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Once, far away, Andalusia of time.
Was I, this dreamer, this student of crime.
Devouring textbooks with a gluttonous glee.
Of masters I conversed with, with lives like movies.
FBI-profilers, psychopathologists.

Faces carved from paleo-lithic stone.

The hearts of sailors betrayed by Triton.
Their ill-fitting suits an anarchists cry.

Oh blessed hearts long since buried in the plots,
of victims whose killers would never see man’s courts.
Who knew the world and hoped to teach I,
this fresh young prey with a predator’s eye.
This fresh young prey with a predator’s eye.

Sat I with the masters, in those secret little rooms
where the dead are shuffled to have chosen for them a grave.

And it’s never more real than when the beast sits still.
In the agonising ordinary glow of the halogen buzz
that shines on guilty and innocent alike.

To reduce us all to such pathetic things.

That if not for the debt, this creature’s crimes
one could pity being on such obscene display.
If it were not known to me, in great detail
the river of misery and depravity he had left in his wake.

As a mugshot robs the aura, so too the well lit room.

And I understood why it took a much colder mind.

As even though I possessed all the faculties which
could follow and track and trap the prey;
the predator must also ****.

And being in those secret little rooms
I knew I could not see it through.

I left it to those stronger than I
and leave my mark through other designs.
A poem on reflection of my time at uni studying a double degree in science of psychology/criminology and criminal justice.
Yitkbel Dec 2019
Introduction:
The Young Poet’s Dreams:

I often dream of the ocean
Dream of the sea
I've been waking up to a longing
Longing for the land
The land of my birth
South of the Clouds
North of the sea
Not bordering either
But close and very near
To the heavens and the world

Overlooked by progress
But not by history
Nature, and life
I was ungrateful of having fallen behind
Though I was still deeply moved
By the primitive nature and land
Still fully alive,
Green as the winding rivers
Firm as its sheltering boulders
This must be a proximity to
The truth I seek
The timelessness I seek


Chorus of Epiphany:


Yes,
There must be Truth
In the unchanged and unchanging
Evergreen, and restlessly flowing
Rituals and rites kept alive
Thousands of years despite
Time, and the forsaken everything

Were the Truth and the eternal
Timeless, and the Faraway
Always so close
To home?


The Eternalist Dream:


Is this the source and origin of
My nightly and whimsical nautical dreams
The fact that I was born near the land
Of ancient and now lost shallow seas

Am I called by the truth, unchanged
In giant columns of limestone
Still marked by waves from near-eon ago
Though we can no longer see them
In Eternalism, the ocean still wavers
As truly as my footprints curved by
The flow of all objects of time and space
As truly as the countless unseeable me
Navigating through life and existence
Bearing all that is forever timeless
Unacknowledged for it is unseen
Through each step taken and each
Subtle yet unmistakable movement
Create a new and continuous ‘to be’
With all of me floating along the unseen

Yet
Fully alive and eternal shallow sea


Chorus of Epiphany:


Yes,
There must be Truth
In the unchanged and unchanging
Evergreen, and restlessly flowing
Rituals and rites kept alive
Thousands of years despite
Time, and the forsaken everything

Were the Truth and the eternal
Timeless, and the Faraway
Always so close
To home?


The Mythical Dream:


It lives on in familiar words and songs
And not just silently carved in stones
To be felt by the more sentient and aware
And ignored by those occupied by more
Present and timely tangible indulgences
Guided by the elders' tales and melodies
The distant dream of purer lives and love
Manifests in this child's untamed heart
Yet searching for a world different to
This mundane and subdued reality
Each stone shadowed with the spirit
Suggestive of a more petrified golem
Granted by even a hint of heads and torsos
Were given a name from myths not stranger
To a young soul lured by the allure of fables
And so an Eastern Stone metamorphosis
Of the Yi Legend of Ashima who turned into
The famed stone still standing proudly
Among the stone forest after being forbidden
A loyal union with her most unbetraying love
Burst into life full of every sung voice and color
Leading the way for the lithic pilgrimage
Of the mythical monk of the "Journey to the West"
They too live on unchanged and unchanging
Through every weathered stone yet standing

Through every named word kept repeating
Through every ancient myth ever recalling
Kept alive and from disappearing
In every child’s
Dreams


Chorus of Epiphany:


Yes,
There must be Truth
In the unchanged and unchanging
Evergreen, and restlessly flowing
Rituals and rites kept alive
Thousands of years despite
Time, and the forsaken everything

Were the Truth and the eternal
Timeless, and the Faraway
Always so close
To home?


