goona, the men begin their rite of manhood, in which they go into the jungle without weapons for a month. The women of Wongo coming upon the weaponless men, decide to take advantage of their helplessness & one by one, claim them in marriage; The film concludes with all the beautiful men and women married & the ugly men with the ugly women.
0
Aug 27, 2018
Aug 27, 2018 at 9:49 PM UTC
The Wild Women of Wongo
The film starts with narration from Mother Nature herself, discussing an experiment with Father Time that went horribly wrong; On the fictional island of Wongo she has created a tribe where the men are brutish & ugly & the women exceedingly beautiful. She then creates another tribe on a nearby island called Goona where the women are repulsive & the men are strong and handsome; For years the two tribes lived unaware of each other's existence, until ape men from across the ocean attack the village of Goona. The tribe sends the son of their king to seek help against the invaders. The son finds the island of Wongo the day before the village men are to pick their brides & the women, seeing the handsome prince, begin questioning their life among the ugly brutes that dwell in their village. The men growing jealous of their visitor, plan to **** him. The women of Wongo, finding out about the plot, risk their lives to protect the handsome prince, in doing so offending the crocodile god of the Wongo people [portrayed by stock footage of a crocodile and rubber model]. The women are rounded up by the village men & sent into the wilderness until the reptile god has drawn blood for the slight; The women banding together, watch each other's backs until the ape men arrive at their village & the women dispatch the invaders to their god, the women then leave in search of the men that had abandoned the island of Wongo. In Goona, the men begin their rite of manhood, in which they go into the jungle without weapons for a month. The women of Wongo coming upon the weaponless men, decide to take advantage of their helplessness & one by one, claim them in marriage; The film concludes with all the beautiful men and women married & the ugly men with the ugly women.
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35
hi how high are you? my body is shaking within my own skin my grin shows how high my state of mind is my thoughts lined with pleasant daydreams theme undecided nothing guided only my imagination with my own narration long duration **** hits, never quits visits from old memories carries me away as if a glistening new boat was swaying me away from shore I swore my body was moving to the feel of the waves moving, and grooving proving I am who I am through my dreadlocks and poetry this is my story glory, just exquisite no, not really its ordinary I'm going to cut to the chase life is no race, I'm slowing growing flowing through my deepest emotions my devotion is enlightenment brighten my eyes and live in the moment all thats crucial, with the brutal past and the frightening future let my worries become flurries of snowflakes laid upon the earth and not my shoulders weight like a boulder in the eye of the beholder I hear sweet tunes of floyd feel the keys on my fingertips with every motion smell the stale smoke of cigarettes and marijuana this high as brought nothing but good thoughts and positive energy and talkative vibes nothing describes the uplifting enjoyment won't stop drifting shifting from planet earth to my own birth of reality
0
Sep 21, 2014
Sep 21, 2014 at 8:17 PM UTC
hi how high are you?
basic arithmetic in terms of punctuation, otherwise? simply the arithmetic of punctuation: what does (,) equal? what does (.) equal? what does (:) equal? what does (-) equal? what does (;) equal? come on, quick! quick! give me a number! to think, is to not narrate,                                much of what is regarded as    "thinking", simply becomes as art of narration        that is sofa-bound, i.e. so comfortable that it feels it has no inclination toward the use of hands as ever being idle, it simply replaces   hands with a tongue...                     hence: idle speech,                 hence political speech; so if the "devil" has work for idle hands, then "god" has work for the idle zunge                                        (tongue)... but most people don't think,    because their thinkling is solely about narrating,                   their day-to-day...                and i appreciate this custom, in the cognitive realm...          i really do...               how many jokes ushered into the void of one's silence, neither whisphers, nor hummings, nor whistling...         wiser still, essentially unchanged... but heidegger's aphorism no. 285    really bothers me...             the reader looking into the narrator given the existentialist inverted commas    (iberian inverted questioning    ¿   ?          that's the first step toward    an iberian existentialism)                         said the third person,     with third party sources, the middle man, the second person, and then the reader   of the writer's original testimony?    if northern existentialism (french / german...   the english were too reactionary, and too easily bored by the continental drift)        encompasses the tool that's "      "    then the iberian tool has to be the inverted question mark, i.e.       ¿   ?, sitting comfortably? no? how about a wheelchair... let me just break your legs and your spine.        but aphorism 285: "worldview",      "grounding", "configuring"...        i don't understand this allocation of ambiguity, and an italic stress on da-sein / da-sein...    aren't all the three descriptive elements /    adjectives the purposive sentiments for                    originating the concept of dasein? i had to counter with an iberian existential tool...    after all i said, 'he said', "we said"...                                   it's a third party medium of supposed ambiguity...          if there's a santa claus (satan's clause), then there's pontius pilate's clause,   found in the existential tool of     double-ditto "     "   or as the english like to say: inverted commas;    or the ritual: of washing your hands clean    from passing the judgement...    they're citation marks to be honest, come on, let's be pompous, they donned 19th top-hats      at ascot's horse races! who's fooling who?
