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Sue Dunhym May 2011
How treacherous.
How boring.
It was a time between three and four.
A time between eleven and one.
The pre-emptive witching hour.
The incidental grey area.

My mind was a-buzz.
My thoughts were flashing.
I knew not what they were,
But I was morose and melancholic.

I could not work.
I could not sleep.
I could not think.
Chaos had become my order.
And infinity had become my moment.

Then, there ahead of me,  
Stood two women,
Straight and strong.
One was a Siren
The other, a Muse.

I thought hallucinations.
Perceived ideas through a ******* mind.
But alas, they were real.
I touched them and reacted.

Warned against their poison.
Their mercuric tongues.
Their stolen hearts.
Their arachidonic souls.
And their odd Tsavorite eyes.

They walked.
I followed.
Into a labyrinthine hive,
They sauntered.
Nonchalant angels,
Indifferent to my stalk.

In the centre, there lay
An abyss.
They sat on the edge
And beckoned me
Forth.
I accepted, curious, yet cautious.
And through the Song of the Siren,
And the Myth of the Muse,
The blackness beckoned.

I fell, I flew to my mind’s end.
Accepted my descent, unknowingly.
The air was still. The tunnel black.
And I landed softly.
Alone. Safe. Hungry.
So, I walked to the edge.
The Siren waited. Offered her tail
And walked.

Crawled into smoke, was a Rat.
The Siren pointed, then followed
The smoke.
Rat awoke, to run to my foot,
Up my leg and towards my shoulder.

Rat pointed too,
So I walked to the edge
To appear in water.
Glistening and moist
Stood the Muse,
With a smile on her lips.

Again her tail led me,
As Rat jumped to the Muse.
We glided in the water,
Blinded in the dark,
Until we reached a cave, having dodged the rocks.

Inside, I was left,
Save for Rat.
The Muse flew off, a smile on her lips.
Drowning, by my waist, was a rodent. Erinaceous and small.
I lifted it up and placed Hedgehog on the opposite shoulder.

Hedgehog thanked me,
And showed me the way.
A niche in the rock.
We entered, all the same.

On the other side was a bed.
There lied the Siren and the Muse.
Seductive and Bare.
I was pulled forth.
Their tails were strong.
Their tongues were mercury.
Their hearts were stolen.
Their souls were arachidonic.
Their eyes were Tsavorite.
I was poisoned all along.

In vapid lust,
Morose passion,
Melancholic ecstasy,
It ended.
They have left me
Only with Rat and Hedgehog.

Here I will die.
Led to be abused.
All that shall be known
Of my boring and treacherous
Witching hour
Is this story.
I dedicate it to
The Muse,
The Siren,
Who are but one girl.
And to Rat, Hedgehog and me
Who is but one *******.
copyright of TP Flusk
(It was an attempt at a narrative poem, please give conventions as well)
I am a miner. The light burns blue.
Waxy stalactites
Drip and thicken, tears

The earthen womb

Exudes from its dead boredom.
Black bat airs

Wrap me, raggy shawls,
Cold homicides.
They weld to me like plums.

Old cave of calcium
Icicles, old echoer.
Even the newts are white,

Those holy Joes.
And the fish, the fish----
Christ! They are panes of ice,

A vice of knives,
A piranha
Religion, drinking

Its first communion out of my live toes.
The candle
Gulps and recovers its small altitude,

Its yellows hearten.
O love, how did you get here?
O embryo

Remembering, even in sleep,
Your crossed position.
The blood blooms clean

In you, ruby.
The pain
You wake to is not yours.