The Human Dream:


Ancient tongues often remain unwritten
And even those like the pictographic Dongba
Though befriending my childlike curiosity
Still remain stranger to my understanding
So only vaguely am I acquainted with
The varied rites, rituals, celebrations
Of the people keeping alive the unchanged
Words, traditions, dresses, and mythology
Ever one with nature, the elements, universal
Some dance in the darkness with torches
Others duel playfully with water under tropic sun
Like my childhood dreams of a too optimistic world
Their dresses and symbols, from ox to peacocks
Remain ever hopeful, and full of living colors
Truly, what comprehension do I really need?
When the earth’s heart beats in unison with
Their thundering dance sung with bare feet
When they hand you horns of sweet rice wine
Inviting you to a far more intoxicating dream
You only need to understand and accept
What you can evidently feel and surely see
The unchanging and unchangeable joy
So pure and kind, that will forever,
Perhaps thankfully overlooked by progress,
Timelessly remain.


Chorus of Epiphany:


Yes,
There must be Truth
In the unchanged and unchanging
Evergreen, and restlessly flowing
Rituals and rites kept alive
Thousands of years despite
Time, and the forsaken everything

Were the Truth and the eternal
Timeless, and the Faraway
Always so close
To home?


Conclusion:


It must be,
For in my nautical
Waking and asleep
Eternalist, Mythic, Human Dreams

It calls restlessly to me
From my birth, through its continuation
I’ve risen and gazed upon the violently
Violet obscure and cloudy night sky
And felt a great fear crushing down
Upon this child of an ever searching soul

I was afraid,
I will never KNOW
And know what,
I did not know

I have felt something stirring
Yet, all greatness seemed
Unreachable, unseeable
Undreamable like the hidden stars

I loved the winding rivers between earthen boulders
I loved the rainforest sacred as its wild elephants
I love the stalagmites caves and the dormant volcanoes

Yet, always longing for an unfamiliar faraway
More moved by progress and not overlooked
I was never aware, until now
The truth timeless and unchanging
Though now slow uncovering
That was always
At
HOME
The Timeless Dream of Home
By: Yue Xing Yitkbel ****
Sunday, November 24, 2019
5:53 PM
Dre G Nov 2011
i'll tell you something: every day
people are dying. and that's just the beginning.
the death which spreads its fingers
on their lips is nothing
but a window.
once they step outside the pain,
then anything is possible. the universe
is just a big old vacuum and
no matter

what you do, you’ll never stop the
constant spark: the entirety of all
existence. forget about
your birthday cakes, your lakeside strolls,
your speeding tickets and project deadlines
-those were all just vibrations
that came out of the light.

and i’ll tell you something else: on the day
you truly die, you will plunge into
a lake of dancing triangles. and when you swim
through violent ripples melting to a bonfire
drumbeat, and you reach the rocky shore,
you will find yourself a squeaking pup
in a fuzzy wolf litter, a striped shell collecting
erosion from the golden spiral, an infant of a Lithic tribe
whose members scooped you out of the
harsh winds and left nothing
but afterbirth poured like puddles in their
foot steps along the Bering Strait.
Kyle Kulseth Apr 2013
Nights spent with fingers crossed
make it hard to return texts
but the message I forgot?
Whilst occupied with ****-talk
and sliding 'cross these frosty sidewalks
was you won't be forgot

Coughing, choking down this spite I chew
I'm through with slowly dying here
and rotting out my youth.

I know this stream of epithets
pouring out my mouth
sometimes missed its mark
and unfairly wet you down

I'm letting this town down, now
But it always did the same,
and shame's the only lesson I have learnt.

So, with bridges burnt, I leave behind
these Dow and Main Street blues
Shoes worn through, I bid adieu
to Broadway and Alger
to the lumps in my throat
     on the 5th Street bridge...

Forgive me my distractions,
dispositions and my scowls
I'll reposition my tongue, now
     for milder words

But still...

This place will ******* **** me
if I don't leave, right now.
So plant one on my cheek,
or clasp my arm and see me out.

This ghostly whisp of smoke
has found its proper breeze
and punched its ticket
to touch nostrils in a new locale--

--Punched its ticket to say, "**** it."
     and pull a solid form
     to cover all this ether in.

The granite sky's eroding
          --finally!--
Rocky dust falls down, lithic snowflakes
But I'll shake it off my shoulders, now.

I'm sick of sighing, sick of shame.
Fed up with guilt, I settled my bill
with all I can't forget
  
          Because,

"My kids will never scrap **** 'round here,
And I won't die crying in a pint of beer..." (McGowan)
I'll turn my back all fondly,
But sneer into the wind.
Barton D Smock Apr 2015
I am too wrapped up in my own stomach
to visit the mother
who worships

mine
Coralium Jan 2021
I grab a cup of coffee
heading for the Pergamont museum,
where I like to stand in silence
alongside the lithic statues.

