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Antony Padilla Oct 2012
There stand the gates.

Massive and made of the highest quality oak. Ornate, covered with runes of a forgotten language.

In front of this gargantuan doorway stands its guard.

A black-faced lion with a rust colored mane, a man's body, full armor, and a long halberd.

The Gatekeeper

"No man enters these gates except through me," he says,

"You would be a fool to believe you'll walk through alive.

I will not simply **** you,

Once you attempt to pass this line."

he points at a faded gap in the grass in front of him.

"I will break you.

I will annihilate you.

I will devour your soul

Slowly."

He begins to pace back and forth while hungrily looking you up and down.

Despite his having the body of a man, he still looks very much more like a predator.

"I have no need of meat.

I will leave your body for the vultures!"

He gestures to the pile of bones off to the side of the intimidating gate.

Picked clean.

"Your mind and your,"

he inhales deeply as if he were trying to sniff out a savory dish,

"Spirit!

Are what interest me.

When I am finished with you,

You will be mine entirely!

I will enjoy every morsel of your being.

But my mouth grows weary of speaking."

He looks you in your eyes.

"It wishes to eat."

He unshoulders his halberd and takes up an offensive stance.

The long shaft ends in a finely sharpened point,

Unabashedly aimed in your direction.

"Will you feed me?"

He asks,

"Will you risk these teeth for a chance at these doors?"

You clench your jaw in determination,

And take a step forward.

He smiles.

His razor sharp, impossibly clean teeth shine in the sun.

"Excellent."

he licks his lips,

"I do love a good meal."
st64 Dec 2013
the farewell of the magical-masque
           the dance of the whirlwind
           the twist in valediction
a pantomime of comedy dripping in life’s heat, its tragedy blooms forlorn
silently the mountain-ranges stare
the sky-face won’t relent and contemplates the open-disease in homes*


1.
disguised as simple relief – rescue lies cooing in the palm
     crumbling in blue-ash beside your grinding-palate
     you reach for pen and paper to appease an entity unknown
shrouded in grey, no scavenger can touch the head of one
who carries blessings in the scabbard – the present worthy of now

stairs are slippery, fish are mouthing, anger grows
     symbols hop along outrageous, so stylised and signs come in decisive
     all at once, almost
there is some purchase in the widening-valley
when climbing-feet need to rest on your narrow angular-will
and wait.. (before them chips rain down)
until the merry-turnstile comes in view


2.
the worm-wheel goes blank a while
and out tunes a dastard-and-devilish prank, courtesy of blunted-fate
sacred-fillies get hacked at by small silver things and they lie slaughtered on stark-plains
and the orb dips in reverse this time
a sooty-traveller from the western-flank
               glances out at massive-figures at supine-rest
               gets startled by the rude ***-fire
eyes slit and pates distort in hostile-fever
at the starling-ingénue in mock-fatigues and fake-epaulettes
but cheering up with wry-humour makes your feet
           a touch too slow to react in time
           and the halberd comes crashing down
well, the last thought you hold before your next one
is how utterly beautiful she looked at the station
long, black hair – silky-shining in your eyes and gay-dancing in the wind
when she passed you all her sweet-love from eyes so wet and smile so quiet
and selected dried-fruit in redolent-parcel
                                   a sealed pelt-skin of unmixed-whiskey
along with fresh-baked raisin-bread in cotton-cloth
                    coarse-sliced and buttered so generous
and
a semi-rusted dry-tin rattling its bounty of macaroons through that smudgy, ***** window
what sweet-victuals to keep alive . . .



man, that journey is a long one!


                             (I’M STANDING HERE        oh, you just know I am here

AND YES -- I’M WATCHING YOU                        
                                                                ­               and no use looking round now..
      YOU CANNOT SEE NOR HEAR ME  
                                                                ­               or begging a purty-release
                                                                 ­                                             
                                  oh easy, boy.. EASY!!)                                                          ­                            
                                                                ­                                             
                   ­                                          


3.
once more, the worm wriggles in microbial-distaste
and the season’s wheel comes dangerously close to being undone
IT DOES
and seconds later, cogs fly hard in every fool’s direction
and luckily.. you catch some in your face.. mouth agape
        crushing your tongue
        splintering all your dental-treasure
        smashing half your reason
no time for moaning.. or eroded-regret.. or even to feel your lips in ribbons
for, when they turn their backs, you will know
what to do..


because you’ve picked some pearls the hard-way..
that atonement could well appear in spells
of any shape
or size




not so?





S T, 30 dec 2013
beautiful in the mountains.. Jupiter enjoys the odd (but needed) breeze along with sweetness of Nature’s sounds  :)



sub-entry: ten times

you get ten times to refract your pain
mind your head now
the ceiling’s low
the parchment’s dry
and then some..

wait a little while.. it all comes round :)
Lying on my chest the heart beat of a hummingbird
Love and Passion Incarnate
A Seraphim with ***** Wings
The Open Box of Pandora
and all that one and a million talk
High frequency modulation betwixt
the souring doves of ecstasy
and the rain No! halberd hail!
Knifing the streets and back alleys of Brooklyn
on the subways again I recognize the worst of myself
in the lush of my Yin
Eleni Jun 2017
Out of the ashes I rise;
Blistered limbs, scalded eyes

Like Venus, born at sea
And arrive at shore underneath olive trees.

The rekindling of the fire has set me free- but Zephyrus' wind blows at me.

I Athena and you the Centaur;
You long to hold me, but I carry the Halberd.

I am a creature of reason and wisdom
And You, the outsider of my Kingdom.

And so the only right conclusion is hatred: malice as sharp as Caravaggio and Baglione.

So descend back into Oblivion, Lucifer
For those that abuse, will suffer.
1 'Like Venus, born at sea'  a reference to Sandro Botticelli's painting 'The Birth of Venus'.

2 'Zephyrus' wind blows at me' another reference to Botticelli in his painting 'Primavera' in which Chloris was abducted by Zephyrus, God of the West Wind.

3 'I Athena... but I carry the Halberd' a painting by Botticelli called 'Pallas and The Centaur' Centaurs, the "horsemen" were known for their seducing and lustful nature, whereas Athena was the Greek Goddess of reason. She thus pushes the Centaur away with her weapon.

4 'malice as sharp as Caravaggio and Baglione' refers to the two Italian nemesis painters who often criticised eachother in their art and filed lawsuits against one another.

— The End —