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"enid" poems
Hollyhocks, sandals with socks Knickerbocker glories Salty air, old caravans Magical bedtime stories Fish 'n' chips, sticks of rock Climbing fragrant evergreens Endless hikes, stunning views Sandwiches with sardines Long car rides, minor quarrels Enid Blyton audio tapes Forever etched in my memory   Our annual escapes
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Jul 8, 2014
Jul 8, 2014 at 8:48 AM UTC
80s holiday
Enid removes her glasses wipes them on the hem of her skirt tries to clean off the smeariness she breathes on them they cloud up she wipes them again I watch her near the wall of the playground after lunch waiting for her are they better now? she asks me I look through them the view is magnified a million times one big blur to me yes that's better I say giving them back to her and watching as she puts them back on pushes the wire arms over her ears then pulls the hair over her ears again is it all right now? she asks me sure I can see your eyes clear as day she nods and looks at the playground and the other kids at play why do some boys call me four eyes? or ugly bucket? she asks some kids are just finks ignore them I tell her I can't help it if I have to wear glasses or am ugly she says intelligent people wear glasses and hey you're not ugly I think you are quite a pretty girl as they go she looks at me doubtfully and then at the kids and look Mrs M wears glasses and she's a teacher and bright Enid sighs and sits on the steps leading down into the playground even my dad thinks I'm ugly she says softly you're old man wouldn't know prettiness if it came up and introduced itself I say she smiles do you think I'm ugly? I frown and peer at her look I'm no expert being a 9 year old kid like you but you can be my Maid Marion to my Robin Hood any day could I? she says sure you could she smiles wider and says thank you Benny and walks down into the playground and goes play skip rope with a couple of girls by a wall and I walk down into the playground feeling six feet tall.
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Mar 13, 2015
Mar 13, 2015 at 3:53 AM UTC
PLAYGROUND 1957
Enid removes her glasses wipes them on the hem of her skirt tries to clean off the smeariness she breathes on them they cloud up she wipes them again I watch her near the wall of the playground after lunch waiting for her are they better now? she asks me I look through them the view is magnified a million times one big blur to me yes that's better I say giving them back to her and watching as she puts them back on pushes the wire arms over her ears then pulls the hair over her ears again is it all right now? she asks me sure I can see your eyes clear as day she nods and looks at the playground and the other kids at play why do some boys call me four eyes? or ugly bucket? she asks some kids are just finks ignore them I tell her I can't help it if I have to wear glasses or am ugly she says intelligent people wear glasses and hey you're not ugly I think you are quite a pretty girl as they go she looks at me doubtfully and then at the kids and look Mrs M wears glasses and she's a teacher and bright Enid sighs and sits on the steps leading down into the playground even my dad thinks I'm ugly she says softly you're old man wouldn't know prettiness if it came up and introduced itself I say she smiles do you think I'm ugly? I frown and peer at her look I'm no expert being a 9 year old kid like you but you can be my Maid Marion to my Robin Hood any day could I? she says sure you could she smiles wider and says thank you Benny and walks down into the playground and goes play skip rope with a couple of girls by a wall and I walk down into the playground feeling six feet tall.
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99
We might not be rich with property Mom said with education we were rich kids already We might not have the money to spend for holidays.. In our small home… we were the richest with love, respect and honesty… With all the simplicity in life we lived contentedly… We might not have a colored TV… Never dreamt of a library of Enid Blyton or Dickens We had MOM who amused us with her amazing bedtime stories… Kids talked of SUPERMAN and SPIDERMAN in the movies Lucky we were …we had a living superhero and he was our DADDY… That was our life back then…. A meal of Hardship a cup of misery… Mom came home tired but always looked happy… Dad stood at the door…shouted our names and hugged each of us lovingly… No success in life would come so easily… For each teardrop and the past life difficulty, Each hurdle, each obstacle in life Each challenge we faced was the greatest pain in past life history… Together we faced them… with the help of god Almighty… We became who we are today…eventually What lesson did we learn from this unforgettable life tragedy? Bittersweet life…We came to learn to appreciate things in our life so humbly….. Thank you god, Thank you mom Thank you dad… for this incredible story…
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May 12, 2013
May 12, 2013 at 10:46 AM UTC
ChildhoodMemories
and the page turns, memories sepia, brown and frosted with time come to light. faint, murmuring words, swim at the back of my mind. summer days....spent in splendour. balmy nights and mosquito nets. rockpools little crab kingdoms, the smell of coconut oil and arms macadamia nut brown.. and again the page turns the boys in rugby kit me standing off to one side head in a book... one girl among too many older brothers always a tagalong in handmedowns and enid blyton's famous five.. and again the page turns... christmss hats and presents cold chicken,salads and little baby prawns....sherry trifle and poppajack snoring, beer still in hand... and the page turns and turns little windows into former lives......sometimes nostalgia and sometimes.... just a peeping tom..