Amongst those crumbling strangers
I find your spitting image in the clay
and once again I live through time
in our favourite greek café.
Spílaiaus, noticing that Vernarth felt unprotected on the iridescent Nimbus, greeted Zefian; he was in the Phlegrean Fields reliving the Sibylline Treatises of the Pytia Cumea, when the last death rattle of the Universe began to beat with force Zefian sent from his Thracian Gold Quiver right next to where the Sibylline Treatises could materialize again by withdrawing the Arrow of the Vóreios where it began to protrude from the Doric stylobats of the Megaron, everything was comparable to the Parnassus from which Leto; Apollo's mother would grant them Vernarth's Megaronic Songs, making up for her withdrawal since he was saved from the fire in 548 BC.  from the Acropolis, being able to assent to the presence of Triads Women who moaned at him due to his deserted unbalanced voice without being able to receive his exclamations. Zefian then before the lightness of his cosmic phalanges withdrew the Fourth Arrow from the Phlegrean Fields; before it from the volcanic caldera, he released the nine books recovered in total from the six cremated, to then be pierced by Zefian's Arrow to finally project them towards the contiguities of Prophyits Ilias where their spirits appeared here with such reflections of Miletus conversing with each other that the beauty of Coronis was not enough tenor of Paralesias of the Firmament of Apollo, so the Heavens of Patmos had to be opened with the nine sybilline books along with Vernarth's Hellenic Trilogy to establish the Duoverse as paralesias of the world that would restart from the Ádyton to save the Inheritance and his astrophysicist strangulation.
Both vicissitudes of the Fourth Arrow were heading at incalculable speeds to collide and merge with the Arrow that pierced Apollo's Lynothorax to the detriment of Coronis, thus abandoning transcripts of the oracles that crossed paths in the Seventh Hour of Paralysis to later touch with holistic chrysanthemums with their pointed ivory ornaments that hung from the Universe wrapped in an omphalos, which became a Kosmous of wands encrusted with igneous flames to burn to a great degree among the stylobates that the upper canopy prevented from being incinerated from the rest, protecting the parapets from the Megaron that depended on the nearby Cloud of the Iridescent Nimbus where Vernarth resided in the armband patterns of the monarch Croesus.

Spílaiaus replies to Vernarth: “From this promontory, I go to your parents, I tell you that I see signs of great parapets where the center of the Kosmous rises; “The Ádyton, is closely linked to the fusion of the Quarta Saeta, and Septenario del Ibic or Virola to the depths of the Katabainen; whose Katabasis grows through places of impious land from a Megaron that is nothing more than traces of Lycurgus in limber blood that the tabernacle could not contain, nor could it dispossess for a chalice the firmness of an instigated Christus that could now flow and be reborn by submitting to Cyrus, and other satraps of the past, referring to the fact that Vernarth's asceticism depended on the minimum luminance that could come out of Tartar. Vernarth, distinguished himself more calmly when he perceived that Eurydice filled him with greater agreement with the one who is delimited from an underground room, than from a sub-empyrean who began to separate him from the parapets of the Megaron with the shape of a Howling Kosmous burnishing from the same district Strategoi.

In this way, the Adyton was made up of a temple with Seven Steps until the arrival of the fusion of Zefian's Arrow to collide with that of Apollo, then both being the curtain of the interface of the Duoverse that became oracular with the presence of Jerome de Estridón, and Spílaiaus taking them to the Forests of Parnassus and Kanthillana with the Pythonesses in the spurious Oracular of the nuptials. The Sybilla Herofila is present with her veil with the darkness of Castalia, with ceremonious gestures also in front of her the Sybilla Cumea for the brothers of Delphi and Adyton who reopen it with the power of their God, who was accumulating access to an infinite where nothing isolates it, not even from the sip of a sea that does not grant the gift of quenched thirst, then the Psiloi custodians as advisers of their "V" of the pentagram would take charge of the Oracle's minions to unite the center of the Kosmous with the Universe-Duoverse where he rested on the niche of Hestia.