Love, love,
I have hung our cave with roses.
With soft rugs----

The last of Victoriana.
Let the stars
Plummet to their dark address,

Let the mercuric
Atoms that ******* drip
Into the terrible well,

You are the one
Solid the spaces lean on, envious.
You are the baby in the barn.
Marti Oct 2013
Madly
in my silence
The rush of knowing before the spoken thought
the act of placing the moment in between my words
changes it
its not the same, because time is fluid, memories are mercuric
seconds are of infinite depth
but the words just can't sing that
the meaning behind the world
the loneliness
a wolfs howl that strains against my lungs in the supermarket
the tear the sits behind my eyes on the train
the caged something inside me that drives me to find some way to set it free
it wants to dance
on the currents in the wind in the trees that roar when they shake but the sound is small
when its up against the stars
There are no vibrations on the air, in the light, in the nothing
that can set my something free
yet still it screams inside of me
it laughs with unadultured elation
and cries with horrible soul shattering convulsions
it moans with passion at the touch of fingertips on my back, at the turn of lips not mine
it wonders at tiny crystal snowflakes, and streetlights, and insects trapped in amber
and defiantly drags my hand
once more
across this page
haint gonna mock ridiculous science
     asper to be bled
dark practices to leech out mailer daemons,
     not so laughable nor in cred

double, when oppressed diabolical  dread
oompah loompah fealty l'chaim fled
as hand grenades explode within my head
mettlesome monsters

     make mercuric chrome dome feel like a led
zeppelin with fractured stairway to heaven in stead...
delivers me zombies, where angels fear to tread  
cuz, the devil and psyche did wed

shotgun Swedish crow did house mafia style
wrenched, wrested wretched
     mental state most intense (no croc) dial
shattered, slewed, splintered sanity,
     thus practitioner with "FAKE" know how aisle

apprentice Aunt Roadie,
     who will skewer me evil spirits den da deuce
till I beak home one sacrificed overly cooked goose
a burnt offering shish kabob

     no longer able to raise cane on the loose
like a red bull
     rocky on the shoals of a frantically angry moose
livid with rage
     (akin to diary of mad a housewife)
   entropy written, where death will be only truce

pyromaniac qua ramshackle shanty (tinderbox)
     unleashes wicked zeal
hellacious incendiary juiced ride
     up plies noisome rubbery odor,

     sans hot wheel
along the outer limits of functionality explosions
     precipitate like drops of molten steel
routing hunger, searing nostrils,
     tearing tenuous fragile tethered tendrils

     self cannibalizing via tooth and nine inch nail      
     linkedin with nauseousness as thine meal
exemplary asper full blown panic attack
     lodged within mine genetic blooper print deal.
NJ Brown Feb 2019
He is my vermilion
His cheeks adorned with the love of the sun
His scarlet hair caught in the gaps of my fingers
Burning passion into my lungs.
A reason to keep breathing

He is my vermilion
Before him I was all but a black hole, my life sinking into oblivion
Lifeless living until he- a mercuric sulfide gem had me falling head first

For him I paint the blue left of me, red
Every time his chest is where I lay my head
Pieces of him have fallen through the crevices of my broken heart
Now I hurt every time we have to part

I fell in love with him before I even knew
Now that I do
He is the colour of my love
He is the colour of my life
Bobby Copeland Jan 2021
slide down impulsive lover spring
give succor to my ailing soul
i'll not repent the imaging
of soft mayflowers round the pole
some sweet & innocent warm air
you make where my recovery
in seasons that do not despair
remaking ground from aspen tree
mercuric goddess come again
that i may find that hidden song
discover what should long have been
pure joy which comes where you belong
reclaim slick pleasure summers bring
accept my ardent reckoning
home of my rebirth
where the hut smoke
with charcoalic flames
ramming my ebony skin
where the forgery of steel
is display by blacksmiths
that invoke the gods to wield
where stories of unity,
conquest and slavery
was told
where huts habits all
strangers with love
as we share our food
and water in brotherhood
of humanity, without division
o Africa o Africa
your blood flow in me
thy knowledge and
posits we're uncivilized
your circus display
on the plain of ****** marks
we wear as gold
o Africa the shining star
mother of all the continent
species of color you mutate
under your climate rays of Sun
shines unleashing men build of
mystic power of thoughts
as their vein flow with mercuric
prowess, which none can have
Africa is the origin of life

Written by
Martin Ijir

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