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May 25, 2014
May 25, 2014 at 8:53 AM UTC
looking back...
Oil on canvas c.1926 I suppose the catalogue tells all about this painting on the wall. It had pride of place in some private collection. Now, shielded by an electronic guard, deemed precious, it’s unusual and large; an early work, when (she said)  ‘I was full of painting those around me’. Here they are, my Warwicks: Joe, Enid, baby Paul and just in the corner Auntie Liz. They are substantial folk these Warwicks, and have eaten here a substantial tea. The firelight’s purple shadows make a mask of Joe’s wind-scoured face, and next to the milk jug, look, his great wedge of fingers lie at rest. Enid, softly centred in woollen cream, a wide-eyed Paul on her wifely knee, seems to gaze beyond her motherhood, to Northrigg Hill and a setting sun. There is a general daze of repose; the meal is over and we are replete with tea. Lizzie contemplates the washing up. The artist sits across the table, rests her sketchbook on the starched, white cloth, and with a few firm strokes collects this family’s shapes and forms as I do now across the electronic guard to secure a memory sketch as no photography's allowed.
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Dec 13, 2013
Dec 13, 2013 at 5:23 AM UTC
The Warwick Family
Enid's old man gives me the stare as we pass on the stair I know he's whacked her for sure after the cinema date and coming back late but he says nothing his the silent glare as if he could scare I walk on up and he goes down that cocky way he has of walking away that Bogart stare to my Elvis smile at least for a while I look down at him from the balcony as he crosses the Square and off out of sight to work or play as any other day I wait to be sure he won't return then go to Enid's door and knock and wait no one comes all is quiet no answer to my knock so I knock again and her mother comes and pokes her head around the door and says what do you want? how's Enid? I ask best go or her father'll know and give us both another blow I stand my ground and give her a stare where is she? is she ok? her mother sports a blackened eye he might return she says he's gone I watched him go I say she sighs and calls ENID and walks past me to the balcony and looks over Enid comes to the door red eyed and a swollen lip can you come out and play? I ask her mother walks back to the door and says not today now go away I lean towards Enid and kiss her cheek and touch her hand see you around Kid I say then her mother closes the door and reluctantly I go away.
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Jun 11, 2015
Jun 11, 2015 at 2:36 PM UTC
NOT THIS TIME 1957.
Been there enough times to remember it. That couple ran it. Her with the bust and him with the moustache. Had some good times there, you came with us once didn’t you? Some years ago now. Nice place, Ramsgate. We took the girls when they were young. Freda, Elsie, Sally and young Enid here. They thought I was a poor soul surrounded by females. Nag, nag, and nag it was. Back in those days, it was a different couple had it first. That Mr and Mrs Gentry. Him with the one eye and her with the figure of a hippo. Good old days. Before the last war that was.
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Mar 16, 2013
Mar 16, 2013 at 5:29 AM UTC
ENOUGH TIMES.
Many a times, when I am alone I just find myself thinking of the fun Collecting pouring water, drenching in the rain Sailing my paper boats in the small drain Catching frogs from puddles of water, in matchboxes And throwing them on young and old with giggles and smiles Smearing the silver, golden color on my friends Of the butterflies that we picked in the sunny garden Feasting on dollops of homemade icecreams and chuskies (ice lollies) Listening to stories of kings n demons by granny How could I forget that fight with parents To stay awake all night during summer or winter break To watch uncountable movies on the rented video player Or to read Agatha Christie, Enid Blyton in just one sitting There was a different story all the time for each of my tantrums and fantasies alike And a unique reason for enjoying every season Oh! How I wish I could have a time machine To take me back to my childhood innocence I really miss being a little kid O my Lord! With no stress, worries or care in the world...!!! © Neeloo 'NeelPari'
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Sep 26, 2018
Sep 26, 2018 at 9:54 AM UTC
Time Machine
Enid waits for me at the school gates after school- she'd not spoken to me during playtime recess- she looks at me through her thick lens spectacles and I see her lips are till slightly swollen sorry about last night my mum was too frightened to let me out to play as my dad was in one of his moods she says how comes you didn't speak to me at recess? I ask because he'll ask me when he gets home if I've been speaking to you at school today she says how will he know if you speak to me or not? because he knows I can't lie to him he peers at me and the truth blurts out of me I'm too simple to lie he says Enid says what about now won't he say today and not mention school? she bites her lower lip never thought of that we walk on together anyway he won't know just tell him a created truth I say she looks puzzled how do I do that? she asks just focus on a bit of truth and make it the whole truth just tell him no I haven't spoken to Benny at school today I'm not sure I can she says it's either that or another thumping from him I say we go through to London Road as I want to show her the man in the pie and eel shop chopping off the heads of eels and chopping them up into small pieces when we get there and watch the man she says how awful how can he? that's his job I expect he's used to it now we walk on and she says I'll try and do as you say about telling the truth but he looks at me so I feel frightened and he knows if I'm telling lies we go down the subway and she is silent and I feel sorry for her and the life she has I'll call for you after school and we can go out I say no no she says don't come around or Dad'll go mad I was only joking I say of course I wouldn't least not while he's there she looks at me uncertain I'll just wait and if you can come out then knock on my door and then we can go out she nods and we walk on and up out of the subway and along the New Kent Road passing the cinema then home which isn't far.