Apollo emerges between some proxenos that accompanied him before noticing the impact of the Arrowheads, and compasses between proxenos that would admit the New Duoverse of the Oracle of Adyton, for a new universe that was gestating from a polymer towards a multidimensional height that rotated to exhibit only the edge that would admit the mass of Saetas to create rings of vibration, and frequency of Apollo in front of Vernarth looking from the magnanimous lookouts of all Greece. This is where the shepherd Coretas juxtaposed himself with his flock to swarm in the thin strips of landslides that would be left by the atomic detonations of both colliding Arrows, whose cracks would drop obtuse crude oil down mysterious empty cliffs in the face of a Greece that would be born before Anthropotite or humanity, only eclipsing Vernarth in the company of the atomic hatching in the middle of the sieve of the same faces of his entourage that will make him return every day of his transition, like fiery Ashin of the Roman Vestal in assiduity of Naples.
Apollo indicates to Vernarth: “If you stay alone in the drift of Astro Cirrus, you stay with the shadow of Coronis, or you will tell me that it dissipates from the discharges of Tarquino Prisco, you must treasure your Trilogy as a pendulum on the towpath of the Dodona or from the hiding places of the fetish between leaves of the inventory that unknown is not by an auspice that will open from the greatest Paradise ”

In advance of the hallmarks of the Itheoi Duoverse; with the Pre-Kelesete or Possession, they decide to contribute the Anticipatory that will open the doors of the Soul that they have to enter the Universe of San Juan Apóstol, from then on a whopping bump are unleashed with the hatching of Saetas between Zefian and Apollo. The Cabal skirmish was accomplished in the dark! The macro transport of spiritual masses begin to coexist transporting the end of the Himation Ceremonial, later until an impartial right here appeared from Camphor, it was his signature Macrowave protoform of the Himation itself; called Camphor-Xórki (syllabus). The Pre-Kalesete began its walk through the Nothing when Vernarth tried to look down on the limpid spheres of Patmos seeing the holistic whole involved in a Greece that was hailed from the Hatching Arrows coming from the last breath near the Camphor-Xórki of San Juan Apóstol where the Xorkí began to syllable “O θάνατός σου είναι τώρα Ζωή – Your Death is now Life”, from the Quantum atomic that began spelling out by Vernarth's Stóma; or beginning of his astonishing mouth that was regurgitating the oscillating lapses between the Keselete and Xorkí.

With expeditious speed came the Arrows of the Phlegrean Fields, forking one by one until the Fourth Sagittal that was isolated in the evolution of myriads of stars that were made up of the proximity of the Nimbus where Vernarth provided himself in decades of nebula Celestines that shone to tear pimps fibers that still aspired to hijack the remains of the Millitum Vernarth, in the form of clusters of radio galaxies that moved towards the reddish, expanding from the Campos Phlegraios in Naples itself; like geological hydrothermal fissures that clustered behind a sudden crimson blue of the great Universal that split receiving the Saeta Prima from said field of fire. The gravitational completion of the curve generated the Saeta Prima that was made conventional with assistant telescopes, before exultant excesses of wanting to see it as a Quasar that descended from Andromeda together with the Auriga, in such a radio galaxy journey to melt the bars of the Universe to be distended by Vernarth's bombastic Stóma that expressed itself more than his dwarfed senses by the Galaxy that was propelled by the waning of the radiance of the Quasars.

The Primal Saeta is abducted in the intermediate vortex of the Quasars, it remains in the orbit of the Nimbus where Vernarth remained in photometric that allowed him to reflect it in its silhouette with the closest astral referent of Orion. The Secunda Saeta came out of the transversal valleys, this came with the agreement of the Pre-Keselete of Saint John the Apostle bathed in ultra-luminous infrared Ouranos, making vibrating strings of the frequency of the Universe in an ultra-luminous dream emanating from molecular gas, adapting to the new fusion of Zefian's Prima and Secunda Saeta with the determination to split the monoxide at the base of the Nimbus from the acroteria that still accompanied it with the universal entity of the Empyrean as hydrogen that formulated the Saetas clash in homologation of the same aerodynamics prop of the Xiphos, from solid metal to liquid in pearly spirals from the magnitude collapse of the Tercia Saeta, this would bring the same from the Horkun hydrothermal or Horcondising Mountain with thousandths of a thousand light years that would unify on their Solid and Liquid pedestals as the Fifth Essence of the Horkun, the Third Bolt arrived between five Kyrios who followed her through the atrium that was beyond the Hydor that incarnated in collusion with her deformation to soon reform, beginning to go towards the manifest of shared energy towards magnitudes divided by the coefficient 0.7 Micron of atomic energy levitating from the quasar equivalent that stretched from the luminous zenithal meridian in front of the mast of the Four Leaf Clover, which pretended to be a Cherub still emanating from nothing, towards the fractal splendor of the Patmos region ten times greater than the hydrothermal that reconfigured Greece at a distance of ten molecular cycles minus a molecular trace of the carbonate crystal. The diameters of the absolute observable were coming out to the delight of a Hellenic Ego observable in the wide Cosmos rendered in anti-gravity of the Fourth Arrow; being competent to see how he appropriated a snowy-blue sky that softened with the obstructed eyes of Saint John the Apostle, granting more than ninety percent of the explosiveness of the Quarta Saeta above the infrared that dominated the collisions, leaving them inactive for only seven seconds before concluding the snowy waves with the dense and glacial gas helically topped by few waves of any gas that sprout from each galaxy that never ended as an isolated Nimbus as Kant preceded, in a time that becomes more extensive than our own light that lives in its bright end. The dislocated morphology of the Fourth Saeta would ignite the border of the Pre-Keselete from the Phlegrean Fields, Kimolos, the Horkun, and Patmos in an unleashed spiral since the matter was uncontrolled from other unknown matter between myriads of collisions caused by Zefian to the limit that cuts his inspiration, only falling asleep all the previously mentioned Duoverse with Vernath's Megaronic Odes in Epilogue of Xorkí, from here towards the metallic lithic tip of the Xiphos with its spelled enchantment.