0
Jun 26, 2017
Jun 26, 2017 at 7:25 AM UTC
iberian existentialism contra northern existentialism (¿qua? vs. "qua")
basic arithmetic in terms of punctuation, otherwise? simply the arithmetic of punctuation: what does (,) equal? what does (.) equal? what does (:) equal? what does (-) equal? what does (;) equal? come on, quick! quick! give me a number! to think, is to not narrate,                                much of what is regarded as    "thinking", simply becomes as art of narration        that is sofa-bound, i.e. so comfortable that it feels it has no inclination toward the use of hands as ever being idle, it simply replaces   hands with a tongue...                     hence: idle speech,                 hence political speech; so if the "devil" has work for idle hands, then "god" has work for the idle zunge                                        (tongue)... but most people don't think,    because their thinkling is solely about narrating,                   their day-to-day...                and i appreciate this custom, in the cognitive realm...          i really do...               how many jokes ushered into the void of one's silence, neither whisphers, nor hummings, nor whistling...         wiser still, essentially unchanged... but heidegger's aphorism no. 285    really bothers me...             the reader looking into the narrator given the existentialist inverted commas    (iberian inverted questioning    ¿   ?          that's the first step toward    an iberian existentialism)                         said the third person,     with third party sources, the middle man, the second person, and then the reader   of the writer's original testimony?    if northern existentialism (french / german...   the english were too reactionary, and too easily bored by the continental drift)        encompasses the tool that's "      "    then the iberian tool has to be the inverted question mark, i.e.       ¿   ?, sitting comfortably? no? how about a wheelchair... let me just break your legs and your spine.        but aphorism 285: "worldview",      "grounding", "configuring"...        i don't understand this allocation of ambiguity, and an italic stress on da-sein / da-sein...    aren't all the three descriptive elements /    adjectives the purposive sentiments for                    originating the concept of dasein? i had to counter with an iberian existential tool...    after all i said, 'he said', "we said"...                                   it's a third party medium of supposed ambiguity...          if there's a santa claus (satan's clause), then there's pontius pilate's clause,   found in the existential tool of     double-ditto "     "   or as the english like to say: inverted commas;    or the ritual: of washing your hands clean    from passing the judgement...    they're citation marks to be honest, come on, let's be pompous, they donned 19th top-hats      at ascot's horse races! who's fooling who?
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65
I can still remember. That burning feeling of inspiration, bubbling up through my body. It dominated me, defined me, led me to believe that I was my own hero. A protagonist on a quest, a road to travel on, certainty in my bones. Driven by love through the narration of my world, my story. Words overflowed from my heart. Staining the tracks, pages, and lilies of my life with my fire. Every heartbeat resounded like the clanging of a tower's bells. Each ring dictating time, order, purpose, place. I can still remember. The lingering taste of coffee on my tongue, my face sore from smiling. Hours spent talking and listening. The content of my life summarized like chapters of a book. The way my heart vaulted when your eyes met mine. It was like the moon pulling at the tides. Giving the waves motion and momentum. So I spilled my ink and blood, writing you into the story. I can still remember. What it was like when it was over. I hadn't realized I had been living in a cell. Scrawling my visions of the world onto every inch of those four walls. Diagrams and diatribes, the things I considered to be myself. Going mad in the most wonderful fashion. As I left I saw them for what they were. Mosaics and memorials. Poison and poetry. The passionate magic of first and finals, the ****** taste of loss. But **** it was beautiful all the same. I can still remember. What it felt like to move on. The taste of freedom and fresh air, an urge to defy what was. And become something more again. But suddenly, the bleeding in my heart slowed. The resounding clangs of my inner bells softly faded. It took years, But one day I reached inside myself Expecting to feel the fire burning inside me. I can still remember. The dread that came with the lack of heat. The soul of myself, the definition of me as the hero. Was only embers now. The easy numbness that washed over me. The determination and inspiration that was me had left. I was broken, as I always was. But I no longer knew myself as beautiful. I was not a protagonist. I had written myself out of my own story, slowly but surely. There was no quest, no journey, no one to save or be saved by. Just whatever I have become. I hope one day to remember. My clumsy and earnest return to form. When my heart again bled ink and crackled with flame.