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Jun 12, 2015
Jun 12, 2015 at 1:57 AM UTC
BREAKING SILENCE 1957.
Enid waits for me at the school gates after school- she'd not spoken to me during playtime recess- she looks at me through her thick lens spectacles and I see her lips are till slightly swollen sorry about last night my mum was too frightened to let me out to play as my dad was in one of his moods she says how comes you didn't speak to me at recess? I ask because he'll ask me when he gets home if I've been speaking to you at school today she says how will he know if you speak to me or not? because he knows I can't lie to him he peers at me and the truth blurts out of me I'm too simple to lie he says Enid says what about now won't he say today and not mention school? she bites her lower lip never thought of that we walk on together anyway he won't know just tell him a created truth I say she looks puzzled how do I do that? she asks just focus on a bit of truth and make it the whole truth just tell him no I haven't spoken to Benny at school today I'm not sure I can she says it's either that or another thumping from him I say we go through to London Road as I want to show her the man in the pie and eel shop chopping off the heads of eels and chopping them up into small pieces when we get there and watch the man she says how awful how can he? that's his job I expect he's used to it now we walk on and she says I'll try and do as you say about telling the truth but he looks at me so I feel frightened and he knows if I'm telling lies we go down the subway and she is silent and I feel sorry for her and the life she has I'll call for you after school and we can go out I say no no she says don't come around or Dad'll go mad I was only joking I say of course I wouldn't least not while he's there she looks at me uncertain I'll just wait and if you can come out then knock on my door and then we can go out she nods and we walk on and up out of the subway and along the New Kent Road passing the cinema then home which isn't far.
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124
I leave you in the middle of town I hope you have a map to get back to the bus station Over a cider in the posh end of town which probably cost us both more than we could afford after our afternoon's talk of Tolstoy & a shared love of Enid Blyton & musicians we both loved we talked of what the current government was doing to the British poor & you told me of your own straightened circumstances as a child, relying on food parcels from the Church to stay alive & I told you how in the Soviet Union & during the Perestroika there was never any food in the shops for anyone & how my mother queued for hours to get a single pint of milk not knowing if she'd get it & how our life changed when we came here for the better we come from different worlds, each has had their problems this & Poetry is what connects us.
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Jul 11, 2015
Jul 11, 2015 at 11:22 AM UTC
A visit
I wait until Enid's old man has left the flats feeling a bit brave I walk up stairs to their flat and knock at the door her mother answers and she has a black eye and says what you want? I need to see Enid what for? it's Saturday I want to go with her to the flicks flicks? she says frowning yes cinema see the morning matinee she looks past me as if she's seen an angel behind me is her father around still? she asks me no I saw him go just now make sure he's not doubling back he does sometimes just to be a cuss she says so I look over the balcony look into the Square well? she murmurs no he's gone he looked in a hurry when I saw him I say Enid! her mother says in a harsh call she turns and gazes at me her eyes dull the black eye closing what's he do for a side show I say what? she says your old man what's he do for a side show apart from hitting you and Enid? ENID she bellows I look back at her as cool as a young boy can brushing my brown quiff of hair and glazing over my hazel eyes Enid creeps out and stares out from beneath her mother's arm what is it? Enid asks looking at me then up at her mother the boy wants to take you to the cinema her mother says I can pay I say Enid says can I go? her mother sighs don't tell your father you've been you know what he's like she says do I have to lie if he asks me where I've been today? her mother bites her lip slightly swollen sure you do I say lie your head off tell the schmuck anything but the truth I tell her the truth he isn't worthy of it her mother opens her mouth to speak but it remains as a mouthed O her mother looks past me again you sure he isn't coming back? she asks I look over the balcony again no he's not coming back I say ok ok she says and she says Enid can go so I wait a few minutes outside while Enid gets ready and her mother stares at me then the sky as she brushes her lip and rubs her eye closing up like a dark plum then Enid comes out dressed in a blue dress   and her hair brushed and we walk off down the stairs of the flats she's silent but excited and I look down the stairs ahead hoping her old man isn't coming back as he does sometimes to catch them out and commit more crimes.
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Apr 25, 2015
Apr 25, 2015 at 1:45 AM UTC
CINEMA DATE 1957.