Megaronic Odes

"You see from the Enchantment in which all matter becomes Free, You see how each one of them after being Four will now be one that speaks of their very existence that you do everything... you realize that the noise of the Duoverse is born from the Xorkí, where everything dark turns grey... and black is Xorkí.

“Everything that has four digits moves with your four wings, everything that you call Quarta Saeta is a Xorkí syllable…”
Camphor is the heat of friction of the contracted memory, it is here that all pain that is in this field of tragedy urges it, and leaves you distrustful of sap that is another that you lead to the Pre-Keselete as an environment of infernal turns that seem to be good of a good that is born to crash fatally. I want to tell you with these Megaronic Odes that I write, which do not belong to me, they are concise clashes of two atomic ignition fields of the Keselete and Xorkí of San Juan Apóstol that make me not mortified, that you will destine me to the gross speed of the blinking of my Hellenes eyes quicker than those of enchanted thought.

“I need to tell you that between La Prima and Quarta Saeta, my charms between frictions will rest on herbs from Corinto and Sudpichi, I will join the choir that will begin to rise for me, it will do so for you who have just begun to know me, soon we will see you, my dear Adelfos"

"As for the Primal and Quarta Saeta, it is the fanfare of a being that would visit every night, it would invite you to live your own experience that was seen to shine for the last time while being handcuffed to an agro bush, which would sustain itself against an enchantment of the Xorkí in a revived future of the brand new Vernarth with his prodded and resonant Xiphos”

Vernarth utters: “Eurydice... here I am, a closed pilgrimage looms towards the dim light with the nocturnal phrase of him endowing me through the conclusive!! Father... Mother, Myloi of the Sad Wind, here I am with your Primordial Arrow endorsing Pillows, beloved Adelfós, the Rabih San Juan? Almighty God bless you from this Quilt holding our spirited hope of seeing you again! "

Between The Prima and Quarta Saeta, enormous hydrothermal plasmas of the drained Don would be cited, which would conglomerate between the interdimensional of the four Saetas, to later send them from the "Heroon Hurkun Funeral Home of Kanthillana", from there to Lefkandi for the transition of his cremated body that began to revive from there ipso facto, later from the Phlegrean Fields with the Fourth Arrow that Zefian would finally bring with the III Trilogy of Vernarth Hellenic being transferred from the iron prop, supremely seconded by settling in the Prophytis Ilias to revive in autonomous descent of the body of a “Hero in his Heroon who will be reborn from his immolated body”. Incontinently, the arrows will be spaced through the interdimensional strapping of all of Greece to revive its awakening just as it happened with Erestles in Messolonghi; but this time of Orion's Wagon breaking with its coined bar eternity in its Hurkun chamber. In this way, Vernarth is distracted by looking at him at three hundred and sixty degrees looking at the Prima, and from this Secunda Saeta seeing how he rose and accelerated his trajectory adjacent to the Tercia and Quarta that would take him towards a failed break over Thyatira; with the Son of Yahweh, who has eyes like a flame of fire or Aish, and feet similar to going burnishing the bronze chaff towards Patmos to revive immediately with the subrogation of his body in the company of the almighty Mashiaj, Saint John the Apostle and the granted Right of the Hexagonal Birth, with the posterity of prosapies remaining everlasting to resurrect him from the neophyte and Hellenic Hortus Heliacus.
Quantum & Alchemy  https://www.academia.edu/105786699/Hortus_Heliacus_Hellenic

— The End —