0
May 5, 2017
May 5, 2017 at 3:21 PM UTC
Embers
I can still remember. That burning feeling of inspiration, bubbling up through my body. It dominated me, defined me, led me to believe that I was my own hero. A protagonist on a quest, a road to travel on, certainty in my bones. Driven by love through the narration of my world, my story. Words overflowed from my heart. Staining the tracks, pages, and lilies of my life with my fire. Every heartbeat resounded like the clanging of a tower's bells. Each ring dictating time, order, purpose, place. I can still remember. The lingering taste of coffee on my tongue, my face sore from smiling. Hours spent talking and listening. The content of my life summarized like chapters of a book. The way my heart vaulted when your eyes met mine. It was like the moon pulling at the tides. Giving the waves motion and momentum. So I spilled my ink and blood, writing you into the story. I can still remember. What it was like when it was over. I hadn't realized I had been living in a cell. Scrawling my visions of the world onto every inch of those four walls. Diagrams and diatribes, the things I considered to be myself. Going mad in the most wonderful fashion. As I left I saw them for what they were. Mosaics and memorials. Poison and poetry. The passionate magic of first and finals, the ****** taste of loss. But **** it was beautiful all the same. I can still remember. What it felt like to move on. The taste of freedom and fresh air, an urge to defy what was. And become something more again. But suddenly, the bleeding in my heart slowed. The resounding clangs of my inner bells softly faded. It took years, But one day I reached inside myself Expecting to feel the fire burning inside me. I can still remember. The dread that came with the lack of heat. The soul of myself, the definition of me as the hero. Was only embers now. The easy numbness that washed over me. The determination and inspiration that was me had left. I was broken, as I always was. But I no longer knew myself as beautiful. I was not a protagonist. I had written myself out of my own story, slowly but surely. There was no quest, no journey, no one to save or be saved by. Just whatever I have become. I hope one day to remember. My clumsy and earnest return to form. When my heart again bled ink and crackled with flame.
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52
Left bank beards in Beat hotel rooms, a boulangerie breakfast down the street and to the left, and for lunch fresh baked bread and brie. Letters sent home to fathers and mothers singing sweet serenades of Paris dressed up in autumn shades, cheques for the royalties that'll get them to Belize to write and swoon, chat up ladies in the early afternoon; where hotel fees that are treble those in the 5th, bookshop stalls that'll never be found another closing-down-establishment myth. They were climbing with oxygen long before we came along, base camp poems written under floor lamplight right before the eyes of others. Jett powered prose and wine in the light sleight-of-hand punctuation and uptight editors looking for finer narration.
0
Jun 28, 2013
Jun 28, 2013 at 3:52 PM UTC
Cambridge Is No Paris, Yet Fine Wine Exists
I'm not saying that this is how it is But, In all my years of school the one thing I've been taught Again and Again ... is the American Revolutionary war Which makes sense since, it was technically the official formation of the country I currently live in But really, In 10th grade I'm having deja-vu back to fourth grade when we even had a musical about it (I was student #2 by the way) And now we have the Broadway musical Alexander Hamilton which, I am TOTALLY a fan of Despite the numerous reoccurring themes I've had stuck in my face enough to remember for the rest of my lifeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee ... Okaaay, So, Revolutionary War: ... ... ... AftertheFrenchandIndianwarBritianwasindebtsotheytriedtaxingthecollonieswhichthecolloniesweretotallyagainst.Miscommunication(allthewayacrossthesea)alongwithotherthingsincludingphrasessuchas"notaxationwithoutrepresentation"werethrownaround.EventuallyitjustblewupintotheactualwarwhichAmericaendedupwinningdespiteBritain'ssuperiorarmyandinthenAmericawasleftwithamessofstatestanddisagreeablefoundingfatherstocometoaconsensusandfiguresomethingout. Okay, I don't know if you actually got anything from that but basically it was a rushed (sort of) summaryish of the American Revolutionary war ... ish. Well, I mean I've only learned about it from one side Anyway, by now I almost know the facts we learn in school here as well as the back of my hand ... which I don't know very well by the way why do people even use that? Anyway, it's not completely old material that we're learning because now, there's analyzing too Just today we analyzed the differences between Federalists and Anti-federalists ... Okay, you probably don't want the nitty-gritty details ... And that concludes my (Strange) tirade/(I can't really call it a tirade because it wasn't angry so maybe narration?) About history class ... Hope this quirky piece of writing gave you a few smiles! (Or if not confusion works too.)