I wait until Enid's old man has left the flats feeling a bit brave I walk up stairs to their flat and knock at the door her mother answers and she has a black eye and says what you want? I need to see Enid what for? it's Saturday I want to go with her to the flicks flicks? she says frowning yes cinema see the morning matinee she looks past me as if she's seen an angel behind me is her father around still? she asks me no I saw him go just now make sure he's not doubling back he does sometimes just to be a cuss she says so I look over the balcony look into the Square well? she murmurs no he's gone he looked in a hurry when I saw him I say Enid! her mother says in a harsh call she turns and gazes at me her eyes dull the black eye closing what's he do for a side show I say what? she says your old man what's he do for a side show apart from hitting you and Enid? ENID she bellows I look back at her as cool as a young boy can brushing my brown quiff of hair and glazing over my hazel eyes Enid creeps out and stares out from beneath her mother's arm what is it? Enid asks looking at me then up at her mother the boy wants to take you to the cinema her mother says I can pay I say Enid says can I go? her mother sighs don't tell your father you've been you know what he's like she says do I have to lie if he asks me where I've been today? her mother bites her lip slightly swollen sure you do I say lie your head off tell the schmuck anything but the truth I tell her the truth he isn't worthy of it her mother opens her mouth to speak but it remains as a mouthed O her mother looks past me again you sure he isn't coming back? she asks I look over the balcony again no he's not coming back I say ok ok she says and she says Enid can go so I wait a few minutes outside while Enid gets ready and her mother stares at me then the sky as she brushes her lip and rubs her eye closing up like a dark plum then Enid comes out dressed in a blue dress   and her hair brushed and we walk off down the stairs of the flats she's silent but excited and I look down the stairs ahead hoping her old man isn't coming back as he does sometimes to catch them out and commit more crimes.
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147
oh' where did those days go those enid blyton days when my greatest wish was to be jo, from the famous five.... those long and glorious summerdays.... of sunshine and youth. when bikes and fresh air whipping past your face, was way more.... important, than winning the ratrace. when the local creek was the multiplex, with so many different worlds on show .... at each new bend of the winding, water slow. when life was a beach and living was carefree.. those days of watermelon slices and orange icee's backyard cricket.... belt it over the fence for a six and out!!! bbq'd sausages, smothered in onions and tomato sauce.... slapped on a slice, of good white bread, sufficed as dinner. with a salad of course, (if quick the salad could be served surreptisiouly to the local wildlife with a slip and tilt of the paper plate) if lucky, strawberries and icecream to follow. oh' those were the days, simpler than most... when the biggest difficulty was in ,cadging one more hour, before sleeping at night. one more chapter, (perhaps, even two) of adventuring with the famous five, before sleeping.... under the security of  youth...
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Sep 26, 2014
Sep 26, 2014 at 7:44 PM UTC
those were the days
I passed Enid's father on the stairs of the flats gave him an icy glare he was ****** so didn't care he went down and I went up he was whistling some song I knew he was a prat but what was wrong? later that day I met Enid in the greengrocer shop in Meadow Row getting potatoes and greens for my mother not to forget carrots which I almost did she came in the shop in her faded red dress her hair in a mess red marks on her arm one eye closing as if half dozing what did you want young girlie? the greengrocer asked her she gave him a list and he sorted it out I carried my bag to the door I saw your old man earlier I said gave him an icy glare she looked at me then at the carrots orange and raw then at the door didn’t say anything did you? she asked no I kept shtum would have done if I didn't think he'd take it out on you I said is this 3 pounds of spuds? the greengrocer asked can't make out the figure writ she gazed at the piece of paper and said yes 3 I think and off he went shoulders stooping head bent what happened this time? I asked what did he do? he said I slept in too late or spoke out of turn Enid replied belted me thumped me then I cried the greengrocer filled the small bag she held in her small hands and took her coins and gave her change deep inside a child wept near to me but out of range.
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Jun 10, 2014
Jun 10, 2014 at 9:13 AM UTC
PASSING ENID'S FATHER.
Enid turned her wheels A red flash through Luscious green Across the wall of corns In what felt like No time at all The gabble reconvened Inside the hessian on bread street Taiyo and Darcy Evoked the Spanish coast Fresh faces following More mature fingers Frankie and Debs Move us from Spanish shores To Antarctica, with penguins Brian and David Then comes 'The Man' Four men , four beautiful men To play us out and We don't stand a chance with them now
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Jul 6, 2014
Jul 6, 2014 at 3:38 PM UTC
Pens and Ants
Once she's dressed Enid stands in her room her father in the room just next door laughs softly her mother giggles soft not weeping or slap sounds or father bellowing just laughter and giggling Enid opens up her door and they're there at the large wood table sitting close are you out? Father says eyeing her if I may Enid says with Benny? Father says Enid nods if I can her mother stares at her (no black eyes or bruised lips no redness on her cheek) Enid feels anxious now will he slap or whack her as he had a while back? must be good no mischief Father says and he smiles his huge hands that once hit or slapped her just wave her on her way not late though Mother says so unreal Enid thinks this kindness this calmness not be late or naughty Enid says she goes out anxiously once before he would grab and hit her bruise an eye spank her hard as she leaves the front door there's laughter and giggling and new sounds of kissing she goes out in the Square to see if she's lucky Benny's there.
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Dec 16, 2015
Dec 16, 2015 at 4:06 AM UTC
UNREAL 1957
We were on a bomb site off Harper Road Enid and I and two other kids when a rozzer came along and called us off Enid was wide eyed and scared her old man would find out and whack her one what are you doing on here? the rozzer said bomb sites are dangerous places now what's your name? he asked one of the other kids Donald Mallard the kid said and you? he asked the other kid Mickey Harvest the kid replied and you? he asked me hands in my jeans pockets Benny Good I said and you? he asked Enid she's Enid Blyth I said before Enid could open her shivering lips he wrote them down in a black book you all live around here? he said we nodded well don't get on here again or I'll be visiting your parents get it? he said now get off and away I was looking for stones for my catapult I said I don't care if you were looking for flowers for your old gran now get he said we began to walk off the bomb site the other kids walked down Harper Road Enid and I walked down Rockingham Street why did you say my name was Enid Blyth? Enid said never tell a rozzer your real name I said but those other boys did she said no they were giving him false names Donald Mallard I said is a run on Donald Duck because a Mallard is a duck and Mickey Mouse as there's a harvest mouse see? I said she opened her mouth to say something else but didn't and we walked on through the Square to see if her old man was home or not he wasn't so we went in her flat and her mum made us lemonade and we sat in her lounge out of the sun and in the shade.
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Jul 1, 2016
Jul 1, 2016 at 2:37 AM UTC
ROZZER AND A BOMB SITE 1957.
We were on a bomb site off Harper Road Enid and I and two other kids when a rozzer came along and called us off Enid was wide eyed and scared her old man would find out and whack her one what are you doing on here? the rozzer said bomb sites are dangerous places now what's your name? he asked one of the other kids Donald Mallard the kid said and you? he asked the other kid Mickey Harvest the kid replied and you? he asked me hands in my jeans pockets Benny Good I said and you? he asked Enid she's Enid Blyth I said before Enid could open her shivering lips he wrote them down in a black book you all live around here? he said we nodded well don't get on here again or I'll be visiting your parents get it? he said now get off and away I was looking for stones for my catapult I said I don't care if you were looking for flowers for your old gran now get he said we began to walk off the bomb site the other kids walked down Harper Road Enid and I walked down Rockingham Street why did you say my name was Enid Blyth? Enid said never tell a rozzer your real name I said but those other boys did she said no they were giving him false names Donald Mallard I said is a run on Donald Duck because a Mallard is a duck and Mickey Mouse as there's a harvest mouse see? I said she opened her mouth to say something else but didn't and we walked on through the Square to see if her old man was home or not he wasn't so we went in her flat and her mum made us lemonade and we sat in her lounge out of the sun and in the shade.
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97
We come out of the cinema like let loose young dogs of war up and along the New Kent Road the daylight blazing into our eyes the roar of traffic in our ears and on and up by Neptune's fish shop -not to buy no more coins- and wait by the crossing both Enid and me waiting looking at the opposite side of the road at the bomb site the opening of Meadow Row good film wasn't it Enid says looking at me through wire framed spectacles her eyes bright not dull as they usually are no fear there yet of her old man traffic stops and we cross the road and then run onto and across the bomb site I'm riding my imaginary black horse shining like crude oil and she just behind riding her pretend white horse -not side saddle like some lady but like me on the saddle- the whole world stops for us we are riding a new Wild West our guns firing at advancing bad guys or maybe Injuns with tomahawks then she stops in her tracks and stands there sans horse eyes full of fear what do I tell my dad? she says he doesn't know about the cinema what do I say? I look at her my imaginary horse dissolved and I walk over to her see her visibly shaking and I've been with you too what can I tell him? she says I look at her standing there her hands holding each other her eyes fear glazed say you've been with some else to the park what have you she looks at me I can't lie he knows if I lie she says create a truth I say what do you mean? she asks tell him you've seen horses up West up West? yes West End of London but he won't believe me about that what horses he'll say be creative tell him some of what you've seen she frowns about the horses? yes be inventive with it she thinks and we walk down Meadow Row she looking at the ground mind in thought I look at her walking there knowing she'll not get it right no talent for the invented word her old man will whack her sure and as we walk up through the Square I see him on the balcony standing by his door.
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May 24, 2015
May 24, 2015 at 2:04 AM UTC
CONSEQUENCES 1957.