0
Sep 26, 2018
Sep 26, 2018 at 7:26 PM UTC
My Tirade about History Class
I'm not saying that this is how it is But, In all my years of school the one thing I've been taught Again and Again ... is the American Revolutionary war Which makes sense since, it was technically the official formation of the country I currently live in But really, In 10th grade I'm having deja-vu back to fourth grade when we even had a musical about it (I was student #2 by the way) And now we have the Broadway musical Alexander Hamilton which, I am TOTALLY a fan of Despite the numerous reoccurring themes I've had stuck in my face enough to remember for the rest of my lifeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee ... Okaaay, So, Revolutionary War: ... ... ... AftertheFrenchandIndianwarBritianwasindebtsotheytriedtaxingthecollonieswhichthecolloniesweretotallyagainst.Miscommunication(allthewayacrossthesea)alongwithotherthingsincludingphrasessuchas"notaxationwithoutrepresentation"werethrownaround.EventuallyitjustblewupintotheactualwarwhichAmericaendedupwinningdespiteBritain'ssuperiorarmyandinthenAmericawasleftwithamessofstatestanddisagreeablefoundingfatherstocometoaconsensusandfiguresomethingout. Okay, I don't know if you actually got anything from that but basically it was a rushed (sort of) summaryish of the American Revolutionary war ... ish. Well, I mean I've only learned about it from one side Anyway, by now I almost know the facts we learn in school here as well as the back of my hand ... which I don't know very well by the way why do people even use that? Anyway, it's not completely old material that we're learning because now, there's analyzing too Just today we analyzed the differences between Federalists and Anti-federalists ... Okay, you probably don't want the nitty-gritty details ... And that concludes my (Strange) tirade/(I can't really call it a tirade because it wasn't angry so maybe narration?) About history class ... Hope this quirky piece of writing gave you a few smiles! (Or if not confusion works too.)
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81
He looks at me with question in his eyes, His mouth moving but not saying anything, His ears cocked towards me like a dog, Listening attentively. By holding my hand he encourages me, His smile making a request. “I’m here for you, to help you out, so say what comes to your head.” I begin with my monologue, and tell him the tales of my heart. What has me down and worried, I share with him un-flinchingly. He holds my hand when it gets difficult, as if compassion flows through his veins. His mind is void of any judgement. Throughout the narration, all his senses motivate me. “Come out with it!” they say together. To my heart it’s a life boat you see!? Because in this age of all the blabber. It’s hard to find a good listener. A listener who wants to know you better, And help you out genuinely. As I finish my tale he hugs me tight, Letting me know he understands. And in the future if there comes a bumper, then I can always hold his hand.
0
Jun 10, 2013
Jun 10, 2013 at 2:31 PM UTC
Qualities of a good listener
Sprung, from beauteous filth, The lies and gradation of the un wed saints Hung, from gracious guilt, The death and oration of the un sung and faint Led, from grounded earth, The soulless narration of the unloved taint Believing is all when your all is a lie, The smell of defeat in the blink of her eye, The way you never fail to surprise the easily shockable, Revealing that all was a lie of your life, The decay of a scent from the skirt of the pile, The path you never chose to really surmise the unreadable, uncollectable Paid, to believe this girth, The salt and salvation of unborn wealth, Laid, the solution of all their faith, The untouchable wrath and indignation of lifeless whelps, Said, to ears that deceive all truth, The unsinkable feeling you and your friends try not to avoid Swaying in time to a common hope thief, The guileless age and her sense of relief, I thought i just told you to leave love at the door, Poison and ruptured the stale old lies, A night of betrayal and blood on these tiles, Faithless, inauguration a purpose that you belie, Lover, sweet mother, joker, and harpies with scales combine, Hater, sweet undertaker, all is within, a touch to cold skin and a world you can't deny, Believers, my underachievers, fornicate how to the march of the rain, a lifelong ambition that's driven in pain, a rusty disease that you spread with a knife, a guiltless decision made by his wife, a turning old format that withers and screams, a breathless recognition, we all fail to grin, just wait on the inkline to say what you want, I’m turning these covers and buying the bought, ******* the sweetness to boldly deny, that all these suspicions were aroused in the night, a turning, a quickening, a life on the rails, this one ****** mess i can't wash from my nails, so thorough, so clean, yet so impure it's not true, i tried to remake what i thought couldn't be you, but all indication now points to my spine, the tossing and yearning beneath valentine, i am the weather that spoils your day, please hold my ears as she screams my name.
0
Nov 25, 2011
Nov 25, 2011 at 4:48 PM UTC
And in this glove....
Sprung, from beauteous filth, The lies and gradation of the un wed saints Hung, from gracious guilt, The death and oration of the un sung and faint Led, from grounded earth, The soulless narration of the unloved taint Believing is all when your all is a lie, The smell of defeat in the blink of her eye, The way you never fail to surprise the easily shockable, Revealing that all was a lie of your life, The decay of a scent from the skirt of the pile, The path you never chose to really surmise the unreadable, uncollectable Paid, to believe this girth, The salt and salvation of unborn wealth, Laid, the solution of all their faith, The untouchable wrath and indignation of lifeless whelps, Said, to ears that deceive all truth, The unsinkable feeling you and your friends try not to avoid Swaying in time to a common hope thief, The guileless age and her sense of relief, I thought i just told you to leave love at the door, Poison and ruptured the stale old lies, A night of betrayal and blood on these tiles, Faithless, inauguration a purpose that you belie, Lover, sweet mother, joker, and harpies with scales combine, Hater, sweet undertaker, all is within, a touch to cold skin and a world you can't deny, Believers, my underachievers, fornicate how to the march of the rain, a lifelong ambition that's driven in pain, a rusty disease that you spread with a knife, a guiltless decision made by his wife, a turning old format that withers and screams, a breathless recognition, we all fail to grin, just wait on the inkline to say what you want, I’m turning these covers and buying the bought, ******* the sweetness to boldly deny, that all these suspicions were aroused in the night, a turning, a quickening, a life on the rails, this one ****** mess i can't wash from my nails, so thorough, so clean, yet so impure it's not true, i tried to remake what i thought couldn't be you, but all indication now points to my spine, the tossing and yearning beneath valentine, i am the weather that spoils your day, please hold my ears as she screams my name.
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27
I am destiny of yours~ I am your end~ be my beginning~We are the words never spoken~the silence between the heart beats~ we are the melodies of the songs wind will sing~Follow me as the shadow in the setting sun~Play as the melody of my favorite love song~Gift me the presence of your company~Be my anchor~You are like my best poetry~ I think of you~ and you run away~In the space between the pause~with each breaths~with each heartbeat~I realized that there is always a soft spot for you inside of me~You’re the prayer that sits on my lips~ Yours is the name~ that my heart chants night and day~I want to watch you as you write~To see the way you sit and the way you hold your pen~ I want to see your emotion created by narration~I want to wake up to ~your breathe on my neck for the rest of my life~And I want to wake up~ to a kiss on my forehead forever~I just want to crawl inside the creases of your smile and tickle your dimples with the tips of my eye-lashes so you can stay smiling forever~I would hold you as your tears fall~I would catch them with kisses ~I would hold your hand , listen To your pain~ I would be there for you~Let me be the first person~ you think of talking to when you are sad~Let my soul dance on the rhythm of your beat ~ let my heart hold you in a naked embrace ~ where we let each other see our flaws with grace~In the soft morning light ~I watch you Some kind of angel from another world~here for just a short time & only for a moment will you be mine…….I AM destiny of yours, I am your end be my beginning.