We come out of the cinema like let loose young dogs of war up and along the New Kent Road the daylight blazing into our eyes the roar of traffic in our ears and on and up by Neptune's fish shop -not to buy no more coins- and wait by the crossing both Enid and me waiting looking at the opposite side of the road at the bomb site the opening of Meadow Row good film wasn't it Enid says looking at me through wire framed spectacles her eyes bright not dull as they usually are no fear there yet of her old man traffic stops and we cross the road and then run onto and across the bomb site I'm riding my imaginary black horse shining like crude oil and she just behind riding her pretend white horse -not side saddle like some lady but like me on the saddle- the whole world stops for us we are riding a new Wild West our guns firing at advancing bad guys or maybe Injuns with tomahawks then she stops in her tracks and stands there sans horse eyes full of fear what do I tell my dad? she says he doesn't know about the cinema what do I say? I look at her my imaginary horse dissolved and I walk over to her see her visibly shaking and I've been with you too what can I tell him? she says I look at her standing there her hands holding each other her eyes fear glazed say you've been with some else to the park what have you she looks at me I can't lie he knows if I lie she says create a truth I say what do you mean? she asks tell him you've seen horses up West up West? yes West End of London but he won't believe me about that what horses he'll say be creative tell him some of what you've seen she frowns about the horses? yes be inventive with it she thinks and we walk down Meadow Row she looking at the ground mind in thought I look at her walking there knowing she'll not get it right no talent for the invented word her old man will whack her sure and as we walk up through the Square I see him on the balcony standing by his door.
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84
I was standing on the concrete stairs of our flats waiting for an Injuns attack when Enid's old man came up the stairs quite lively he saw me and smiled and said hello Benny Boy how are we? Once upon a time he would have glared at me but here he was smiling and being friendly (it was as Enid said unnerving him being so nice) I'm ok I said waiting for an attack he stopped and gazed at me attack? What attack? Injuns of the Blackfoot tribe I said o right he said and nodded his head and was about to climb up when I said can Enid come out to play? He looked at me for a few moments then said I guess so as long as she doesn't get into mischief we never get into mischief I said she's too good for that (unlike me I mused) he nodded and went off up the stairs I walked to the balcony and looked over into the Square and took out one of my 6 shooter guns and held it ready the milkman was leading his horse drawn wagon along by the lower flats his black hat at an angle his white coat buttoned up tight Mrs Pignut was walking towards the flats she was carrying a shopping bag a cigarette hanging droopingly from her lips smoke following her like a ghost but no Injuns in sight any Injuns? Enid said coming up behind me and standing beside me no not yet I said who told you I was waiting for Injuns? My dad said he passed you on the stairs and that you asked about me how is he? I said she looked at me he's all right he seems different he hasn't hit me or Mum for a week or two and it's unnerving all the time waiting to see if he will change and go back to how he was she said tell me if goes back I said (although I'd know by a bruise or welt mark like I had before) she nodded her head we both stared into the Square for Injuns but none was there.
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Apr 26, 2016
Apr 26, 2016 at 2:10 AM UTC
NONE WAS THERE 1957.
I was standing on the concrete stairs of our flats waiting for an Injuns attack when Enid's old man came up the stairs quite lively he saw me and smiled and said hello Benny Boy how are we? Once upon a time he would have glared at me but here he was smiling and being friendly (it was as Enid said unnerving him being so nice) I'm ok I said waiting for an attack he stopped and gazed at me attack? What attack? Injuns of the Blackfoot tribe I said o right he said and nodded his head and was about to climb up when I said can Enid come out to play? He looked at me for a few moments then said I guess so as long as she doesn't get into mischief we never get into mischief I said she's too good for that (unlike me I mused) he nodded and went off up the stairs I walked to the balcony and looked over into the Square and took out one of my 6 shooter guns and held it ready the milkman was leading his horse drawn wagon along by the lower flats his black hat at an angle his white coat buttoned up tight Mrs Pignut was walking towards the flats she was carrying a shopping bag a cigarette hanging droopingly from her lips smoke following her like a ghost but no Injuns in sight any Injuns? Enid said coming up behind me and standing beside me no not yet I said who told you I was waiting for Injuns? My dad said he passed you on the stairs and that you asked about me how is he? I said she looked at me he's all right he seems different he hasn't hit me or Mum for a week or two and it's unnerving all the time waiting to see if he will change and go back to how he was she said tell me if goes back I said (although I'd know by a bruise or welt mark like I had before) she nodded her head we both stared into the Square for Injuns but none was there.