0
Aug 3, 2014
Aug 3, 2014 at 4:23 AM UTC
"Be My Beginning"
I am destiny of yours~ I am your end~ be my beginning~We are the words never spoken~the silence between the heart beats~ we are the melodies of the songs wind will sing~Follow me as the shadow in the setting sun~Play as the melody of my favorite love song~Gift me the presence of your company~Be my anchor~You are like my best poetry~ I think of you~ and you run away~In the space between the pause~with each breaths~with each heartbeat~I realized that there is always a soft spot for you inside of me~You’re the prayer that sits on my lips~ Yours is the name~ that my heart chants night and day~I want to watch you as you write~To see the way you sit and the way you hold your pen~ I want to see your emotion created by narration~I want to wake up to ~your breathe on my neck for the rest of my life~And I want to wake up~ to a kiss on my forehead forever~I just want to crawl inside the creases of your smile and tickle your dimples with the tips of my eye-lashes so you can stay smiling forever~I would hold you as your tears fall~I would catch them with kisses ~I would hold your hand , listen To your pain~ I would be there for you~Let me be the first person~ you think of talking to when you are sad~Let my soul dance on the rhythm of your beat ~ let my heart hold you in a naked embrace ~ where we let each other see our flaws with grace~In the soft morning light ~I watch you Some kind of angel from another world~here for just a short time & only for a moment will you be mine…….I AM destiny of yours, I am your end be my beginning.
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1
she whispers poetic metaphors comprised of beautiful words into thirsty ears and watches as hungry eyes become enveloped with stars as they imagine the beauty of her love she tells them ¨he is the earth and i am his moon orbiting around him¨ orbiting for him but you see an orbital´s path is not paved by love for she often asks herself if she was really in love at all or was it simply his proximity which so forcefully pulled her in for closeness is what tore the moon from her own established path amongst the stars when she encountered the inescapable gravity of another celestial body the moon diminutive and frail in comparison had no choice but to succumb to the earth´s captivation and redirect her path to assume a new orbit around a new focus instead of progressing forward she now knows nothing but the same hideous loop and like a scratched record it repeats itself over          and over                            and over                                             and over again and every taste of freedom simply brings her careening even quicker around the next corner until she becomes all too familiar with the same series of events so she convinces herself she's fallen in love then that she's fallen back out of it again except she hasn't really fallen anywhere her mind simply adapts a new narration for the same spiral storyline she never really loved him for while they were close momentum prevented their hearts from ever truly touching (for if the moon and the earth drifted too close they would collide) and she will never know now that she has become entranced by a new planetary orbit and as she tells the story of how the moon fell for the earth the paradox of orbitals was the perfect disguise for her sinister love x.
0
Jul 21, 2018
Jul 21, 2018 at 6:16 PM UTC
the paradox of orbitals
she whispers poetic metaphors comprised of beautiful words into thirsty ears and watches as hungry eyes become enveloped with stars as they imagine the beauty of her love she tells them ¨he is the earth and i am his moon orbiting around him¨ orbiting for him but you see an orbital´s path is not paved by love for she often asks herself if she was really in love at all or was it simply his proximity which so forcefully pulled her in for closeness is what tore the moon from her own established path amongst the stars when she encountered the inescapable gravity of another celestial body the moon diminutive and frail in comparison had no choice but to succumb to the earth´s captivation and redirect her path to assume a new orbit around a new focus instead of progressing forward she now knows nothing but the same hideous loop and like a scratched record it repeats itself over          and over                            and over                                             and over again and every taste of freedom simply brings her careening even quicker around the next corner until she becomes all too familiar with the same series of events so she convinces herself she's fallen in love then that she's fallen back out of it again except she hasn't really fallen anywhere her mind simply adapts a new narration for the same spiral storyline she never really loved him for while they were close momentum prevented their hearts from ever truly touching (for if the moon and the earth drifted too close they would collide) and she will never know now that she has become entranced by a new planetary orbit and as she tells the story of how the moon fell for the earth the paradox of orbitals was the perfect disguise for her sinister love x.
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79
And I built shrines in my eyes to you to mourn what I never had but still held onto. Dove into an ocean of profound blue only to come out still nothing anew. I look out at fig trees ponder like the Greek’s great Socrates question my disease, the words I can’t release. My life spinning all around him orbitals of light grown dim. Through space you cannot swim from the sins you have been condemned. If I am mad as they say how do I still walk the driveway? Worship on the Lord’s day; get down on my knees and pray? Faithful I am, still, to the life I have lived however disguised. Loving, as I will when all has died. Everything you’ve seen is advertised, a movie set in frames the tape up in flames. How tired she is of playing your games, mouths running to blame. Me? I am just fine. Owing it all to bottles on bottles of sparkling wine, to you and your redesigned view of the dividing line. If you wake a girl from her dreams the gentle chug of a mind’s machine will it break down, by all means? It’s better to let her softly scream. Than distract from the will of inspiration, of art and death's flirtation. Continue the persisting narration speak her mind, give it standing ovations!
0
Nov 16, 2018
Nov 16, 2018 at 3:01 PM UTC
Diver on the Deep End
Umbrella green rain upset  harmless stripped And because of thunder children snapped their fingers like jazz enthusiasts Milk obsessed rats rant and render their own insanity Passing three winged' angels in the street flowing serenity Friends are best left in the mind and in the heart But do not stray too far from them For loneliness is a cold touch without love or hate We are lucky to be feeling anything at all The dead lie still The weak do too The strong move The courageous seek The other side of The hill Music moves underneath the fog of the sun Near the flower garden the tourists roam free A minds eye is a terrible thing to waste Getting to know yourself through sleep is revealing When is the next time for tea? Your gibberish speaks things to me That nothing in this world has ever done What is the color of genius? What is the feeling of epiphany? Where do the dead flowers grow? Packaged up Sent off Read up The critics scoff Growing old near the swamp the shanty town sways Old culture rusts blood brown and neon orange The bills are on the fridge and being cashed yesterday Another day passes as the clock strikes 13 A friend brushes past another in a party and they smile They do not speak for there is history there Marking calenders for future experiences in all planning aside There is nothing like chaos to introduce you to yourself As I walk down the sidewalk, pass the cleaners, I see fiction Moving under the trees, breathing the sea, I see narration Talking to the barista, laughing lines, I see dialogue Shakespeare penned the highest and the lowest of us all And I think Bukowski was right there with him too Watch a marble roll down the street Observe each crack and the path it takes We are very much the same way Define your cracks, your bumps, your potholes And see where they have taken you See what became of you after the hard times. This year Apricots will writhe in the trees Like a worm on a fishing hook. The sea is foaming at the mouth, And we are children All over again.
0
Jan 3, 2014
Jan 3, 2014 at 2:08 PM UTC
All Over Again
Umbrella green rain upset  harmless stripped And because of thunder children snapped their fingers like jazz enthusiasts Milk obsessed rats rant and render their own insanity Passing three winged' angels in the street flowing serenity Friends are best left in the mind and in the heart But do not stray too far from them For loneliness is a cold touch without love or hate We are lucky to be feeling anything at all The dead lie still The weak do too The strong move The courageous seek The other side of The hill Music moves underneath the fog of the sun Near the flower garden the tourists roam free A minds eye is a terrible thing to waste Getting to know yourself through sleep is revealing When is the next time for tea? Your gibberish speaks things to me That nothing in this world has ever done What is the color of genius? What is the feeling of epiphany? Where do the dead flowers grow? Packaged up Sent off Read up The critics scoff Growing old near the swamp the shanty town sways Old culture rusts blood brown and neon orange The bills are on the fridge and being cashed yesterday Another day passes as the clock strikes 13 A friend brushes past another in a party and they smile They do not speak for there is history there Marking calenders for future experiences in all planning aside There is nothing like chaos to introduce you to yourself As I walk down the sidewalk, pass the cleaners, I see fiction Moving under the trees, breathing the sea, I see narration Talking to the barista, laughing lines, I see dialogue Shakespeare penned the highest and the lowest of us all And I think Bukowski was right there with him too Watch a marble roll down the street Observe each crack and the path it takes We are very much the same way Define your cracks, your bumps, your potholes And see where they have taken you See what became of you after the hard times. This year Apricots will writhe in the trees Like a worm on a fishing hook. The sea is foaming at the mouth, And we are children All over again.
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53
It kills my high when venom is spit This enclosure, unlike mine, comes with a ****** narration Mine hears birds and owls wolves and crickets and bats and sees quite often starlight smells burning wood regrettably the occasional crisp arachnid Commonly scents of Cannabis Sativa, rarely Indica Incense, and punks There are sights of resin tables, half-inflated air mattresses, and ***** on the fence Cling of fence gate Car Cry of relief or adventure heat sleep aimlessness
0
Jan 29, 2013
Jan 29, 2013 at 10:10 PM UTC
Direction