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96
Borea,     about Bob in the middle of the people, from the Satanic content throughout, the Yellow Age's bed is not enough, 1 lonely **** puts the radio on; OMFG,                    |  The terrible MOOG votes for the actor to have been joining the Travelling Newsletter as a Peace Center,          |        and **** girls, Couples see if the brightness of the lightness is the video and the only AUMLET; best blistering truly with ******** shadows on Dot's ****    |     one time at the Laguna, Six mimes, and a gray Wolf; she's wearing her War thong and the Fed's idea of Judaism has a lot of meanings,  six of Satan's beauties are ours if their groan is like GRRR, caressing her opponents                                     in danger of being a foreigner who has disappeared; if you have followed 1 of us and           if it is as always                             she stays in the middle of the mountain signs that she had been attorney of the Enid photographs, of course,                 all except the App; that is starting,                     |          the great Chamberlain, the general well with other bracelets,       the wings of the weaving oh,     if we remove                                  the carcass to say to those who abused the face                     of the medium; The Easiest's *** shows the why                    of the skin                            of her wild girl
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Oct 5, 2018
Oct 5, 2018 at 12:13 PM UTC
her wild girl
Borea,     about Bob in the middle of the people, from the Satanic content throughout, the Yellow Age's bed is not enough, 1 lonely **** puts the radio on; OMFG,                    |  The terrible MOOG votes for the actor to have been joining the Travelling Newsletter as a Peace Center,          |        and **** girls, Couples see if the brightness of the lightness is the video and the only AUMLET; best blistering truly with ******** shadows on Dot's ****    |     one time at the Laguna, Six mimes, and a gray Wolf; she's wearing her War thong and the Fed's idea of Judaism has a lot of meanings,  six of Satan's beauties are ours if their groan is like GRRR, caressing her opponents                                     in danger of being a foreigner who has disappeared; if you have followed 1 of us and           if it is as always                             she stays in the middle of the mountain signs that she had been attorney of the Enid photographs, of course,                 all except the App; that is starting,                     |          the great Chamberlain, the general well with other bracelets,       the wings of the weaving oh,     if we remove                                  the carcass to say to those who abused the face                     of the medium; The Easiest's *** shows the why                    of the skin                            of her wild girl
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33
I was sitting on the concrete stairs of the flats where I lived in Banks House when Enid's old man walked up I was ********* cigarette cards of racing drivers he paused at the lower step and said where's Enid? she was in her flat a while ago I said I asked her if she wanted to go out but she said she had to wait to ask you so I thought I'd wait until you came home he looked at me his eyes tired where are you going? he said East Street market I said I want to buy a fish tank for fish I won at the funfair the other night he looked at me why'd you need her to go with you? he said moodily give her a bus ride and see the market traders plying their trade I said I'll see how she's behaved first he said if she's misbehaved I'll slap her backside and no mistake and she'll not go I studied him wondering if he was back to his old ways the Mr Nice Guy mask slipping ok I said I'll wait here he walked past me saying no other words his footsteps heavy on the concrete stairs I wondered if she'd be out and about or if her old man would find some excuse to slap her one and be as it was before him being a pain in the **** maybe less maybe more Enid never showed so I went off to the market to buy a fish tank from a stall on my own hearing in my inner ear Enid's sad moan.
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Jul 25, 2016
Jul 25, 2016 at 1:50 AM UTC
ENID'S OLD MAN AND ME 1957.
The comedian starts off with "Ladies and gentlemen, It's wonderful to be here in downtown Telford..." Enid in the audience says, " Ew, I don't like his shirt. What colour would you call that...puce?" Edna says, " Looks more like puke to me." Giggle giggle giggle The comedian carries on unaware "Yes, downtown Telford. The Hollywood stars all holiday here y'know. Oh yes, the place is awash with champagne and ******* He smiles ruefully. "Asif. I'm lucky to get brown ale... and all that gets up my nose is the wife!" Enid says, "I don't get that." The comic continues, "My wife is very demanding y'know.... She says to me recently that she wants more *** The ****** woman's never satisfied....." Edna says, "That reminds me.... how did you go on with him from packing?" "Well...." says Enid......... and the comic continues "More *** at her age.......! So, I thinks to meself, I'll play along, so I says....What's the matter with you! Ain't once a year enough for you? Quick as a flash she says, "No it ain't. I'm sick of waiting for Santa!" Enid says ".....I just saw this purple thing. I had no idea what it was 'till I touched it!" Much laughter ensues And comedy continues. By Phil Roberts
0
Mar 15, 2016
Mar 15, 2016 at 11:31 AM UTC
COMEDY NIGHT
Enid told me about the chair. Just an ordinary chair; wooden chair with open spaces at the back. Made marks on her back where he'd made her sit so long and where she leaned back. So what did your old man keep you in the chair for so long for? I asked as we stood by the metal green painted fence surrounding the grass outside Banks House. Cross examination, she said, looking away from me, her eyes behind her thick lens glasses gazing at the fresh fish shop across the road. What was he cross examining you about? Someone took money from the money teapot: 15/- it was, so he said. And he thought you took it? She nodded her head. Wasn't me, I never took it. Who did? No idea; my big brother maybe, he needs it, not me. I looked at her standing beside me by the fence, our feet on the space of pavement. Did he hurt you? She bit her lower lip. He kept me in the chair. He said he was keeping me in the chair until I owned up. And did you? I didn't take the money. I thought he'd give up once he realized I never took the money and let me go, but he didn't, he walked around me, hands behind his back, asking me questions. And where was your mother in all this? She sat on the sofa chewing on her handkerchief saying: tell him the truth Enid, tell him the truth. Enid sat by the fence, hands each side of her.   So what happened? I asked, looking for signs of bruises and such. He walked round me and said: I'm not letting you go until you tell the truth. I said I didn't take the money. He clouted me about the head after ten minutes. You'll not get off this time, he said. My head spun. My mum left the room. He told her go get some tea on. I looked at him, but only as he passed in front of me, not all the way round so sometimes he   was out of sight and I didn't know what he was going to do next. He hurt you after that? I asked. He dragged me off the chair and sat down himself and gripped my wrist tight. He made me stand there for ages, him griping my wrist, talking, talking. My legs ached. Wanted to sit on the chair. She was silent; looked at the fresh fish shop. Then he dragged me over, and hit me until I said I had the money. And did you? I asked. I knew she had. The face told me. The eyes behind her thick lens glasses told me. She nodded, looked away. A horse drawn coal wagon went by along Rockingham Street, the coal man sitting on the sack cloth seat dour faced. How about some chips from Neptune's? I said, looking at her, at her grey faded flower dress and the dull green cardigan, her hair pinned back by two metal   hair grips at the side. I didn't have it, didn't have the money, she said, just said it because of him hurting me. I know, I said, don't talk of it again. She nodded and we walked up Meadow Row, in the slow beginning coming down rain.
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May 16, 2015
May 16, 2015 at 2:26 AM UTC
CHAIR OF TORTURE 1957.
Enid told me about the chair. Just an ordinary chair; wooden chair with open spaces at the back. Made marks on her back where he'd made her sit so long and where she leaned back. So what did your old man keep you in the chair for so long for? I asked as we stood by the metal green painted fence surrounding the grass outside Banks House. Cross examination, she said, looking away from me, her eyes behind her thick lens glasses gazing at the fresh fish shop across the road. What was he cross examining you about? Someone took money from the money teapot: 15/- it was, so he said. And he thought you took it? She nodded her head. Wasn't me, I never took it. Who did? No idea; my big brother maybe, he needs it, not me. I looked at her standing beside me by the fence, our feet on the space of pavement. Did he hurt you? She bit her lower lip. He kept me in the chair. He said he was keeping me in the chair until I owned up. And did you? I didn't take the money. I thought he'd give up once he realized I never took the money and let me go, but he didn't, he walked around me, hands behind his back, asking me questions. And where was your mother in all this? She sat on the sofa chewing on her handkerchief saying: tell him the truth Enid, tell him the truth. Enid sat by the fence, hands each side of her.   So what happened? I asked, looking for signs of bruises and such. He walked round me and said: I'm not letting you go until you tell the truth. I said I didn't take the money. He clouted me about the head after ten minutes. You'll not get off this time, he said. My head spun. My mum left the room. He told her go get some tea on. I looked at him, but only as he passed in front of me, not all the way round so sometimes he   was out of sight and I didn't know what he was going to do next. He hurt you after that? I asked. He dragged me off the chair and sat down himself and gripped my wrist tight. He made me stand there for ages, him griping my wrist, talking, talking. My legs ached. Wanted to sit on the chair. She was silent; looked at the fresh fish shop. Then he dragged me over, and hit me until I said I had the money. And did you? I asked. I knew she had. The face told me. The eyes behind her thick lens glasses told me. She nodded, looked away. A horse drawn coal wagon went by along Rockingham Street, the coal man sitting on the sack cloth seat dour faced. How about some chips from Neptune's? I said, looking at her, at her grey faded flower dress and the dull green cardigan, her hair pinned back by two metal   hair grips at the side. I didn't have it, didn't have the money, she said, just said it because of him hurting me. I know, I said, don't talk of it again. She nodded and we walked up Meadow Row, in the slow beginning coming down rain.
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110
Enid sips her share of the Tizer as I share the fruit buns between us it's Easter off from school sitting down on the grass by Bank's House with her palm she slowly wipes the top off of the big Tizer drink bottle and hands it back to me do you get Easter eggs? she asks me one or two I reply I take a big mouthful of Tizer she nibbles her fruit bun do you get Easter eggs? I ask her it depends if I'm good my dad says she replies and are you? am I what? are you good? try to be but then he my daddy says I've not Enid says I hand her the Tizer having wiped the bottle your old man's a pig head Enid snorts and Tizer rises up her small nose I smile then and hand her my hanky a clean one fresh laundered not funny she tells me me choking she wipes the Tizer from her small nose as I pat her thin back and pick off bits of bun exploded on my arm want more drink? not just now she replies with choke tears in her eyes.
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Mar 31, 2015
Mar 31, 2015 at 8:42 AM UTC
ENID CHOKES.